BRATHWAITE, SAMUEL
type: Person

BRATHWAITE, SAMUEL
type: Person

BRATHWAITE, SAMUEL
type: Person

BRATHWAITE, SIMEON
type: Person

BRATHWAITE, ST CLAIR
type: Person

BRATHWAITE, STANLEY
type: Person

BRATHWAITE, SYDNEY
type: Person

BRATHWAITE, THEO
type: Person

BRATHWAITE, THOMAS
type: Person

BRATHWAITE, WALLACE
type: Person

BRATHWAITE, WILLIAM
type: Person

BRATHWAITE, WILLIAM
type: Person

BRERETON, CLEMENT
type: Person

BRERETON, GENTLE
type: Person

BRERETON, JAMES
type: Person

BRERETON, JOSEPH
type: Person

BRERETON, SAMUEL
type: Person

BRERETON, THOMAS
type: Person

BREWSTER, ADOLPHUS
type: Person

BREWSTER, AUBREY
type: Person

BREWSTER, AUGUSTUS
type: Person

BREWSTER, CHARLES
type: Person

BREWSTER, CHARLES
type: Person

BREWSTER, CONRAD
type: Person

BREWSTER, CYRIL
type: Person

BREWSTER, DAVID
type: Person

BREWSTER, FITZ
type: Person

BREWSTER, FITZ
type: Person

BREWSTER, FRED
type: Person

BREWSTER, FREDERICK
type: Person

BREWSTER, HEZEKIAH
type: Person

BREWSTER, JAMES
type: Person

BREWSTER, JAMES
type: Person

BREWSTER, JOHN
type: Person

BREWSTER, MANUEL
type: Person

BREWSTER, MCDONALD
type: Person

BREWSTER, THOMAS
type: Person

BREWSTER, WILBERT
type: Person

BREWSTER, WILLIAM
type: Person

Brian Batson
subject: arrival
description: Just a quick intro as to why we migrated to Barbados due to post economic conditions in Guyana. again I was very young so I could only go off of what my mother told me as a child. All I know for sure is that she wouldn't have left Guyana unless it was essential to our well being and growth as individuals. She her self goes back from time to time but U have never been back since but I've already had plans to go back whenever I am able to because I heard its very beautiful indeed!
source: stories,arrival
date: 06/06/1996 10:AM
type: Story

Brianna Gibbs
subject: CULTURAL HERITAGE,PEOPLE
description: Why is telling the Windrush story important to you?
creator: Brianna Gibbs
source: stories,Contributers
date: 2018
format: video/mp4
language: English
type: Moving Image

BRIDGEMAN, AARON
type: Person

BRIDGEMAN, ALBERT
type: Person

BRIDGEMAN, DUDLEY
type: Person

BRIDGEMAN, EDWARD
type: Person

BRIDGEMAN, EDWARD
type: Person

BRIGGS, BERRIDGE
type: Person

BRIGGS, HORACE
type: Person

BRIGGS, HORACE
type: Person

BRIGGS, HORACE
type: Person

BRIGGS, JOSEPH
type: Person

Bristol
source: places
contributor: eulac3d
type: Site

BROME, JOSEPH
type: Person

Brooch Stone
description: Part of the collection of the Unst Community Museum. For many hundreds of years Unst has been in the midst of one of the richest fishing grounds in the world. The small wooden boats fished for cod and ling which were cleaned, split, salted and dried on the stony beaches. The dried fish were then shipped abroad in massive quantities. Boats like the sixereen ‘FAR HAAF’ were capable of fishing thirty miles off shore., while sturdy fourereens fished nearer the coast. With the onset of sudden storms there were disastrous results.
source: workshops
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Brooch Stone
description: Part of the collection of the Unst Community Museum. For many hundreds of years Unst has been in the midst of one of the richest fishing grounds in the world. The small wooden boats fished for cod and ling which were cleaned, split, salted and dried on the stony beaches. The dried fish were then shipped abroad in massive quantities. Boats like the sixereen ‘FAR HAAF’ were capable of fishing thirty miles off shore., while sturdy fourereens fished nearer the coast. With the onset of sudden storms there were disastrous results.
language: English
type: Physical Object

BROOKER, CHARLES
type: Person

BROOKS, WILLIAM
type: Person

BROOKS, WILLIAM
type: Person

BROOM, JAMES
type: Person

BROOME, B JOHN
type: Person

BROOME, CHARLES
type: Person

BROOME, CHARLES
type: Person

BROOME, FITZ
type: Person

BROOME, HERBERT
type: Person

BROOME, JAMES
type: Person

BROOME, JAMES
type: Person

BROOME, JOHN
type: Person

BROOME, JOSEPH
type: Person

BROOME, JOSEPH
type: Person

BROOME, PRESTON
type: Person

BROOMES, CHARLES
type: Person

BROOMES, CHARLES
type: Person

BROOMES, HOWARD
type: Person

BROOMES, JOSEPH
type: Person

BROOMES, JOSHUA
type: Person

BROOMES, OSCAR
type: Person

BROOMES, P
type: Person

BROOMES, SAMUEL
type: Person

BROOMES, STEPHEN
type: Person

BROOMS, JAMES
type: Person

BROOMS, JOSEPH
type: Person

BROWN , H
type: Person

BROWN, BELFIELD
type: Person

BROWN, CHARLES
type: Person

BROWN, CHARLES
type: Person

BROWN, HUBERT
type: Person

BROWN, JAMES
type: Person

BROWN, THEOPHILUS
type: Person

BROWNE, ADOLPHUS
type: Person

BROWNE, ALBERT
type: Person

BROWNE, ALBERT
type: Person

BROWNE, ALEXANDER
type: Person

BROWNE, ALONZO
type: Person

BROWNE, ARCHIBALD
type: Person

BROWNE, BENJAMIN
type: Person

BROWNE, EGBERT
type: Person

BROWNE, EGBERT
type: Person

BROWNE, FITZ
type: Person

BROWNE, FITZ
type: Person

BROWNE, HERBERT
type: Person

BROWNE, JAMES
type: Person

BROWNE, JAMES
type: Person

BROWNE, JAMES
type: Person

BROWNE, JAMES
type: Person

BROWNE, JAMES
type: Person

BROWNE, JO
type: Person

BROWNE, JOSEPH
type: Person

BROWNE, JOSIAH
type: Person

BROWNE, LEONARD
type: Person

BROWNE, LEONARD
type: Person

BROWNE, MORTIMER
type: Person

BROWNE, PERCY
type: Person

BROWNE, RICHARD
type: Person

BROWNE, STANLEY
type: Person

BROWNE, THEODORE
type: Person

BROWNE, W
type: Person

BROWNE, WILLIAM
type: Person

BROWNE, WILLIAM
type: Person

BROWNE, WILLIAM
type: Person

BRUCE, EDWIN
type: Person

BRUCE, JOSEPH
type: Person

BRUCE, M
type: Person

BRYAN, ADOLPHUS
type: Person

BRYAN, ARTHUR
type: Person

BRYAN, CHARLES
type: Person

BRYAN, CHARLES
type: Person

BRYAN, EDWARD
type: Person

BRYAN, ERNEST
type: Person

BRYAN, JAMES
type: Person

BRYAN, JAMES
type: Person

BRYAN, JAMES
type: Person

BRYAN, JONATHAN
type: Person

BRYAN, WILLIAM
type: Person

BRYANS, ARCHIBALD
type: Person

BRYANT, FITZ
type: Person

BRYANT, FITZWM
type: Person

BRYANT, JOSEPH
type: Person

BRYANT, JOSEPH
type: Person

Bucos: trabalhos da lã: rodar
description: Neste vídeo poderá visualizar uma das fases do trabalho da lã feito pelas artesãs da freguesia de Bucos (Cabeceiras de Basto): o rodar.
source: community
contributor: eulac3d
type: Moving Image

Bull's horn
subject: CULTURAL HERITAGE
description: Bull's horn, part of the collection of the Charles Town Maroons Museum. The Charles Town Maroons occupied Crawford Town high in the Blue Mountains before signing the Peace Treaty with the British when they moved down to Charles Town on the Buff Bay River, where they remain today. The leader of the Charles Town Maroons was Nanny’s captain, Quao. Maroon communities are led by an elected leader – the Colonel.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Bull's horn
subject: CULTURAL HERITAGE
description: Bull's horn, part of the collection of the Charles Town Maroons Museum. The Charles Town Maroons occupied Crawford Town high in the Blue Mountains before signing the Peace Treaty with the British when they moved down to Charles Town on the Buff Bay River, where they remain today. The leader of the Charles Town Maroons was Nanny’s captain, Quao. Maroon communities are led by an elected leader – the Colonel.
language: English
type: Physical Object

BULLEN, GERALD
type: Person

BULLEN, JOHN
type: Person

BULLEN, JOSEPH
type: Person

BUNYAN, REUBEN
type: Person

Buque trípode - Tripod vessel
subject: CULTURAL HERITAGE
description: Réplica del buque trípode indígena con pico animal. Replica of indigenous tripod vessel with animal spout.
type: Physical Object

Buque trípode - Tripod vessel
subject: CULTURAL HERITAGE
description: Réplica del buque trípode indígena con pico animal. Replica of indigenous tripod vessel with animal spout.
type: 3D Object

BURCH, JOSEPH
type: Person

BURGES, WILLIAM
type: Person

BURGESS, ALFRED
type: Person

BURGESS, ARNOLD
type: Person

BURGESS, ERNEST
type: Person

BURGESS, HENRY
type: Person

BURGESS, JAMES
type: Person

BURKE, CLEVELAND
type: Person

BURKE, FITZ
type: Person

BURKE, JAMES
type: Person

BURKE, JEREMIAH
type: Person

BURKE, JOHN
type: Person

BURKE, JONATHAN
type: Person

BURKE, JONATHAN
type: Person

BURKE, N
type: Person

BURKE, NATHANIEL
type: Person

BURKE, OSCAR
type: Person

BURKE, REGINALD
type: Person

BURKE, REUBEN
type: Person

BURKE, SAMUEL
type: Person

BURKE, WILLIAM
type: Person

BURKETE, CONRADE
type: Person

BURKETT, ALEXANDER
type: Person

BURKETT, ARTHUR
type: Person

BURKETT, ELLIOTT
type: Person

BURKETT, GERALD
type: Person

BURKETT, HENRY
type: Person

BURKETT, WALTER
type: Person

BURKLEY, GORDON
type: Person

BURNAHAM, GERALD
type: Person

BURNETT, AUGUSTUS
type: Person

BURNETT, EDWARD
type: Person

BURNETT, JOSEPH
type: Person

BURNETT, JOSEPH
type: Person

BURNETT, LEA
type: Person

BURNETT, REUBEN
type: Person

BURNETT, THOMAS
type: Person

BURROWES, CLARENCE
type: Person

BURROWES, EDWIN
type: Person

BURROWS, ADOLPHUS
type: Person

BURROWS, CEPHAS
type: Person

BURROWS, CLARENCE
type: Person

BURROWS, CLIFFORD
type: Person

BURROWS, DAVID
type: Person

BURROWS, EDMUND
type: Person

BURROWS, FRED
type: Person

BURROWS, GEORGE
type: Person

BURROWS, ISLEY
type: Person

BURROWS, JAMES
type: Person

BURROWS, JAMES
type: Person

BURROWS, JORDAN
type: Person

BURROWS, JOSEPH
type: Person

BURROWS, MILTON
type: Person

BUSHEL, JAMES
type: Person

BUSHELL, EDWIN
type: Person

BUSHELL, JAMES
type: Person

Bust from Trinidad
subject: CULTURAL HERITAGE
description: Bust from Trinidad, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Bust from Trinidad
subject: CULTURAL HERITAGE
description: Bust from Trinidad, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
language: English
type: Physical Object

BUTCHER, ALFRED
type: Person

BUTCHER, AUGUSTUS
type: Person

BUTCHER, BARCLAY
type: Person

BUTCHER, CECIL
type: Person

BUTCHER, CHRISTOPHER
type: Person

BUTCHER, DOLLY
type: Person

BUTCHER, DUDLEY
type: Person

BUTCHER, HEZEKIAH
type: Person

BUTCHER, HEZEKIAH
type: Person

BUTCHER, JAMES
type: Person

BUTCHER, JOHN
type: Person

BUTCHER, PRESTON
type: Person

buy cialis super active
subject: caribbeanresettlement
description: LEXIS 53867 D buy cialis online without a prescription
source: stories,caribbeanresettlement
date: 1980-11-10
type: Story

BVI EMANCIPATION FESTIVAL CELEBRATIONS
source: Carnival
type: Carnival

BYER, ?
type: Person

BYER, E
type: Person

BYER, FITZ
type: Person

BYER, HUBERT
type: Person

BYER, JAMES
type: Person

BYER, JAMES
type: Person

BYER, JAMES
type: Person

BYER, JOSEPH
type: Person

BYER, SAMUEL
type: Person

BYNOE, ABRAHAM
type: Person

BYNOE, ANDERSON
type: Person

BYNOE, AUBREY
type: Person

BYNOE, BENJAMIN
type: Person

BYNOE, EDWARD
type: Person

BYNOE, GEORGE
type: Person

BYNOE, HEZEKIAH
type: Person

BYNOE, HUNTE
type: Person

BYNOE, JAMES
type: Person

BYNOE, JAMES
type: Person

BYNOE, JAMES
type: Person

BYNOE, JOHN
type: Person

BYNOE, JOSEPH
type: Person

BYNOE, JOSIAH
type: Person

BYNOE, REYNOLD
type: Person

BYNOE, WILLIAM
type: Person

Byre lantern
description: Tradional Shetland farmsteads had outbuildings connected to the house, so people could go through to the byre to tend to the cattle, even in the strongest winter gale. For centuries light came from fish-oil lamps. Once imported glass became common around 1800, people used candle lanterns because they protected the flame from draughts. Home & the Land gallery FPL 65678
publisher: EULAC
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Byre lantern
description: Tradional Shetland farmsteads had outbuildings connected to the house, so people could go through to the byre to tend to the cattle, even in the strongest winter gale. For centuries light came from fish-oil lamps. Once imported glass became common around 1800, people used candle lanterns because they protected the flame from draughts. Home & the Land gallery FPL 65678
language: English
type: Physical Object

C. Gordon Greenidge MBE
subject: arrival
description: Cuthbert Gordon Greenidge was born in Barbados and like many Caribbean families in the late 50’s and 60’s migrated to the UK to seek a better life. Educated at Speightstown Boys School and Black Bess Boys School in Barbados, he continued his education at Alfred Sutton Boys in Reading, and later Clarendon College in Nottingham, where he developed a love for cricket, a game for which he would later become world famous. He had the opportunity to display his cricket prowess playing in Reading, Berkshire and Hampshire and the England Boys School benefitted from his cricket skills. Even though he represented Barbados and the West Indies in cricket, he was still able to make a meaningful contribution to his adopted homeland of the United Kingdom. Whilst still an apprentice at Hampshire, he represented three different clubs playing on Wednesdays, Saturdays and Sundays. He was also privileged to play League Cricket for Leyland in the Lancashire League, playing 19 years for one club. Not only has he been a player but he also conducted Cricket Coaching Clinics at several places, including Nottingham High School and Merchant Taylor’s School. Schools in Scotland have also benefitted from his skills when playing for the club Greenock, which he also represented at the National Level. He continues to be involved in fund raising programmes for clubs and schools throughout the UK.
source: stories,arrival
type: Story

C. Gordon Greenidge MBE
description: Cuthbert Gordon Greenidge was born in Barbados and like many Caribbean families in the late 50’s and 60’s migrated to the UK to seek a better life. Educated at Speightstown Boys School and Black Bess Boys School in Barbados, he continued his education at Alfred Sutton Boys in Reading, and later Clarendon College in Nottingham, where he developed a love for cricket, a game for which he would later become world famous. He had the opportunity to display his cricket prowess playing in Reading, Berkshire and Hampshire and the England Boys School benefitted from his cricket skills. Even though he represented Barbados and the West Indies in cricket, he was still able to make a meaningful contribution to his adopted homeland of the United Kingdom. Whilst still an apprentice at Hampshire, he represented three different clubs playing on Wednesdays, Saturdays and Sundays. He was also privileged to play League Cricket for Leyland in the Lancashire League, playing 19 years for one club. Not only has he been a player but he also conducted Cricket Coaching Clinics at several places, including Nottingham High School and Merchant Taylor’s School. Schools in Scotland have also benefitted from his skills when playing for the club Greenock, which he also represented at the National Level. He continues to be involved in fund raising programmes for clubs and schools throughout the UK.
source: stories,westindians
date: 1951-05-01
type: Person

C.L.R. James
subject: arrival
description: C.L.R. James, in full Cyril Lionel Robert James, (born Jan. 4, 1901, Tunapuna, Trinidad — died May 31, 1989, London, Eng.), was a West Indian-born cultural historian, cricket writer, and political activist who was a leading figure in the Pan-African movement. James was certified as a teacher at Queen’s Royal College in Port of Spain, Trinidad (1918). In 1932 he moved to England, where he published The Life of Captain Cipriani (1932; revised as The Case for West-Indian Self-Government, 1933) with the personal and financial support of the West Indian cricketer and politician Learie (later Lord) Constantine. During the 1930s James was a cricket correspondent for The Guardian (Manchester) and became increasingly involved in Marxist politics and the African and West Indian independence movements. His most notable work was The Black Jacobins (1938), a Marxist study of the Haitian slave revolution of the 1790s, which won him widespread acclaim. James left England to live in the United States (1939–53), but he was expelled for political reasons. He was interned at Ellis Island in New York City, where he wrote an analysis of Herman Melville’s Moby Dick called Mariners, Renegades, and Castaways (1953). Thereafter he moved between London and Trinidad, where he was secretary of the West Indies Federal Labour Party (1958–60). In Beyond a Boundary (1963) James discussed the importance of cricket to the British character and to the development of the West Indies. His other books included the novel Minty Alley (1936), World Revolution (1937), Notes on Dialectics (1971), Nkrumah and the Ghana Revolution (1977), and Cricket (1986), a collection of articles spanning the period 1935 to 1985.
source: stories,arrival
date: 1932
type: Story

C.L.R. James
description: C.L.R. James, in full Cyril Lionel Robert James, (born Jan. 4, 1901, Tunapuna, Trinidad — died May 31, 1989, London, Eng.), was a West Indian-born cultural historian, cricket writer, and political activist who was a leading figure in the Pan-African movement. James was certified as a teacher at Queen’s Royal College in Port of Spain, Trinidad (1918). In 1932 he moved to England, where he published The Life of Captain Cipriani (1932; revised as The Case for West-Indian Self-Government, 1933) with the personal and financial support of the West Indian cricketer and politician Learie (later Lord) Constantine. During the 1930s James was a cricket correspondent for The Guardian (Manchester) and became increasingly involved in Marxist politics and the African and West Indian independence movements. His most notable work was The Black Jacobins (1938), a Marxist study of the Haitian slave revolution of the 1790s, which won him widespread acclaim. James left England to live in the United States (1939–53), but he was expelled for political reasons. He was interned at Ellis Island in New York City, where he wrote an analysis of Herman Melville’s Moby Dick called Mariners, Renegades, and Castaways (1953). Thereafter he moved between London and Trinidad, where he was secretary of the West Indies Federal Labour Party (1958–60). In Beyond a Boundary (1963) James discussed the importance of cricket to the British character and to the development of the West Indies. His other books included the novel Minty Alley (1936), World Revolution (1937), Notes on Dialectics (1971), Nkrumah and the Ghana Revolution (1977), and Cricket (1986), a collection of articles spanning the period 1935 to 1985.
source: stories,westindians
date: 1901-01-04
type: Person

Cántaro antropomórfico - Anthropomorphic cántaro
subject: CULTURAL HERITAGE
description: Cántaro escultórico miniatura con representación antropomorfa. Presenta labio ligeramente engrosado, cuello de paredes divergentes rectas, cuerpo escultórico, y base plana. La superficie externa ha sido bruñida. A miniature clay sculpture pot or pitcher (also known as a Cántaro) with anthropomorphic representation. It has lips that are slightly thickened, a divergent straight neck, a sculptural body, and a flat base. The outer surface has been burnished.
creator: Elaborado en la época Sican (750-1350 AD)
format: text/plain Alias/WaveFront Object
type: 3D Object

Cántaro antropomórfico - Anthropomorphic cántaro
subject: CULTURAL HERITAGE
description: Cántaro escultórico miniatura con representación antropomorfa. Presenta labio ligeramente engrosado, cuello de paredes divergentes rectas, cuerpo escultórico, y base plana. La superficie externa ha sido bruñida. A miniature clay sculpture pot or pitcher (also known as a Cántaro) with anthropomorphic representation. It has lips that are slightly thickened, a divergent straight neck, a sculptural body, and a flat base. The outer surface has been burnished.
creator: Elaborado en la época Sican (750-1350 AD)
type: Physical Object

Cántaro con caras colmillos - Fanged faces pitcher
subject: CULTURAL HERITAGE
description: Cántaro escultórico. Su cuello es evertido con decoración de líneas y bandas pintadas de color blanco. El cuerpo es globular con representaciones de 4 rostros humanos que presentan colmillos, cada rostro está en un lado y tiene líneas finas de color negro que complementa la imagen de los rostros. Por ejemplo, la nariz, en relieve, tiene delineados los orificios y debajo de esta presenta dos círculos con un punto en el centro. También los labios semi abiertos dejan ver los dientes delineados y a los extremos se observan dos colmillos hacia abajo y junto a estos, hacia el interior, dos colmillos hacia arriba. Finalmente, presenta una base pedestal que tiene decoración de círculos negros. A clay sculpture pitcher (also known as a Cántaro). Its neck is covered with decoration of lines and bands painted white. The body is of round shape with representations of 4 human faces with fangs. Each face is situated on a side and has fine black lines complementing it. Per example, the embossed nose is delineated and has defined orifices below which is presented 2 circles with points in the centre. In addition, the lips of the faces are half opened allowing us to see the teeth which are also delineated and at both extremities of each mouth, two fangs are seen pointing downward and, next to these from the inside, two fangs pointing upwards. Finally, the object has a pedestal base delineated with decorations of black circles.
creator: Elaborado en la época Sican (750-1350 AD)
format: text/plain Alias/WaveFront Object
type: 3D Object

Cántaro con caras colmillos - Fanged faces pitcher
subject: CULTURAL HERITAGE
description: Cántaro escultórico. Su cuello es evertido con decoración de líneas y bandas pintadas de color blanco. El cuerpo es globular con representaciones de 4 rostros humanos que presentan colmillos, cada rostro está en un lado y tiene líneas finas de color negro que complementa la imagen de los rostros. Por ejemplo, la nariz, en relieve, tiene delineados los orificios y debajo de esta presenta dos círculos con un punto en el centro. También los labios semi abiertos dejan ver los dientes delineados y a los extremos se observan dos colmillos hacia abajo y junto a estos, hacia el interior, dos colmillos hacia arriba. Finalmente, presenta una base pedestal que tiene decoración de círculos negros. A clay sculpture pitcher (also known as a Cántaro). Its neck is covered with decoration of lines and bands painted white. The body is of round shape with representations of 4 human faces with fangs. Each face is situated on a side and has fine black lines complementing it. Per example, the embossed nose is delineated and has defined orifices below which is presented 2 circles with points in the centre. In addition, the lips of the faces are half opened allowing us to see the teeth which are also delineated and at both extremities of each mouth, two fangs are seen pointing downward and, next to these from the inside, two fangs pointing upwards. Finally, the object has a pedestal base delineated with decorations of black circles.
creator: Elaborado en la época Sican (750-1350 AD)
type: Physical Object

Câmara Municipal de Aveiro
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Câmara Municipal de Belmonte
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Câmara Municipal de Macedo de Cavaleiros (C)
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Câmara Municipal de Melgaço
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Câmara Municipal de Redondo
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Câmara Municipal de Terras de Bouro
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

CADOGAN, ARCHIBALD
type: Person

CADOGAN, BENJAMIN
type: Person

CADOGAN, EVANS
type: Person

CADOGAN, HOWARD
type: Person

CADOGAN, JOSEPH
type: Person

CADOGAN, JOSEPH
type: Person

CADOGAN, JOSEPH
type: Person

CADOGAN, JOSEPH
type: Person

CADOGAN, JOSEPH
type: Person

CADOGAN, MCLEOD
type: Person

CADOGAN, MORTIMER
type: Person

CADOGAN, NORTON
type: Person

CADOGAN, PRINCE
type: Person

CADOGAN, RICHARD
type: Person

CADOGAN, SAMUEL
type: Person

CADOGAN, WILLIAM
type: Person

CAIN, ADOLPHUS
type: Person

CAIN, JAMES
type: Person

Calabash bowl
subject: CULTURAL HERITAGE,ARCHAEOLOGY AND BUILT HERITAGE
description: Calabash bowl made from the fruit of the crescentia cujete tree and was used by the amerindian community.
creator: Amerindian Community
date: Unknown
format: text/plain Alias/WaveFront Object
type: 3D Object

Calabash bowl
subject: CULTURAL HERITAGE,ARCHAEOLOGY AND BUILT HERITAGE
description: Calabash bowl made from the fruit of the crescentia cujete tree and was used by the amerindian community.
creator: Amerindian Community
date: Unknown
type: Physical Object

Calabash Purse
subject: CULTURAL HERITAGE
description: Calabash purse, part of the collection of the National Museum of Jamaica. The National Museum Jamaica is the national agent for the collection, preservation and documentation of Jamaica’s material culture and aims to stimulate serious research and reflection on Jamaica’s history and contemporary life.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Calabash Purse
subject: CULTURAL HERITAGE
description: Calabash purse, part of the collection of the National Museum of Jamaica. The National Museum Jamaica is the national agent for the collection, preservation and documentation of Jamaica’s material culture and aims to stimulate serious research and reflection on Jamaica’s history and contemporary life.
language: English
type: Physical Object

Calabaza decorativa - Decorative gourd
description: Para mantener el agua fresca. También sirve para dar a conocer nuestra leyenda y cultura tradicionales Brunkas como están representados en esta pieza. For maintaining/preserving cold water. In addition it serves to acquaint/inform about the legends and culture of the Indigenous Borucans which are represented in this piece.
creator: Laudencio Zeinu Morales
date: 2010
format: text/plain Alias/WaveFront Object
type: 3D Object

Calabaza decorativa - Decorative gourd
description: Para mantener el agua fresca. También sirve para dar a conocer nuestra leyenda y cultura tradicionales Brunkas como están representados en esta pieza. For maintaining/preserving cold water. In addition it serves to acquaint/inform about the legends and culture of the Indigenous Borucans which are represented in this piece.
creator: Laudencio Zeinu Morales
date: 2010
type: Physical Object

Calabaza decorativa - Decorative gourd 3D image
description: An image of the 3D object Calabaza decorativa, a decorative gourd
type: Still Image

Calabazo - Gourd
subject: CULTURAL HERITAGE
description: Su uso era para llevar agua a trabajar. Its usage is for carrying water to work (due to the ability of preserving freshness and temperature of water).
date: 2009
format: text/plain Alias/WaveFront Object
language: Spanish
type: 3D Object

Calabazo - Gourd
subject: CULTURAL HERITAGE
description: Su uso era para llevar agua a trabajar. Its usage is for carrying water to work (due to the ability of preserving freshness and temperature of water).
date: 2009
language: Spanish
type: Physical Object

Calero
subject: CULTURAL HERITAGE
description: Objeto de piedra trabajado conocido como “calero”, con forma ovoide, Tiene una representación zoomorfa en relieve. Object of sculpted stone known as “calero” which has an ovoid form (i.e. egg form). It has a zoomorphic representation.
creator: Elaborado en la época Sican (750-1350 AD)
format: text/plain Alias/WaveFront Object
type: 3D Object

Calero
subject: CULTURAL HERITAGE
description: Objeto de piedra trabajado conocido como “calero”, con forma ovoide, Tiene una representación zoomorfa en relieve. Object of sculpted stone known as “calero” which has an ovoid form (i.e. egg form). It has a zoomorphic representation.
creator: Elaborado en la época Sican (750-1350 AD)
source: workshops
contributor: eulac3d
type: Physical Object

CALLENDAR, JAMES
type: Person

CALLENDER, ADOLPHUS
type: Person

CALLENDER, ALFRED
type: Person

CALLENDER, BENJAMIN
type: Person

CALLENDER, CHARLES
type: Person

CALLENDER, CONRAD
type: Person

CALLENDER, DAMUEL
type: Person

CALLENDER, DAVID
type: Person

CALLENDER, EDMUND
type: Person

CALLENDER, EGBERT
type: Person

CALLENDER, ERNEST
type: Person

CALLENDER, ESAU
type: Person

CALLENDER, FITZ
type: Person

CALLENDER, GEORGE
type: Person

CALLENDER, GEORGE
type: Person

CALLENDER, HENRY
type: Person

CALLENDER, HILTON
type: Person

CALLENDER, JAMES
type: Person

CALLENDER, JAMES
type: Person

CALLENDER, JAMES
type: Person

CALLENDER, JOSEPH
type: Person

CALLENDER, JOSEPH
type: Person

CALLENDER, JOSEPH
type: Person

CALLENDER, MOSES
type: Person

CALLENDER, OSWALD
type: Person

CALLENDER, PRINCE
type: Person

CALLENDER, ROBERT
type: Person

CALLENDER, RUPERT
type: Person

CALLENDER, SAMUEL
type: Person

CALLENDER, SAMUEL
type: Person

CALLENDER, SAMUEL
type: Person

CALLENDER, SEIBERT
type: Person

CALLENDER, SYDNEY
type: Person

CALLENDER, WILLIAM
type: Person

Camarones de cerámica - Shrimp ceramic
subject: CULTURAL HERITAGE
description: Botella escultórica representando un camarón; es una vasija pulida, la pasta es de color naranja. A clay sculpture in the form of a bottle representing a Caridean shrimp, it is a polished vessel, the paste of the surface is of orange colour.
creator: Elaborado en la época Sican (750-1350 AD)
language: Spanish
type: Physical Object

Camarones de cerámica - Shrimp ceramic
subject: CULTURAL HERITAGE
description: Botella escultórica representando un camarón; es una vasija pulida, la pasta es de color naranja. A clay sculpture in the form of a bottle representing a Caridean shrimp, it is a polished vessel, the paste of the surface is of orange colour.
creator: Elaborado en la época Sican (750-1350 AD)
format: text/plain Alias/WaveFront Object
language: Spanish
type: 3D Object

Cambridge Carnival International
description: The annual Cambridge Carnival International festival uses the Trinidad and Tobago model to bring together Cambridge’s diverse community for a spectacular annual costume parade and celebration.
source: Carnival
type: Carnival

CAMPBELL, CHARLES
type: Person

CAMPBELL, FITZ
type: Person

CAMPBELL, GEORGE
type: Person

CAMPBELL, GEORGE
type: Person

CAMPBELL, LAWRENCE
type: Person

CAMPBELL, LAWRENCE
type: Person

CAMPBELL, RICHARD
type: Person

CAMPBELL, ROBERT
type: Person

CAMPBELL, SANDIFORD
type: Person

CAMPBELL, STANFORD
type: Person

Canastreiro
description: Vídeo do Museu da Memória Rural de Vilarinho da Castanheira. Complemento audiovisual do discurso museográfico patente nesta unidade museológica do concelho de Carrazeda de Ansiães
contributor: eulac3d
type: Moving Image

Candelabro Bávaro - Bavarian Candlestick
subject: CULTURAL HERITAGE
description: Artefacto de madera policromada, en color blanco y con motivo de la rosa de los Alpes. Per-teneció a una misión Capuchina en el sur de Chile. Polychrome wooden artifact, in white and with the motif of the rose of the Alps. It belonged to a Capuchin mission in southern Chile.
creator: Orden capuchina
date: Siglo XIX - XX
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

Candelabro Bávaro - Bavarian Candlestick
subject: CULTURAL HERITAGE
description: Artefacto de madera policromada, en color blanco y con motivo de la rosa de los Alpes. Per-teneció a una misión Capuchina en el sur de Chile. Polychrome wooden artifact, in white and with the motif of the rose of the Alps. It belonged to a Capuchin mission in southern Chile.
creator: Orden capuchina
date: Siglo XIX - XX
language: Español
type: Physical Object

Candil pássaro islâmico - Islamic bird oil lamp
subject: CULTURAL HERITAGE
description: Lâmpada a óleo de metal zoomórfica. Tem a forma de um pássaro em pé com uma cauda aberta. O bico do canal nasce na área do peito. Na cauda e na crista tem orifícios circulares para suspensão. As patas de três dedos e "esporão" estão aparafusadas. Essa lucerna representa uma pomba que, para o mundo islâmico, não possui um valor iconoclasta ou religioso como na arte copta ou bizantina, mas foi usada por seu valor estético em todos os tipos de objetos. Apesar das diferenças em relação a outras lâmpadas metálicas islâmicas, este espécime mostra algumas características formais, decorativas e técnicas que o vinculam a produções do Oriente Médio dos séculos 10 a 13; a representação de um pássaro também é conhecida em vasos e queimadores de incenso de bronze da Anatólia, Irã, Afeganistão, Síria ou Egito dos séculos 11 a 12. Zoomorphic metal oil lamp. It has the shape of a standing bird with an open tail. The channel spout is born in the chest area. On the tail and crest it has circular holes for suspension. The three-toed and "spur" paws are screw-on. This lucerne represents a dove that, for the Islamic world, does not have an iconoclastic or religious value as in Coptic or Byzantine art, but was used for its aesthetic value in all types of objects. Despite the differences regarding other Islamic metallic lamps, this specimen shows us certain formal, decorative and technical characteristics that link it to near-eastern productions from the 10th to the 13th centuries; the representation of a bird is also known in bronze incense burners and vases from Anatolia, Iran, Afghanistan, Syria or Egypt from the 11th - 12th centuries.
format: text/plain Alias/WaveFront Object
type: 3D Object

Candil pássaro islâmico - Islamic bird oil lamp
subject: CULTURAL HERITAGE
description: Lâmpada a óleo de metal zoomórfica. Tem a forma de um pássaro em pé com uma cauda aberta. O bico do canal nasce na área do peito. Na cauda e na crista tem orifícios circulares para suspensão. As patas de três dedos e "esporão" estão aparafusadas. Essa lucerna representa uma pomba que, para o mundo islâmico, não possui um valor iconoclasta ou religioso como na arte copta ou bizantina, mas foi usada por seu valor estético em todos os tipos de objetos. Apesar das diferenças em relação a outras lâmpadas metálicas islâmicas, este espécime mostra algumas características formais, decorativas e técnicas que o vinculam a produções do Oriente Médio dos séculos 10 a 13; a representação de um pássaro também é conhecida em vasos e queimadores de incenso de bronze da Anatólia, Irã, Afeganistão, Síria ou Egito dos séculos 11 a 12. Zoomorphic metal oil lamp. It has the shape of a standing bird with an open tail. The channel spout is born in the chest area. On the tail and crest it has circular holes for suspension. The three-toed and "spur" paws are screw-on. This lucerne represents a dove that, for the Islamic world, does not have an iconoclastic or religious value as in Coptic or Byzantine art, but was used for its aesthetic value in all types of objects. Despite the differences regarding other Islamic metallic lamps, this specimen shows us certain formal, decorative and technical characteristics that link it to near-eastern productions from the 10th to the 13th centuries; the representation of a bird is also known in bronze incense burners and vases from Anatolia, Iran, Afghanistan, Syria or Egypt from the 11th - 12th centuries.
type: Physical Object

CAREW, ALFRED
type: Person

CAREW, DAVID
type: Person

CAREW, JOSEPH
type: Person

Caribana barbuda
source: Carnival
type: Carnival

Caribbean
source: places
contributor: eulac3d
type: Site

Caribbean Migrants contribution to British Music Culture
source: stories
contributor: eulac3d
format: video/mp4
type: Moving Image

Caribbean Museum Center for The Arts
source: Museums
publisher: CINE
type: Museum

Caribbean Wax Museum
source: Museums
publisher: CINE
type: Museum

Caribe-Expo
source: Carnival
type: Carnival

Carifest
source: Carnival
type: Carnival

Carifiesta
source: Carnival
type: Carnival

Cariwest
source: Carnival
type: Carnival

Carl Cox
description: Anyone who felt that the British Parliament was the preserve of those who wield political power, now stands corrected. For one night only the control of the UK Parliament was handed over to Barbadian-British DJ Carl Cox to lead members in a disorderly session. The British Parliament invited the veteran house DJ to headline a charity bash. “House The House” by the Last Night A DJ Saved My Life Foundation. The event, a competition focused on engaging young people to support children in conflict zones, took place on the 11th of May 2016 at the Westminster Palace. The “House The House” event is open to aspiring DJs between the ages of 14 to 24, who raise funds for the charity and submit their own music mixes for the chance to open the event for the DJ legend. Other prizes include DJ equipment and the chance to see Carl Cox perform in Ibiza. Described as a musical ambassador and one of the most charming DJs in the business, few persons, including many Barbadians are aware that Carl Cox has roots in Barbadian soil. Born in Manchester, at the age of 15 Carl bought a set of turntables and began working as a Disco DJ. By the early 80s, he had joined the ranks of other young London DJs playing groove, hip-hop and electro, but by the late 80s had distinguished himself with his own sound ‘Phuture track’. When Cox’s 1991 debut single ‘I Want You.’ became a hit, including a Top of the Pops appearance, his career took off. Now the owner of 2 labels, with 4 albums to his credit and more than 900, 000 Facebook followers, this veteran of 30+ years in the music business has achieved much. He has played all over the world, including to a crowd of 1, 400, 000 in Duisburg Germany. DJ Magazine ranked him as the Number One DJ in the World in 1996 and 1997, and he is included on the top 100 list of best Glastonbury performances ever. Now in his mid-50s. Cox is planning to take it more slowly. having announced that 2016 was his 15th and last season as resident DJ at Space. Space, an Ibiza ni…
source: stories,westindians
date: 1962-07-29
type: Person

CARLISLE, SAMUEL
type: Person

Carmen Munroe OBE
subject: arrival
description: Carmen Munroe is a British actress best known for her role as Shirley, the wife of barber Desmond Ambrose, played by Norman Beaton, in the British TV sitcom Desmond’s (1989 to 1994). She was born in Berbice, Guyana on November 12th 1932 and has been a resident of the UK since the early 1950’s where she performed with the West Indian Students’ Drama Group. In 1962 she made her professional stage debut at London’s Wyndham’s Theatre in Tennessee Williams’ Period of Adjustment, and later played leading roles in other West End productions: Alun Owen’s There’ll Be Some Changes Made (1969), Jean Genet’s The Blacks (1970), and as Orinthia in George Bernard Shaw’s The Apple Cart (1970). Carmen has played an instrumental role in the development of black British theatre and representation on small screen. She has had high-profile roles on television in The Fosters (1976–77), Mixed Blessings (1978–80), both on ITV, and on stage in Lorraine Hansberry’s A Raisin in the Sun, Alice Childress’s Trouble in Mind and James Baldwin’s The Amen Corner. Some of her other roles include a part in the 1967 Doctor Who story “The Enemy of the World”; a part in General Hospital; and she was for a time a presenter of Play School. She is also one of the founders of Talawa, the UK’s leading black theatre company, which she established in 1985 together with Mona Hammond, Inigo Espegel and Yvonne Brewster.
source: stories,arrival
type: Story

Carmen Munroe OBE
description: Carmen Munroe is a British actress best known for her role as Shirley, the wife of barber Desmond Ambrose, played by Norman Beaton, in the British TV sitcom Desmond’s (1989 to 1994). She was born in Berbice, Guyana on November 12th 1932 and has been a resident of the UK since the early 1950’s where she performed with the West Indian Students’ Drama Group. In 1962 she made her professional stage debut at London’s Wyndham’s Theatre in Tennessee Williams’ Period of Adjustment, and later played leading roles in other West End productions: Alun Owen’s There’ll Be Some Changes Made (1969), Jean Genet’s The Blacks (1970), and as Orinthia in George Bernard Shaw’s The Apple Cart (1970). Carmen has played an instrumental role in the development of black British theatre and representation on small screen. She has had high-profile roles on television in The Fosters (1976–77), Mixed Blessings (1978–80), both on ITV, and on stage in Lorraine Hansberry’s A Raisin in the Sun, Alice Childress’s Trouble in Mind and James Baldwin’s The Amen Corner. Some of her other roles include a part in the 1967 Doctor Who story “The Enemy of the World”; a part in General Hospital; and she was for a time a presenter of Play School. She is also one of the founders of Talawa, the UK’s leading black theatre company, which she established in 1985 together with Mona Hammond, Inigo Espegel and Yvonne Brewster.
source: stories,westindians
date: 1932-11-12
type: Person

CARMICHAEL, DELTON
type: Person

CARMICHAEL, EDWARD
type: Person

CARMICHAEL, LESLIE
type: Person

Carnaval Brasileiro
source: Carnival
rights: governadoreduardocampos, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0>, via Wikimedia Commons
type: Carnival

Carnaval de Ponce
description: The Carnaval de Ponce, officially Carnaval Ponceño, is an annual celebration held in Ponce, Puerto Rico. The celebration lasts one week and it ends on the day before Ash Wednesday.
source: Carnival
type: Carnival

Carnaval Tropical de Paris
source: Carnival
rights: Basile Pachkoff Basili, CC BY-SA 3.0 <https://creativecommons.org/licenses/by-sa/3.0>, via Wikimedia Commons
type: Carnival

Carnival in the Dominican Republic
description: The Carnival in the Dominican Republic is a Dominican celebration that takes place throughout February; although some Dominicans (rarely) celebrate it during Holy Week in March. [1] Dominicans are usually most festive on February 27th, which is the Dominican Independence Day. In Santo Domingo, celebrations include a large military display with the Dominican air force, navy, and army. Festivities often include the wearing of colorful costumes that symbolize Dominican religious and traditional characters such as Calife, Guloya, and Diablo Cojuelo. Festivities take place all over the island, with each town adding its own twist to the celebration.
source: Carnival
type: Carnival

Carnival of Santiago de Cuba
description: When the carnival begins in Santiago de Cuba, the whole city turns into one big party! The carnival of Santiago de Cuba is the largest, most famous, and most traditional carnival in all of Cuba, and is an explosion of colour, contagious drum rhythms, and dance. It is also a time for Cubans to re-gather themselves and remember their history, community, and culture, and is often punctuated by the Cuban national holiday of July 26th.
source: Carnival
rights: Poster for the 1974 Carnival of Santiago de Cuba by Leon Petrosyan licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
type: Carnival

CARRAVALLO, WESLEY
type: Person

Carrington Village, near Bridgetown, Barbados
source: places
contributor: eulac3d
type: Site

CARRINGTON, ALBERT
type: Person

CARRINGTON, AUGUSTUS
type: Person

CARRINGTON, CHARLES
type: Person

CARRINGTON, CLIFFORD
type: Person

CARRINGTON, COLERIDGE
type: Person

CARRINGTON, COLERIDGE
type: Person

CARRINGTON, CONRADE
type: Person

CARRINGTON, EDGHILL
type: Person

CARRINGTON, ELLIOTT
type: Person

CARRINGTON, EVAN
type: Person

CARRINGTON, GEORGE
type: Person

CARRINGTON, HUBERT
type: Person

CARRINGTON, JAMES
type: Person

CARRINGTON, JAMES
type: Person

CARRINGTON, JAMES
type: Person

CARRINGTON, JOHN
type: Person

CARRINGTON, JOSEPH
type: Person

CARRINGTON, JOSEPH
type: Person

CARRINGTON, JOSEPH
type: Person

CARRINGTON, JOSEPH
type: Person

CARRINGTON, OLWAI
type: Person

CARRINGTON, WILLIAM
type: Person

Cartaxo Museu Rural e do Vinho do Concelho do Cartaxo
description: Situado no Complexo Desportivo e Cultural da Quinta das Pratas, este espaço constitui um dos locais de maior interesse do concelho, reunindo elementos que permitem conhecer a história e a tradição da terra, assim como as principais atividades que contribuem para a preservação da identidade deste concelho ribatejano.
source: community
contributor: eulac3d
type: Moving Image

CARTER, ALBERT
type: Person

CARTER, ALONZO
type: Person

CARTER, BELFIELD
type: Person

CARTER, BENJAMIN
type: Person

CARTER, CECIL
type: Person

CARTER, CHARLES
type: Person

CARTER, DAVID
type: Person

CARTER, DAWES
type: Person

CARTER, DONALD
type: Person

CARTER, EDWARD
type: Person

CARTER, FITZ
type: Person

CARTER, FOSTER
type: Person

CARTER, JAMES
type: Person

CARTER, JAMES
type: Person

CARTER, JAMES
type: Person

CARTER, JOHN
type: Person

CARTER, JOSEPH
type: Person

CARTER, JOSEPH
type: Person

CARTER, LYTHCOTT
type: Person

CARTER, MORTIMER
type: Person

CARTER, OLWAI
type: Person

CARTER, REYNOLD
type: Person

CARTER, SIMEON
type: Person

CARTER, SIMEON
type: Person

CARTER, THEODORA
type: Person

Caryl Phillips
subject: arrival
description: Caryl Phillips was born on 13 March 1958 on the Caribbean island of St Kitts. He grew up in Leeds, England, and read English at Queen's College, Oxford. He is the author of six novels, several books of non-fiction and has written for film, theatre, radio and television. Much of his writing - both fiction and non-fiction - has focused on the legacy of the Atlantic slave trade and its consequences for the African Diaspora. The Final Passage (1985), his first novel, won the Malcolm X Prize for Literature. It tells the story of a young woman who leaves her home in the Caribbean to start a new life with her husband and baby in 1950s London. His second novel, A State of Independence (1986), is set in the Caribbean and explores the islands' growing dependency on America. Higher Ground (1989) consists of three narratives linking the lives of a West African slave, a member of the Black Panther movement and a Polish immigrant living in post-war Britain. Cambridge (1991), his fourth novel, is set in the first half of the nineteenth century and centres on the experiences of a young Englishwoman visiting her father's plantation in the Caribbean. The book won the Sunday Times Young Writer of the Year Award. Crossing the River (1993) won the James Tait Black Memorial Prize (for fiction) and was shortlisted for the Booker Prize for Fiction. Phillips' non-fiction includes a travel narrative, The European Tribe (1987), winner of the Martin Luther King Memorial Prize, and The Atlantic Sound (2000), an account of a journey he made to three vital hubs of the Atlantic slave trade: Liverpool in England, Elmina on the west coast of Ghana, and Charleston in the American South. A New World Order: Selected Essays was published in 2001, and A Distant Shore in 2003, the latter being an exploration of isolation and consolation in an English village. He is also the editor of Extravagant Strangers (1997), a collection of writings by British writers born outside Britain, including work by Ignatius …
source: stories,arrival
type: Story

Caryl Phillips
description: Caryl Phillips was born on 13 March 1958 on the Caribbean island of St Kitts. He grew up in Leeds, England, and read English at Queen's College, Oxford. He is the author of six novels, several books of non-fiction and has written for film, theatre, radio and television. Much of his writing - both fiction and non-fiction - has focused on the legacy of the Atlantic slave trade and its consequences for the African Diaspora. The Final Passage (1985), his first novel, won the Malcolm X Prize for Literature. It tells the story of a young woman who leaves her home in the Caribbean to start a new life with her husband and baby in 1950s London. His second novel, A State of Independence (1986), is set in the Caribbean and explores the islands' growing dependency on America. Higher Ground (1989) consists of three narratives linking the lives of a West African slave, a member of the Black Panther movement and a Polish immigrant living in post-war Britain. Cambridge (1991), his fourth novel, is set in the first half of the nineteenth century and centres on the experiences of a young Englishwoman visiting her father's plantation in the Caribbean. The book won the Sunday Times Young Writer of the Year Award. Crossing the River (1993) won the James Tait Black Memorial Prize (for fiction) and was shortlisted for the Booker Prize for Fiction. Phillips' non-fiction includes a travel narrative, The European Tribe (1987), winner of the Martin Luther King Memorial Prize, and The Atlantic Sound (2000), an account of a journey he made to three vital hubs of the Atlantic slave trade: Liverpool in England, Elmina on the west coast of Ghana, and Charleston in the American South. A New World Order: Selected Essays was published in 2001, and A Distant Shore in 2003, the latter being an exploration of isolation and consolation in an English village. He is also the editor of Extravagant Strangers (1997), a collection of writings by British writers born outside Britain, including work by Ignatius …
source: stories,westindians
date: 1958-03-13
type: Person

Casa do Cante de Serpa
description: A missão da Casa do Cante é a salvaguarda do cante Alentejano, cuja visão é a sustentabilidade do território através da Identidade, e onde os objetivos são criar projetos que autossustentem e valorizem os elementos de uma identidade em constante dinâmica.O projeto pretende ser uma plataforma entre as pessoas, os grupos e as comunidades, detentoras dos bens culturais imateriais, entre os investigadores e os centros de investigação dedicados a esta área. O edifício integra um centro de documentação, uma galeria de exposições temporárias e um auditório. No centro de documentação o visitante pode aceder a toda a informação sobre o cante Alentejano, assim como a bibliografia em diferentes suportes sobre a polifonia tradicional em Portugal, no Mediterrâneo e no Mundo. The mission of Casa do Cante is to safeguard the Cente Alentejano, whose vision is the sustainability of the territory through Identity, and where the objectives are to create projects that self-sustain and value the elements of an identity in constant dynamics.The project intends to be a platform between individuals, groups and communities, holders of intangible cultural goods, between researchers and research centers dedicated to this area and between agents of the cultural economy. The building includes a documentation center, a gallery of temporary exhibitions, and an auditorium, a cafeteria and a shop. In the documentation center the visitor can access all the information about cante Alentejano, as well as the bibliography in different supports on the traditional polyphony in Portugal in the Mediterranean and in the World.
source: community
date: 2012-07-21
type: Museum

Casa Museo Hermanas Mirabal
source: Museums
publisher: CINE
type: Museum

Casa Tornini Museo - Centro Cultural
description: Casa Tornini, Museo - Centro Cultural ha establecido como misión proteger, conservar, difundir y desarrollar el patrimonio e identidad cultural de Caldera y Atacama, mediante la gestión de instancias de acercamiento a las artes, la educación, las ciencias y el turismo.
source: community
type: Museum

Casa Tornini Museo - Centro Cultural
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Casa-Museo de la Semana Santa Marinera
description: El museo es el lugar en el que se salvaguardan buena parte de las imágenes procesionales de las distintas cofradías, hermandades y corporaciones de la ciudad, en particular de los Poblados Marítimos. El espacio museístico se articula en una única sala diáfana, en la que se ha señalado un recorrido de visita que permite la observación ordenada y sucesiva de los “tronos-anda” con pasajes bíblicos y las esculturas religiosas de las diferentes cofradías, hermandades y corporaciones.. Esta popular celebración está declarada de Interés Nacional. El museo es un reflejo del sentimiento de un barrio, Canyamelar, hacia su fiesta.
source: community
type: Museum

Castillo Serrallés
description: Castillo Serrallés is a mansion located in the city of Ponce, Puerto Rico, overlooking the downtown area. It was built during the 1930s for Juan Eugenio Serrallés, son of businessman Juan Serrallés, founder of Destilería Serrallés.
source: Museums
publisher: CINE
type: Museum

CATLEN, CHARLES
type: Person

CATLIN, THOMAS
type: Person

CATLIN, WILLIAM
type: Person

CATLYNE, CLIFTON
type: Person

CAVALHO, GEORGE
type: Person

CAVAN, REYNOLD
type: Person

Cave Hill Campus
source: Contributers
type: Museum

CAVE, ?
type: Person

CAVE, AUBREY
type: Person

CAVE, GEORGE
type: Person

CAVE, HENRY
type: Person

Cayman Islands National Museum
description: The Cayman Islands National Museum is a museum in the Cayman Islands. It is housed in the former Old Courts Building on Harbor Drive in George Town, Grand Cayman.
source: Museums
publisher: CINE
type: Museum

Cayman Islands National Museum
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Cecil Baugh
subject: arrival
description: Cecil Archibald Baugh, Jamaican potter (born Nov. 22, 1908, Bangor Ridge, Jam.—died June 28, 2005, Kingston, Jam.), was one of the most influential Caribbean potters of the 20th century and was renowned for works that showcased his artistry and technical creativity. During his adolescent years he was given the task to take food for his brother at Long Mountain Road (now Mountain View Avenue. It was here that he was first exposed to the ancient art of pottery. Young Cecil Baugh watched the women who made and fired the yabbah bowls which were produced by a technique which survived from the days of slavery itself, and was of African origin. His first efforts were limited to ‘dollyhouse’ items including little clay tables and chairs, which brought him earnings of three shillings a week on average. He soon ‘graduated’ into making flower pots and yabbahs. He increased his earnings but more importantly, fuelled the fires of his ambition. He was about 25 years old in 1933 when an incident occurred bringing a new dimension to his work and changing the face of ceramics. One night while firing his day’s work he noticed fire escaping through the top of his rude kiln. Not wanting the temperature to drop he quickly grabbed the nearest thing he could find to cover it. It was a sheet of copper. As the copper became increasingly hot, he saw a flame coming from it. It was not orange-red as he was used to, but turquoise. As it licked at the night Cecil Baugh thought it was the prettiest colour he had ever seen, and he thought about capturing that colour in his work. Having no formal education in chemistry he quite often did not get the colours he tried for, but whatever came out was new to Jamaicans and he sold all he could make In 1941, in response to a newspaper advertisement Cecil Baugh enlisted in the Royal Engineers of the British Army. He kept in close touch with his art, but because of World War II, work in ceramics was at a minimum. He claimed that in 1942 his Division was sen…
source: stories,arrival
type: Story

Cecil Baugh
description: Cecil Archibald Baugh, Jamaican potter (born Nov. 22, 1908, Bangor Ridge, Jam.—died June 28, 2005, Kingston, Jam.), was one of the most influential Caribbean potters of the 20th century and was renowned for works that showcased his artistry and technical creativity. During his adolescent years he was given the task to take food for his brother at Long Mountain Road (now Mountain View Avenue. It was here that he was first exposed to the ancient art of pottery. Young Cecil Baugh watched the women who made and fired the yabbah bowls which were produced by a technique which survived from the days of slavery itself, and was of African origin. His first efforts were limited to ‘dollyhouse’ items including little clay tables and chairs, which brought him earnings of three shillings a week on average. He soon ‘graduated’ into making flower pots and yabbahs. He increased his earnings but more importantly, fuelled the fires of his ambition. He was about 25 years old in 1933 when an incident occurred bringing a new dimension to his work and changing the face of ceramics. One night while firing his day’s work he noticed fire escaping through the top of his rude kiln. Not wanting the temperature to drop he quickly grabbed the nearest thing he could find to cover it. It was a sheet of copper. As the copper became increasingly hot, he saw a flame coming from it. It was not orange-red as he was used to, but turquoise. As it licked at the night Cecil Baugh thought it was the prettiest colour he had ever seen, and he thought about capturing that colour in his work. Having no formal education in chemistry he quite often did not get the colours he tried for, but whatever came out was new to Jamaicans and he sold all he could make In 1941, in response to a newspaper advertisement Cecil Baugh enlisted in the Royal Engineers of the British Army. He kept in close touch with his art, but because of World War II, work in ceramics was at a minimum. He claimed that in 1942 his Division was sen…
source: stories,westindians
date: 1908-11-22
type: Person

Centro Cultural Eduardo León Jimenes
description: Modern museum with exhibits on local ecology, art & history, plus a garden, restaurant & auditorium.
source: Museums
publisher: CINE
type: Museum

Centro Cultural Museo y Memoria de Neltume
description: Presenta un recorrido histórico del territorio forestal y la comunidad cordillerana, formada en torno a diversas faenas de explotación industrial del bosque nativo. Durante el siglo XX, fueron testigos de importantes acontecimientos y procesos sociales, como la reforma agraria, la represión militar y la devastación de los recursos naturales. El museo expone testimonios de trabajadores, herramientas y utensilios forestales y domésticos, fotografías aportadas por la comunidad en un proceso de recopilación que se ha extendido por 12 años. Se encuentra albergado en una casona que ha sido testigo de las distintas etapas de historia forestal a lo largo de casi un siglo y en proceso de ser declarada Monumento Histórico. Presents a historical trajectory of the forest territory and the mountain community, formed around various forms of industrial exploitation of the native forest. During the 20th century, they witnessed important social events and processes, such as agrarian reform, military repression and the devastation of natural resources. The museum exhibits workers' testimonies, tools, and forest and domestic utensils, photographs contributed by the community in a compilation process that has been extended for twelve years. It is located in a house that has witnessed the different stages of forest history over almost a century and in the process of being declared Historic Monument.
source: community
type: Museum

Centro de Cultura Tradicional Curarrehue
description: El Centro de Cultura Tradicional Curarrehue tiene como finalidad rescatar y valorizar las tradiciones y elementos característicos que configuran la idiosincrasia de la cultura popular y tradicional de la Región del Bío-Bío.
source: community
type: Museum

Centro de Cultura Tradicional Curarrehue
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Centro Interpretativo da Máscara Ibérica
description: Este espaço cultural dedicado à Máscara e às tradicionais festas ibéricas que envolvem o seu uso conta com locais de exposição, mediateca, fototeca e uma biblioteca, e pretende a valorização, promoção e divulgação da Máscara, património cultural universalmente reconhecido.
source: community
date: 1936-07-08
type: Museum

Centro Interpretativo de Atouguia da Baleia
description: O Centro Interpretativo de Atouguia da Baleia tem como objetivo o estudo, valorização e divulgação do património histórico e cultural do concelho, proporcionando uma visão integrada da Região Histórica de Atouguia da Baleia. Para tal, abarca conhecimentos de diversas áreas científicas que vão desde a geologia e da paleontologia à arqueologia e à história, passando também pela geografia humana e pela antropologia. A sua gestão assume um caráter tripartido, associando três entidades – Município de Peniche, Junta de Freguesia de Atouguia da Baleia e Fábrica da Igreja Paroquial da Freguesia de São Leonardo de Atouguia da Baleia. Para este projeto concorrem também os contributos das populações da freguesia e do concelho. The Interpretive Center of Atouguia da Baleia aims to study, value and disseminate the historical and cultural heritage of the county, providing an integrated view of the Historic Region of Atouguia da Baleia. To this end, it encompasses knowledge of diverse scientific areas ranging from geology and paleontology to archeology and history, as well as human geography and anthropology. Its management takes on a tripartite character, associating three entities - Municipality of Peniche, Local Governement of Atouguia da Baleia and Factory of the Parochial Church of the Parish of São Leonardo de Atouguia da Baleia. Also contributing to this project are contributions from the populations of the parish and the municipality.
source: community
type: Museum

Cerámica de animal con bebe - Ceramic of animal with baby
subject: CULTURAL HERITAGE
description: Botella escultórica con representación zoomorfa. Presenta gollete de paredes ligeramente divergentes rectas, asa estribo posterior, cuerpo escultórico, base pedestal y fondo plano. La superficie externa ha sido bruñida. Representa a un mamífero cargando a su cría. A clay sculpture in the form of a bottle with zoomorphic representations. It presents a neck slightly divergent from an exact straight line. It has a posterior stirrup handle and a sculpturesque body with a pedestal base and a flat bottom. The external surface was burnished. This artefact represent a mammal carrying its puppies {or baby mammals}.
creator: Elaborado en la época Sican (750-1350 AD)
type: 3D Object

Cerámica de animal con bebe - Ceramic of animal with baby
subject: CULTURAL HERITAGE
description: Botella escultórica con representación zoomorfa. Presenta gollete de paredes ligeramente divergentes rectas, asa estribo posterior, cuerpo escultórico, base pedestal y fondo plano. La superficie externa ha sido bruñida. Representa a un mamífero cargando a su cría. A clay sculpture in the form of a bottle with zoomorphic representations. It presents a neck slightly divergent from an exact straight line. It has a posterior stirrup handle and a sculpturesque body with a pedestal base and a flat bottom. The external surface was burnished. This artefact represent a mammal carrying its puppies {or baby mammals}.
creator: Elaborado en la época Sican (750-1350 AD)
type: Physical Object

Cerámica Huaco Blackware - Blackware Huaco ceramic
subject: CULTURAL HERITAGE
description: Vasija de cerámica Blackware Huaco con dos pequeñas criaturas a los lados. Blackware Huaco ceramic vessel with two small creatures on the sides.
format: text/plain Alias/WaveFront Object
type: 3D Object

Cerámica Huaco Blackware - Blackware Huaco ceramic
subject: CULTURAL HERITAGE
description: Vasija de cerámica Blackware Huaco con dos pequeñas criaturas a los lados. Blackware Huaco ceramic vessel with two small creatures on the sides.
type: Physical Object

Ceramic Cream Preserve Pot
subject: CULTURAL HERITAGE
description: From collection at Timespan Museum. “Rich Preserved Cream, From The Wigtownshre Creamery Co. Stranraer Boracsed”.
source: workshops
format: text/plain Alias/WaveFront Object
type: 3D Object

Ceramic Cream Preserve Pot
subject: CULTURAL HERITAGE
description: From collection at Timespan Museum. “Rich Preserved Cream, From The Wigtownshre Creamery Co. Stranraer Boracsed”.
source: workshops
contributor: eulac3d
language: English
type: Physical Object

Ceramic Jug - Bridges Collection
type: Physical Object

Cerdo alcancía - Piggy bank
description: Su uso es de ahorrar dinero. It is used for saving or setting aside money.
creator: Zoraida Grijalba
date: 2010
language: Spanish
type: Physical Object

Cerdo alcancía - Piggy bank
description: Su uso es de ahorrar dinero. It is used for saving or setting aside money.
creator: Zoraida Grijalba
date: 2010
format: text/plain Alias/WaveFront Object
language: Spanish
type: 3D Object

Ceumannan Staffin Ecomuseum
description: Skye Ecomuseum is Scotland's only Ecomuseum. Located on the Isle of Skye in the north east of Scotland, itn is managed by Staffin Community Trust. The Skye Ecomuseum has had funding from a variety of European and national sources, including the Heritage Lottery Fund (HLF), 10 years ago. Also known as Ceumannan, which is “footsteps” in Gaelic, the project is estimated to have helped attract thousands of extra visitors annually to Staffin and encouraged them to stay longer, which boosts the local economy. El eco-museo de Skye es el único eco-museo de Escocia. Localizado en la Isla de Skye, al noreste de Escocia, es gestionado por la Organización de desarrollo de la comunidad de Staffin. El eco-museo de Skye ha recibido fondos de varias fuentes nacionales y europeas como el UK Heritage Lottery Fund (HLF), hace 10 años. Conocido también como Ceumannan que significa “pasos” en gaélico, se estima que el proyecto ha ayudado a atraer miles de visitantes extras al año a Staffin y ha fomentado que se queden por más tiempo, lo que estimula la economía local.
source: workshops,community
type: Museum

CHADERTON, FITZ
type: Person

Chaguaramas Military History and Aerospace Museum
source: Museums,museumvisits
type: Museum

CHALLENOR, ALAN
type: Person

CHALLENOR, URBAN
type: Person

CHALLENORE, ?
type: Person

CHANDLER, CLAYTON
type: Person

CHANDLER, CLIFTON
type: Person

CHANDLER, EDWARD
type: Person

CHANDLER, JAMES B
type: Person

CHANDLER, JOSEPH
type: Person

CHANDLER, LAWSON
type: Person

CHANDLER, PRINCE
type: Person

CHANDLER, SAMUEL
type: Person

Chapelton, Jamaica
source: places
contributor: eulac3d
type: Site

Charity Winner's Medal
subject: CULTURAL HERITAGE,HISTORY,SOCIAL HISTORY
description: Walter Tull won the Charity Winner's Medal early (September 1909) in his first season with Tottenham Hotspur. He signed for Spurs on 20th July, and then seemed to have played preseason cricket for the team. His signing on fee was £10, and he was then paid £4 a week as a player.
source: waltertull
contributor: eulac3d
format: image/png
type: Still Image

Charity Winners Medal
description: 1909, Tottenham Hotspur
source: waltertull
contributor: eulac3d
language: English
type: Physical Object

Charles Town Maroons Cultural Center and Museum
description: The Maroon’s Cultural Center, nestled in rural Charles Town along a lazy rolling white water river coming down from the Blue Mountains. The Maroon’s autonomy from the island’s government dates back to centuries old treaties and remains to this day. The “Colonel “of the local Maroons has created a rustic cultural museum of artifacts, tools, instruments and documents that date back to the time of pirates and the slave trade. His main goal in creating this museum was to teach the locals their culture and restore them to their Maroon identity.
source: workshops,caribworkshops
type: Museum

Charles Town Maroons Cultural Center and Museum
description: The Maroon’s Cultural Center, nestled in rural Charles Town along a lazy rolling white water river coming down from the Blue Mountains. The Maroon’s autonomy from the island’s government dates back to centuries old treaties and remains to this day. The “Colonel “of the local Maroons has created a rustic cultural museum of artifacts, tools, instruments and documents that date back to the time of pirates and the slave trade. His main goal in creating this museum was to teach the locals their culture and restore them to their Maroon identity.
type: Collection

Charles Town Maroons Cultural Center and Museum Photosphere 1
date: 2017:01:17 20:04:27
format: image/jpeg
language: English
type: Panorama

Charles Town Maroons Cultural Center and Museum Photosphere 2
date: 2017:01:17 17:51:16
format: image/jpeg
language: English
type: Panorama

Charles Town Maroons Cultural Center and Museum Photosphere 3
date: 2017:01:17 17:55:22
format: image/jpeg
language: English
type: Panorama

Charles Town Maroons Cultural Center and Museum Photosphere 4
date: 2017:01:17 14:51:14
format: image/jpeg
language: English
type: Panorama

Charles Town Maroons Cultural Center and Museum Photosphere 5
date: 2017:01:17 14:54:36
format: image/jpeg
language: English
type: Panorama

Charles Town Maroons Cultural Center and Museum Photosphere 6
date: 2017:01:17 14:56:22
format: image/jpeg
language: English
type: Panorama

Charles Town Maroons Cultural Center and Museum Tour
description: The Maroon’s Cultural Center, nestled in rural Charles Town along a lazy rolling white water river coming down from the Blue Mountains. The Maroon’s autonomy from the island’s government dates back to centuries old treaties and remains to this day. The “Colonel “of the local Maroons has created a rustic cultural museum of artifacts, tools, instruments and documents that date back to the time of pirates and the slave trade. His main goal in creating this museum was to teach the locals their culture and restore them to their Maroon identity.
publisher: EU-LAC
language: English
type: Tour

CHASE, CHARLES
type: Person

CHASE, CONRAD
type: Person

CHASE, DANIEL
type: Person

CHASE, FITZ
type: Person

CHASE, HENRY
type: Person

CHASE, JAMES
type: Person

CHASE, JAMES
type: Person

CHASE, JOSEPH
type: Person

CHASE, JOSEPH
type: Person

CHASE, JOSIAH
type: Person

CHASE, LEONY
type: Person

CHASE, LEWIS
type: Person

CHASE, LEWIS
type: Person

CHASE, NORMAN
type: Person

CHASE, PERCY
type: Person

CHASE, REGINALD
type: Person

CHASE, ROBERT
type: Person

CHASE, TEDRICKS
type: Person

CHASE, WALTER
type: Person

CHELTENHAM, ALAN
type: Person

CHESSMAN, EVANS
type: Person

Chicago CARIFETE
source: Carnival
type: Carnival

Chimpanzee skull
description: Chimpanzee skull from the collections in the Bell Pettigrew Natural History, part of the Museums of the University of St Andrews.
source: workshops
format: text/plain Alias/WaveFront Object
type: 3D Object

Chimpanzee skull
description: Chimpanzee skull from Bell Pettigrew Natural History Museum handling collection for mammology studies
type: Physical Object

CHRIST CHURCH
source: barbadosmigration
type: Parish

CHRISTE, ARNOLD
type: Person

CHRISTIAN, JOHN
type: Person

CHRISTIAN, WILLIAM
type: Person

CHRISTIE, MOSES
type: Person

CLAKRE, CECIL
type: Person

CLAKRE, JOSEPH
type: Person

CLAKRE, WILLIAM
type: Person

CLARK, CHARLES
type: Person

CLARKE, AARON
type: Person

CLARKE, ADOLPHUS
type: Person

CLARKE, ADOLPHUS
type: Person

CLARKE, AGUSTUS
type: Person

CLARKE, ARCHIBALD
type: Person

CLARKE, CHARLES
type: Person

CLARKE, CHRIS
type: Person

CLARKE, CHRISTOPHER
type: Person

CLARKE, CLARENCE
type: Person

CLARKE, CLEMENT
type: Person

CLARKE, CLEMENT
type: Person

CLARKE, CLIFFORD
type: Person

CLARKE, DAVID
type: Person

CLARKE, EDMUND
type: Person

CLARKE, EDWARD
type: Person

CLARKE, EDWARD
type: Person

CLARKE, EDWARD
type: Person

CLARKE, EDWARD
type: Person

CLARKE, EDWARD
type: Person

CLARKE, EDWIN
type: Person

CLARKE, ERNEST
type: Person

CLARKE, EVAN
type: Person

CLARKE, EVANS
type: Person

CLARKE, FITZ
type: Person

CLARKE, FRED
type: Person

CLARKE, FRED
type: Person

CLARKE, GEORGE
type: Person

CLARKE, GEORGE
type: Person

CLARKE, GEORGE
type: Person

CLARKE, H
type: Person

CLARKE, HENRY
type: Person

CLARKE, HERBERT
type: Person

CLARKE, HOLMAN
type: Person

CLARKE, HUBERT
type: Person

CLARKE, JACOB
type: Person

CLARKE, JACOB
type: Person

CLARKE, JAMES
type: Person

CLARKE, JAMES
type: Person

CLARKE, JAMES
type: Person

CLARKE, JAMES
type: Person

CLARKE, JAMES
type: Person

CLARKE, JAMES
type: Person

CLARKE, JAMES
type: Person

CLARKE, JAMES
type: Person

CLARKE, JAMES
type: Person

CLARKE, JOHN
type: Person

CLARKE, JOHN
type: Person

CLARKE, JOHN
type: Person

CLARKE, JOHN
type: Person

CLARKE, JOSEPH
type: Person

CLARKE, JOSEPH
type: Person

CLARKE, JOSEPH
type: Person

CLARKE, JOSEPH
type: Person

CLARKE, JOSEPH
type: Person

CLARKE, JOSEPH
type: Person

CLARKE, JOSEPH
type: Person

CLARKE, JOSHUA
type: Person

CLARKE, LAURIE
type: Person

CLARKE, LEMUEL
type: Person

CLARKE, LINDEN
type: Person

CLARKE, NATHANIEL
type: Person

CLARKE, NATHANIEL
type: Person

CLARKE, PETER
type: Person

CLARKE, RICHARD
type: Person

CLARKE, RUPERT
type: Person

CLARKE, S
type: Person

CLARKE, SAMUEL
type: Person

CLARKE, SAMUEL
type: Person

CLARKE, SAMUEL
type: Person

CLARKE, SAMUEL
type: Person

CLARKE, SOLOMON
type: Person

CLARKE, ST CLAIR
type: Person

CLARKE, THOMAS
type: Person

CLARKE, THOMAS
type: Person

CLARKE, THOMAS
type: Person

CLARKE, WALTER
type: Person

CLARKE, WILLIAM
type: Person

CLARKE, WILLIAM
type: Person

CLARKE, WILLIAM
type: Person

CLARKE, WILLIAM
type: Person

CLARKE, WILLIAM
type: Person

CLARKE, WILLIAM
type: Person

Claudia Jones
subject: arrival
description: Claudia Jones, feminist, black nationalist, political activist, community leader, communist and journalist, has been described as the mother of the Notting Hill Carnival. The diversity of her political affiliations clearly illustrated her multifaceted approach to the struggle for equal rights in the 20th century. She was born in Belmont, Port-of-Spain, Trinidad in 1915 and at the age of eight moved to Harlem, New York with her parents and three sisters. Her education was cut short by Tuberculosis and the damage to her lungs as well as severe heart disease plagued Claudia for the rest of her life. For over 30 years she lived in New York and during this time became an active member of the American Communist party, an organisation in which her journalistic and community leadership skills were maximised. By 1948 she had become the editor of Negro Affairs for the party's paper the Daily Worker and had evolved into an accomplished speaker on human and civil rights. In 1955 she was deported from the US and given asylum in England, where she spent her remaining years working with London's African-Caribbean community. She founded and edited The West Indian Gazette which despite financial problems remained crucial in her fight for equal opportunities for black people. Claudia Jones lasting legacy is undoubtedly the Notting Hill Carnival, which she helped launch in 1959 as an annual showcase for Caribbean talent. These early celebrations were held in halls and were epitomised by the slogan, 'A people's art is the genesis of their freedom'.
source: stories,arrival
type: Story

Claudia Jones
description: Claudia Jones, feminist, black nationalist, political activist, community leader, communist and journalist, has been described as the mother of the Notting Hill Carnival. The diversity of her political affiliations clearly illustrated her multifaceted approach to the struggle for equal rights in the 20th century. She was born in Belmont, Port-of-Spain, Trinidad in 1915 and at the age of eight moved to Harlem, New York with her parents and three sisters. Her education was cut short by Tuberculosis and the damage to her lungs as well as severe heart disease plagued Claudia for the rest of her life. For over 30 years she lived in New York and during this time became an active member of the American Communist party, an organisation in which her journalistic and community leadership skills were maximised. By 1948 she had become the editor of Negro Affairs for the party's paper the Daily Worker and had evolved into an accomplished speaker on human and civil rights. In 1955 she was deported from the US and given asylum in England, where she spent her remaining years working with London's African-Caribbean community. She founded and edited The West Indian Gazette which despite financial problems remained crucial in her fight for equal opportunities for black people. Claudia Jones lasting legacy is undoubtedly the Notting Hill Carnival, which she helped launch in 1959 as an annual showcase for Caribbean talent. These early celebrations were held in halls and were epitomised by the slogan, 'A people's art is the genesis of their freedom'.
source: stories,westindians
date: 1915-02-21
type: Person

Claudio Mendoza de Castro
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Clavo de ferrocarril - Railroad Nail
subject: CULTURAL HERITAGE
description: Clavo macizo de hierro empleado para la fijación de los durmientes en la línea del ferrocarril. Donado por Eriberto Pérez. Solid iron nail used to fix the sleepers on the railway line. Donated by Eriberto Pérez.
creator: Chileno
date: Siglo XIX-XX
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

Clavo de ferrocarril - Railroad Nail
subject: CULTURAL HERITAGE
description: Clavo macizo de hierro empleado para la fijación de los durmientes en la línea del ferrocarril. Donado por Eriberto Pérez. Solid iron nail used to fix the sleepers on the railway line. Donated by Eriberto Pérez.
creator: Chileno
date: Siglo XIX-XX
language: Español
type: Physical Object

Clay jug
language: English
type: 3D Object

Clay jug
language: English
type: Physical Object

Cleaver Woods Amerindian Display
source: Museums,museumvisits
type: Museum

CLEMART, JOSEPH
type: Person

CLEMENT, HAROLD
type: Person

CLEMENT, HUBERT
type: Person

CLEMENT, NORMAN
type: Person

CLEMENT, SAM
type: Person

CLEMENTS, PRESTON
type: Person

Cleo Laine
description: From her modest beginnings as a singer in English dance halls, Cleo Laine has gone on to achieve international fame by continually expanding her talents in a career which spans some four decades. She is one of the most celebrated singers of our time. Cleo commands a dazzling array of vocal styles and is the only singer ever to receive Grammy nominations in the Female Jazz, Popular, and Classical categories. Laine began her musical career in the early 50's in her native England, where she was born in a London suburb. Cleo showed early singing talent which was nurtured by her Jamaican father and English mother who sent her to singing and dancing lessons. In addition to concert appearances, Cleo has carved a niche as an illustrious actress. Laine's professional career in the legitimate theatre began in London when she starred in Flesh to a Tiger, directed by Tony Richardson at the Royal Court Theatre. Her theatrical credits include A Midsummer Night 's Dream, Valmouth, Women of Troy and the title role in Ibsen's Hedda Gabler. In 1983 Cleo became the first British artist to win a coveted Grammy award - Best Female Jazz Vocalist, for the third of her "live" Carnegie Hall albums, all recorded at the famous New York auditorium. She has been a frequent guest on American television including such specials as "An Evening at the Boston Pops with Cleo Laine" and "Cleo Laine: Live at Wolftrap". In addition to her numerous international television specials, she has also been a featured performer on the classic British television show 'That Was The Week That Was". In addition to receiving an honorary Doctor of Music degree from Boston's prestigious Berklee School of Music and being named, along with her husband John Dankworth, the Variety Club's "Show Business Personality of the Year," Cleo Laine was honoured by Queen Elizabeth with an O.B.E. The beginning of this decade has already brought Cleo new acclaim with a Presidential Lifetime Achievement Award presented by the National A…
source: stories,westindians
date: 1927-10-28
type: Person

CLINTON, ADOLPHUS
type: Person

CLINTON, AGUSTUS
type: Person

CLINTON, GEORGE
type: Person

CLINTON, GEORGE
type: Person

CLINTON, PHILIP
type: Person

COBHAM, ARTHUR
type: Person

COBHAM, ERNEST
type: Person

COBHAM, TIMOTHY
type: Person

COBHAM, WILLIAM
type: Person

Cocina con ollas - Wood stove child's toy
subject: CULTURAL HERITAGE
description: Conjunto de juguetes, confeccionados en metal con asas de bronce. Representan una cocina a leña con y implementos. Son 5 objetos que se describen a continuación: Olla de metal con asas de bronce, con tapa. Alto: 5,9 cms, diámetro 7 cms. Olla de metal con asas de bronce, con tapa. Alto: 5,9 cms, diámetro 7 cms. Sartén con tapa y mango de metal negro. Alto 4,5 cms, diametro 7 cms. Fuente para sopa de forma ovalada, con tapa y asas de bronce. Eje focal 11,8 cms. Eje normal 6,2 cms. Alto 4,5 cms. Rallador confeccionado en metal plateado. Largo 11 cms 4,5 cms de ancho. Set of toys, made of metal with bronze handles. They represent a wood stove with and implements. There are 5 objects that are described below: Metal pot with bronze handles, with lid. Height: 5.9 cm, diameter 7 cm. Metal pot with bronze handles, with lid. Height: 5.9 cm, diameter 7 cm. Frying pan with lid and handle in black metal. Height 4.5 cm, diameter 7 cm. Oval-shaped soup bowl with a lid and bronze handles. Focal axis 11.8 cm. Normal axis 6,2 cms. Height 4.5 cms. Grater made of silver metal. Length 11 cm 4.5 cm wide.
creator: Europea
date: Siglo XIX-XX
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

Cocina con ollas - Wood stove child's toy
subject: CULTURAL HERITAGE
description: Conjunto de juguetes, confeccionados en metal con asas de bronce. Representan una cocina a leña con y implementos. Son 5 objetos que se describen a continuación: Olla de metal con asas de bronce, con tapa. Alto: 5,9 cms, diámetro 7 cms. Olla de metal con asas de bronce, con tapa. Alto: 5,9 cms, diámetro 7 cms. Sartén con tapa y mango de metal negro. Alto 4,5 cms, diametro 7 cms. Fuente para sopa de forma ovalada, con tapa y asas de bronce. Eje focal 11,8 cms. Eje normal 6,2 cms. Alto 4,5 cms. Rallador confeccionado en metal plateado. Largo 11 cms 4,5 cms de ancho. Set of toys, made of metal with bronze handles. They represent a wood stove with and implements. There are 5 objects that are described below: Metal pot with bronze handles, with lid. Height: 5.9 cm, diameter 7 cm. Metal pot with bronze handles, with lid. Height: 5.9 cm, diameter 7 cm. Frying pan with lid and handle in black metal. Height 4.5 cm, diameter 7 cm. Oval-shaped soup bowl with a lid and bronze handles. Focal axis 11.8 cm. Normal axis 6,2 cms. Height 4.5 cms. Grater made of silver metal. Length 11 cm 4.5 cm wide.
creator: Europea
date: Siglo XIX-XX
language: Español
type: Physical Object

CODRINGTON, ALBAN
type: Person

CODRINGTON, BOY
type: Person

CODRINGTON, CLEMENT
type: Person

CODRINGTON, EVELYN
type: Person

CODRINGTON, JAMES
type: Person

CODRINGTON, LEWIS
type: Person

CODRINGTON, WILLIAM
type: Person

COGGINS, CHRISTOPHER
type: Person

COLBROOK, CHARLES
type: Person

COLLINS, ALONZO
type: Person

COLLINS, ARTHUR
type: Person

COLLINS, ELTON
type: Person

COLLINS, GERALD
type: Person

COLLINS, GERALD
type: Person

COLLINS, JOHN
type: Person

COLLINS, WILLIAM
type: Person

COLLYMORE, ?
type: Person

COLLYMORE, A
type: Person

COLLYMORE, ALLAN
type: Person

COLLYMORE, CYRIL
type: Person

COLLYMORE, DAVID
type: Person

COLLYMORE, DAVID
type: Person

COLLYMORE, DUNCAN
type: Person

COLLYMORE, EDWIN
type: Person

COLLYMORE, JOSEPH
type: Person

COLLYMORE, JULIAN
type: Person

COLLYMORE, NATHANIEL
type: Person

Colonial Church of Nicoya
source: workshops
type: Tour

COLTRESS, JOSEPH
type: Person

Comb case
subject: CULTURAL HERITAGE
description: Comb case, part of the collection of the National Museum of Jamaica. The National Museum Jamaica is the national agent for the collection, preservation and documentation of Jamaica’s material culture and aims to stimulate serious research and reflection on Jamaica’s history and contemporary life.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Comb case
subject: CULTURAL HERITAGE
description: Comb case, part of the collection of the National Museum of Jamaica. The National Museum Jamaica is the national agent for the collection, preservation and documentation of Jamaica’s material culture and aims to stimulate serious research and reflection on Jamaica’s history and contemporary life.
language: English
type: Physical Object

Community Museum Lanco
source: workshops
type: Museum

Community Museum Lanco
source: workshops
type: Collection

Community museum of Boruca Indians
source: workshops
type: Tour

Concha - Seashell
description: Un método tradicional para llamar a la comunidad en caso de trabajo. A traditional method to call the community in case of work.
type: 3D Object

Concha - Seashell
description: Un método tradicional para llamar a la comunidad en caso de trabajo. A traditional method to call the community in case of work.
type: Physical Object

Concha de molusco - Mollusc shell
subject: CULTURAL HERITAGE
description: Se trata de un molusco que en su cara anterior presenta franjas semicirculares sobre su superficie, en la cara posterior tiene una forma cónica con una concavidad en uno de sus extremos cubierta por su propia estructura. Este molusco es un Strombus que usualmente se usa como instrumento musical. This model represents a mollusc animal which has on its frontal face surface semi-circular fringes and on its back face it has a conical form with a concavity in one of its extremities covered by its own structure. This mollusc is a Strombus which is usually used as a musical instrument.
creator: Elaborado en la época Sican (750-1350 AD)
format: text/plain Alias/WaveFront Object
type: 3D Object

Concha de molusco - Mollusc shell
subject: CULTURAL HERITAGE
description: Se trata de un molusco que en su cara anterior presenta franjas semicirculares sobre su superficie, en la cara posterior tiene una forma cónica con una concavidad en uno de sus extremos cubierta por su propia estructura. Este molusco es un Strombus que usualmente se usa como instrumento musical. This model represents a mollusc animal which has on its frontal face surface semi-circular fringes and on its back face it has a conical form with a concavity in one of its extremities covered by its own structure. This mollusc is a Strombus which is usually used as a musical instrument.
creator: Elaborado en la época Sican (750-1350 AD)
type: Physical Object

CONDEW, EMANUEL
type: Person

Congo Road, St Philip, Barbados
source: places
contributor: eulac3d
type: Site

CONLIFFE, GEORGE
type: Person

CONLIFFE, GORDON
type: Person

CONLIFFE, REGINALD
type: Person

Connected ceramic pot
subject: CULTURAL HERITAGE,ARCHAEOLOGY AND BUILT HERITAGE
description: Connected ceramic vessel used for ceremonies. Object in the Museo Túcume.
source: workshops
contributor: eulac3d
format: text/plain Alias/WaveFront Object
type: 3D Object

Connected ceramic pot
contributor: eulac3d
format: text/plain Alias/WaveFront Object
type: 3D Object

CONNELL, HOWARD
type: Person

CONNELL, JAEHEUS
type: Person

CONNELL, JAMES
type: Person

CONNELL, JAMES
type: Person

CONNELL, WILLIAM
type: Person

CONRADE, JAMES
type: Person

CONSTANT, CHARLES
type: Person

Contenedor de pollo - Chicken feed container
subject: CULTURAL HERITAGE
description: Ceramic container of cylindrical form manufactured by Wheel used to drink the hens. Recipiente cerámico de forma cilíndrica fabricado por Wheel para beber las gallinas.
format: text/plain Alias/WaveFront Object
language: Catalan (valencian)
type: 3D Object

Contenedor de pollo - Chicken feed container
subject: CULTURAL HERITAGE
description: Ceramic container of cylindrical form manufactured by Wheel used to drink the hens. Recipiente cerámico de forma cilíndrica fabricado por Wheel para beber las gallinas.
language: Catalan (valencian)
type: Physical Object

COOK, DANIEL
type: Person

COOK, HENRY
type: Person

COOK, JOSEPH
type: Person

COOMBE, LAWSON
type: Person

COOMBS, JULIUS
type: Person

COOMBS, PRESTON
type: Person

Cooperativa.cl
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

COPPIN, ALFRED
type: Person

COPPIN, DAVID
type: Person

COPPIN, JOSEPH
type: Person

COPPIN, SIMEON
type: Person

CORBIN, ALFRED
type: Person

CORBIN, ASHBY
type: Person

CORBIN, AUBREY
type: Person

CORBIN, CHELSTON
type: Person

CORBIN, CONRAD
type: Person

CORBIN, EDMUND
type: Person

CORBIN, ETHELBERT
type: Person

CORBIN, FITZ
type: Person

CORBIN, FITZ
type: Person

CORBIN, GEORGE
type: Person

CORBIN, GERALD
type: Person

CORBIN, HUBERT
type: Person

CORBIN, JAMES
type: Person

CORBIN, JAMES
type: Person

CORBIN, JAMES
type: Person

CORBIN, JAMES
type: Person

CORBIN, JOHN
type: Person

CORBIN, JOSEPH
type: Person

CORBIN, MASSIAH
type: Person

CORBIN, WALTER
type: Person

CORBIN, WILLIAM
type: Person

Cork Factory Ecomuseu Municipal do Seixal
type: Tour

Corncrake bird
subject: CULTURAL HERITAGE
description: Corncrake birds lived in Shetland for thousands of years, nesting in cornfields. However, they have nearly disappered from the islands for over thirty years. People had come to use imported food and animal fodder, so farmers stopped growing oats and barley, and the corncrake’s habitat vanished. Trade & Industry gallery NAT 2007.22
source: workshops
format: text/plain Alias/WaveFront Object
type: 3D Object

Corncrake bird
description: Corncrake birds lived in Shetland for thousands of years, nesting in cornfields. However, they have nearly disappered from the islands for over thirty years. People had come to use imported food and animal fodder, so farmers stopped growing oats and barley, and the corncrake’s habitat vanished. Trade & Industry gallery NAT 2007.22
language: English
type: Physical Object

Cortes de Pallás
description: Cortes de Pallás is a municipality in the comarca of Valle de Cofrentes in the Valencian Community, Spain.
source: workshops
type: Museum

Cortes de Pallás
type: Tour

COTTLE, CHRISTOPHER
type: Person

COTTLE, JOSEPH
type: Person

COTTLE, MALCOM
type: Person

COULTHURST, WILLIAM
type: Person

COUSE, JOSEPH
type: Person

COWAN, EDWIN
type: Person

COWARD, ALONZO
type: Person

COWARD, REUBEN
type: Person

COWARD, SAMUEL
type: Person

COWARD, SEALEY
type: Person

COX, A
type: Person

COX, ALLAN
type: Person

COX, CHRISTOPHER
type: Person

COX, JAMES
type: Person

COX, JOHN
type: Person

COX, NORMAN
type: Person

COX, ROBERT
type: Person

COX, THOMAS
type: Person

COX, THOMAS
type: Person

COX, WALTER
type: Person

COX, WILLIAM
type: Person

CRAGWELL, PRINCE
type: Person

CRAIG, SEAFIELD
type: Person

CRAIGG, ERNEST
type: Person

CRAIGWELL, JAMES
type: Person

CRAWFORD, AZCCHEUS
type: Person

CRAWFORD, GEORGE
type: Person

CRAWFORD, JAMES
type: Person

CRAWFORD, JAMES
type: Person

CRAWFORD, JAMES
type: Person

CRAWFORD, JOSEPH
type: Person

CRAWFORD, RICHARD
type: Person

CRAWFORD, RICHARD
type: Person

CRESWELL, ERNEST
type: Person

CRICHLOW, ST CLAIR
type: Person

CRICHLOW, ARCHIBALD
type: Person

CRICHLOW, ARCHIBALD
type: Person

CRICHLOW, CHARLES
type: Person

CRICHLOW, FESTUS
type: Person

CRICHLOW, FITZ
type: Person

CRICHLOW, FITZ
type: Person

CRICHLOW, GEORGE
type: Person

CRICHLOW, HERBERT
type: Person

CRICHLOW, HEZEKIAH
type: Person

CRICHLOW, JAMES
type: Person

CRICHLOW, JAMES
type: Person

CRICHLOW, JOHN
type: Person

CRICHLOW, JOHN
type: Person

CRICHLOW, JOSEPH
type: Person

CRICHLOW, JOSEPH
type: Person

CRICHLOW, NORMAN
type: Person

CRICHLOW, SAMUEL
type: Person

CRICK, GEORGE
type: Person

CRICK, GILFORD
type: Person

CRICK, JAMES
type: Person

CRICK, JOSEPH
type: Person

CRICK, JOSEPH
type: Person

CRICK, REGINALD
type: Person

CRICK, STANLEY
type: Person

CRISWELL, ERNEST
type: Person

CRONEY, ELLIOTT
type: Person

CRONEY, JAMES
type: Person

CROOKENDALE, THOMAS
type: Person

Crop Over
source: Carnival
type: Carnival

Cuña de hierro - Iron Wedge
subject: CULTURAL HERITAGE
description: Artefacto macizo de fierro con la cabeza deformada e incisiones en uno de sus costados, empleado para la partición de trozos de madera. Donado por Eriberto Pérez. Solid iron artifact with a deformed head and incisions in one of its sides, used to split pieces of wood. Donated by Eriberto Pérez.
creator: Chileno
date: Siglo XIX-XX
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

Cuña de hierro - Iron Wedge
subject: CULTURAL HERITAGE
description: Artefacto macizo de fierro con la cabeza deformada e incisiones en uno de sus costados, empleado para la partición de trozos de madera. Donado por Eriberto Pérez. Solid iron artifact with a deformed head and incisions in one of its sides, used to split pieces of wood. Donated by Eriberto Pérez.
creator: Chileno
date: Siglo XIX-XX
language: Español
type: Physical Object

Cuchillo de sacrificio - Sacrificial knife
subject: CULTURAL HERITAGE
description: Cuchillo utilizado en personas sacrificadas encontradas en entierros en pirámides de Túcume. Knife used on sacrificed people found in burial in Túcume pyramids.
format: text/plain Alias/WaveFront Object
type: 3D Object

Cuchillo de sacrificio - Sacrificial knife
subject: CULTURAL HERITAGE
description: Cuchillo utilizado en personas sacrificadas encontradas en entierros en pirámides de Túcume. Knife used on sacrificed people found in burial in Túcume pyramids.
type: Physical Object

Cuchillo doble - Double Knife
subject: CULTURAL HERITAGE
description: Artefacto de uso doméstico, conformado por 2 cuchillos paralelos de forma curva y con dos mangos de madera. Sirve para picar verduras. Household appliance, consisting of 2 parallel curved knives with two wooden handles. It is used to chop vegetables.
creator: A. Jacob y Cía. Suc. De Burmeister y Cía. Valparaíso.
date: Siglo XX
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

Cuchillo doble - Double Knife
subject: CULTURAL HERITAGE
description: Artefacto de uso doméstico, conformado por 2 cuchillos paralelos de forma curva y con dos mangos de madera. Sirve para picar verduras. Household appliance, consisting of 2 parallel curved knives with two wooden handles. It is used to chop vegetables.
creator: A. Jacob y Cía. Suc. De Burmeister y Cía. Valparaíso.
date: Siglo XX
language: Español
type: Physical Object

Cuenco decorativo - Decorative bowl
description: Cuenco decorativo hecho de calabaza. Decorative bowl made from a gourd.
type: 3D Object

Cuenco decorativo - Decorative bowl
description: Cuenco decorativo hecho de calabaza. Decorative bowl made from a gourd.
type: Physical Object

Cuerno de toro - Bull horn
description: Est pieza utilizada para el juego del tradicional juego de los Diablitos. Su uso es para comunicar or reunir los Diablitos. This piece is used for the traditional game of Little devils: Its usage is to communicate with or to gather Little devils characters during the ritual celebration.
creator: It is an ancestral piece.
format: text/plain Alias/WaveFront Object
type: 3D Object

Cuerno de toro - Bull horn
description: Est pieza utilizada para el juego del tradicional juego de los Diablitos. Su uso es para comunicar or reunir los Diablitos. This piece is used for the traditional game of Little devils: Its usage is to communicate with or to gather Little devils characters during the ritual celebration.
creator: It is an ancestral piece.
type: Physical Object

CUMBERBATCH, ALLAN
type: Person

CUMBERBATCH, ARCHIBALD
type: Person

CUMBERBATCH, ARNOLD
type: Person

CUMBERBATCH, AUGUSTUS
type: Person

CUMBERBATCH, BELFIELD
type: Person

CUMBERBATCH, BERESFORD
type: Person

CUMBERBATCH, CHARLES
type: Person

CUMBERBATCH, CHARLES
type: Person

CUMBERBATCH, CHARLES
type: Person

CUMBERBATCH, CHRISTOPHER
type: Person

CUMBERBATCH, CYRIL
type: Person

CUMBERBATCH, DAVID
type: Person

CUMBERBATCH, DONELEY
type: Person

CUMBERBATCH, EDMUND
type: Person

CUMBERBATCH, EUSTACE
type: Person

CUMBERBATCH, F
type: Person

CUMBERBATCH, GEO
type: Person

CUMBERBATCH, GERALD
type: Person

CUMBERBATCH, HUBERT
type: Person

CUMBERBATCH, JACOB
type: Person

CUMBERBATCH, JAMES
type: Person

CUMBERBATCH, JAMES
type: Person

CUMBERBATCH, JAMES
type: Person

CUMBERBATCH, JAMES
type: Person

CUMBERBATCH, JAMES
type: Person

CUMBERBATCH, JOHN
type: Person

CUMBERBATCH, JOSEPH
type: Person

CUMBERBATCH, JOSEPH
type: Person

CUMBERBATCH, JOSEPH
type: Person

CUMBERBATCH, JOSEPH
type: Person

CUMBERBATCH, NATHANIEL
type: Person

CUMBERBATCH, PRESTON
type: Person

CUMBERBATCH, STEADMAN
type: Person

CUMBERBATCH, WESTERMAN
type: Person

CUMBERBATCH, WILLIAM
type: Person

CUMMINS, AUGUSTUS
type: Person

CUMMINS, ERNEST
type: Person

CUMMINS, GEORGE
type: Person

CUMMINS, HENRY
type: Person

CUMMINS, JAMES
type: Person

CUMMINS, JOHN
type: Person

CUMMINS, JOSEPH
type: Person

CUMMINS, JOSEPH
type: Person

CUMMINS, NATHANIEL
type: Person

CUMMINS, NATHANIEL
type: Person

CUMMINS, PRINCE
type: Person

CUMMINS, RICHARD
type: Person

CUMMINS, STANLEY
type: Person

CUMMINS, THOMAS
type: Person

CUMMINS, WILLIAM
type: Person

CUMMINS, WILLIAM
type: Person

Curaçao Carnival
description: After mid 20th century all these influences started to merge together and melt down into one huge national cultural expression on the island that features people from almost fifty different nationalities.
source: Carnival
type: Carnival

Current Trends in the Study of Caribbean Migration
source: stories
contributor: eulac3d
format: video/mp4
type: Moving Image

CYNES, OLIVAR
type: Person

Cyrille Regis, MBE
subject: arrival
description: Cyrille Regis was born on the 9th of February 1958 in Maripasoula, French Guiana, the son of Robert Regis, a labourer from Saint Lucia and Mathilde Regis, a seamstress. His father moved to England in 1962, with the rest of the family, including Cyrille, following a year later. Cyrille grew up in Harlesden, located in the Borough of Brent, and attended Cardinal Hinsley Maths & Computing College. After leaving school, Regis trained as an electrician, earning a City and Guilds diploma; he continued to practise the trade until his move into professional football. Regis was an English international footballer who played as a forward. His professional playing career spanned 19 years, where he made 614 league appearances and scored 158 league goals, most prolifically at West Bromwich Albion and Coventry City. He also won five caps with the England national team. He was a pioneer for black footballers in the game when he played alongside Laurie Cunningham and Brendon Batson at The Hawthorns. Regis, along with Brendon Batson and Laurie Cunningham at West Brom and the likes of Viv Anderson at Nottingham Forest, broke down barriers and demonstrated what could be achieved at a time when high-profile black players were a rarity in Britain.
source: stories,arrival
date: 1962
type: Story

Cyrille Regis, MBE
description: Cyrille Regis was born on the 9th of February 1958 in Maripasoula, French Guiana, the son of Robert Regis, a labourer from Saint Lucia and Mathilde Regis, a seamstress. His father moved to England in 1962, with the rest of the family, including Cyrille, following a year later. Cyrille grew up in Harlesden, located in the Borough of Brent, and attended Cardinal Hinsley Maths & Computing College. After leaving school, Regis trained as an electrician, earning a City and Guilds diploma; he continued to practise the trade until his move into professional football. Regis was an English international footballer who played as a forward. His professional playing career spanned 19 years, where he made 614 league appearances and scored 158 league goals, most prolifically at West Bromwich Albion and Coventry City. He also won five caps with the England national team. He was a pioneer for black footballers in the game when he played alongside Laurie Cunningham and Brendon Batson at The Hawthorns. Regis, along with Brendon Batson and Laurie Cunningham at West Brom and the likes of Viv Anderson at Nottingham Forest, broke down barriers and demonstrated what could be achieved at a time when high-profile black players were a rarity in Britain.
source: stories,westindians
date: 1958-02-09
type: Person

CYRUS, AMOS
type: Person

CYRUS, BEST
type: Person

CYRUS, CHARLES
type: Person

CYRUS, CHARLES
type: Person

CYRUS, JABEY
type: Person

CYRUS, OLIVER
type: Person

DAILEY, JOHN
type: Person

DAISLEY, CHARLES
type: Person

DAISLEY, FERDINAND
type: Person

Dallas Carnival
source: Carnival
type: Carnival

DALRYMPLE, SOLOMON
type: Person

DALRYMPLE, WILLIAM
type: Person

Dalton McConney MBE QPM
subject: arrival
description: Dalton McConney is a retired Metropolitan Police Chief Inspector. He mostly served as a uniformed officer in South London and came to prominence following the second Brixton riots In the mid-eighties. He was born in Barbados and educated at Ebenezer Boys and the Modern High School. He worked as a proof reader at the Barbados Advocate newspaper and at the Government Printing Office before joining the economic migration to the UK in I960. Aged 36, he joined the Metropolitan Police in 1976. He served as a Constable at Battersea, Sergeant at Belgravia and a Recruit Instructor at Hendon Police College. He obtained the Certificate of Education (University of London), helped to research the new Police & Criminal Evidence Act 1984, updated the Training Manual and taught the changes in the Act to instructors. He passed the Inspector’s examination in 1988 and was posted to Brixton after the second riots. He was the first senior black officer to serve at Brixton Police Station in the Borough of Lambeth. gaining the trust of residents and helping to lower tensions. He also set up the “Brixton Summer Project” during the school holidays, engaging local unemployed youth as staff. A two-part C4 documentary, “The Brixton Beat”, highlighted Dalton’s role in the changes at Brixton. He received a Lambeth Civic Award, the Mayor’s Special Award and in 1994 was awarded the MBE for Police/Community Service. He was promoted to Chief Inspector in 1994, becoming Staff Officer to the Assistant Commissioner. As Personnel Manager at Walworth Police Station, he set up the first Criminal Justice Unit and formulated a strategy to deal with street robbery (Operation Eagle Eye)i. He received two Assistant Commissioner’s Commendations for this work. After serving in Bromley, he returned to Lambeth where he devised the Policing Diversity Strategy and Community/ Race Relations programme. He was awarded the Police Long Service and Good Conduct Medal, featured in books highlighting black achievements for …
source: stories,arrival
date: 1960
type: Story

Dalton McConney MBE QPM
description: Dalton McConney is a retired Metropolitan Police Chief Inspector. He mostly served as a uniformed officer in South London and came to prominence following the second Brixton riots In the mid-eighties. He was born in Barbados and educated at Ebenezer Boys and the Modern High School. He worked as a proof reader at the Barbados Advocate newspaper and at the Government Printing Office before joining the economic migration to the UK in I960. Aged 36, he joined the Metropolitan Police in 1976. He served as a Constable at Battersea, Sergeant at Belgravia and a Recruit Instructor at Hendon Police College. He obtained the Certificate of Education (University of London), helped to research the new Police & Criminal Evidence Act 1984, updated the Training Manual and taught the changes in the Act to instructors. He passed the Inspector’s examination in 1988 and was posted to Brixton after the second riots. He was the first senior black officer to serve at Brixton Police Station in the Borough of Lambeth. gaining the trust of residents and helping to lower tensions. He also set up the “Brixton Summer Project” during the school holidays, engaging local unemployed youth as staff. A two-part C4 documentary, “The Brixton Beat”, highlighted Dalton’s role in the changes at Brixton. He received a Lambeth Civic Award, the Mayor’s Special Award and in 1994 was awarded the MBE for Police/Community Service. He was promoted to Chief Inspector in 1994, becoming Staff Officer to the Assistant Commissioner. As Personnel Manager at Walworth Police Station, he set up the first Criminal Justice Unit and formulated a strategy to deal with street robbery (Operation Eagle Eye)i. He received two Assistant Commissioner’s Commendations for this work. After serving in Bromley, he returned to Lambeth where he devised the Policing Diversity Strategy and Community/ Race Relations programme. He was awarded the Police Long Service and Good Conduct Medal, featured in books highlighting black achievements for …
source: westindians
contributor: eulac3d
type: Person

Dame Jocelyn Barrow
subject: arrival
description: Dame Jocelyn Anita Barrow DBE (15 April 1929) was born in Trinidad, where she was active in the People's National Movement, and came to England as a postgraduate in 1959. The Director for UK Development at Focus Consultancy Ltd. Dame Jocelyn was a founding member and General Secretary of CARD (Campaign Against Racial Discrimination), the organisation responsible for the Race Relations legislation of 1968. As a senior teacher, and later as a teacher-trainer, at Furzedown College and at the Institute of Education London University in the '60s, she pioneered the introduction of multi-cultural education, stressing the needs of the various ethnic groups in the UK. She was the first black woman Governor of the BBC and Founder and Deputy Chair of the Broadcasting Standards Council. Her equal opportunities and educational expertise is reflected in her many Government appointments to a variety of organisations and statutory bodies. Governor of the Commonwealth Institute for eight years, Council Member of Goldsmith's College, University of London, Vice-president of the United Nations Association in the UK and Northern Ireland and Trustee to the Irene Taylor Trust providing Music in Prisons. She is National Vice-President of the Townswomen's Guild and was instrumental in the establishment of the North Atlantic Slavery Gallery and the Maritime Museum in Liverpool. She was a Trustee of the National Museums and Galleries on Merseyside and a Governor of the British Film Institute. In 1972 she was awarded the OBE for work in the field of education and community relations. In 1992 she received the DBE for her work in broadcasting and her contribution to the work of the European Union as the UK Member of the Social Economic Committee
source: stories,arrival
date: 1959
type: Story

Dame Jocelyn Barrow
description: Dame Jocelyn Anita Barrow DBE (15 April 1929) was born in Trinidad, where she was active in the People's National Movement, and came to England as a postgraduate in 1959. The Director for UK Development at Focus Consultancy Ltd. Dame Jocelyn was a founding member and General Secretary of CARD (Campaign Against Racial Discrimination), the organisation responsible for the Race Relations legislation of 1968. As a senior teacher, and later as a teacher-trainer, at Furzedown College and at the Institute of Education London University in the '60s, she pioneered the introduction of multi-cultural education, stressing the needs of the various ethnic groups in the UK. She was the first black woman Governor of the BBC and Founder and Deputy Chair of the Broadcasting Standards Council. Her equal opportunities and educational expertise is reflected in her many Government appointments to a variety of organisations and statutory bodies. Governor of the Commonwealth Institute for eight years, Council Member of Goldsmith's College, University of London, Vice-president of the United Nations Association in the UK and Northern Ireland and Trustee to the Irene Taylor Trust providing Music in Prisons. She is National Vice-President of the Townswomen's Guild and was instrumental in the establishment of the North Atlantic Slavery Gallery and the Maritime Museum in Liverpool. She was a Trustee of the National Museums and Galleries on Merseyside and a Governor of the British Film Institute. In 1972 she was awarded the OBE for work in the field of education and community relations. In 1992 she received the DBE for her work in broadcasting and her contribution to the work of the European Union as the UK Member of the Social Economic Committee
source: stories,westindians
date: 1929-04-15
type: Person

DANIEL, AARON
type: Person

DANIEL, ADOLPHUS
type: Person

DANIEL, AUBREY
type: Person

DANIEL, CHARLES
type: Person

DANIEL, CHARLES
type: Person

DANIEL, FRED
type: Person

DANIEL, GERALD
type: Person

DANIEL, JAMES
type: Person

DANIEL, JAMES
type: Person

DANIEL, JOSEPH
type: Person

DANIEL, JOSEPH
type: Person

DANIEL, JOSEPH
type: Person

DANIEL, RICHARD
type: Person

DANIEL, ROWAN
type: Person

DANIEL, RUPERT
type: Person

DANIEL, SAMUEL
type: Person

DANIEL, SAMUEL
type: Person

Danielle Sanson
subject: CULTURAL HERITAGE,PEOPLE
creator: Danielle Sanson
source: stories,barbadosmigration
date: 2018
format: video/mp4
language: English
type: Moving Image

Darcus Howe
subject: arrival
description: Leighton Rhett Radford "Darcus" Howe (26 February 1943 – 1 April 2017) was a British broadcaster, writer, and racial justice campaigner. Originally from Trinidad, Howe arrived in England as a teenager in 1961, intending to study law and settling in London. There he joined the British Black Panthers, a group named in sympathy with the US Black Panther Party. At the age of 18, after leaving QRC, Howe moved to England, arriving on the SS Antilles at Southampton on 11 April 1961, after a two-week journey, and taking a train on to London Waterloo station. He intended to study law, but after two years at Middle Temple he left, becoming more involved with journalism. In 1969 he returned to Trinidad, where his uncle and mentor, radical intellectual C. L. R. James, inspired him to combine writing with political activism. A brief spell as assistant editor on the Vanguard, weekly newspaper of the Oilfields Workers' Trade Union, was followed by a return to Britain.
source: stories,arrival
date: 11/04/1961
type: Story

Darcus Howe
description: Leighton Rhett Radford "Darcus" Howe (26 February 1943 – 1 April 2017) was a British broadcaster, writer, and racial justice campaigner. Originally from Trinidad, Howe arrived in England as a teenager in 1961, intending to study law and settling in London. There he joined the British Black Panthers, a group named in sympathy with the US Black Panther Party.
contributor: eulac3d
type: Person

DARLINGTON, WALTER
type: Person

DASH, JOHN
type: Person

DASH, JOHN
type: Person

DASH, ROBERT
type: Person

DAVID, MOSES
type: Person

DAVID, WILLIAM
type: Person

DAVIS, ARNOLD
type: Person

DAVIS, ASHTON
type: Person

DAVIS, COBERT
type: Person

DAVIS, EDWARD
type: Person

DAVIS, FITZ
type: Person

DAVIS, FRED
type: Person

DAVIS, FRED
type: Person

DAVIS, FREDERICK
type: Person

DAVIS, HARLIN
type: Person

DAVIS, JOHN
type: Person

DAVIS, JOHN
type: Person

DAVIS, JOSEPH
type: Person

DAVIS, LESLIE
type: Person

DAVIS, OLIVER
type: Person

DAVIS, RICHARD
type: Person

DAVIS, RUFUS
type: Person

DAVIS, SIMEON
type: Person

DAVIS, WILLIAM
type: Person

DAWE, ISAAC
type: Person

DAWE, JONATHAN
type: Person

DAWES, FRANK
type: Person

DAWSON, JOSEPH
type: Person

DAYRELL, PRINCE
type: Person

DAYRELL, SAMUEL
type: Person

DDURANT, JOSEPH
type: Person

DDURANT, PHILIP
type: Person

DEANE, CHARLES
type: Person

DEANE, CLARENCE
type: Person

DEANE, DONALD
type: Person

DEANE, PERCY
type: Person

DEANE, RICHARD
type: Person

DEANE, WALTER
type: Person

DEAR, CHARLES
type: Person

DEAR, JULIAN
type: Person

Decorative pipe
subject: CULTURAL HERITAGE
description: Decorative pipe, part of the collection of the Moruga Museum. The Moruga Museum was established in November 2013 by founder of the St Vincent Ferrer Society, Eric Lewis. Based in the rural, seaside community of Gran Chemin in south Trinidad, the Moruga Museum's collections include natural and man-made artefacts that span the prehistoric to post-colonial periods. Although the Museum is focused on exploring the history and people of Moruga, artefacts have been gathered from multiple sites throughout Trinidad and Tobago.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Decorative pipe
subject: CULTURAL HERITAGE
description: Decorative pipe, part of the collection of the Moruga Museum. The Moruga Museum was established in November 2013 by founder of the St Vincent Ferrer Society, Eric Lewis. Based in the rural, seaside community of Gran Chemin in south Trinidad, the Moruga Museum's collections include natural and man-made artefacts that span the prehistoric to post-colonial periods. Although the Museum is focused on exploring the history and people of Moruga, artefacts have been gathered from multiple sites throughout Trinidad and Tobago.
language: English
type: Physical Object

Decorative Temple elephant
subject: CULTURAL HERITAGE
description: Decorative Temple elephant, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Decorative Temple elephant
subject: CULTURAL HERITAGE
description: Decorative Temple elephant, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
language: English
type: Physical Object

Deeves's Uniform Jacket
subject: CULTURAL HERITAGE,HISTORY,SOCIAL HISTORY
description: The uniform belonged to 2nd Lieutenant Thomas William Deeves MC, who served in the 16th (Public School) Battalion, the Middlesex Regiment. Deeves received the Military Cross with bar (basically: two military crosses!) for his gallantry on two separate occasions on the 20th and 30th of November 1917. On the 30th he was so badly injured by airplane machine gun fire that he was left for dead in a farmhouse; two days later, as he was taken away to be buried, someone checked his pulse and found he was still - barely - alive. After several days on a No Hope Ward in a military hospital, doctors began to treat him. Two and a half years later, after over 30 operations, he requested to have his left arm amputated. The red triangles on his uniform sleeves are wound stripes, showing that he had previously been injured. Walter would have worn a similar jacket as he was on active service in the 17th and 23rd Middlesex Regiments. Walter took part in a football tournament between the Sportsmen’s and Public Schools’ Battalions whilst training in July 1915. Deeves was also training in the same camps as Walter. They were at Perham Down in summer and autumn 1915. Deeves left Folkestone for Boulogne on 17 November 1915 and Walter on 18, the day after. They were also in the same Battalion at the same time: Walter was in the 5th Battalion between 30 May and 4 August 1917 and Deeves joins the 5th Battalion (a reserve officer’s Battalion before being posted to the Front) on 27 June 1917 after recuperating from a shrapnel wound.
source: waltertull
contributor: eulac3d
type: 3D Object

Deeves's Uniform Jacket
subject: CULTURAL HERITAGE,HISTORY,SOCIAL HISTORY
description: The uniform belonged to 2nd Lieutenant Thomas William Deeves MC, who served in the 16th (Public School) Battalion, the Middlesex Regiment. Deeves received the Military Cross with bar (basically: two military crosses!) for his gallantry on two separate occasions on the 20th and 30th of November 1917. On the 30th he was so badly injured by airplane machine gun fire that he was left for dead in a farmhouse; two days later, as he was taken away to be buried, someone checked his pulse and found he was still - barely - alive. After several days on a No Hope Ward in a military hospital, doctors began to treat him. Two and a half years later, after over 30 operations, he requested to have his left arm amputated. The red triangles on his uniform sleeves are wound stripes, showing that he had previously been injured. Walter would have worn a similar jacket as he was on active service in the 17th and 23rd Middlesex Regiments. Walter took part in a football tournament between the Sportsmen’s and Public Schools’ Battalions whilst training in July 1915. Deeves was also training in the same camps as Walter. They were at Perham Down in summer and autumn 1915. Deeves left Folkestone for Boulogne on 17 November 1915 and Walter on 18, the day after. They were also in the same Battalion at the same time: Walter was in the 5th Battalion between 30 May and 4 August 1917 and Deeves joins the 5th Battalion (a reserve officer’s Battalion before being posted to the Front) on 27 June 1917 after recuperating from a shrapnel wound.
source: waltertull
contributor: eulac3d
language: English
type: Physical Object

Deeves's Uniform Jacket
subject: CULTURAL HERITAGE,HISTORY,SOCIAL HISTORY
description: The uniform belonged to 2nd Lieutenant Thomas William Deeves MC, who served in the 16th (Public School) Battalion, the Middlesex Regiment. Deeves received the Military Cross with bar (basically: two military crosses!) for his gallantry on two separate occasions on the 20th and 30th of November 1917. On the 30th he was so badly injured by airplane machine gun fire that he was left for dead in a farmhouse; two days later, as he was taken away to be buried, someone checked his pulse and found he was still - barely - alive. After several days on a No Hope Ward in a military hospital, doctors began to treat him. Two and a half years later, after over 30 operations, he requested to have his left arm amputated. The red triangles on his uniform sleeves are wound stripes, showing that he had previously been injured. Walter would have worn a similar jacket as he was on active service in the 17th and 23rd Middlesex Regiments. Walter took part in a football tournament between the Sportsmen’s and Public Schools’ Battalions whilst training in July 1915. Deeves was also training in the same camps as Walter. They were at Perham Down in summer and autumn 1915. Deeves left Folkestone for Boulogne on 17 November 1915 and Walter on 18, the day after. They were also in the same Battalion at the same time: Walter was in the 5th Battalion between 30 May and 4 August 1917 and Deeves joins the 5th Battalion (a reserve officer’s Battalion before being posted to the Front) on 27 June 1917 after recuperating from a shrapnel wound.
source: waltertull
contributor: eulac3d
format: image/png
type: Still Image

Deeves's Uniform Jacket
subject: CULTURAL HERITAGE,HISTORY,SOCIAL HISTORY
description: The uniform belonged to 2nd Lieutenant Thomas William Deeves MC, who served in the 16th (Public School) Battalion, the Middlesex Regiment. Deeves received the Military Cross with bar (basically: two military crosses!) for his gallantry on two separate occasions on the 20th and 30th of November 1917. On the 30th he was so badly injured by airplane machine gun fire that he was left for dead in a farmhouse; two days later, as he was taken away to be buried, someone checked his pulse and found he was still - barely - alive. After several days on a No Hope Ward in a military hospital, doctors began to treat him. Two and a half years later, after over 30 operations, he requested to have his left arm amputated. The red triangles on his uniform sleeves are wound stripes, showing that he had previously been injured. Walter would have worn a similar jacket as he was on active service in the 17th and 23rd Middlesex Regiments. Walter took part in a football tournament between the Sportsmen’s and Public Schools’ Battalions whilst training in July 1915. Deeves was also training in the same camps as Walter. They were at Perham Down in summer and autumn 1915. Deeves left Folkestone for Boulogne on 17 November 1915 and Walter on 18, the day after. They were also in the same Battalion at the same time: Walter was in the 5th Battalion between 30 May and 4 August 1917 and Deeves joins the 5th Battalion (a reserve officer’s Battalion before being posted to the Front) on 27 June 1917 after recuperating from a shrapnel wound.
source: waltertull
contributor: eulac3d
type: 3D Object

Deeves's Uniform Jacket 2
subject: CULTURAL HERITAGE,HISTORY,SOCIAL HISTORY
description: The uniform belonged to 2nd Lieutenant Thomas William Deeves MC, who served in the 16th (Public School) Battalion, the Middlesex Regiment. Deeves received the Military Cross with bar (basically: two military crosses!) for his gallantry on two separate occasions on the 20th and 30th of November 1917. On the 30th he was so badly injured by airplane machine gun fire that he was left for dead in a farmhouse; two days later, as he was taken away to be buried, someone checked his pulse and found he was still - barely - alive. After several days on a No Hope Ward in a military hospital, doctors began to treat him. Two and a half years later, after over 30 operations, he requested to have his left arm amputated. The red triangles on his uniform sleeves are wound stripes, showing that he had previously been injured. Walter would have worn a similar jacket as he was on active service in the 17th and 23rd Middlesex Regiments. Walter took part in a football tournament between the Sportsmen’s and Public Schools’ Battalions whilst training in July 1915. Deeves was also training in the same camps as Walter. They were at Perham Down in summer and autumn 1915. Deeves left Folkestone for Boulogne on 17 November 1915 and Walter on 18, the day after. They were also in the same Battalion at the same time: Walter was in the 5th Battalion between 30 May and 4 August 1917 and Deeves joins the 5th Battalion (a reserve officer’s Battalion before being posted to the Front) on 27 June 1917 after recuperating from a shrapnel wound.
source: waltertull
contributor: eulac3d
language: English
type: Physical Object

DEFREITAS, ANTONIO
type: Person

DELANEY, ALONZO
type: Person

DENNY, BERESFORD
type: Person

DENNY, CLARENCE
type: Person

DENNY, DUDLEY
type: Person

DENNY, HARRY
type: Person

DENNY, HENRY
type: Person

DENNY, ISAAC
type: Person

DEPEIZA, JOSEPH
type: Person

Deperu.com (c)
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

DEPEZA, EDGERTON
type: Person

DEPEZA, SYDNEY
type: Person

DEPEZAR, ABRAHAM
type: Person

DEVONISH, CHARLES
type: Person

DEVONISH, GEORGE
type: Person

DEVONISH, JOSEPH
type: Person

DEVONISH, JOSEPH
type: Person

DEVONISH, JOSHUA
type: Person

DEWSBURY, PRINCE
type: Person

Diane Abbot
source: westindians
contributor: eulac3d
format: image/png
type: Still Image

Diane Abbott
description: Representing the London constituency of Hackney North and Stoke Newington, Diane Abbott was Britain's first Black woman MP. Born on September 27th, 1953, in London of Jamaican parents, Abbott was educated at Harrow County Girls' Grammar School and Newnham College, Cambridge, with an MA in History. A journalist by profession, she worked as an administrative trainee with the Home Office; Race Relations Officer for the National Council for Civil Liberties; a reporter with TV AM and Thames Television; Public Relations Officer with the GLC and Head of Lambeth Council's Press Office. Abbott was active in the Black Sections movement within the Labour Party and in community politics, including OWAAD (Organisation of Women of African and Asian Descent); the "Scrap Sus" campaign to ban police stop-and-search tactics levelled at Black youth, and was a founder member of the Black Media Workers' Organisation. Active for many years in the Trade Union movement, particularly on race equality issues, Ms Abbott served for a year as Britain's first Black female Equality Officer in the Association of Cinematographers Television and Allied Technicians. She also served as an elected local councillor in the London Borough of Westminster for four years, during which she was a member of the Environment, Grants and Social Services She is also founder and president of the organisation Black Women Mean Business
source: stories,westindians
date: 1953-09-27
type: Person

DICKSON, JOHN
type: Person

Digitisation of Animal with Baby ceramic
source: workshops
contributor: eulac3d
format: image/png
type: Still Image

Digitisation of Llama ceramic
source: workshops
contributor: eulac3d
format: image/png
type: Still Image

DIXON, FITZ
type: Person

DIXON, JOHN
type: Person

DOCKERTY, FRED
type: Person

DODSON, ARNOLD
type: Person

Dog tooth necklace
contributor: eulac3d
format: text/plain Alias/WaveFront Object
type: 3D Object

Domaine de Severin
description: The visit to this operational distillery is essentially a tour of the estate, both by foot and on a small train. The walk is self-guided, following a map with descriptions of 11 points. It begins with the mill where sugar cane is being crushed, past a water wheel, the distillation column, the fermentation vats and the store house. A small Jardin Creole leads to the great house. After the family moved out, this house was a restaurant for a while. Recently it was opened to the public as a period-style museum that you can explore freely. The trail leads on to a reconstructed 1950s worker’s house which is wallpapered with magazines and filled with antiques. The train ride takes about 40 minutes, leading beyond the main grounds of the estate to the sugar cane fields, the pineapple plantation and into the landscape. An audio recording tells the history of the island, the production process of sugar and rum and the family history.
source: Museums
language: French, English
type: Museum

Dominica
source: places
contributor: eulac3d
type: Site

Dominica Carnival
description: Carnival, or 'The Real Mas', is a pre-Lenten festival, and usually falls in February or March each year. It is unquestionably the most festive season in Dominica. It is hard to miss the fervour of the people's loyalty to their favourite calypsonian or pageant during the preceding months of the Calypso Final and the National Queen Show.
source: Carnival
type: Carnival

DOTTIN, ALPHONZO
type: Person

DOTTIN, EVAN
type: Person

DOTTIN, FITZ
type: Person

DOTTIN, HENRY
type: Person

DOTTIN, JOSEPH
type: Person

DOTTIN, JOSEPH
type: Person

DOTTIN, SELWYN
type: Person

DOUDING, CHARLES
type: Person

DOUGLAS, AUGUSTUS
type: Person

DOUGLAS, JAMES
type: Person

DOUGLICE, THOMAS
type: Person

DOUGLIN, DAVID
type: Person

DOUGLIN, JAMES
type: Person

DOUGLIN, WILLIAM
type: Person

DOWELL, GEORGE
type: Person

DOWICH, CHARLES
type: Person

DOWLYNE, EDMUND
type: Person

DOWLYNE, SEIFERT
type: Person

DOWNES, ADOLPHUS
type: Person

DOWNES, ALONZO
type: Person

DOWNES, AUGUSTUS
type: Person

DOWNES, BERESFORD
type: Person

DOWNES, ISAAC
type: Person

DOWNES, JOHN
type: Person

DOWNES, LAWRENCE
type: Person

DOWNES, NORMAN
type: Person

DOWNES, R. RUPERT
type: Person

DOWNES, WALLACE
type: Person

DOWNES, WALTER
type: Person

DOWNIE, JAMES
type: Person

DOWRICH, OSWALD
type: Person

DOYLE, ALBERT
type: Person

DOYLE, FITZ
type: Person

DOYLE, GEORGE
type: Person

DOYLE, JAMES
type: Person

Dr Aaron Haynes FCMI
subject: arrival
description: Born on the 12th of March 1927, Aaron attended Combermere School after which he travelled to Trinidad to attend the Seventh Day Adventist College. He graduated from there in 1945, gaining a teaching posting at an elementary school in San Juan and Sangre Grande two years later. Two years at Port of Spain Secondary School prepared him for the post of Principal of Southern Academy. Two years later, he left to attend Long Island University in Brooklyn N.Y, where he majored in biology while working at Brooklyn Jewish Hospital as a technician in the blood laboratory. He came to England in 1965 and at first taught biology and chemistry at Pollards Hill Secondary School before entering the field of Race and Community Relations. He served as senior community relations officer in Wolverhampton before moving on to the Community Relations Commission as Principal Development Officer. He held several posts in the Commission for Racial Equality, culminating in the post of Chief Executive. After retiring from the Commission, he functioned as a freelance journalist and broadcaster. He is the author of The State of Black Britain Volume One, first published in 1983, which carries an analysis of the forces that governed the post-war immigration of black people into Britain. It covers the search for jobs and housing, the challenges faced in education and social services and how race became a volatile political issue. Volume Two picks up where Volume One concludes and begins with an analysis of the Thatcher years and their impact on the Black community. Together the two volumes represent a comprehensive, honest, insider’s view of the struggle for equality in Britain
source: stories,arrival
type: Story

Dr Aaron Haynes FCMI
description: Born on the 12th of March 1927, Aaron attended Combermere School after which he travelled to Trinidad to attend the Seventh Day Adventist College. He graduated from there in 1945, gaining a teaching posting at an elementary school in San Juan and Sangre Grande two years later. Two years at Port of Spain Secondary School prepared him for the post of Principal of Southern Academy. Two years later, he left to attend Long Island University in Brooklyn N.Y, where he majored in biology while working at Brooklyn Jewish Hospital as a technician in the blood laboratory. He came to England in 1965 and at first taught biology and chemistry at Pollards Hill Secondary School before entering the field of Race and Community Relations. He served as senior community relations officer in Wolverhampton before moving on to the Community Relations Commission as Principal Development Officer. He held several posts in the Commission for Racial Equality, culminating in the post of Chief Executive. After retiring from the Commission, he functioned as a freelance journalist and broadcaster. He is the author of The State of Black Britain Volume One, first published in 1983, which carries an analysis of the forces that governed the post-war immigration of black people into Britain. It covers the search for jobs and housing, the challenges faced in education and social services and how race became a volatile political issue. Volume Two picks up where Volume One concludes and begins with an analysis of the Thatcher years and their impact on the Black community. Together the two volumes represent a comprehensive, honest, insider’s view of the struggle for equality in Britain
source: stories
date: 1927-03-12
type: Person

Dr Jeffrey Brathwaite QPM
subject: arrival
description: Dr Jeffrey Brathwaite was born in Congo Road, St Philip, Barbados. He was a student at Princess Margaret High School until the age of 16. He came to the UK in the late 1960s and after a short stint in the Army, worked as a psychiatric nurse for four years. Dr Brathwaite joined the Metropolitan Police Service on the 2nd of December 1974 as a constable. He rose through the ranks in both Uniform and CID roles. In 1997, as Uniform Superintendent he was responsible for operational policing in the Borough of Croydon until a year later, when he was appointed Deputy Director of the Racial and Violent Crime Task Force at New Scotland Yard. The Task Force provided leadership and vision at a time of crisis, during the high profile Stephen Lawrence Inquiry. One of his key achievements at that time was the development and coordination of the first Independent Advisory Group in UK policing. Independent advisors now bring community perspectives to policing that have proved beneficial to community-police relationships over the years while independent Advisory groups have been adopted by most of the UK Police Services. In 2001, Dr Brathwaite was promoted to Chief Superintendent and appointed Police Borough Commander for the Royal Borough of Kingston upon Thames. In 2003, he was awarded the Queen’s Police Medal for distinguished Police service in the community. He was presented with the medal by Her Majesty the Queen at Buckingham Palace in April of that year. Dr Brathwaite retired from the Metropolitan Police on the June 4th, 2004 after 30 years of service. Following that, he pursued a second career as an Organisational Management Consultant until 2015 when he finally retired from full time employment
source: stories,arrival
type: Story

Dr Jeffrey Brathwaite QPM
description: Dr Jeffrey Brathwaite was born in Congo Road, St Philip, Barbados. He was a student at Princess Margaret High School until the age of 16. He came to the UK in the late 1960s and after a short stint in the Army, worked as a psychiatric nurse for four years. Dr Brathwaite joined the Metropolitan Police Service on the 2nd of December 1974 as a constable. He rose through the ranks in both Uniform and CID roles. In 1997, as Uniform Superintendent he was responsible for operational policing in the Borough of Croydon until a year later, when he was appointed Deputy Director of the Racial and Violent Crime Task Force at New Scotland Yard. The Task Force provided leadership and vision at a time of crisis, during the high profile Stephen Lawrence Inquiry. One of his key achievements at that time was the development and coordination of the first Independent Advisory Group in UK policing. Independent advisors now bring community perspectives to policing that have proved beneficial to community-police relationships over the years while independent Advisory groups have been adopted by most of the UK Police Services. In 2001, Dr Brathwaite was promoted to Chief Superintendent and appointed Police Borough Commander for the Royal Borough of Kingston upon Thames. In 2003, he was awarded the Queen’s Police Medal for distinguished Police service in the community. He was presented with the medal by Her Majesty the Queen at Buckingham Palace in April of that year. Dr Brathwaite retired from the Metropolitan Police on the June 4th, 2004 after 30 years of service. Following that, he pursued a second career as an Organisational Management Consultant until 2015 when he finally retired from full time employment
source: westindians
contributor: eulac3d
type: Person

Dr Moira C.S. Stuart OBE
description: Moira Stuart’s career in radio and television spans three decades. She started her BBC career as a production assistant in Radio’s Talks and Documentaries department in the 1970’s, before moving on to become a BBC Radio 4 announcer and newsreader, and a programme presenter. Moira moved to Television News in 1981 becoming the first female African-Caribbean national newsreader on British screens. She went on to present every type of BBC News bulletin, before leaving in 2007. Moira has presented many programmes on radio and television including “Best Of Jazz” and ” Kings of Cool” on Radio 2, BBC1’s “The Holiday Programme” and “Have 1 Got News For You” in 2007. BBC One’s successful documentary series “Who Do You Think You Are?” featured Moira in 2004. She made a memorable appearance as herself in “Extras” in 2006, and her 2007 documentary “In Search of Wilberforce” offers a new perspective on the abolition of the trans Atlantic slave trade. Her career has been recognised in the industry with numerous awards including the TV and Radio Industries Club Best Newscaster award, and Women of Achievement Television Personality award. In 2001 she received an OBE for her services to broadcasting, and an Honorary Doctorate from the University of Edinburgh in 2006.Shealso received Honorary Doctorates from De Montfort University in 2012, and Canterbury Christ Church University at Canterbury Cathedral in January 2013. Moira has served on various boards and judging panels including Amnesty International, The Royal Television Society, BAFTA, United Nations Association , .the SONY Radio Awards, London Fair Play Consortium ,the Human Genetics Advisory Commission, the Orange Prize for Literature, the BUPA Communications Panel, the IVCA the Queen’s Anniversary Prize, and the Grierson Trust.
source: westindians
date: 1949-09-02
type: Person

Dr Nola Ishmael OBE
subject: arrival
description: Nola Ishmael left Barbados In 1963 to start her nursing career in the National Health Service (NHS) at a hospital in Bishops Stortford. She later moved to the Whittington Hospital in London to gain her State Registration Qualification. Within 18 months of qualifying as a nurse she was promoted to Unit Sister in the Neurosurgical Unit of the Maudsley Hospital in London. Later she went on to qualify as a Health visitor. In 1981, she became a Community Manager and in 1987 became Assistant Director of Nursing in Greenwich. Eighteen months later she was appointed Director of Nursing, thereby becoming the first black Nursing Director in the NHS in London. Nola was invited in 1994 to the Department of Health for six months which evolved into a ten year tenure, where she worked closely with Ministers and Chief Nursing Officers in different roles, including Professional Private Secretary to the Chief Nursing Officer. She later added Nursing Policy responsibilities in Public Health areas and Black and Minority Ethnic issues to her portfolio. Nola initiated programmes of mentoring, coaching and personal development, and collaborated on the establishment of the Mary Seacole Leadership Awards. She co-produced the Department’s publication Many Rivers to Cross which chronicled the contribution of Caribbean staff to the NHS. She worked closely with organisations such as Barbados Overseas Nursing Association (BONA) and the Royal College of Nursing, as well as sitting on the boards of a number of charitable organisations. She is Patron of the Sickle Cell Society and past Vice Chair of Greenwich Community College. Nola is active as a mentor and motivational speaker. She travelled across the UK and overseas including Australia, Europe, Africa and the Caribbean, including Barbados, representing the Department of Health. Nola is a member of the High Commission Health and Welfare Group. Nola’s service was recognised in the NHS with her receiving the Order of the British Empire (OBE) in th…
source: stories,arrival
date: 1963
type: Story

Dr Nola Ishmael OBE
description: Nola Ishmael left Barbados In 1963 to start her nursing career in the National Health Service (NHS) at a hospital in Bishops Stortford. She later moved to the Whittington Hospital in London to gain her State Registration Qualification. Within 18 months of qualifying as a nurse she was promoted to Unit Sister in the Neurosurgical Unit of the Maudsley Hospital in London. Later she went on to qualify as a Health visitor. In 1981, she became a Community Manager and in 1987 became Assistant Director of Nursing in Greenwich. Eighteen months later she was appointed Director of Nursing, thereby becoming the first black Nursing Director in the NHS in London. Nola was invited in 1994 to the Department of Health for six months which evolved into a ten year tenure, where she worked closely with Ministers and Chief Nursing Officers in different roles, including Professional Private Secretary to the Chief Nursing Officer. She later added Nursing Policy responsibilities in Public Health areas and Black and Minority Ethnic issues to her portfolio. Nola initiated programmes of mentoring, coaching and personal development, and collaborated on the establishment of the Mary Seacole Leadership Awards. She co-produced the Department’s publication Many Rivers to Cross which chronicled the contribution of Caribbean staff to the NHS. She worked closely with organisations such as Barbados Overseas Nursing Association (BONA) and the Royal College of Nursing, as well as sitting on the boards of a number of charitable organisations. She is Patron of the Sickle Cell Society and past Vice Chair of Greenwich Community College. Nola is active as a mentor and motivational speaker. She travelled across the UK and overseas including Australia, Europe, Africa and the Caribbean, including Barbados, representing the Department of Health. Nola is a member of the High Commission Health and Welfare Group. Nola’s service was recognised in the NHS with her receiving the Order of the British Empire (OBE) in th…
source: westindians
contributor: eulac3d
type: Person