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<item xmlns="http://omeka.org/schemas/omeka-xml/v5" itemId="6430" public="1" featured="1" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://eu-lac.org/omeka/items/show/6430?output=omeka-xml" accessDate="2026-04-04T15:46:08+01:00">
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    <name>Physical Object</name>
    <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <name>Prim Media</name>
        <description>Primary media for this item.</description>
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            <text>246</text>
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        <name>DescriptionEN</name>
        <description>English Description</description>
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            <text>The Dan live mostly in the western part of the Côte d’Ivoire and into Liberia. All Dan masks are sacred; they do not represent spirits of the wilderness, they are these spirits. Dan masks are characterized by a concave face, a protruding mouth, high-domed forehead and are often covered in a rich brown patina. There are a variety of Dan face masks, each of which has a different function. They may be the intermediaries, who acts between the village and the forest initiation camp, may act against bush fires during the dry season, used in pre-war ceremonies, for peace-making ceremonies, for entertainment. Over time, many among them have lost their original function and have been recycled into contexts related to entertainment, emerging only for festivals or events organized for visitors. &#13;
&#13;
Sources: Zyama Tribal African Art&#13;
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>The Dan live mostly in the western part of the Côte d’Ivoire and into Liberia. All Dan masks are sacred; they do not represent spirits of the wilderness, they are these spirits. Dan masks are characterized by a concave face, a protruding mouth, high-domed forehead and are often covered in a rich brown patina. There are a variety of Dan face masks, each of which has a different function. They may be the intermediaries, who acts between the village and the forest initiation camp, may act against bush fires during the dry season, used in pre-war ceremonies, for peace-making ceremonies, for entertainment. Over time, many among them have lost their original function and have been recycled into contexts related to entertainment, emerging only for festivals or events organized for visitors. &#13;
&#13;
Sources: Zyama Tribal African Art&#13;
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Wooden Dan Mask</text>
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        <element elementId="43">
          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
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              <text>6040</text>
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          <name>Type</name>
          <description>The nature or genre of the resource</description>
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          <name>Spatial Coverage</name>
          <description>Spatial characteristics of the resource.</description>
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              <text>current,13.084317,-59.600278;</text>
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        <element elementId="49">
          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>CULTURAL HERITAGE</text>
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          <name>Europeana Data Provider</name>
          <description>The name or identifier of the organisation that contributes data to Europeana.</description>
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              <text>Barbados Museum and Historical Society</text>
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