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<rdf:Description rdf:about="https://eu-lac.org/omeka/items/show/127">
    <dcterms:title><![CDATA[Candil p&aacute;ssaro isl&acirc;mico - Islamic bird oil lamp]]></dcterms:title>
    <dcterms:subject><![CDATA[CULTURAL HERITAGE]]></dcterms:subject>
    <dcterms:description><![CDATA[Lâmpada a óleo de metal zoomórfica. Tem a forma de um pássaro em pé com uma cauda aberta. O bico do canal nasce na área do peito. Na cauda e na crista tem orifícios circulares para suspensão. As patas de três dedos e "esporão" estão aparafusadas. Essa lucerna representa uma pomba que, para o mundo islâmico, não possui um valor iconoclasta ou religioso como na arte copta ou bizantina, mas foi usada por seu valor estético em todos os tipos de objetos. Apesar das diferenças em relação a outras lâmpadas metálicas islâmicas, este espécime mostra algumas características formais, decorativas e técnicas que o vinculam a produções do Oriente Médio dos séculos 10 a 13; a representação de um pássaro também é conhecida em vasos e queimadores de incenso de bronze da Anatólia, Irã, Afeganistão, Síria ou Egito dos séculos 11 a 12.

Zoomorphic metal oil lamp. It has the shape of a standing bird with an open tail. The channel spout is born in the chest area. On the tail and crest it has circular holes for suspension. The three-toed and "spur" paws are screw-on. This lucerne represents a dove that, for the Islamic world, does not have an iconoclastic or religious value as in Coptic or Byzantine art, but was used for its aesthetic value in all types of objects. Despite the differences regarding other Islamic metallic lamps, this specimen shows us certain formal, decorative and technical characteristics that link it to near-eastern productions from the 10th to the 13th centuries; the representation of a bird is also known in bronze incense burners and vases from Anatolia, Iran, Afghanistan, Syria or Egypt from the 11th - 12th centuries.]]></dcterms:description>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,38.697271,-9.207835;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://eu-lac.org/omeka/items/show/136">
    <dcterms:title><![CDATA[Marble Heads]]></dcterms:title>
    <dcterms:description><![CDATA[Part of the collection of the National Archaeology Museum of Lisbon. The National Archaeology Museum of Lisbon, founded in 1893 by notable archaeologist José Leite de Vasconcelos, is one of the most important Portuguese museums dedicated to Archaeology.]]></dcterms:description>
    <dcterms:publisher><![CDATA[EULAC]]></dcterms:publisher>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[04f600bf0daa4536a500e71f6aaee9b7]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://eu-lac.org/omeka/items/show/218">
    <dcterms:title><![CDATA[Bica romana - Roman fountain spout]]></dcterms:title>
    <dcterms:subject><![CDATA[CULTURAL HERITAGE]]></dcterms:subject>
    <dcterms:description><![CDATA[Bico romano de fonte de jardim com rosto humano e corimbus no topo da cabeça, feito de bronze. A boca é a abertura para a passagem da água. A parte de trás é plana com restos de chumbo que se conectariam a um duto de água.

Roman garden fountain spout with human face and corymbus on top of its head, made out of bronze. The mouth is the opening for the water to pass through. The back side is flat with remains of lead that would have connected to a water duct. ]]></dcterms:description>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,38.697298,-9.207809;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://eu-lac.org/omeka/items/show/219">
    <dcterms:title><![CDATA[Hand Axe]]></dcterms:title>
    <dcterms:description><![CDATA[Part of the collection of the National Archaeology Museum of Lisbon. The National Archaeology Museum of Lisbon, founded in 1893 by notable archaeologist José Leite de Vasconcelos, is one of the most important Portuguese museums dedicated to Archaeology.]]></dcterms:description>
    <dcterms:publisher><![CDATA[EULAC]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[museums@eu-lac.org]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://eu-lac.org/omeka/items/show/220">
    <dcterms:title><![CDATA[Figura de bronze da carruagem romana - Bronze Roman chariot figure]]></dcterms:title>
    <dcterms:subject><![CDATA[CULTURAL HERITAGE]]></dcterms:subject>
    <dcterms:description><![CDATA[Peça formada por uma quadriga estacionária de cavalos ligados pelas rédeas. Assenta numa plataforma quadrangular com abas com rebordo em três dos lados. Esta está sobre uma base de forma cúbica, oca. Os cavalos têm corpo alongado, pernas hirtas, afastadas umas das outras, e a cauda é bastante espessa, curta e levantada. Mantêm a cabeça inclinada para o centro, parecendo controlados pelo auriga que puxa as rédeas para os suster. Apresentam uma alta crina, que avança para a testa, e duas orelhas arrebitadas. Os olhos são salientes e a boca não está marcada mas encoberta pelas rédeas. A face do cubo voltada para a frente é preenchida, quase na sua totalidade, por uma cabeça de leão que se prolonga pela aba da plataforma. O leão tem uma farta juba, olhos bem assinalados, pequenas orelhas, nariz achatado e uma boca aberta com dois orifícios laterais, donde podia pender uma argola. As arestas são decoradas por incisões em semicírculos irregulares, com um sulco diametralmente colocado, com intenção provável de esquematizar a folhagem. A mesma ornamentação, um pouco ampliada, é utilizada na aba pendente da plataforma; o rebordo desta é recortado por pequenos sulcos paralelos e verticais. De ambos os lados da caixa de inserção, na zona posterior superior dois orifícios, para cravejar a peça à haste de madeira que a suportava.

Piece formed by a stationary quadriga of horses connected by the reins. It rests on a quadrangular platform with flaps with flange on three sides. This is on a hollow cubic base. The horses have an elongated body, straight legs, apart from each other, and the tail is quite thick, short and raised. They keep their heads tilted towards the center, seeming to be controlled by the charioteer who pulls the reins to sustain them. They have a high mane, which advances to the forehead, and two protruding ears. The eyes are prominent and the mouth is not marked but covered by the reins. The face of the cube facing forward is filled, almost in its entirety, by a lion's head that extends over the flap of the platform. The lion has a large mane, well-marked eyes, small ears, a flat nose and an open mouth with two side holes, from which a ring could hang. The edges are decorated by incisions in irregular semicircles, with a groove diametrically placed, with the probable intention of schematizing the foliage. The same ornamentation, slightly enlarged, is used on the platform's pendant flap; its edge is cut by small parallel and vertical grooves. On both sides of the insertion box, in the upper rear area, two holes, to secure the piece to the wooden rod that supported it.]]></dcterms:description>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,38.697271,-9.207835;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://eu-lac.org/omeka/items/show/221">
    <dcterms:title><![CDATA[Oil Lamp]]></dcterms:title>
    <dcterms:description><![CDATA[Part of the collection of the National Archaeology Museum of Lisbon. The National Archaeology Museum of Lisbon, founded in 1893 by notable archaeologist José Leite de Vasconcelos, is one of the most important Portuguese museums dedicated to Archaeology.]]></dcterms:description>
    <dcterms:publisher><![CDATA[EULAC]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[museums@eu-lac.org]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[2db838d85eb445a784aefc78398640db]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://eu-lac.org/omeka/items/show/6264">
    <dcterms:title><![CDATA[Clay jug]]></dcterms:title>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
</rdf:Description></rdf:RDF>