Dr Trevor Hall CBE
subject: arrival
description: Born in Barbados in 1941, in his teens Trevor became an outstanding leader in the Church Lads’ Brigade, first visiting the UK on its behalf, aged 16. In the early 60s, he travelled to England to work for London Transport while maintaining his commitment to community and youth work through the church. This led to a post as Administrator for the Church of England Board of Education, and the early beginnings of his influence on national thought and practice in race relations. He moved to Rugby in Community Relations, focusing specifically on young people, where his creative methods soon brought the very diverse communities of the town together, reaching the lives of children, young people, and adults alike. Never afraid to tackle the big issues, he initiated research, developed community initiatives, and pioneered multiracial youth international exchanges. He created innovative training programmes, gaining the confidence of communities, police, and local authority, to bring people together in challenging times in terms of race equality. With significant race relations legislation just beginning to emerge, Trevor’s skills and expertise were soon noticed at the national level and he was appointed in 1982 to the Home Office as Race Equality Adviser to the Permanent Secretary. Trevor was instrumental in transforming policy and practice, whilst maintaining absolute integrity and independent thought. As the most senior black civil servant of the time, Trevor was promoted to join the Management Board, sharing perspectives and initiatives at the very highest levels, always keeping in mind the interests of those unable easily to communicate with those in power. Trevor’s initiatives in training senior police, magistracy, senior judges and immigration service had a lasting impact, significantly changing race relations practice. Throughout, Trevor never lost track of his commitment to young people and communities, taking on the roles of Chair of the Commonwealth Youth Exchange Cou…
source: stories,arrival
date: 1960
type: Story

Dr Trevor Hall CBE
description: Born in Barbados in 1941, in his teens Trevor became an outstanding leader in the Church Lads’ Brigade, first visiting the UK on its behalf, aged 16. In the early 60s, he travelled to England to work for London Transport while maintaining his commitment to community and youth work through the church. This led to a post as Administrator for the Church of England Board of Education, and the early beginnings of his influence on national thought and practice in race relations. He moved to Rugby in Community Relations, focusing specifically on young people, where his creative methods soon brought the very diverse communities of the town together, reaching the lives of children, young people, and adults alike. Never afraid to tackle the big issues, he initiated research, developed community initiatives, and pioneered multiracial youth international exchanges. He created innovative training programmes, gaining the confidence of communities, police, and local authority, to bring people together in challenging times in terms of race equality. With significant race relations legislation just beginning to emerge, Trevor’s skills and expertise were soon noticed at the national level and he was appointed in 1982 to the Home Office as Race Equality Adviser to the Permanent Secretary. Trevor was instrumental in transforming policy and practice, whilst maintaining absolute integrity and independent thought. As the most senior black civil servant of the time, Trevor was promoted to join the Management Board, sharing perspectives and initiatives at the very highest levels, always keeping in mind the interests of those unable easily to communicate with those in power. Trevor’s initiatives in training senior police, magistracy, senior judges and immigration service had a lasting impact, significantly changing race relations practice. Throughout, Trevor never lost track of his commitment to young people and communities, taking on the roles of Chair of the Commonwealth Youth Exchange Cou…
source: westindians
contributor: eulac3d
type: Person

Dr Wayne Marshall FRCM FRCO
description: Wayne Marshall was born in Oldham, Lancashire, to Barbadian parents, on January 13,1961. He played the piano by ear at three, and began lessons at seven. He studied organ and piano at 11 at Chetham’s School of Music in Manchester. Later studies were at the Royal College of Music in London and at Vienna’s Hochschule fur Musik. While much of his time has been devoted to Broadway and jazz music, Marshall began his career as a church musician, serving as organ scholar first at Manchester Cathedral, then at St. George’s Chapel, Windsor. Marshall quickly developed an international reputation as an organ soloist and recitalist. He also began appearing regularly as a pianist in both roles and as accompanist. Among Marshall’s earliest recordings are the 1994 Saint-Saens Organ Symphony with Mariss Jansons on EMI, and the 1995 album Masters of English Church Music on Collegium, containing organ works by Byrd, Stanford, and Howells. Marshall had also begun developing his career as a conductor by this time, and over the years would lead such orchestras as the Rotterdam Philharmonic, Vienna Symphony and BBC Philharmonic. His choice of repertory with these ensembles tended to favour selections from American musicals like Wonderful Town, West Side Story, and Guys and Dolls. In 2004, Marshall premiered James MacMillan’s Organ Concerto, subtitled “A Scotch Bestiary,” and recorded it for the Chandos label in 2006. He also received same year an Honorary Doctorate from Bournemouth University and became a Fellow of the Royal College of Music in 2010. He is the Chief Conductor of WDR Funkhausorchester Cologne, and Organist and Associate Artist of the Bridgewater Hall.
source: stories,westindians
date: 1961-01-13
type: Person

Dr. Owen Minott's Rolleicord camera
subject: CULTURAL HERITAGE
description: Dr Owen Minott was one of the pioneering 33 medical students of the UCWI in 1948 and subsequently a noted amateur photographer. He was one of the early (perhaps the earliest) chroniclers of the UCWI, producing hundreds of 2.25” black and white negatives and prints and subsequently 33mm images of the campus and its population. This was his second camera, according to his widow Margaret.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Dr. Owen Minott's Rolleicord camera
subject: CULTURAL HERITAGE
description: Dr Owen Minott was one of the pioneering 33 medical students of the UCWI in 1948 and subsequently a noted amateur photographer. He was one of the early (perhaps the earliest) chroniclers of the UCWI, producing hundreds of 2.25” black and white negatives and prints and subsequently 33mm images of the campus and its population. This was his second camera, according to his widow Margaret.
language: English
type: Physical Object

DRAKES, ALVIN
type: Person

DRAKES, ARNOLD
type: Person

DRAKES, CHARLES
type: Person

DRAKES, CHARLES
type: Person

DRAKES, E
type: Person

DRAKES, EDWARD
type: Person

DRAKES, JAMES
type: Person

DRAKES, RANDOLPH
type: Person

DRAKES, REUBEN
type: Person

DRAKES, WILLIAM
type: Person

DRAYTON, AUBREY
type: Person

DRAYTON, CHARLES
type: Person

DRAYTON, CHRISTOPHER
type: Person

DRAYTON, HORATIO
type: Person

DRAYTON, JOSEPH
type: Person

DRAYTON, JOSEPH
type: Person

DRAYTON, PRESTON
type: Person

DRAYTON, RICHARD
type: Person

DRAYTON, SAMUEL
type: Person

DRAYTON, THOMAS
type: Person

DREW, JAMES
type: Person

Drum
subject: CULTURAL HERITAGE
description: Drum, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
language: English
type: 3D Object

Drum
subject: CULTURAL HERITAGE
description: Drum, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
language: English
type: Physical Object

Dudley, West Midlands
source: places
contributor: eulac3d
type: Site

DUGLIN, ARTHUR
type: Person

DUGLIN, JAMES
type: Person

DUGLIN, WILLIAM
type: Person

DUKE, RUFUS
type: Person

DUKE, WILLIAM
type: Person

DURANT, CHARLES
type: Person

DURANT, JAMES
type: Person

DYAL, AGUSTUS
type: Person

DYAL, ETHELBERT
type: Person

DYAL, FITZ
type: Person

DYAL, NATHANIEL
type: Person

Dylan Collymore
subject: CULTURAL HERITAGE,PEOPLE
creator: Dylan Collymore
source: stories,Contributers,barbadosmigration
date: 2018
format: video/mp4
language: English
type: Moving Image

E.R. Braithwaite
subject: arrival
description: E.R. Braithwaite, (Eustace Edward Ricardo Braithwaite), Guyanese author and diplomat (born June 27, 1912, Georgetown, British Guiana (now Guyana) — died December 12, 2016, Rockville, Md.), was the author of the best-selling memoir To Sir, with Love (1959), an account of his experience as a well-educated black man teaching a group of undisciplined high-school students in the slums of London’s East End. The book was translated into more than 20 languages and was made into an immensely popular 1967 film starring Sidney Poitier. Braithwaite was educated at Queens College in British Guiana and studied (1940) at the City College of New York before joining the Royal Air Force in Britain as a pilot. After World War II he earned (1949) a master’s degree in physics from the University of Cambridge. However, because of his race, he was unable to work in his field, but he did find employment teaching (1950–57) at a secondary school in London and later (1958–60) as a social worker finding foster homes for nonwhite children. He subsequently wrote Paid Servant (1962). Braithwaite worked as a human rights officer for the World Veterans Federation and later as an education consultant for UNESCO, and in 1966 he was appointed Guyana’s representative to the United Nations. He also served (1968–70) as Guyana’s ambassador to Venezuela. From 1970 he taught at various American universities. He wrote other books, notably the memoir Honorary White (1975), about a visit to South Africa.
source: stories,arrival
type: Story

E.R. Braithwaite
description: E.R. Braithwaite, (Eustace Edward Ricardo Braithwaite), Guyanese author and diplomat (born June 27, 1912, Georgetown, British Guiana (now Guyana) — died December 12, 2016, Rockville, Md.), was the author of the best-selling memoir To Sir, with Love (1959), an account of his experience as a well-educated black man teaching a group of undisciplined high-school students in the slums of London’s East End. The book was translated into more than 20 languages and was made into an immensely popular 1967 film starring Sidney Poitier. Braithwaite was educated at Queens College in British Guiana and studied (1940) at the City College of New York before joining the Royal Air Force in Britain as a pilot. After World War II he earned (1949) a master’s degree in physics from the University of Cambridge. However, because of his race, he was unable to work in his field, but he did find employment teaching (1950–57) at a secondary school in London and later (1958–60) as a social worker finding foster homes for nonwhite children. He subsequently wrote Paid Servant (1962). Braithwaite worked as a human rights officer for the World Veterans Federation and later as an education consultant for UNESCO, and in 1966 he was appointed Guyana’s representative to the United Nations. He also served (1968–70) as Guyana’s ambassador to Venezuela. From 1970 he taught at various American universities. He wrote other books, notably the memoir Honorary White (1975), about a visit to South Africa.
source: stories
date: 1912-06-27
type: Person

EARLE, CLARENCE
type: Person

EARLE, JAMES
type: Person

EARLE, LEE
type: Person

EARLE, RUFUS
type: Person

EARLE, STANLEY
type: Person

EARLE, WILLIAM
type: Person

Early University of West Indies seal stamp
subject: CULTURAL HERITAGE
description: An early university seal stamp. The University of the West Indies Museum, commonly called the UWI Museum, was established in 2012. Its focus is the history and development of the University of the West Indies, and its relationship to the West Indies – now more commonly known as the Caribbean – region, which it serves.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Early University of West Indies seal stamp
subject: CULTURAL HERITAGE
description: An early university seal stamp. The University of the West Indies Museum, commonly called the UWI Museum, was established in 2012. Its focus is the history and development of the University of the West Indies, and its relationship to the West Indies – now more commonly known as the Caribbean – region, which it serves.
language: English
type: Physical Object

East Anglia
source: places
contributor: eulac3d
type: Site

EASTMOND, CHARLES
type: Person

EASTMOND, ERNEST
type: Person

EASTMOND, ESAU
type: Person

EASTMOND, GEORGE
type: Person

EASTMOND, H
type: Person

EASTMOND, JOSEPH
type: Person

EASTMOND, JOSEPH
type: Person

EASTMOND, THOMAS
type: Person

EASTMOND, TIMOTHY
type: Person

EASTMOND, WILLIAM
type: Person

Ecomusee CreoleArt
description: Title Ecomusee CreoleArt Description This museum was begun in 1989 by Jocelyn Roumbo and made collaboratively to preserve and show the nature, history, culture & traditions of Guadeloupe. The visit is self-guided and begins with the Jardin Creole, a walkway with herbal, medicinal or edible plants. The panels provide basic information and recipes, myths or anecdotes, making nature a part of culture by discussing customs, traditions and beliefs. Then there are 32 cabinets, each with different objects and texts to represent the communes of Guadeloupe. Each is made by the respective commune. Throughout, there are ateliers where local initiatives are demonstrated (live or on video), combining natural and cultural heritage to work towards environmental and cultural sustainability. The final aspect of the ecomuseum is the history section of period rooms and houses like life-size dioramas from Columbus to local convenience store.
creator: Jocelyn Roumbo
source: Museums
date: 1989
language: French, English, Spanish, German
type: Museum

Ecomuseo de la Cerámica Chorotega, San Vicente de Nicoya
description: This project is a response to the need of the people of San Vicente to manage their natural and cultural resources. It is an instrument for the education, preservation and diffusion of the Cultural and Natural Heritage of San Vicente. Este museo es una iniciativa comunitaria, en la cual se ha desarrollado una exhibición que se basa en las tradiciones orales, el pasado precolombino, la vida cotidiana y la fabricación de alfarería tradicional como su base narrativa. Se combina además con visitas a los lugares tradicionales de la comunidad, y a los talleres de los alfareros del lugar.
source: workshops,community
date: 2007-05-05
type: Museum

Ecomuseo de la Cerámica Chorotega, San Vicente de Nicoya
description: This project is a response to the need of the people of San Vicente to manage their natural and cultural resources. It is an instrument for the education, preservation and diffusion of the Cultural and Natural Heritage of San Vicente.
source: workshops
type: Collection

Ecomuseo de la Cerámica Chorotega, San Vicente de Nicoya
source: workshops
type: Tour

Ecomuseo del Habitat Rural de Sinarcas
description: El Ecomuseo del Hábitat Rural de Sinarcas, Valencia, tiene como misión mostrar al visitante una vivienda agrícola del siglo XIX y la forma de vida rural de una familia de aquella época, un viaje en el tiempo para conocer la historia y el pasado de una comarca. The Ecomuseum of the Rural Habitat of Sinarcas, Valencia, has as its mission to show the visitor an agricultural house of the XIX century and the way of rural life of a family of that time, a trip in time to know the history and the past of a region .
source: community
type: Museum

Ecomuseu da Terra de Miranda - Terra Mater
description: O Ecomuseu Terra Mater – Ecomuseu de la Tierra de Miranda centra-se nos quatro elementos primordiais – a água, a terra, o fogo e o ar – propondo atividades de dinamização e de valorização relacionadas com estes elementos e com as práticas tradicionais desenvolvidas na região. Trata-se também de um museu associado a cultura e à língua mirandesa através da Associação Frauga que visa: Estudar, salvaguardar e defender o património cultural e natural do termo de Picote; Promover e desenvolver acções de sensibilização e formação que valorizem os recursos humanos locais, com vista à prossecução dos fins estatutários; Promover o desenvolvimento local, entendido como processo de melhoria das condições de sociais e económicas de vida da aldeia; Zelar de um modo geral pelos interesses de Picote. The Ecomuseum Terra Mater - Ecomuseu de la Tierra de Miranda focuses on the four primordial elements - water, earth, fire and air - proposing activities of dynamization and valorization related to these elements and to the traditional practices developed in the region . It is also a museum associated with culture and the Mirandese language through the Frauga Association which aims to: Study, safeguard and defend the cultural and natural heritage of the Picote term; Promote and develop awareness-raising and training actions that value local human resources, with a view to pursuing statutory purposes; Promote local development, understood as a process of improving the social and economic conditions of village life; Look after Picote's interests in general.
source: community
date: 2010
type: Museum

Ecomuseu da Terra de Miranda - Terra Mater
source: community
type: Tour

Ecomuseu da Terra de Miranda - Terra Mater
description: O Ecomuseu Terra Mater – Ecomuseu de la Tierra de Miranda centra-se nos quatro elementos primordiais – a água, a terra, o fogo e o ar – propondo atividades de dinamização e de valorização relacionadas com estes elementos e com as práticas tradicionais desenvolvidas na região. Trata-se também de um museu associado a cultura e à língua mirandesa através da Associação Frauga que visa: Estudar, salvaguardar e defender o património cultural e natural do termo de Picote; Promover e desenvolver acções de sensibilização e formação que valorizem os recursos humanos locais, com vista à prossecução dos fins estatutários; Promover o desenvolvimento local, entendido como processo de melhoria das condições de sociais e económicas de vida da aldeia; Zelar de um modo geral pelos interesses de Picote.
source: community
contributor: eulac3d
type: Moving Image

Ecomuseu de Barroso
source: community
type: Tour

Ecomuseu de Barroso
description: O âmbito de intervenção do Ecomuseu de Barroso abrange a maioria dos propósitos convencionalmente atribuídos aos museus. Com consciência plena da necessidade de cumprir esse conjunto de funções, pretende assumir-se como elemento âncora da estratégia de desenvolvimento integrado e sustentável do território barrosão. O Ecomuseu de Barroso iniciou atividade no momento em que começou a trabalhar com as instituições locais e as pessoas. Sem estar confinado a um edifício ou a um conjunto de edifícios, nem a horários de visita, dir-se-ia que se entra no Ecomuseu de Barroso quando, vindos de outros territórios, se transpõe qualquer uma das estradas que nos trazem a Barroso. O Ecomuseu de Barroso integra as funções de documentação, investigação e interpretação dos valores culturais e naturais do território barrosão e, deste modo, contribuir para reforçar a identidade cultural da comunidade, revitalizando a relação desta com o seu espaço geográfico - "espaço humanizado".
source: community
type: Museum

Ecomuseu de Barroso
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Ecomuseu de Redondo
description: O Ecomuseu de Redondo é um espaço a céu aberto, vivo e ativo, que permitirá efetuar um reconhecimento direto do património arqueológico e ambiental, funcionando como um espelho onde se pode observar o território e a vivência humana desde tempos imemoriais até à atualidade, constituindo-se como que um laboratório de emoções, de vivências e de troca de experiências. Situado no extremo Norte da freguesia e concelho de Redondo e abrangendo parte da Serra d’Ossa e do Biótopo CORINE, o Ecomuseu localiza-se num território geograficamente privilegiado cujos recursos naturais foram, durante séculos, objecto de fruição das populações que por aqui passaram. The Ecomuseum of Redondo is an open space, alive and active, that will allow to realize a direct recognition of the archaeological and environmental patrimony, functioning as a mirror where one can observe the territory and the human experience from time immemorial until the present time, as if it were a laboratory of emotions, experiences and exchange of experiences. Located at the northern end of the parish and municipality of Redondo and encompassing part of the Serra d'Ossa and CORINE biotope, the Ecomuseu is located in a geographically privileged territory whose natural resources were, for centuries, the object of enjoyment of the populations that have passed here.
source: community
type: Museum

Ecomuseu de Ribeira de Pena
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Ecomuseu do Barroso
description: O Ecomuseu de Barroso afirma-se como fiel representante da Identidade do povo e motor de formação, participação, cooperação, inovação e mobilização. O Património Imaterial é a grande pérola deste museu, assumindo a recolha de lendas, tradições, saberes antigos e ofícios acabados, o centro de toda a estratégia de investigação e da comunicação cultural. Desde 2002 que a recuperação de património, a par do envolvimento da comunidade local foi dando passos lentos, mas consistentes, na valorização da Identidade local. Em Montalegre, o Espaço Padre Fontes, que concentra as funções de natureza organizativa, com vista à dinamização e à gestão do “museu vivo”.
source: community
contributor: eulac3d
type: Moving Image

Ecomuseu do Corvo
description: Autodefine-se como um processo dinâmico através do qual a comunidade corvina preserva, interpreta e gere o seu património - material e imaterial, humano e natural - para o desenvolvimento sustentável, tendo por base um acordo da comunidade.
source: community
type: Museum

Ecomuseu do Corvo
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Ecomuseu do Sal
description: O Núcleo Museológico do Sal tem o objetivo de interpretar, valorizar e difundir testemunhos singulares reportados à relação secular do Homem com o território das salinas do concelho da Figueira da Foz. Situado na Salina Municipal do Corredor da Cobra, adquirida em 2000 com o intuito de promover a reativação e manutenção contínua da atividade salineira, este complexo cultural e ambiental integra um Armazém de Sal, uma Rota Pedestre pelo salgado, homologada pela Federação Portuguesa de Campismo e Montanhismo, uma Rota Fluvial pelo estuário do Rio Mondego e ainda um observatório de aves com um leitor de paisagem do território que o abraça. Este espaço museológico assume-se cada vez mais como um centro de informação, educação e sensibilização de diversos públicos para a necessidade de preservação de uma atividade tradicional e de um produto artesanal, contribuindo assim, de forma integrada, para a valorização deste património como fator de desenvolvimento local sustentável. É um centro local e nacional aberto à investigação e informação sobre a riqueza da biodiversidade do seu ecossistema-tipo e uma unidade didática de lazer e de interatividade. O seu programa museológico foi concebido pela empresa de consultoria ambiental Mãe d’ Água, Lda., com o apoio e acompanhamento dos serviços culturais da Autarquia. O visitante é confrontado com a explanação de cinco grandes temas: O que é o Sal; O Sal na Natureza; História do Sal em Portugal; A Tecnologia do Sal na Figueira da Foz e O Ciclo de Produção; e As Salinas e a Conservação da Natureza.
source: community
type: Museum

Ecomuseu do Sal
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Ecomuseu do Zêzere
description: Esta estrutura museológica destina-se a dar a conhecer ao visitante a história do Rio Zêzere e está instalado na antiga Tulha dos Cabrais. Historicamente os Cabrais foram a mais importante família de Belmonte, grandes proprietários construíram este celeiro em frente ao seu solar tendo ficado a edificação para sempre conhecida como Tulha dos Cabrais. Diretamente assente sobre um afloramento de granítico é uma sólida e sóbria construção de data desconhecida, que terá sofrido no entanto algumas remodelações, a mais evidente das quais ocorreu com a abertura da estrada fronteira à entrada que obrigou à construção das rampas de acesso. Trata-se de um museu com função didática e pedagógica, em que, troço a troço, acompanhamos o percurso do rio Zêzere, desde a sua nascente até à foz. Da apresentação de cada troço constam os elementos da fauna e flora que são mais característicos. Possui sala de exposições temporárias, onde ocorrem frequentemente exposições.
source: community
type: Museum

Ecomuseu Marinha da Troncalhada
description: Transformada em Ecomuseu, a marinha da Troncalhada mostra aos seus visitantes os métodos de produção artesanal do sal, explora a paisagem, fauna e flora características, bem como mantém vivas as vivências e tradições ligadas a esta atividade secular. Caracterizando-se por ser um núcleo museológico ao ar livre, aberto permanentemente, o visitante poderá realizar a sua visita de forma independente consultando os diversos painéis interpretativos que a marinha dispõe. Apesar do carácter sazonal da produção de sal tradicional característico, as visitas guiadas a este núcleo museológico poderão ser solicitadas todo o ano, sendo asseguradas em espaço interior, caso as condições climatéricas não sejam favoráveis.
source: community
type: Museum

Ecomuseu Municipal do Seixal
description: O Ecomuseu Municipal do Seixal (EMS) tem por missão investigar, conservar, documentar, interpretar, valorizar e difundir testemunhos do Homem e do meio, reportados ao território e à população do concelho, com vista a contribuir para a construção e a transmissão das memórias sociais e para um desenvolvimento local sustentável. Funcionalmente, baseia-se na gestão integrada de serviços, por que se reparte uma equipa permanente de cerca de 45 pessoas, abrangendo a investigação, a documentação, a conservação, a exposição, a difusão e a educação, centradas num vasto acervo museológico e num património muito diversificado. Territorialmente, o EMS integra oito sítios (cinco núcleos museológicos e três extensões) e gere três embarcações tradicionais de recreio. Os núcleos são sítios ou espaços de propriedade e tutela municipais, musealizados ou com aproveitamento museológico atual ou programado. As extensões são sítios ou patrimónios integrados em espaços de tutelas mistas, com parcial aproveitamento museológico. O acervo do Ecomuseu Municipal do Seixal é constituído por património cultural imóvel, por património flutuante e por bens móveis, incluindo coleções arqueológicas, técnicas e industriais, artísticas e etnográficas e fundos documentais, na sua maioria provenientes do território do concelho. Destacam-se: - as coleções arqueológicas, nomeadamente da Olaria Romana da Quinta do Rouxinol; - as coleções industriais, nomeadamente da fábrica de cortiça da Mundet & C.ª, Lda. (Seixal); - as coleções etnográficas e de cultura flúvio-marítima, nomeadamente de estaleiros navais tradicionais do estuário do Tejo; - as coleções de azulejaria (séculos XVI a XX); - as coleções e fundos documentais (imprensa local, fotografia, bibliografia e documentos variados, incluindo fundo antigo da Câmara). Para além do património material incorporado no seu acervo, o Ecomuseu Municipal do Seixal (EMS) integra e dinamiza um importante património cultural imaterial, nomeadamente através da preser…
source: workshops
date: 1982-05-18
type: Museum

Ecomuseu Municipal do Seixal
description: O Ecomuseu Municipal do Seixal (EMS) tem por missão investigar, conservar, documentar, interpretar, valorizar e difundir testemunhos do Homem e do meio, reportados ao território e à população do concelho, com vista a contribuir para a construção e a transmissão das memórias sociais e para um desenvolvimento local sustentável. Funcionalmente, baseia-se na gestão integrada de serviços, por que se reparte uma equipa permanente de cerca de 45 pessoas, abrangendo a investigação, a documentação, a conservação, a exposição, a difusão e a educação, centradas num vasto acervo museológico e num património muito diversificado. Territorialmente, o EMS integra oito sítios (cinco núcleos museológicos e três extensões) e gere três embarcações tradicionais de recreio. Os núcleos são sítios ou espaços de propriedade e tutela municipais, musealizados ou com aproveitamento museológico atual ou programado. As extensões são sítios ou patrimónios integrados em espaços de tutelas mistas, com parcial aproveitamento museológico. O acervo do Ecomuseu Municipal do Seixal é constituído por património cultural imóvel, por património flutuante e por bens móveis, incluindo coleções arqueológicas, técnicas e industriais, artísticas e etnográficas e fundos documentais, na sua maioria provenientes do território do concelho. Destacam-se: - as coleções arqueológicas, nomeadamente da Olaria Romana da Quinta do Rouxinol; - as coleções industriais, nomeadamente da fábrica de cortiça da Mundet & C.ª, Lda. (Seixal); - as coleções etnográficas e de cultura flúvio-marítima, nomeadamente de estaleiros navais tradicionais do estuário do Tejo; - as coleções de azulejaria (séculos XVI a XX); - as coleções e fundos documentais (imprensa local, fotografia, bibliografia e documentos variados, incluindo fundo antigo da Câmara). Para além do património material incorporado no seu acervo, o Ecomuseu Municipal do Seixal (EMS) integra e dinamiza um importante património cultural imaterial, nomeadamente através da preser…
type: Collection

Ecomuseu Ribeira de Pena
description: O Ecomuseu de Ribeira de Pena pretende preservar e divulgar o património cultural da comunidade ribeirapenense, assim como promover e dinamizar a ação cultural na sua região de implantação. Integra os vários museus do município instalados em estruturas de grande significado para a comunidade que tem um papel fundamental na identificação e valorização do seu património. São diferentes os seus núcleos como são diferentes as vertentes do património da sua intervenção, criando uma rede de museus interligada e um roteiro cultural na região. Trata-se de um museu polinucleado composto pelo: Museu da Venda Nova; Casa de Camilo; Casa da Cultura-Museu da Escola; Centro de Interpretação-Museu do Linho; Centro de Estudos Regionais; Espaço Santa Marinha; Casa do Minério-Museu do Volfrâmio; Centro dos Vinhos Verdes. The Ecomuseum of Ribeira de Pena intends to preserve and disseminate the cultural heritage of the community of Ribeira de Pena, as well as to promote and stimulate cultural action in its region of implantation. It integrates the several museums of the municipality installed in structures of great significance for the community that plays a fundamental role in the identification and valorisation of its heritage. Its nuclei are different, as are the heritage aspects of its intervention, creating an interconnected network of museums and a cultural itinerary in the region. It is a polynuclear museum composed by: Venda Nova Museum; House of Camilo; House of Culture-School Museum; Center of Interpretation-Museum of Flax; Center for Regional Studies; Space Santa Marinha; House of Ore-Museum of the Wolfram; Center of Green Wine.
source: community
type: Museum

Ecomuseu Ribeira de Pena - Museu do Linho
description: O Ecomuseu de Ribeira de Pena pretende preservar e divulgar o património cultural da comunidade ribeirapenense, assim como promover e dinamizar a ação cultural na sua região de implantação. Integra os vários museus do município instalados em estruturas de grande significado para a comunidade que tem um papel fundamental na identificação e valorização do seu património. São diferentes os seus núcleos como são diferentes as vertentes do património da sua intervenção, criando uma rede de museus interligada e um roteiro cultural na região.
source: community
contributor: eulac3d
type: Moving Image

EDEY, CLIFFORD
type: Person

EDGHILL, EVANS
type: Person

EDGHILL, HENRY
type: Person

EDGHILL, JOSEPH
type: Person

EDGHILL, NATHANIEL
type: Person

Edinburgh
source: places
contributor: eulac3d
type: Site

EDMUND, GREAVES
type: Person

EDMUND, MCALLISTER
type: Person

Edric Connor
subject: arrival
description: Edric Connor is primarily remembered by filmgoers as an actor for his work on screen during the last 15 years of his life, but the Trinidad-born singer also played a pivotal role in the introduction of what is now called world music to England during the late '40s and early '50s. Born in Mayaro, Trinidad, in the British West Indies in 1913, he began singing as a young man and left Trinidad in 1944 for England, in search of wider success as both a musician and actor. Over the ensuing half decade, he became one of the leading exponents of West Indian music in England, in an era in which American jazz barely had a foothold. His performance with a steel band at the 1952 Festival of Britain in London was a major event in the musical life of postwar England, bringing exposure to a form of music that was beloved in a key part of the empire, and also planting a seed in the spread of Jamaican music that ultimately led to the boom in ska and reggae. Edric Connor and his wife, Pearl, became major stars in music and acting over the ensuing decade, Connor becoming the first black actor to work with the Royal Shakespeare Company and playing key roles in a dozen major British and international films. In 1952, teamed with a singing group, he released Songs from Jamaica, a groundbreaking LP of Jamaican folk music credited to Edric Connor & the Caribbeans, on the Argo label. Acting came to dominate Connor's career during his final decade, in which he worked in several major epic movies and some prominent British television shows
source: stories,arrival
date: 1944
type: Story

Edric Connor
description: Edric Connor is primarily remembered by filmgoers as an actor for his work on screen during the last 15 years of his life, but the Trinidad-born singer also played a pivotal role in the introduction of what is now called world music to England during the late '40s and early '50s. Born in Mayaro, Trinidad, in the British West Indies in 1913, he began singing as a young man and left Trinidad in 1944 for England, in search of wider success as both a musician and actor. Over the ensuing half decade, he became one of the leading exponents of West Indian music in England, in an era in which American jazz barely had a foothold. His performance with a steel band at the 1952 Festival of Britain in London was a major event in the musical life of postwar England, bringing exposure to a form of music that was beloved in a key part of the empire, and also planting a seed in the spread of Jamaican music that ultimately led to the boom in ska and reggae. Edric Connor and his wife, Pearl, became major stars in music and acting over the ensuing decade, Connor becoming the first black actor to work with the Royal Shakespeare Company and playing key roles in a dozen major British and international films. In 1952, teamed with a singing group, he released Songs from Jamaica, a groundbreaking LP of Jamaican folk music credited to Edric Connor & the Caribbeans, on the Argo label. Acting came to dominate Connor's career during his final decade, in which he worked in several major epic movies and some prominent British television shows
source: stories,westindians
date: 1913-08-02
type: Person

EDWARDS, ALEXANDER
type: Person

EDWARDS, AUSTIN
type: Person

EDWARDS, CECIL
type: Person

EDWARDS, CHARLES
type: Person

EDWARDS, DANIEL
type: Person

EDWARDS, DAVID
type: Person

EDWARDS, ELKENS
type: Person

EDWARDS, FITZ
type: Person

EDWARDS, GEORGE
type: Person

EDWARDS, GEORGE
type: Person

EDWARDS, HILLARY
type: Person

EDWARDS, HUBERT
type: Person

EDWARDS, JAMES
type: Person

EDWARDS, JOSEPH
type: Person

EDWARDS, KEITH
type: Person

EDWARDS, MACGREGOR
type: Person

EDWARDS, NATHANIEL
type: Person

EDWARDS, REUBEN
type: Person

EDWARDS, RICHARD
type: Person

EDWARDS, RICHARD
type: Person

EDWARDS, SAMUEL
type: Person

EDWARDS, URBAN
type: Person

EDWARDS, WALTER
type: Person

Egbert Moore (Lord Beginner)
subject: arrival
description: Lord Beginner (born Egbert Moore) was at the heart of the expansion of calypso music immediately after WW2. Originally from Trinidad, Beginner recorded and toured in New York with other leading members of the Trinidad's "Old Brigade" of calypsonians, but his cricket credentials were already established. In 1937 he wrote "Les Ames he played fine/Till he was bowled by the quicker ball from Constantine". In 1948 he emigrated to England on the Windrush, the first boat from the Caribbean bringing a new generation of immigrants to the UK. Also on the boat was the legendary calypsonian Lord Kitchener. Beginner began playing clubs throughout London - primarily the Caribbean and the Paramount - and was a success, signing for Parlophone in 1950. Two of Lord Beginner's more well known calypsos were Victory Test Match - penned immediately after the 1950 Lord's Test won by West Indies and opening with the line "Cricket, lovely cricket" - and General Election, inspired by Clement Atlee's victory in the 1950 general election.
source: stories,arrival
date: 1948
type: Story

Egbert Moore (Lord Beginner)
description: Lord Beginner (born Egbert Moore) was at the heart of the expansion of calypso music immediately after WW2. Originally from Trinidad, Beginner recorded and toured in New York with other leading members of the Trinidad's "Old Brigade" of calypsonians, but his cricket credentials were already established. In 1937 he wrote "Les Ames he played fine/Till he was bowled by the quicker ball from Constantine". In 1948 he emigrated to England on the Windrush, the first boat from the Caribbean bringing a new generation of immigrants to the UK. Also on the boat was the legendary calypsonian Lord Kitchener. Beginner began playing clubs throughout London - primarily the Caribbean and the Paramount - and was a success, signing for Parlophone in 1950. Two of Lord Beginner's more well known calypsos were Victory Test Match - penned immediately after the 1950 Lord's Test won by West Indies and opening with the line "Cricket, lovely cricket" - and General Election, inspired by Clement Atlee's victory in the 1950 general election.
source: westindians
contributor: eulac3d
type: Person

ELCOCK, ALLEYNE
type: Person

ELCOCK, CHARLES
type: Person

ELCOCK, CHRISTOPHER
type: Person

ELCOCK, DONALD
type: Person

ELCOCK, GEORGE
type: Person

ELCOCK, GEORGE
type: Person

ELCOCK, JAMES
type: Person

ELCOCK, LEWIS
type: Person

ELCOCK, RUPERT
type: Person

ELCOCK, RUPERT
type: Person

ELCOCK, SAMUEL
type: Person

ELCOCK, SAMUEL
type: Person

ELCOCK, SAMUEL
type: Person

ELCOCK, THOMAS
type: Person

ELCOCK, TIMOTHY
type: Person

ELCOCK, WILLIAM
type: Person

ELDEN, JOHN
type: Person

ELLER, JOHN
type: Person

ELLIOTT, CHARLES
type: Person

ELLIOTT, CHARLES
type: Person

ELLIOTT, FRANCIS
type: Person

ELLIOTT, FREDERICK
type: Person

ELLIOTT, MORTIMER
type: Person

ELLIS, ALEXANDER
type: Person

ELLIS, ALEXANDER
type: Person

ELLIS, AUBREY
type: Person

ELLIS, CHRISTOPHER
type: Person

ELLIS, FITZ
type: Person

ELLIS, JEREMIAH
type: Person

ELLIS, JEREMIAH
type: Person

ELLIS, JOSEPH
type: Person

ELLIS, JOSEPH
type: Person

ELLIS, LAURIE
type: Person

ELMS, JOHN
type: Person

Emigrant’s doll
description: Around 1900 hundreds of Shetlanders left their native home. It was a time of hardship but also opportunity. People settled elsewhere in Britain, or further afield in the world. This doll belonged to a girl in a seaport where islanders settled as mariners and domestic servants. On the Move gallery SPO 1990.427
publisher: EULAC
format: text/plain Alias/WaveFront Object
type: 3D Object

Emigrant’s doll
description: Around 1900 hundreds of Shetlanders left their native home. It was a time of hardship but also opportunity. People settled elsewhere in Britain, or further afield in the world. This doll belonged to a girl in a seaport where islanders settled as mariners and domestic servants. On the Move gallery SPO 1990.427
type: Physical Object

EMPTAGE, ALFONZO
type: Person

EMPTAGE, GARDINER
type: Person

EMTAGE, PERCY
type: Person

England
source: places
contributor: eulac3d
type: Site

Enigma of Arrival Virtual Tour
source: stories
contributor: eulac3d
format: video/mp4
type: Moving Image

Eric Lynch
subject: generationalexperience
description: Eric Lynch speaks about his family history with ties from the Caribbean to Liverpool in the Claude Graham series "Unshackled". Footage courtesy the Caribbean Broadcasting Corporation.
source: stories,generationalexperience
date: 20th Century
type: Story

ERNEST, EDWIN
type: Person

Errol Brown
subject: arrival
description: Pop singer/songwriter and front man for Hot Chocolate, Errol Brown was born in Jamaica and moved to Britain when he was 12. His musical career started in 1969, when he and some friends sent a reggae version of Give Peace A Chance to John Lennon. Lennon liked the track, and it was released on the Beatles label, Apple Records, attributed to The Hot Chocolate Band which was later shortened. The producer Mickie Most signed him and Tony Wilson, the co-founder of the group as writers, and they wrote songs for Mary Hopkins and Herman's Hermits before deciding to write songs for themselves. In 1970, Hot Chocolate, with Errol as the lead singer released their first single, Love is Life, which reached No.6 in the charts. Brown's bald headed sexy image and unique voice as the central focus of the group led to many Top Ten hits such as It started with a Kiss, You Sexy Thing and Everyone's a Winner. In 1981, Hot Chocolate was invited by Prince Charles and Lady Diana to their pre-wedding reception. In 1985 Errol left the band to spend more time with his wife and children, and has since resurfaced to enjoy a successful solo career. Hot Chocolate enjoyed a revival when their hit You Sexy Thing was featured in the film The Full Monty. In June 2003 Errol was awarded an MBE for his services to popular music.
source: stories,arrival
type: Story

Errol Brown
description: Pop singer/songwriter and front man for Hot Chocolate, Errol Brown was born in Jamaica and moved to Britain when he was 12. His musical career started in 1969, when he and some friends sent a reggae version of Give Peace A Chance to John Lennon. Lennon liked the track, and it was released on the Beatles label, Apple Records, attributed to The Hot Chocolate Band which was later shortened. The producer Mickie Most signed him and Tony Wilson, the co-founder of the group as writers, and they wrote songs for Mary Hopkins and Herman's Hermits before deciding to write songs for themselves. In 1970, Hot Chocolate, with Errol as the lead singer released their first single, Love is Life, which reached No.6 in the charts. Brown's bald headed sexy image and unique voice as the central focus of the group led to many Top Ten hits such as It started with a Kiss, You Sexy Thing and Everyone's a Winner. In 1981, Hot Chocolate was invited by Prince Charles and Lady Diana to their pre-wedding reception. In 1985 Errol left the band to spend more time with his wife and children, and has since resurfaced to enjoy a successful solo career. Hot Chocolate enjoyed a revival when their hit You Sexy Thing was featured in the film The Full Monty. In June 2003 Errol was awarded an MBE for his services to popular music.
source: stories,westindians
date: 1943-11-12
type: Person

Errollyn Wallen MBE
subject: arrival
description: Born in Belize, Errollyn Wallen gave up her training at the Dance Theater of Harlem, New York to study composition at the universities of London and Cambridge. She founded her own Ensemble X, and its motto ’We don’t break down barriers in music… we don’t see any’ reflects her genuine, free-spirited approach and eclectic musicianship. She has been commissioned by outstanding music institutions from the BBC to the Royal Opera House and performed her songs internationally. Errollyn Wallen’s song Daedalus appears alongside songs by Björk, Sting, Elvis Costello and Meredith Monk on the Brodsky Quartet’s CD Moodswings. The two solo albums Meet Me at Harold Moores and most recently Errollyn feature her songs in her own voice/piano performance and in collaboration with outstanding jazz artists. Her multi-media show Jordan Town, a modern day song cycle with dance and film, was a sell-out hit at the Edinburgh Festival. The Errollyn Wallen Songbook, published by Edition Peters, comprises twelve of her celebrated songs for voice with piano accompaniment. Errollyn Wallen’s quality as a writer for the human voice becomes also apparent in her more classical vocal works: Are You Worried About the Rising Cost of Funerals is a song cycle for soprano and string quartet commissioned by the Birmingham Contemporary Music Group and recorded on her classical solo album The Girl in My Alphabet which received rave reviews at its release; Fairy Scary comprises song settings of fairy stories for voice and small instrumental ensemble and was commissioned by the Wigmore Hall; the Dunedin Consort commissioned and world-premièred Comfort Me with Apples for soloists and instrumental ensemble with words from The Song of Songs in September 2006.
source: stories,arrival
type: Story

Errollyn Wallen MBE
description: Born in Belize, Errollyn Wallen gave up her training at the Dance Theater of Harlem, New York to study composition at the universities of London and Cambridge. She founded her own Ensemble X, and its motto ’We don’t break down barriers in music… we don’t see any’ reflects her genuine, free-spirited approach and eclectic musicianship. She has been commissioned by outstanding music institutions from the BBC to the Royal Opera House and performed her songs internationally. Errollyn Wallen’s song Daedalus appears alongside songs by Björk, Sting, Elvis Costello and Meredith Monk on the Brodsky Quartet’s CD Moodswings. The two solo albums Meet Me at Harold Moores and most recently Errollyn feature her songs in her own voice/piano performance and in collaboration with outstanding jazz artists. Her multi-media show Jordan Town, a modern day song cycle with dance and film, was a sell-out hit at the Edinburgh Festival. The Errollyn Wallen Songbook, published by Edition Peters, comprises twelve of her celebrated songs for voice with piano accompaniment. Errollyn Wallen’s quality as a writer for the human voice becomes also apparent in her more classical vocal works: Are You Worried About the Rising Cost of Funerals is a song cycle for soprano and string quartet commissioned by the Birmingham Contemporary Music Group and recorded on her classical solo album The Girl in My Alphabet which received rave reviews at its release; Fairy Scary comprises song settings of fairy stories for voice and small instrumental ensemble and was commissioned by the Wigmore Hall; the Dunedin Consort commissioned and world-premièred Comfort Me with Apples for soloists and instrumental ensemble with words from The Song of Songs in September 2006.
source: westindians
date: 1958-04-10
type: Person

Escorpión deidad cerámica - Scorpion deity ceramic
subject: CULTURAL HERITAGE
description: Cerámica Blackware que representa una deidad escorpión. Blackware ceramic depicting a scorpion deity.
format: text/plain Alias/WaveFront Object
type: 3D Object

Escorpión deidad cerámica - Scorpion deity ceramic
subject: CULTURAL HERITAGE
description: Cerámica Blackware que representa una deidad escorpión. Blackware ceramic depicting a scorpion deity.
type: Physical Object

Esmoladera - Grindstone
subject: CULTURAL HERITAGE
description: Caja de madera con muela para afilar cuchillos y hachas. Wooden box with grindstone for sharpening knives and axes.
format: text/plain Alias/WaveFront Object
language: Catalan (valencian)
type: 3D Object

Esmoladera - Grindstone
subject: CULTURAL HERITAGE
description: Caja de madera con muela para afilar cuchillos y hachas. Wooden box with grindstone for sharpening knives and axes.
language: Catalan (valencian)
type: Physical Object

Espaço Memoria e Fronteira em Melgaço-Porto Canal
contributor: eulac3d
type: Moving Image

Espaço, Memória e Fronteira
description: Encontra-se instalado num edifício antes ocupado pelo matadouro municipal, remodelado e ampliado em 2007. Percorrendo as suas salas, ingressamos no mundo da emigração ilegal dos anos 60 e 70, conhecendo todos os momentos, desde as causas, a preparação da viagem e a viagem em si, até ao chegada e vivência no país de acolhimento. Um perfeito retrato social das centenas de filhos da terra que Melgaço viu partir, não esquecendo os reflexos deste êxodo no concelho. É aqui também feito um retrato do contrabando que fez viver na clandestinidade tantos melgacences. Destacamos os testemunhos reais documentados que nos transportam para a época em que se ia “a salto” para o estrangeiro. O espaço dispõe também de um gabinete de atendimento a imigrantes. It is housed in a building, previously occupied by the municipal slaughterhouse, remodeled and expanded in 2007. Going through its rooms, we entered the world of illegal emigration of the 60s and 70s, knowing every moment, from the causes, the preparation of the trip and the trip itself, until the arrival and living in the host country. A perfect social portrait of the hundreds of children of the land that Melgaço has seen leave, not forgetting the reflexes of this exodus in the county. It is also made here a picture of the smuggling that made to live in the clandestinity so many melgacences. We highlight the actual documented testimonies that carry us to the time when the "leap" was going abroad. The space also has an office for immigrants
source: community
type: Museum

Estátua de bronze de mercúrio - Mercury bronze statue
subject: CULTURAL HERITAGE
description: Escultura antropomórfica encontrada na vila romana da Quinta de S. João / Quinta da Laranjeira (Arrentela, Seixal), utilizada nas práticas culticais do período romano (entre os séculos III e IV). Fundido em bronze, foi posteriormente modificado pela aplicação de uma haste de latão soldada ao braço direito, parcialmente amputado. Mercúrio está de pé e é considerado um jovem nu, coberto apenas com um manto sobre o tronco. Vestindo um chapéu com duas asas pequenas e segurando na mão esquerda o caduceu, pau onde entrelaçam duas cobras. O fim dos membros inferiores está quebrado. Um dos atributos mais comuns está faltando, a bolsa de moedas tradicional realizada pela mão direita, substituída pela haste de latão. A superfície achatada disto na extremidade inferior sugere que pode representar um remo, talvez pedindo proteção divina para a navegação e o comércio fluvial e marítimo que na época já caracterizavam o estuário do rio Tejo. Anthropomorphic sculpture found in the roman villa at Quinta de S. João / Quinta da Laranjeira (Arrentela, Seixal), used in cultic practices in the Roman Period (between 3rd and 4th centuries). Casted in bronze, was further modified by application of a brass rod welded to the, partially amputated, right arm. Mercury is standing and figured as a young naked man, covered only with a mantle over his torso. Wearing a hat with two small wings and holding in the left hand the caduceus, stick where interlace two snakes. The end of the lower limbs is broken. One of the most common attributes is missing, the traditional coin purse held by the right hand, replaced by brass rod. The flattened surface of this at the lower end suggests that may represent an oar, perhaps calling for divine protection for navigation and the fluvial and maritime trade which at the time already characterized the estuary of the Tagus river.
format: text/plain Alias/WaveFront Object
type: 3D Object

Estátua de bronze de mercúrio - Mercury bronze statue
subject: CULTURAL HERITAGE
description: Escultura antropomórfica encontrada na vila romana da Quinta de S. João / Quinta da Laranjeira (Arrentela, Seixal), utilizada nas práticas culticais do período romano (entre os séculos III e IV). Fundido em bronze, foi posteriormente modificado pela aplicação de uma haste de latão soldada ao braço direito, parcialmente amputado. Mercúrio está de pé e é considerado um jovem nu, coberto apenas com um manto sobre o tronco. Vestindo um chapéu com duas asas pequenas e segurando na mão esquerda o caduceu, pau onde entrelaçam duas cobras. O fim dos membros inferiores está quebrado. Um dos atributos mais comuns está faltando, a bolsa de moedas tradicional realizada pela mão direita, substituída pela haste de latão. A superfície achatada disto na extremidade inferior sugere que pode representar um remo, talvez pedindo proteção divina para a navegação e o comércio fluvial e marítimo que na época já caracterizavam o estuário do rio Tejo. Anthropomorphic sculpture found in the roman villa at Quinta de S. João / Quinta da Laranjeira (Arrentela, Seixal), used in cultic practices in the Roman Period (between 3rd and 4th centuries). Casted in bronze, was further modified by application of a brass rod welded to the, partially amputated, right arm. Mercury is standing and figured as a young naked man, covered only with a mantle over his torso. Wearing a hat with two small wings and holding in the left hand the caduceus, stick where interlace two snakes. The end of the lower limbs is broken. One of the most common attributes is missing, the traditional coin purse held by the right hand, replaced by brass rod. The flattened surface of this at the lower end suggests that may represent an oar, perhaps calling for divine protection for navigation and the fluvial and maritime trade which at the time already characterized the estuary of the Tagus river.
type: Physical Object

Estatueta de terracota de touro romano - Roman bull statuette
subject: CULTURAL HERITAGE
description: Escultura zoomórfica em terracota representando um animal da família bovidae, produzido na oficina de cerâmica romana da Quinta do Rouxinol (Seixal). A estatueta está quase completa, sem apenas um dos chifres. Sob um corpo paralelepipédico, existem quatro pernas cilíndricas. Nas extremidades do corpo também existem duas protuberâncias que podem representar a cauda e a cabeça. Zoomorphic sculpture in terracotta representing an animal of the bovidae family, produced in the roman pottery workshop of Quinta do Rouxinol (Seixal). The figurine is almost complete lacking only one of the horns. Under a parallelepipedic body there are four cylindrical legs. At the extremities of the body are also two bulges that could represent the tail and head.
format: text/plain Alias/WaveFront Object
type: 3D Object

Estatueta de terracota de touro romano - Roman bull statuette
subject: CULTURAL HERITAGE
description: Escultura zoomórfica em terracota representando um animal da família bovidae, produzido na oficina de cerâmica romana da Quinta do Rouxinol (Seixal). A estatueta está quase completa, sem apenas um dos chifres. Sob um corpo paralelepipédico, existem quatro pernas cilíndricas. Nas extremidades do corpo também existem duas protuberâncias que podem representar a cauda e a cabeça. Zoomorphic sculpture in terracotta representing an animal of the bovidae family, produced in the roman pottery workshop of Quinta do Rouxinol (Seixal). The figurine is almost complete lacking only one of the horns. Under a parallelepipedic body there are four cylindrical legs. At the extremities of the body are also two bulges that could represent the tail and head.
type: Physical Object

ESTEPA
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

ESTEPA
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

ESTWICK, MARTIN
type: Person

ESTWICK, NATHANIEL
type: Person

ESTWICK, SOLOMON
type: Person

EU-LAC-MUSEUMS: Costa Rica Festivals
description: The Costa Rica festival video forms part of a suite of videos being hosted on the project website and database to celebrate cultural heritage, intergenerational transmission of knowledge, and youth empowerment between regions. This collaboration between Europe, Latin America and the Caribbean is designed to facilitate the bringing together of rural communities, to enable the sharing of knowledge and experiences to protect their Cultural Heritage, increase social cohesion and enhance community memory. Esta colaboración entre Europa, América Latina y el Caribe está diseñada para facilitar la reunión de las comunidades rurales para permitir el intercambio de conocimientos y experiencias para proteger su Patrimonio Cultural, aumentar la cohesión social y mejorar la memoria de la comunidad. Cette collaboration entre l'Europe, l'Amérique latine et les Caraïbes vise à faciliter le rapprochement des communautés rurales, à permettre le partage des connaissances et des expériences pour protéger leur Patrimoine Culturel, accroître la cohésion sociale et renforcer la mémoire communautaire.
source: community
contributor: eulac3d
type: Moving Image

EVELYN, ARTHUR
type: Person

EVELYN, EDWARD
type: Person

EVELYN, HUBERT
type: Person

EVELYN, SAMUEL
type: Person

EVELYN, WILLIAM
type: Person

EVERSLEY, CLARENT
type: Person

EVERSLEY, DAVID
type: Person

EVERSLEY, GEORGE
type: Person

EVERSLEY, JAMES
type: Person

EVERSLEY, RUFUS
type: Person

EVERSLEY, SAMUEL
type: Person

EVERSLEY, SAMUEL
type: Person

Eye on the Arts
subject: CULTURAL HERITAGE
description: Interview with Curator Allison Thompson for the Barbadian programme "Eye on the Arts", which aired on February 9th 2019.
format: video/mp4
language: English
type: Moving Image

Facebook Museu da Ruralidade
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Facebook Museu do Trabalho
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

FAGAN, HENRY
type: Person

Fairfield Cross Road, St Michael
source: places
contributor: eulac3d
type: Site

FARLEY, AUGUSTUS
type: Person

FARLEY, BENJAMIN
type: Person

FARLEY, BERESFORD
type: Person

FARLEY, ELISHA
type: Person

FARLEY, GOULBOURNE
type: Person

FARLEY, HENRY
type: Person

FARLEY, JAMES
type: Person

FARLEY, JOSEPH
type: Person

FARLEY, R
type: Person

FARMER, ETHELBURT
type: Person

FARNUM, JOHN
type: Person

FARNUM, RUPERT
type: Person

FARRELL, ??
type: Person

FARRELL, FOSTER
type: Person

FARRELL, JAMES
type: Person

FARRELL, THOMAS
type: Person

Favreuil
source: places
contributor: eulac3d
type: Site

Female bust
subject: CULTURAL HERITAGE
description: Female bust, part of the collection of the National Museum of Jamaica. The National Museum Jamaica is the national agent for the collection, preservation and documentation of Jamaica’s material culture and aims to stimulate serious research and reflection on Jamaica’s history and contemporary life.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Female bust
subject: CULTURAL HERITAGE
description: Female bust, part of the collection of the National Museum of Jamaica. The National Museum Jamaica is the national agent for the collection, preservation and documentation of Jamaica’s material culture and aims to stimulate serious research and reflection on Jamaica’s history and contemporary life.
language: English
type: Physical Object

FENTY, ERNEST
type: Person

FENTY, HENRY
type: Person

FENTY, J. ROBERT
type: Person

FENTY, JOSEPH
type: Person

FENTY, ROBERT J
type: Person

FENTY, WILLIAM
type: Person

FENTY, WILLIAM
type: Person

FERGERSON, ARCHIBALD
type: Person

FERGUSON, CLEMENT
type: Person

FERGUSON, EDWARD
type: Person

FERGUSON, VINCENT
type: Person

FIELD, GLADSTONE
type: Person

FIELDS, CLAIRMONTE
type: Person

FIELDS, GEORGE
type: Person

FIELDS, MORTIMER
type: Person

FIELDS, PERCY
type: Person

Figura antropomórfica de entierro - Burial anthropomorphic figure
subject: CULTURAL HERITAGE
description: Figura antropomórfica de entierro en miniatura del entierro en pirámides de Túcume. Miniature burial anthropomorphic figure from burial in Túcume pyramids.
type: 3D Object

Figura antropomórfica de entierro - Burial anthropomorphic figure
subject: CULTURAL HERITAGE
description: Figura antropomórfica de entierro en miniatura del entierro en pirámides de Túcume. Miniature burial anthropomorphic figure from burial in Túcume pyramids.
type: Physical Object

Figura antropomórfica de entierro 2 - Burial anthropomorphic figure 2
subject: CULTURAL HERITAGE
description: Figura antropomórfica de entierro en miniatura del entierro en pirámides de Túcume. Miniature burial anthropomorphic figure from burial in Túcume pyramids.
type: 3D Object

Figura antropomórfica de entierro 2 - Burial anthropomorphic figure 2
subject: CULTURAL HERITAGE
description: Figura antropomórfica de entierro en miniatura del entierro en pirámides de Túcume. Miniature burial anthropomorphic figure from burial in Túcume pyramids.
type: Physical Object

Figura de bronze da carruagem romana - Bronze Roman chariot figure
subject: CULTURAL HERITAGE
description: Peça formada por uma quadriga estacionária de cavalos ligados pelas rédeas. Assenta numa plataforma quadrangular com abas com rebordo em três dos lados. Esta está sobre uma base de forma cúbica, oca. Os cavalos têm corpo alongado, pernas hirtas, afastadas umas das outras, e a cauda é bastante espessa, curta e levantada. Mantêm a cabeça inclinada para o centro, parecendo controlados pelo auriga que puxa as rédeas para os suster. Apresentam uma alta crina, que avança para a testa, e duas orelhas arrebitadas. Os olhos são salientes e a boca não está marcada mas encoberta pelas rédeas. A face do cubo voltada para a frente é preenchida, quase na sua totalidade, por uma cabeça de leão que se prolonga pela aba da plataforma. O leão tem uma farta juba, olhos bem assinalados, pequenas orelhas, nariz achatado e uma boca aberta com dois orifícios laterais, donde podia pender uma argola. As arestas são decoradas por incisões em semicírculos irregulares, com um sulco diametralmente colocado, com intenção provável de esquematizar a folhagem. A mesma ornamentação, um pouco ampliada, é utilizada na aba pendente da plataforma; o rebordo desta é recortado por pequenos sulcos paralelos e verticais. De ambos os lados da caixa de inserção, na zona posterior superior dois orifícios, para cravejar a peça à haste de madeira que a suportava. Piece formed by a stationary quadriga of horses connected by the reins. It rests on a quadrangular platform with flaps with flange on three sides. This is on a hollow cubic base. The horses have an elongated body, straight legs, apart from each other, and the tail is quite thick, short and raised. They keep their heads tilted towards the center, seeming to be controlled by the charioteer who pulls the reins to sustain them. They have a high mane, which advances to the forehead, and two protruding ears. The eyes are prominent and the mouth is not marked but covered by the reins. The face of the cube facing forward is filled, almost in its entirety, by a …
format: text/plain Alias/WaveFront Object
type: 3D Object

Figura de bronze da carruagem romana - Bronze Roman chariot figure
subject: CULTURAL HERITAGE
description: Peça formada por uma quadriga estacionária de cavalos ligados pelas rédeas. Assenta numa plataforma quadrangular com abas com rebordo em três dos lados. Esta está sobre uma base de forma cúbica, oca. Os cavalos têm corpo alongado, pernas hirtas, afastadas umas das outras, e a cauda é bastante espessa, curta e levantada. Mantêm a cabeça inclinada para o centro, parecendo controlados pelo auriga que puxa as rédeas para os suster. Apresentam uma alta crina, que avança para a testa, e duas orelhas arrebitadas. Os olhos são salientes e a boca não está marcada mas encoberta pelas rédeas. A face do cubo voltada para a frente é preenchida, quase na sua totalidade, por uma cabeça de leão que se prolonga pela aba da plataforma. O leão tem uma farta juba, olhos bem assinalados, pequenas orelhas, nariz achatado e uma boca aberta com dois orifícios laterais, donde podia pender uma argola. As arestas são decoradas por incisões em semicírculos irregulares, com um sulco diametralmente colocado, com intenção provável de esquematizar a folhagem. A mesma ornamentação, um pouco ampliada, é utilizada na aba pendente da plataforma; o rebordo desta é recortado por pequenos sulcos paralelos e verticais. De ambos os lados da caixa de inserção, na zona posterior superior dois orifícios, para cravejar a peça à haste de madeira que a suportava. Piece formed by a stationary quadriga of horses connected by the reins. It rests on a quadrangular platform with flaps with flange on three sides. This is on a hollow cubic base. The horses have an elongated body, straight legs, apart from each other, and the tail is quite thick, short and raised. They keep their heads tilted towards the center, seeming to be controlled by the charioteer who pulls the reins to sustain them. They have a high mane, which advances to the forehead, and two protruding ears. The eyes are prominent and the mouth is not marked but covered by the reins. The face of the cube facing forward is filled, almost in its entirety, by a …
type: Physical Object

Figura funeraria - Burial figure
subject: CULTURAL HERITAGE
description: Figura en tocado de plumas de entierro en las pirámides de Túcume. Figure in headdress made from feathers from burial in Túcume pyramids.
format: text/plain Alias/WaveFront Object
type: 3D Object

Figura funeraria - Burial figure
subject: CULTURAL HERITAGE
description: Figura en tocado de plumas de entierro en las pirámides de Túcume. Figure in headdress made from feathers from burial in Túcume pyramids.
type: Physical Object

Figura sosteniendo un animal Blackware - Figure holding an animal Blackware
subject: CULTURAL HERITAGE
description: Botella escultórica con representación antropomorfa. Presenta labio adelgazado, gollete de paredes convergentes rectas, cuerpo escultórico, y base plana. Tiene evidencias de una asa cintada, ubicada en la cara posterior, que une el extremo inferior del gollete con el diámetro máximo del cuerpo escultórico. La superficie externa ha sido bruñida. El color no es uniforme debido a manchas de cocción. Sculptural bottle with anthropomorphic representation. It has a neck of straight converging sides with a thin lip. It has a sculptural body and a plane base. It has a belted handle located on the back face which joins the lower extremity of the neck with the maximum diameter of the sculptural body. The outer surface has been burnished. The colour is not uniform across the surface and this is due to cooking and baking stains.
creator: Elaborado en la época Sican (750-1350 AD)
format: text/plain Alias/WaveFront Object
type: 3D Object

Figura sosteniendo un animal Blackware - Figure holding an animal Blackware
subject: CULTURAL HERITAGE
description: Botella escultórica con representación antropomorfa. Presenta labio adelgazado, gollete de paredes convergentes rectas, cuerpo escultórico, y base plana. Tiene evidencias de una asa cintada, ubicada en la cara posterior, que une el extremo inferior del gollete con el diámetro máximo del cuerpo escultórico. La superficie externa ha sido bruñida. El color no es uniforme debido a manchas de cocción. Sculptural bottle with anthropomorphic representation. It has a neck of straight converging sides with a thin lip. It has a sculptural body and a plane base. It has a belted handle located on the back face which joins the lower extremity of the neck with the maximum diameter of the sculptural body. The outer surface has been burnished. The colour is not uniform across the surface and this is due to cooking and baking stains.
creator: Elaborado en la época Sican (750-1350 AD)
type: Physical Object

Figurine
language: English
type: Physical Object

FIREBRACE, CLIFFORD
type: Person

Fisherman's hat
description: Shetlanders wore knitted hats when off fishing, and the the multicoloured patterns contrasted with the brown oilskins and boots they wore. Visitors to the islands two hundred years ago were much taken with these vivid caps, and bartered them from the fishermen – hence why they survive. Harvest from the Sea gallery TEX 7738
source: workshops
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Fisherman's hat
description: Shetlanders wore knitted hats when off fishing, and the the multicoloured patterns contrasted with the brown oilskins and boots they wore. Visitors to the islands two hundred years ago were much taken with these vivid caps, and bartered them from the fishermen – hence why they survive. Harvest from the Sea gallery TEX 7738
source: workshops
contributor: eulac3d
language: English
type: Physical Object

Fishing sinker
description: Traditional fishing gear had two main parts – a baited hook to catch the fish, and a weight to sink the line into the sea. This is a specialised sinker that people used where there was a very strong tide, where big fish could be caught. The pointed shape and concave face allowed it to be pulled through the current, but sometimes stones were lost if the line broke. Harvest from the Sea gallery FIS 7479
publisher: EULAC
format: text/plain Alias/WaveFront Object
type: 3D Object

Fishing sinker
description: Traditional fishing gear had two main parts – a baited hook to catch the fish, and a weight to sink the line into the sea. This is a specialised sinker that people used where there was a very strong tide, where big fish could be caught. The pointed shape and concave face allowed it to be pulled through the current, but sometimes stones were lost if the line broke. Harvest from the Sea gallery FIS 7479
type: Physical Object

FITT, GEORGE
type: Person

FITTS, GERALD
type: Person

Flat Iron
subject: CULTURAL HERITAGE
description: Metal flat iron, part of the collection of the Charles Town Maroons Museum. The Charles Town Maroons occupied Crawford Town high in the Blue Mountains before signing the Peace Treaty with the British when they moved down to Charles Town on the Buff Bay River, where they remain today. The leader of the Charles Town Maroons was Nanny’s captain, Quao. Maroon communities are led by an elected leader – the Colonel.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Flat Iron
subject: CULTURAL HERITAGE
description: Metal flat iron, part of the collection of the Charles Town Maroons Museum. The Charles Town Maroons occupied Crawford Town high in the Blue Mountains before signing the Peace Treaty with the British when they moved down to Charles Town on the Buff Bay River, where they remain today. The leader of the Charles Town Maroons was Nanny’s captain, Quao. Maroon communities are led by an elected leader – the Colonel.
language: English
type: Physical Object

FLATTS, W.
type: Person

FLEMING, JOSEPH
type: Person

FLEMMING, HINDS
type: Person

FLEMMING, JOSEPH
type: Person

FLETCHER, CLYDE
type: Person

FLETCHER, DELBERT
type: Person

Floella Benjamin
subject: arrival
description: Floella is best known to a generation as the presenter of the BBC's pre-school children's programme Play School, alongside mute co-stars Humpty, Jemima, and Little Ted but now she runs her own production company, and is also chairman of the film and television organisation BAFTA. She has promoted the Commonwealth around the world, and sits on the government's Millennium Commission alongside former Northern Ireland secretary Mo Mowlam, and former Conservative deputy leader Michael Heseltine. Born in Trinidad, she immigrated to the UK as a child in the early 1960s, where her family settled in the south London suburb of Beckenham. She left school with two A levels, eight O-levels, a talent for athletics, and a passion to become the first ever black woman bank manager. Benjamin passed her part one banking diploma, but her love for acting won her over, and her first major role was in the hippy musical Hair. Her big break came when she was cast as a prostitute in the prison drama Within These Walls, but it was her love for children which shone through, and she has now been involved with children's television for 23 years
source: stories,arrival
date: 1960s
type: Story

Floella Benjamin
description: Floella is best known to a generation as the presenter of the BBC's pre-school children's programme Play School, alongside mute co-stars Humpty, Jemima, and Little Ted but now she runs her own production company, and is also chairman of the film and television organisation BAFTA. She has promoted the Commonwealth around the world, and sits on the government's Millennium Commission alongside former Northern Ireland secretary Mo Mowlam, and former Conservative deputy leader Michael Heseltine. Born in Trinidad, she immigrated to the UK as a child in the early 1960s, where her family settled in the south London suburb of Beckenham. She left school with two A levels, eight O-levels, a talent for athletics, and a passion to become the first ever black woman bank manager. Benjamin passed her part one banking diploma, but her love for acting won her over, and her first major role was in the hippy musical Hair. Her big break came when she was cast as a prostitute in the prison drama Within These Walls, but it was her love for children which shone through, and she has now been involved with children's television for 23 years
source: stories,westindians
date: 1949-09-23
type: Person

FODERINGHAM, JOHN
type: Person

FODERINGHAM*, JAMES
type: Person

FOLKES, GEORGE
type: Person

FOLKES, GEORGE
type: Person

Folkestone
source: places
contributor: eulac3d
type: Site

FOLKS, CHARLES
type: Person

Football
subject: CULTURAL HERITAGE
description: PWRR Queens Museum - Walter Tull Exhibition
contributor: eulac3d
language: English
type: Physical Object

FORD, BARTON
type: Person

FORD, CYRIL
type: Person

FORDE, ALAN
type: Person

FORDE, ALBERT
type: Person

FORDE, ALBERT
type: Person

FORDE, ARCHIE
type: Person

FORDE, AUSTIN
type: Person

FORDE, BENJAMIN
type: Person

FORDE, BENJAMIN
type: Person

FORDE, BENJAMIN
type: Person

FORDE, BENJAMIN
type: Person

FORDE, CHARLES
type: Person

FORDE, CHARLES
type: Person

FORDE, CHARLES
type: Person

FORDE, CHARLES
type: Person

FORDE, CHRISTOPHER
type: Person

FORDE, CHRISTOPHER
type: Person

FORDE, CLIFFORD
type: Person

FORDE, DAVID
type: Person

FORDE, EDWARD
type: Person

FORDE, EDWARD
type: Person

FORDE, EDWARD
type: Person

FORDE, EDWARD
type: Person

FORDE, EDWARD
type: Person

FORDE, ELLIOTT
type: Person

FORDE, ERNEST
type: Person

FORDE, EUSTACE
type: Person

FORDE, EVAN
type: Person

FORDE, EVANS
type: Person

FORDE, F
type: Person

FORDE, FELIX
type: Person

FORDE, FITZ
type: Person

FORDE, FITZHERBERT
type: Person

FORDE, G
type: Person

FORDE, G
type: Person

FORDE, GARFIELD
type: Person

FORDE, GEORGE
type: Person

FORDE, GEORGE
type: Person

FORDE, GEORGE
type: Person

FORDE, GEORGE
type: Person

FORDE, GORDON
type: Person

FORDE, HORATIO
type: Person

FORDE, HUBERT
type: Person

FORDE, HUBERT
type: Person

FORDE, JAMES
type: Person

FORDE, JAMES
type: Person

FORDE, JAMES
type: Person

FORDE, JAMES
type: Person

FORDE, JAMES
type: Person

FORDE, JAMES
type: Person

FORDE, JAMES
type: Person

FORDE, JAMES
type: Person

FORDE, JAMES
type: Person

FORDE, JOHIO
type: Person

FORDE, JOHN
type: Person

FORDE, JONATHAN
type: Person

FORDE, JOSEPH
type: Person

FORDE, JOSEPH
type: Person

FORDE, JOSEPH
type: Person

FORDE, JOSEPH
type: Person

FORDE, JOSEPH
type: Person

FORDE, JOSEPH
type: Person

FORDE, JOSEPH
type: Person

FORDE, JOSEPH
type: Person

FORDE, JOSEPH
type: Person

FORDE, JOSEPH
type: Person

FORDE, KENNETH
type: Person

FORDE, LAWRENCE
type: Person

FORDE, LESLIE
type: Person

FORDE, MELVIN
type: Person

FORDE, NATHANIEL
type: Person

FORDE, NATHANIEL
type: Person

FORDE, NATHANIEL
type: Person

FORDE, NATHANIEL
type: Person

FORDE, PRESTON
type: Person

FORDE, PRINCE
type: Person

FORDE, PRINCE
type: Person

FORDE, REYNOLD
type: Person

FORDE, SAMUEL
type: Person

FORDE, SAMUEL
type: Person

FORDE, SAMUEL
type: Person

FORDE, SAMUEL
type: Person

FORDE, SIMEON
type: Person

FORDE, SINCLAIR
type: Person

FORDE, ST CLAIR
type: Person

FORDE, WILBERT
type: Person

FORDE, WILLIAM
type: Person

FORDE, WILLIAM
type: Person

FORDE, WILLIAM
type: Person

FORDE, WILLIAM
type: Person

FORDE, WILLIAM
type: Person

FORDE, WILLIAM
type: Person

FORDE, WILLIAM
type: Person

FORDE, WILLIAMS
type: Person

Forma de zapato de madera - Wooden shoe form
description: Par de formas inglesas del número 34, con suelo de hierro. El tercio superior de la forma se corta para facilitar su extracción una vez que se termina el zapato. La forma se emplea como una superficie de trabajo para la preparación de zapatos, así como un modelo, que se distingue por la puntera y el corte superior. Pair of English shapes of the number 34, with soil of iron. The upper third of the shape is sawed to facilitate his extraction once the shoe is finished. The shape is employed like a surface of work for the preparation of shoes, as well as a model, distinguised by the toe and the upper cut.
format: text/plain Alias/WaveFront Object
language: Catalan (valencian)
type: 3D Object

Forma de zapato de madera - Wooden shoe form
description: Par de formas inglesas del número 34, con suelo de hierro. El tercio superior de la forma se corta para facilitar su extracción una vez que se termina el zapato. La forma se emplea como una superficie de trabajo para la preparación de zapatos, así como un modelo, que se distingue por la puntera y el corte superior. Pair of English shapes of the number 34, with soil of iron. The upper third of the shape is sawed to facilitate his extraction once the shoe is finished. The shape is employed like a surface of work for the preparation of shoes, as well as a model, distinguised by the toe and the upper cut.
language: Catalan (valencian)
type: Physical Object

Fort Charles
description: Fort Charles was built between 1650 and 1660, the first fort constructed in Port Royal, Jamaica.
source: Museums
publisher: CINE
type: Museum

FORTE, JEREMIAH
type: Person

FORTE, JOHN
type: Person

FORTE, PRINCE
type: Person

FORTE, WALTER
type: Person

FOSTER, BENJAMIN
type: Person

FOSTER, BRYAN
type: Person

FOSTER, CHARLES
type: Person

FOSTER, DANIEL
type: Person

FOSTER, EVAN
type: Person

FOSTER, FITZ
type: Person

FOSTER, GEORGE
type: Person

FOSTER, JOHNATHAN
type: Person

FOSTER, JOSEPH
type: Person

FOSTER, JOSEPH
type: Person

FOSTER, JOSEPH
type: Person

FOSTER, JOSEPH
type: Person

FOSTER, MORTLEY
type: Person

FOSTER, NATHANIEL
type: Person

FOSTER, NATHANIEL
type: Person

FOSTER, NORMAN
type: Person

FOSTER, SAMUEL
type: Person

Fotografia de José Matias CMSC
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Fotografias Pedro Pacheco e Marie Clement, Museu da Luz
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

FRANCE, RICHARD
type: Person

FRANCIS, ALONZO
type: Person

FRANCIS, BENJAMIN
type: Person

FRANCIS, BENJAMIN
type: Person

FRANCIS, DAVID
type: Person

FRANCIS, EDWARD
type: Person

FRANCIS, ERNEST
type: Person

FRANCIS, FREDERICK
type: Person

FRANCIS, HERBERT
type: Person

FRANCIS, JAMES
type: Person

FRANCIS, JAMES
type: Person

FRANCIS, JAMES
type: Person

FRANCIS, JAMES
type: Person

FRANCIS, JOHN
type: Person

FRANCIS, THOMAS
type: Person

FRANKLIN, BENJAMIN
type: Person

FRANKLIN, CHARLES
type: Person

FRANKLIN, CHARLES
type: Person

FRANKLIN, CIPHUS
type: Person

FRANKLIN, ESAU
type: Person

FRANKLIN, HUBERT
type: Person

FRANKLIN, JACOB
type: Person

FRANKLIN, JAMES
type: Person

FRANKLIN, JAMES
type: Person

FRANKLIN, JOHN
type: Person

FRANKLIN, JOSEPH
type: Person

FRANKLIN, ROBERT
type: Person

FRANKLIN, WILLIAM
type: Person

FREDERICK, WILLIAM
type: Person

FREEMAN, H
type: Person

FREEMAN, SAMUEL
type: Person

FRERE, ADOLPHUS
type: Person

FRERE, EDMUND
type: Person

FRERE, GEORGE
type: Person

FRUTY, AUGUSTUS
type: Person

Fundação Serrão Martins (c)
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Fundació Museu del Tèxtil
description: Situado en la 1ª planta del Palau de La Vila, muestra una colección integrada por diferentes objetos que datan desde el siglo XVIII hasta nuestros días, a través de los cuales se narran los diferentes procesos artesanales de la producción textil. En este sentido, el Museo se estructura en cuatro salas: Los instrumentos, la elaboración, los tejidos y la sala audiovisual. Las piezas que se exponen pertenecen a la colección ATEVAL, a la Junta Comarcal de la Vall d’Albaida, a la colección Caixa Ontinyent y a la colección de Rafael Ferrero Terol.
source: community
type: Museum

Fundació Museu del Tèxtil
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

GAINES, JOHN
type: Person

GALE, CHARLES
type: Person

GARNER, ARCHIBALD
type: Person

GARNER, CHARLES
type: Person

GARNER, JOSEPH
type: Person

GARNES, CLEMENT
type: Person

GARNES, LEWIS
type: Person

GARNES, LEWIS
type: Person

GARRETT, EDMUND
type: Person

GARRETT, WALTER
type: Person

GASKIN , JAMES
type: Person

GASKIN, A
type: Person

GASKIN, DONALD
type: Person

GASKIN, FITZ
type: Person

GASKIN, FREDERICK
type: Person

GASKIN, HERBERT
type: Person

GASKINS, A
type: Person

GASKINS, DUDLEY
type: Person

GASKINS, OSCAR
type: Person

GAY, JOSHUA
type: Person

George Lamming
description: George William Lamming, (born June 8, 1927, Carrington Village, near Bridgetown, Barbados), is a West Indian novelist and essayist who wrote about decolonization and reconstruction in the Caribbean nations. At Combermere High School, Lamming studied under Frank Collymore, editor of the Caribbean literary journal Bim, which published some of Lamming’s early work. Lamming left Barbados and worked as a teacher in Trinidad from 1946 to 1950 before settling in England. His highly acclaimed first novel, In the Castle of My Skin (1953), is an autobiographical bildungsroman set against the backdrop of burgeoning nationalism in the British colonies of the Caribbean in the 1930s and ’40s. Lamming continued to study decolonization in his succeeding three novels: The Emigrants (1954), a despairing, fragmentary work about Caribbean immigrants in post-World War II England; Of Age and Innocence (1958), a microcosmic look at the problems of political independence; and Season of Adventure (1960), in which a West Indian woman discovers her African heritage. The Pleasures of Exile (1960) is a collection of essays that examines Caribbean politics, race, and culture in an international context. Lamming’s later novels include Water with Berries (1971), a political allegory based on Shakespeare’s The Tempest, and Natives of My Person (1971), about 16th-century explorers in the West Indies. His poetry and short stories were published in various anthologies and Conversations, a volume of essays and interviews, was published in 1992.
source: stories,westindians
date: 1927-06-08
type: Person

George Washington House
description: George Washington House in Barbados is a historic house where the future first U.S. President George Washington visited, in 1751. He was 19 years old at the time, and with his ailing half-brother, Lawrence Washington.
source: Museums
type: Museum

GEORGE, JOSEPH
type: Person

Georgetown, Guyana
source: places
contributor: eulac3d
type: Site

GERALD, FITZ
type: Person

Giant South American Snail shell
subject: NATURAL HERITAGE
description: The Giant Land Snail, Megalobulimus oblongus. A species of air-breathing land snail, a terrestrial pulmonate gastropod mollusk in the family Strophocheilidae. Native to a large part of the neotropical world including Argentina, Brazil, Columbia and Uruguay. They have spread however to various parts of the Caribbean including Jamaica, Martinique, Barbados and the Lesser Antilles and can live up to 14 years. Part of the collection of the Barbados Museum and Historical Society. The Barbados Museum and Historical Society (BMHS) is a non-profit, non-governmental organization with a membership of over 1,000 individuals and companies. The Barbados Museum and Historical Society is housed in historic buildings which were originally used as the military prison at St. Ann’s Garrison.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Giant South American Snail shell
subject: NATURAL HERITAGE
description: The Giant Land Snail, Megalobulimus oblongus. A species of air-breathing land snail, a terrestrial pulmonate gastropod mollusk in the family Strophocheilidae. Native to a large part of the neotropical world including Argentina, Brazil, Columbia and Uruguay. They have spread however to various parts of the Caribbean including Jamaica, Martinique, Barbados and the Lesser Antilles and can live up to 14 years. Part of the collection of the Barbados Museum and Historical Society. The Barbados Museum and Historical Society (BMHS) is a non-profit, non-governmental organization with a membership of over 1,000 individuals and companies. The Barbados Museum and Historical Society is housed in historic buildings which were originally used as the military prison at St. Ann’s Garrison.
language: English
type: Physical Object

GIBB, JOHN
type: Person

GIBBONS, JOSEPH
type: Person

Gibbs Face
description: This Amerindian artefact is most recognisable as a face that adorned the Barbados Museum and Historical Society’s logo
type: 3D Object

Gibbs Face
description: This Amerindian artefact is most recognisable as a face that adorned the Barbados Museum and Historical Society’s logo
type: Physical Object

GIBBS, A.
type: Person

GIBBS, ADOLPHUS
type: Person

GIBBS, ARNOLD
type: Person

GIBBS, CLAYTON
type: Person

GIBBS, EGBERT
type: Person

GIBBS, HENRY
type: Person

GIBBS, HERMAN
type: Person

GIBBS, HUBERT
type: Person

GIBBS, PERCY
type: Person

GIBBS, RICHARDS
type: Person

GIBBS, ST CLAIR
type: Person

GIBBS, STANLEY
type: Person

GIBBS, THOMAS
type: Person

GIBBS, WILLIAM
type: Person

GIBSON, CECIL
type: Person

GIBSON, EDMUND
type: Person

GIBSON, ERNEST
type: Person

GIBSON, GEORGE
type: Person

GIBSON, HENRY
type: Person

GIBSON, JOHN
type: Person

GIBSON, JOSEPH
type: Person

GIBSON, LEONARD
type: Person

GIBSON, LINTON
type: Person

GIBSON, NATHANIEL
type: Person

GIBSON, WILLIAM
type: Person

GIBSON, WILLIAM
type: Person

GILKES, EDWARD
type: Person

GILKES, EMANUEL
type: Person

GILKES, ERNEST
type: Person

GILKES, SAMUEL
type: Person

GILL, ADOLPHUS
type: Person

GILL, ALLAN
type: Person

GILL, AUBREY
type: Person

GILL, C
type: Person

GILL, CHARLES
type: Person

GILL, CHARLES
type: Person

GILL, CHRISTOPHER
type: Person

GILL, CHRISTOPHER
type: Person

GILL, CLEMENT
type: Person

GILL, DARIUS
type: Person

GILL, FREDEICK
type: Person

GILL, GARFIELD
type: Person

GILL, GARFIELD
type: Person

GILL, HENRY
type: Person

GILL, HUBERT
type: Person

GILL, JACOB
type: Person

GILL, JAMES
type: Person

GILL, JOHN
type: Person

GILL, JOSEPH
type: Person

GILL, JOSHUA
type: Person

GILL, N
type: Person

GILL, NATHANIEL
type: Person

GILL, RAY
type: Person

GILL, SAMUEL
type: Person

GILL, SAMUEL
type: Person

GILL, SIMEON
type: Person

GILL, THOMAS
type: Person

GILL, THOMAS
type: Person

GITTENS, ALBERT
type: Person

GITTENS, ALONZO
type: Person

GITTENS, ARTHUR
type: Person

GITTENS, AUBREY
type: Person

GITTENS, BENJAMIN
type: Person

GITTENS, DUCAN
type: Person

GITTENS, EDWIN
type: Person

GITTENS, ELEAZER
type: Person

GITTENS, ERNEST
type: Person

GITTENS, FRANK
type: Person

GITTENS, GEORGE
type: Person

GITTENS, HENRY
type: Person

GITTENS, HERBERT
type: Person

GITTENS, HUBERT
type: Person

GITTENS, JAMES
type: Person

GITTENS, JAMES
type: Person

GITTENS, JAMES
type: Person

GITTENS, JOHN
type: Person

GITTENS, JOHN
type: Person

GITTENS, JOSEPH
type: Person

GITTENS, JOSEPH
type: Person

GITTENS, JOSEPH
type: Person

GITTENS, JOSEPH
type: Person

GITTENS, JOSEPH
type: Person

GITTENS, LEWIS
type: Person

GITTENS, MARCUS
type: Person

GITTENS, NATHAN
type: Person

GITTENS, RICHARD
type: Person

GITTENS, SAMUEL
type: Person

GITTENS, THOMAS
type: Person

GITTENS, WESLEY
type: Person

GITTENS, WILLIAM
type: Person

GITTENS, WILLIAM
type: Person

GITTENS, WILLIAM
type: Person

GLASFORD, JAMES
type: Person

GLASGOW, ALLEN
type: Person

GODDARD, BENJAMIN
type: Person

GODDARD, EVANS
type: Person

GODDARD, GEORGE
type: Person

GODDARD, JOHN
type: Person

GODDARD, JOSEPH
type: Person

GODDARD, LESLIE
type: Person

GODDARD, NATHANIEL
type: Person

GODDARD, RICHARD
type: Person

GODDARD, SAMUEL
type: Person

GODDARD, SYDNEY
type: Person

GOGGIN, ALFRED
type: Person

GOLLOP, JAMES
type: Person

GONZALEZ, LOUIS
type: Person

GOODING, A
type: Person

GOODING, ADAIR
type: Person

GOODING, ADOLPHUS
type: Person

GOODING, ADOLPHUS
type: Person

GOODING, ARNOLD
type: Person

GOODING, ELLIOTT
type: Person

GOODING, JAMES
type: Person

GOODING, JAMES
type: Person

GOODING, JOHN
type: Person

GOODING, JOSEPH
type: Person

GOODING, PHILIP
type: Person

GOODING, WOODROFFE
type: Person

GOODMAN, ADOLPHUS
type: Person

GOODMAN, ESAU
type: Person

GOODMAN, KENNETH
type: Person

GOODRIDGE, ALLEN
type: Person

GOODRIDGE, ARNOLD
type: Person

GOODRIDGE, AUGUSTUS
type: Person

GOODRIDGE, BENJAMIN
type: Person

GOODRIDGE, DAVID
type: Person

GOODRIDGE, EDWARD
type: Person

GOODRIDGE, EDWARD
type: Person

GOODRIDGE, FITZ
type: Person

GOODRIDGE, FITZ
type: Person

GOODRIDGE, GORDON
type: Person

GOODRIDGE, H.
type: Person

GOODRIDGE, HAZEL
type: Person

GOODRIDGE, HENRY
type: Person

GOODRIDGE, JAMES
type: Person

GOODRIDGE, JAMES
type: Person

GOODRIDGE, JASON
type: Person

GOODRIDGE, NATHANIEL
type: Person

GOODRIDGE, NORMAN
type: Person

GOODRIDGE, ORMOND
type: Person

GOODRIDGE, OSCAR
type: Person

GOODRIDGE, PRESTON
type: Person

GOODRIDGE, PRESTON
type: Person

GOODRIDGE, RUPERT
type: Person

GORDON, ERNEST
type: Person

GORDON, JAMES
type: Person

Gorilla skull
subject: NATURAL HERITAGE
description: Gorilla skull from the Bell Pettigrew Natural History Museum - Teaching Collection, University of St Andrews, Scotland.
format: text/plain Alias/WaveFront Object
type: 3D Object

Gorilla skull
subject: NATURAL HERITAGE
description: Gorilla skull from the Bell Pettigrew Natural History Museum - Teaching Collection, University of St Andrews, Scotland.
type: Physical Object

GORING, DUNCAN
type: Person

GORING, EWART
type: Person

GORING, FRANCIS
type: Person

GORING, FRED
type: Person

GORING, GLADSTONE
type: Person

GORING, SAMUEL
type: Person

GORING, WILLIAM
type: Person

GOUKE, JOSEPH
type: Person

GRAHAM, ABRAHAM
type: Person

GRAHAM, CHARLES
type: Person

GRAHAM, CHRISTOPHER
type: Person

GRAHAM, ELTON
type: Person

GRAHAM, FREDERICK
type: Person

GRAHAM, JOSEPH
type: Person

GRAHAM, JOSEPH
type: Person

GRAHAM, JOSEPH
type: Person

GRAHAM, PHILIP
type: Person

GRAHAM, THOMAS
type: Person

GRANDISON, JOSEPH
type: Person

GRANDISON, WILLIAM
type: Person

GRANNUM, HENRY
type: Person

GRANNUM, JOSHUA
type: Person

GRANNUM, THEODORE
type: Person

GRANT, ABRAHAM
type: Person

GRANT, ALEXANDER
type: Person

GRANT, CHARLES
type: Person

GRANT, FREDERICK
type: Person

GRANT, GEORGE
type: Person

GRANT, JAMES
type: Person

GRANT, JOSEPH
type: Person

GRANT, LEONARD
type: Person

GRANT, LEONARD
type: Person

GRANT, MORTIMER
type: Person

GRANT, RUFUS
type: Person

GRANT, RUFUS
type: Person

GRAVES, GEORGE
type: Person

GRAVES, JAMES
type: Person

GRAZETTE, AARON
type: Person

GRAZETTE, CHRISTOPHER
type: Person

GRAZETTE, ERNEST
type: Person

GRAZETTE, JAMES
type: Person

GRAZETTE, JOSEPH
type: Person

GRAZETTE, JOSHUA
type: Person

GRAZETTE, LUCIEN
type: Person

GRAZETTE, MATTHEW
type: Person

GRAZETTE, RUFUS
type: Person

GREAVES, ALBERT
type: Person

GREAVES, ARTHUR
type: Person

GREAVES, ARTHUR
type: Person

GREAVES, BRANFORD
type: Person

GREAVES, CHARLES
type: Person

GREAVES, CHARLES
type: Person

GREAVES, CONRAD
type: Person

GREAVES, EDWARD
type: Person

GREAVES, EVAN
type: Person

GREAVES, EVANS
type: Person

GREAVES, FRANK
type: Person

GREAVES, FREDERICK
type: Person

GREAVES, FUFUS
type: Person

GREAVES, GARNET
type: Person

GREAVES, GEORGE
type: Person

GREAVES, GRANVILLE
type: Person

GREAVES, HENRY
type: Person

GREAVES, HERBERT
type: Person

GREAVES, JAMES
type: Person

GREAVES, JAMES
type: Person

GREAVES, JAMES
type: Person

GREAVES, JOHN
type: Person

GREAVES, JOSEPH
type: Person

GREAVES, JOSEPH
type: Person

GREAVES, JOSEPH
type: Person

GREAVES, JOSEPH
type: Person

GREAVES, JULIAN
type: Person

GREAVES, NATHANIEL
type: Person

GREAVES, STANLEY
type: Person

GREAVES, WATSON
type: Person

GREAVES, WILLIAM
type: Person

GREAVES, WILLIAM
type: Person

GREAVES, WILLIAM
type: Person

Green Sea Turtle Skull
subject: NATURAL HERITAGE,MARINE LIFE
description: Green Sea Turtle Skull
source: workshops
format: text/plain Alias/WaveFront Object
type: 3D Object

Green Sea Turtle Skull
subject: NATURAL HERITAGE,MARINE LIFE
description: Green Sea Turtle Skull
type: Physical Object

GREEN, ADOLPHUS
type: Person

GREEN, ALBERT
type: Person

GREEN, ALEX
type: Person

GREEN, ARTHUR
type: Person

GREEN, BENJAMIN
type: Person

GREEN, BENJAMIN
type: Person

GREEN, CHARLES
type: Person

GREEN, CHARLES
type: Person

GREEN, DANIEL
type: Person

GREEN, GEORGE
type: Person

GREEN, GEORGE
type: Person

GREEN, H FITZ
type: Person

GREEN, JAMES
type: Person

GREEN, JAMES
type: Person

GREEN, JOSEPH
type: Person

GREEN, JOSEPH
type: Person

GREEN, JOSEPH
type: Person

GREEN, JOSEPH
type: Person

GREEN, JOSEPH
type: Person

GREEN, JOSEPH
type: Person

GREEN, JOSHUA
type: Person

GREEN, LEON
type: Person

GREEN, NATHANIEL
type: Person

GREEN, ONEAL
type: Person

GREEN, RUFUS
type: Person

GREEN, WALTER
type: Person

GREENIDGE, ADOLPHUS
type: Person

GREENIDGE, ADOLPHUS
type: Person

GREENIDGE, ALBERT
type: Person

GREENIDGE, BENJAMIN
type: Person

GREENIDGE, CLIFFORD
type: Person

GREENIDGE, CORNELIUS
type: Person

GREENIDGE, EDWARD
type: Person

GREENIDGE, ELISHA
type: Person

GREENIDGE, FITZ
type: Person

GREENIDGE, FRANCIS
type: Person

GREENIDGE, GEORGE
type: Person

GREENIDGE, GEORGE
type: Person

GREENIDGE, GILBERT
type: Person

GREENIDGE, HAROLD
type: Person

GREENIDGE, HENRY
type: Person

GREENIDGE, JAMES
type: Person

GREENIDGE, JAMES
type: Person

GREENIDGE, JOSEPH
type: Person

GREENIDGE, JOSEPH
type: Person

GREENIDGE, JOSEPH
type: Person

GREENIDGE, NEWTON
type: Person

GREENIDGE, SAMUEL
type: Person

GREENIDGE, THOMAS
type: Person

GREENIDGE, WILLIAM
type: Person

Grenada
source: places
contributor: eulac3d
type: Site

Grenada National Museum
description: The Grenada National Museum is a museum in St. George's, Grenada. It is housed in a building which served as the French barracks from 1704, built on the foundations of the Fort George.
source: Museums
publisher: CINE
type: Museum

GRIFFITH, ADOLPHUS
type: Person

GRIFFITH, ADOLPHUS
type: Person

GRIFFITH, ALAN
type: Person

GRIFFITH, ALBERT
type: Person

GRIFFITH, ALBERT
type: Person

GRIFFITH, ARCHIBALD
type: Person

GRIFFITH, ARCHIBALD
type: Person

GRIFFITH, BENJAMIN
type: Person

GRIFFITH, BRANFORD
type: Person

GRIFFITH, CHARLES
type: Person

GRIFFITH, CHARLES
type: Person

GRIFFITH, CHARLES
type: Person

GRIFFITH, CHARLES
type: Person

GRIFFITH, CHRISTOPHER
type: Person

GRIFFITH, CLARENCE
type: Person

GRIFFITH, CLIFFORD
type: Person

GRIFFITH, CLIFFORD
type: Person

GRIFFITH, EDWARD
type: Person

GRIFFITH, EDWARD
type: Person

GRIFFITH, EDWARD
type: Person

GRIFFITH, EDWIN
type: Person

GRIFFITH, ERNEST
type: Person

GRIFFITH, ERNEST
type: Person

GRIFFITH, ESAU
type: Person

GRIFFITH, ETHELBURT
type: Person

GRIFFITH, EUSTACE
type: Person

GRIFFITH, F
type: Person

GRIFFITH, FITZ
type: Person

GRIFFITH, GEORGE
type: Person

GRIFFITH, HARDWELL
type: Person

GRIFFITH, HUBERT
type: Person

GRIFFITH, HUBERT
type: Person

GRIFFITH, JAMES
type: Person

GRIFFITH, JAMES
type: Person

GRIFFITH, JAMES
type: Person

GRIFFITH, JAMES
type: Person

GRIFFITH, JAMES
type: Person

GRIFFITH, JAMES
type: Person

GRIFFITH, JAMES
type: Person

GRIFFITH, JAMES
type: Person

GRIFFITH, JAMES
type: Person

GRIFFITH, JASON
type: Person

GRIFFITH, JEREMIAH
type: Person

GRIFFITH, JOHN
type: Person

GRIFFITH, JOHN
type: Person

GRIFFITH, JOHN
type: Person

GRIFFITH, JOHN
type: Person

GRIFFITH, JOSEPH
type: Person

GRIFFITH, JOSEPH
type: Person

GRIFFITH, JOSEPH
type: Person

GRIFFITH, JOSEPH
type: Person

GRIFFITH, JOSEPH
type: Person

GRIFFITH, JOSEPH
type: Person

GRIFFITH, JOSEPH
type: Person

GRIFFITH, JOSEPH
type: Person

GRIFFITH, JOSEPH
type: Person

GRIFFITH, JOSEPH
type: Person

GRIFFITH, JOSHUA
type: Person

GRIFFITH, LEON
type: Person

GRIFFITH, MORTIMER
type: Person

GRIFFITH, NATHANIEL
type: Person

GRIFFITH, PRINCE
type: Person

GRIFFITH, REGINALD
type: Person

GRIFFITH, REGINALD
type: Person

GRIFFITH, REGINALD
type: Person

GRIFFITH, SAMUEL
type: Person

GRIFFITH, SAMUEL
type: Person

GRIFFITH, SEIBERT
type: Person

GRIFFITH, SIMEON
type: Person

GRIFFITH, SIMEON
type: Person

GRIFFITH, T.
type: Person

GRIFFITH, THADDEUS
type: Person

GRIFFITH, THEOPHILUS
type: Person

GRIFFITH, THOMAS
type: Person

GRIFFITH, WALTER
type: Person

GRIFFITH, WILLIAM
type: Person

GRIFFITH, WILLIAM
type: Person

GRIFFITH, WILLIAM
type: Person

Grijalba
source: workshops
type: Tour

GRIMES, ALEX
type: Person

GRIMES, B GRIMES
type: Person

GRIMES, CAMERON
type: Person

GRIMES, ERNEST
type: Person

GRIMES, ERNEST
type: Person

GRIMES, HUBERT
type: Person

GRIMES, ISAAC
type: Person

GRIMES, WILLIAM
type: Person

GRIMES, WILLIAM
type: Person

GRIMES, WILLIAM
type: Person

GRIMES, WILLIAM
type: Person

GROSVENOR, ERNEST
type: Person

GROSVENOR, JAMES
type: Person

GROSVENOR, JOHN
type: Person

Guadeloupe Carnaval
description: In Guadeloupe Islands, Carnival is a major cultural event, which is celebrated over three months: January , February and March. If you are in Guadeloupe Islands during this period, you cannot miss out on this spectacular and colorful event. You will attend parades floats, and many contests! Like for costumes, lyrics and also for choreographies. Count also on the multiple Dance marathons all across the cities to delve into the hypnotic rhythm of Guadeloupe!
source: Carnival
type: Carnival

GULSTON, THOMAS
type: Person

Gunpowder Factory of Vale de Milhaços
type: Tour

Gunpowder factory1
format: image/jpeg
type: Panorama

Gunpowder factory2
format: image/jpeg
type: Panorama

Gunpowder factory3
format: image/jpeg
type: Panorama

Guy Reid-Bailey
subject: arrival
description: Guy moved from Jamaica to Bristol in 1961 to live with his aunt, as his father thought that he would receive a better education in England, which they called the ‘Mother Country’. Guy was disappointed by the lack of support for Black students and the failure to teach history from a Black perspective. Guy had to teach himself about important Black heroes like Malcolm X, Marcus Garvey, Martin Luther King and Mary Seacole.
source: stories,arrival
date: 1961
type: Story

Guy Reid-Bailey
description: Guy moved from Jamaica to Bristol in 1961 to live with his aunt, as his father thought that he would receive a better education in England, which they called the ‘Mother Country’. Guy was disappointed by the lack of support for Black students and the failure to teach history from a Black perspective. Guy had to teach himself about important Black heroes like Malcolm X, Marcus Garvey, Martin Luther King and Mary Seacole.
date: 1945-07-17
type: Person

Guyana
source: westindians
contributor: eulac3d
type: Site

H0LDER, GEORGE
type: Person

HACKETT, ALEX
type: Person

HACKETT, CLIFFORD
type: Person

HACKETT, JOSEPH
type: Person

HACKETT, PRINCE
type: Person

Haitian Carnival
description: Haitian Carnival is a celebration held over several weeks each year leading up to Mardi Gras.
source: Carnival
rights: User:Doron, CC BY-SA 3.0 <http://creativecommons.org/licenses/by-sa/3.0/>, via Wikimedia Commons
type: Carnival

HALL, AARON
type: Person

HALL, ALFRED
type: Person

HALL, ARCHIBALD
type: Person

HALL, ARNOLD
type: Person

HALL, AUBREY
type: Person

HALL, CHARLES
type: Person

HALL, CHESTER
type: Person

HALL, CLEMENT
type: Person

HALL, EDWARD
type: Person

HALL, ELGAN
type: Person

HALL, FITZ
type: Person

HALL, JAMES
type: Person

HALL, JOSEPH
type: Person

HALL, JOSEPH
type: Person

HALL, JOSEPH
type: Person

HALL, JOSEPH
type: Person

HALL, JOSEPH
type: Person

HALL, LEWIS
type: Person

HALL, THOMAS
type: Person

HALL, WILLIAM
type: Person

HALLIDAY, GEORGE
type: Person

HAMBLIN, RUPERT
type: Person

HAMBUN, THOMAS
type: Person

HAMPDEN, AARON
type: Person

HAMPDEN, EVANS
type: Person

HAMPDEN, FITZ
type: Person

Hand Axe
description: Part of the collection of the National Archaeology Museum of Lisbon. The National Archaeology Museum of Lisbon, founded in 1893 by notable archaeologist José Leite de Vasconcelos, is one of the most important Portuguese museums dedicated to Archaeology.
publisher: EULAC
format: text/plain Alias/WaveFront Object
type: 3D Object

Hand Axe
description: Part of the collection of the National Archaeology Museum of Lisbon. The National Archaeology Museum of Lisbon, founded in 1893 by notable archaeologist José Leite de Vasconcelos, is one of the most important Portuguese museums dedicated to Archaeology.
type: Physical Object

HARBIN, JOSEPH
type: Person

HARDING, EDWARD
type: Person

HARDING, EDWIN
type: Person

HARDING, ERNEST
type: Person

HARDING, GEORGE
type: Person

HARDING, GEORGE
type: Person

HARDING, GERALD
type: Person

HARDING, HUBERT
type: Person

HARDING, JOSEPH
type: Person

HARDING, NATHANIEL
type: Person

HARDING, RIENZA
type: Person

HARDING, WILLIAM
type: Person

HAREWOOD, ?
type: Person

HAREWOOD, AARON
type: Person

HAREWOOD, ADOLPHUS
type: Person

HAREWOOD, ALFONZO
type: Person

HAREWOOD, ALLAN
type: Person

HAREWOOD, CHRISTOPHER
type: Person

HAREWOOD, COLERIDGE
type: Person

HAREWOOD, COURTENAY
type: Person

HAREWOOD, EDWARD
type: Person

HAREWOOD, GOULBOURNE
type: Person

HAREWOOD, JAMES
type: Person

HAREWOOD, JAMES
type: Person

HAREWOOD, JAMES
type: Person

HAREWOOD, JAMES
type: Person

HAREWOOD, JOHN
type: Person

HAREWOOD, JOSEPH
type: Person

HAREWOOD, JOSEPH
type: Person

HAREWOOD, JOSEPH
type: Person

HAREWOOD, LAZARUS
type: Person

HAREWOOD, REGINALD
type: Person

HAREWOOD, REUBEN
type: Person

HAREWOOD, RICHARD
type: Person

HAREWOOD, ROBERT
type: Person

HAREWOOD, ROBERT
type: Person

HAREWOOD, ST CLAIR
type: Person

HAREWOOD, WILLIAM
type: Person

HAREWOOD, WILLIAM
type: Person

HAREWOOD, WOODRIFFE
type: Person

Harlem, New York
source: places
contributor: eulac3d
type: Site

Harlesden
source: places
contributor: eulac3d
type: Site

HARPER, ALONZO
type: Person

HARPER, CHARLES
type: Person

HARPER, DAVID
type: Person

HARPER, ERNEST
type: Person

HARPER, FITZ
type: Person

HARPER, GERALD
type: Person

HARPER, JAMES
type: Person

HARPER, JAMES
type: Person

HARPER, JOHN
type: Person

HARPER, JOSEPH
type: Person

HARPER, JOSEPH
type: Person

HARPER, ROBERT
type: Person

HARPER, WILLIAM
type: Person

HARRIS, ARTHUR
type: Person

HARRIS, BOBBY
type: Person

HARRIS, BYRIL
type: Person

HARRIS, CHEDERICK
type: Person

HARRIS, CLIFFORD
type: Person

HARRIS, ERNEST
type: Person

HARRIS, ETHELBERT
type: Person

HARRIS, GEORGE
type: Person

HARRIS, HOWELL
type: Person

HARRIS, JAMES
type: Person

HARRIS, JAMES
type: Person

HARRIS, JOHN
type: Person

HARRIS, JOHN
type: Person

HARRIS, JOHN
type: Person

HARRIS, JOSEPH
type: Person

HARRIS, JOSEPH
type: Person

HARRIS, JOSEPH
type: Person

HARRIS, LEOPOLD
type: Person

HARRIS, LEWIS
type: Person

HARRIS, MORTIMER
type: Person

HARRIS, PHILIP
type: Person

HARRIS, PHILLIPS
type: Person

HARRIS, SAMUEL
type: Person

HARRIS, SAMUEL
type: Person

HARRIS, SAMUEL
type: Person

HARRIS, THOMAS
type: Person

HARRISON, BENJAMIN
type: Person

HARRISON, BENJAMIN
type: Person

HARRISON, CHARLES
type: Person

HARRISON, JAMES
type: Person

HARRISON, MORTIMER
type: Person

HART, GEORGE
type: Person

HARVEY, BERESFORD
type: Person

HARVEY, JAMES
type: Person

HARVEY, JOSEPH
type: Person

HARVEY, LESLIE
type: Person

HARVEY, SAMUEL
type: Person

HARVEY, SAMUEL
type: Person

HASSIAH, NORMAN
type: Person

Havana Carnival
description: Havana's Carnival provides a spectacular display of music, dancing, conga lines, fanciful outfits, fireworks and rum. Carnival comes with some traditions, like effigies of well known people being paraded along the coastal road, Parades run the length of the Malecon and rich traditional music competes with more contemporary sounds. Thousands of Cubans look forward to the traditional carnival festivities, a colorful and explosive show of allegoric floats and dancers. As a complement, dishes from Cuban cuisine and beverages, Cuban cold beer and Cuban rum offered by the Malecon.
source: Carnival
type: Carnival

HAVENEAU, WILLIAM
type: Person

HAYNES, A
type: Person

HAYNES, ALBERT
type: Person

HAYNES, ALONZO
type: Person

HAYNES, ARCHER
type: Person

HAYNES, AUGUSTUS
type: Person

HAYNES, CHARLES
type: Person

HAYNES, CHARLES
type: Person

HAYNES, CLEMENT
type: Person

HAYNES, CLIFFORD
type: Person

HAYNES, CLIFFORD
type: Person

HAYNES, CYRIL
type: Person

HAYNES, EDMUND
type: Person

HAYNES, EDWARD
type: Person

HAYNES, EDWARD
type: Person

HAYNES, ELTON
type: Person

HAYNES, ERNEST
type: Person

HAYNES, EVANS
type: Person

HAYNES, FITZ
type: Person

HAYNES, FOSTER
type: Person

HAYNES, FRED
type: Person

HAYNES, FRED
type: Person

HAYNES, GEORGE
type: Person

HAYNES, GEORGE
type: Person

HAYNES, GEORGE
type: Person

HAYNES, GORDON
type: Person

HAYNES, HENRY
type: Person