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    <name>Physical Object</name>
    <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <name>Prim Media</name>
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            <text>479</text>
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        <name>DescriptionEN</name>
        <description>English Description</description>
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            <text>The Cassava grater was part of the preparation process for Cassava by Amerindian communities. Jerome Handler, in his article “Aspects of Amerindian Ethnography in 17th Century Barbados” stated that: “ in processing the cassava, traditional Amerindian techniques generally involved first the scraping off of the skin and then the grating of the root with a grater made of thorny branches, coral, or wood and stone splinters set in a board. In squeezing the juice out of the grated cassava, a cylindrical basketry strainer or press (commonly known as a matapi or tipiti in the ethnographic literature) was employed.” (63)&#13;
&#13;
This particular grater also has a motif of a lizard. Animals such as lizards, frogs or turtles were frequent in Taíno art.&#13;
&#13;
Source: “Aspects of Amerindian Ethnography in 17th Century Barbados”. Author: Jerome S. Handler. Caribbean Studies, Vol. 9, No. 4 (Jan., 1970), pp. 50-72.&#13;
&#13;
Digitized by Toni-Q Harris during the 2018 BMHS 3D Photogrammetry Summer Intensive&#13;
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>The Cassava grater was part of the preparation process for Cassava by Amerindian communities. Jerome Handler, in his article “Aspects of Amerindian Ethnography in 17th Century Barbados” stated that: “ in processing the cassava, traditional Amerindian techniques generally involved first the scraping off of the skin and then the grating of the root with a grater made of thorny branches, coral, or wood and stone splinters set in a board. In squeezing the juice out of the grated cassava, a cylindrical basketry strainer or press (commonly known as a matapi or tipiti in the ethnographic literature) was employed.” (63)&#13;
&#13;
This particular grater also has a motif of a lizard. Animals such as lizards, frogs or turtles were frequent in Taíno art.&#13;
&#13;
Source: “Aspects of Amerindian Ethnography in 17th Century Barbados”. Author: Jerome S. Handler. Caribbean Studies, Vol. 9, No. 4 (Jan., 1970), pp. 50-72.&#13;
&#13;
Digitized by Toni-Q Harris during the 2018 BMHS 3D Photogrammetry Summer Intensive&#13;
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Amerindian Cassava Grater</text>
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          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
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              <text>6055</text>
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          <name>Type</name>
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              <text>current,13.084317,-59.600278;</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>CULTURAL HERITAGE</text>
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              <text>Barbados Museum and Historical Society</text>
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