LINTON, CHARLES
type: Person

LINTON, CLEMENT
type: Person

LINTON, FITZ
type: Person

LINTON, FRED
type: Person

LINTON, FREDERICK
type: Person

LINTON, GEORGE
type: Person

LINTON, JAMES
type: Person

LINTON, JAMES
type: Person

LINTON, JOSEPH
type: Person

LINTON, MOSES
type: Person

LINTON, THOMAS
type: Person

LINTON, WILLIAM
type: Person

Llama de cerámica - Llama ceramic
subject: CULTURAL HERITAGE
description: Botella escultórica representando la cabeza de una llama; tiene gollete cónico, asa cintada que une el gollete y el cuerpo, presenta soporte pedestal troncocónico, se aprecia bruñido como tratamiento de la superficie externa, la pasta es de color gris claro con tonalidades oscuras producto de la cocción en horno de atmosfera reductora. Como elemento decorativo presenta una aplicación que representa una soga sobre el hocico del animal, demarcando los detalles de la soga mediante pequeñas incisiones oblicuas. A clay sculpture in the form of a bottle representing the head of the llama animal. It has a conical neck. The handle is in the form of a belt that joins the neck and the body presenting a support for a pedestal which is in turn in the form of cone trunk. The external surface appears to be burnished. The paste of such surface is of light grey colour with obscure tones produced from oven baking/oven cooking in a reduced atmosphere. On the object, as decorative element, we can see a rope like shape acting as a snout on the face of the animal, in which the details (of such rope) are demarcated as small oblique incisions.
creator: Elaborado en la época Sican (750-1350 AD)
type: Physical Object

Llama de cerámica - Llama ceramic
subject: CULTURAL HERITAGE
description: Botella escultórica representando la cabeza de una llama; tiene gollete cónico, asa cintada que une el gollete y el cuerpo, presenta soporte pedestal troncocónico, se aprecia bruñido como tratamiento de la superficie externa, la pasta es de color gris claro con tonalidades oscuras producto de la cocción en horno de atmosfera reductora. Como elemento decorativo presenta una aplicación que representa una soga sobre el hocico del animal, demarcando los detalles de la soga mediante pequeñas incisiones oblicuas. A clay sculpture in the form of a bottle representing the head of the llama animal. It has a conical neck. The handle is in the form of a belt that joins the neck and the body presenting a support for a pedestal which is in turn in the form of cone trunk. The external surface appears to be burnished. The paste of such surface is of light grey colour with obscure tones produced from oven baking/oven cooking in a reduced atmosphere. On the object, as decorative element, we can see a rope like shape acting as a snout on the face of the animal, in which the details (of such rope) are demarcated as small oblique incisions.
creator: Elaborado en la época Sican (750-1350 AD)
format: text/plain Alias/WaveFront Object
type: 3D Object

LLOYD, EDWARD
type: Person

LLOYD, ELIAZER
type: Person

LLOYD, FREDERICK
type: Person

LLOYD, GEORGE
type: Person

LLOYD, JAMES
type: Person

LON, JOHN
type: Person

London
source: westindians
contributor: eulac3d
type: Site

LONG, ISAAC
type: Person

LONG, JOHN
type: Person

LOPEY, DOLLY
type: Person

Lopinot Museum
source: Museums,museumvisits
type: Museum

Lord David Pitt
subject: arrival
description: Medic, political pioneer and labour peer for Hamstead, the late Lord David Pitt of Hampstead was the longest serving black Parliamentarian, having been granted a life peerage in 1975. He spent his life speaking out for the underrepresented black community in Great Britain. Born on the island of Grenada in the West Indies, David Pitt attended Grenada Boys' Secondary school and was raised a devout Roman Catholic and was the second peer of African descent, to sit in the House of Lords. Pitt won a scholarship to come to Britain in 1933 to study medicine at the University of Edinburgh, a returned to the Caribbean to begin his medical career, founding his own practice, and in 1943 married (Lady) Dorothy (née Alleyne).He eventually settled in Trinidad where is passion for social justice continued alongside his medical career. In 1943 Pitt helped found the West Indian National Party and served as its president until 1947. This party was considered radical in its day because it advocated independence for Trinidad within a West Indian federation. He won election to the borough council in San Fernando, Trinidad, where he also served as deputy mayor. In order to lobby the British government for independence, he travelled to Great Britain in 1947. His efforts were unsuccessful, and he grew disillusioned with West Indian politics. He decided to settle in the London district of Euston, where he established a medical practice that he ran for more than 30 years In the 1950s, Pitt was one of the few blacks active in defending the growing black population of Great Britain against discrimination and prejudice. In the 1960s and 1970s, he organized to help immigrants and improve race relations. Pitt became the first and only chair of the Campaign Against Racial Discrimination (CARD), an association founded with the encouragement of Martin Luther King Jr. Pitt believed in fighting racism within the existing power structure. In 1959 Pitt sought to represent London's wealthy Hampstead distr…
source: stories,arrival
type: Story

Lord David Pitt
description: Medic, political pioneer and labour peer for Hamstead, the late Lord David Pitt of Hampstead was the longest serving black Parliamentarian, having been granted a life peerage in 1975. He spent his life speaking out for the underrepresented black community in Great Britain. Born on the island of Grenada in the West Indies, David Pitt attended Grenada Boys' Secondary school and was raised a devout Roman Catholic and was the second peer of African descent, to sit in the House of Lords. Pitt won a scholarship to come to Britain in 1933 to study medicine at the University of Edinburgh, a returned to the Caribbean to begin his medical career, founding his own practice, and in 1943 married (Lady) Dorothy (née Alleyne).He eventually settled in Trinidad where is passion for social justice continued alongside his medical career. In 1943 Pitt helped found the West Indian National Party and served as its president until 1947. This party was considered radical in its day because it advocated independence for Trinidad within a West Indian federation. He won election to the borough council in San Fernando, Trinidad, where he also served as deputy mayor. In order to lobby the British government for independence, he travelled to Great Britain in 1947. His efforts were unsuccessful, and he grew disillusioned with West Indian politics. He decided to settle in the London district of Euston, where he established a medical practice that he ran for more than 30 years In the 1950s, Pitt was one of the few blacks active in defending the growing black population of Great Britain against discrimination and prejudice. In the 1960s and 1970s, he organized to help immigrants and improve race relations. Pitt became the first and only chair of the Campaign Against Racial Discrimination (CARD), an association founded with the encouragement of Martin Luther King Jr. Pitt believed in fighting racism within the existing power structure. In 1959 Pitt sought to represent London's wealthy Hampstead distr…
source: stories,westindians
date: 1913-10-03
type: Person

Lord Herman Ousley
subject: arrival
description: Lord Ouseley was born in Guyana in 1945, and came to England when he was 11. He was educated at William Penn School and Catford College, where he gained a diploma in municipal administration. He was appointed as the first principal race relations advisor in local government, and served as Head of the GLC's Ethnic Minority Unit. He later became Chief Executive of the London Borough of Lambeth and the former Inner London Education Authority (the first black person to hold such an office), responsible for over 1000 schools and colleges across the capital. In 1993, he became the executive chairman of the Commission for Racial Equality, a position he held until 2000. He is widely credited with having restored the CRE's flagging credibility. In 2001, he was raised to the peerage of Baron Ouseley of Peckham Rye in Southwark. He is often called upon to chair independent inquiries into racism, be it in the educational system, or the Bradford riots. He is actively involved in the work of many independent and voluntary organisations including the Institute of Race Relations and the Ethnic Minority Foundation. He is non-Executive Director of Focus Consultancy Ltd, Brooknight Security Ltd and Quiktrak. Herman Ouseley is also the Chair of PRESET Education and Training trust, Kick-It-Out plc (Let's kick racism out of football campaign), Policy Research Institute on Ageing. & Ethnicity (University of Central England). He is the recipient of eight honorary degrees
source: stories,arrival
date: 1945
type: Story

Lord Herman Ousley
description: Lord Ouseley was born in Guyana in 1945, and came to England when he was 11. He was educated at William Penn School and Catford College, where he gained a diploma in municipal administration. He was appointed as the first principal race relations advisor in local government, and served as Head of the GLC's Ethnic Minority Unit. He later became Chief Executive of the London Borough of Lambeth and the former Inner London Education Authority (the first black person to hold such an office), responsible for over 1000 schools and colleges across the capital. In 1993, he became the executive chairman of the Commission for Racial Equality, a position he held until 2000. He is widely credited with having restored the CRE's flagging credibility. In 2001, he was raised to the peerage of Baron Ouseley of Peckham Rye in Southwark. He is often called upon to chair independent inquiries into racism, be it in the educational system, or the Bradford riots. He is actively involved in the work of many independent and voluntary organisations including the Institute of Race Relations and the Ethnic Minority Foundation. He is non-Executive Director of Focus Consultancy Ltd, Brooknight Security Ltd and Quiktrak. Herman Ouseley is also the Chair of PRESET Education and Training trust, Kick-It-Out plc (Let's kick racism out of football campaign), Policy Research Institute on Ageing. & Ethnicity (University of Central England). He is the recipient of eight honorary degrees
source: stories,westindians
date: 1945-03-24
type: Person

Lord John Taylor
description: Lord John David Beckett Taylor, the first black Tory peer was the son of a professional cricketer and a nurse (both Jamaican). He was educated at Moseley Grammar School in Birmingham and Keele University. He was called to the Bar in 1978, when he won the Gray's Inn Advocacy Award. In 1992, he unsuccessfully contested the parliamentary seat of Cheltenham for the Conservatives. He was created a life peer in 1996 - at the age of 42 - at that time making him one of the youngest and only black members of the House of Lords. While only in his first year in the House of Lords, he introduced and carried through all its stages a legislative bill which now sits on the statute bill as the Criminal Evidence Amendment Act. His interest in the media is evidenced by his role as Vice President of the British Board of Film Classification; Vice Chairman of The All Party Parliamentary Media Group and role as presenter with ITV, Sky and the BBC (e.g. Crime Stalker, BBC1's System on Trial with John Taylor, and The John Taylor Programme on BBC Radio 2. John Taylor was Special Advisor to the Home secretary and Minister of State in 1990-91. His portfolio included Inner Cities, Legal services and Crime prevention.
source: westindians
date: 1952-09-21
type: Person

Lord Kitchener Museum
source: Museums,museumvisits
type: Museum

LORD, ARNOLD
type: Person

LORD, B
type: Person

LORD, EDWARD
type: Person

LORD, ERNEST
type: Person

LORD, JAMES
type: Person

LORD, LESLIE
type: Person

LORD, LEWIS
type: Person

LORD, LOUIS
type: Person

LORD, MARTIN
type: Person

LORD, MCDONALD
type: Person

LORD, NATHANIEL
type: Person

LORD, OBADIAH
type: Person

LORD, PHILIP
type: Person

LORD, SAMUEL
type: Person

LORDE, AUGUSTUS
type: Person

LORDE, MANEY
type: Person

Louise Bennett
description: Winston Best, the eldest child of Lillian and Luther Best from Sugar Hill St Joseph, was born on 15 Aug 1930. He came to England in 1961 and after working for British Rail, went to teacher training college at the Sydney Webb College of Higher Education. He started his career as a teacher in 1966 and continued in education throughout his working life. Starting as a primary school teacher, Winston’s goal was always to improve teaching standards, and the educational achievements of black and Afro-Caribbean children as they struggled against low expectations. He campaigned against bussing, banding and streaming in Haringey in the 1960s, a policy born of the fear that black students would depress overall educational performance. He was also a founding member of the Caribbean Education and Community Workers Association (CECWA) and the Caribbean Teachers Association (CTA). In the 1980s, Winston worked for the Inner London Education Authority (ILEA) as an education officer, developing links with the Ministry of Education in Barbados and developing an exchange program that allowed Barbadian teachers to bring their expertise and experience to London schools whilst providing positive role models. Winston was also appointed Chair of Westphi Academy, an education and training consultancy that broke new ground as one of the first black national consultancy groups in the UK. In 1989, he co-founded the National Association of Supplementary Schools (NASS) and was appointed a primary schools inspector. In the 1990s, as Inspector of Primary Schools for the London Borough of Hackney, he strove for improvements in outcomes for children in the borough. After retirement he continued his vocation, working as a consultant for Southwark Education Authority. Winston co-founded the Caribbean Volunteers Readers & Performers Project (CVRPP) in 1999, an initiative that grew out of the work of Herbie Yearwood, former Deputy High Commissioner in the Barbados High Commission, London, who was eager t…
source: stories,westindians
date: 1930-08-15
type: Person

LOVELL, ALFRED
type: Person

LOVELL, ASHTON
type: Person

LOVELL, BARRY
type: Person

LOVELL, CHARLES
type: Person

LOVELL, CHARLES
type: Person

LOVELL, CHARLES
type: Person

LOVELL, DAVID
type: Person

LOVELL, ERNEST
type: Person

LOVELL, FITZ
type: Person

LOVELL, FITZ
type: Person

LOVELL, FITZ
type: Person

LOVELL, HUBERT
type: Person

LOVELL, JAMES
type: Person

LOVELL, JAMES
type: Person

LOVELL, JAMES
type: Person

LOVELL, JOSEPH
type: Person

LOVELL, JOSEPH
type: Person

LOVELL, MORTIMER
type: Person

LOVELL, NATHANIEL
type: Person

LOWE, DALLAS
type: Person

LOWE, JAMES
type: Person

LOWE, JOSEPH
type: Person

LOWE, REGINALD
type: Person

LUCAS, ALONZO
type: Person

LUCAS, BENJAMIN
type: Person

LUCAS, BERESFORD
type: Person

LUCAS, EDWARD
type: Person

LUCAS, JAMES
type: Person

LUCAS, JOHN
type: Person

LUCAS, JOHN
type: Person

LUCAS, ST CLAIR
type: Person

LUCAS, URBAN
type: Person

LUKE, HENRY
type: Person

LUNN, JOSEPH
type: Person

LYALL, CHARLES
type: Person

LYDER, FRDERICK
type: Person

LYNCH, ARCHIBALD
type: Person

LYNCH, AUBREY
type: Person

LYNCH, AUGUSTUS
type: Person

LYNCH, AUGUSTUS
type: Person

LYNCH, BENJAMIN
type: Person

LYNCH, CHARLES
type: Person

LYNCH, CHARLES
type: Person

LYNCH, CLARENCE
type: Person

LYNCH, DAVID
type: Person

LYNCH, EDWIN
type: Person

LYNCH, HENRY
type: Person

LYNCH, ISAAC
type: Person

LYNCH, JAMES
type: Person

LYNCH, JAMES
type: Person

LYNCH, JAMES
type: Person

LYNCH, JAMES
type: Person

LYNCH, JAMES
type: Person

LYNCH, JOHN
type: Person

LYNCH, JOHN
type: Person

LYNCH, JOSEPH
type: Person

LYNCH, JOSEPH
type: Person

LYNCH, NEWTON
type: Person

LYNCH, PRESTON
type: Person

LYNCH, SAMUEL
type: Person

LYNCH, SOLOMON
type: Person

LYNCH, THOMAS
type: Person

LYTE, DONALD
type: Person

LYTE, ERNEST
type: Person

LYTHCOTT, CHRISTOPHER
type: Person

LYTHCOTT, GAVAN
type: Person

LYTHCOTT, JOSEPH
type: Person

Máscara de boruca tradicional - Traditional Borucan mask
description: La máscara representa la lucha en el momento de la conquista española. Se usa para la Danza de los Diablitos. The mask represents the struggle at the time of the Spanish conquest. It is worn for the Dance of the Little Devils.
creator: Ancestral
date: Ancestral
type: 3D Object

Máscara de boruca tradicional - Traditional Borucan mask
description: La máscara representa la lucha en el momento de la conquista española. Se usa para la Danza de los Diablitos. The mask represents the struggle at the time of the Spanish conquest. It is worn for the Dance of the Little Devils.
creator: Ancestral
date: Ancestral
type: Physical Object

MAC 2017
source: Contributers
type: Museum

Macete de calafetagem - Caulking mallet
subject: CULTURAL HERITAGE
description: Ferramenta usada por carpinteiros navais para puxar o cinzel de calafetagem durante a operação de calafetagem, que enche e calafeta as articulações ou bloqueia rachaduras em vasos de madeira. A calafetagem permite que barcos e embarcações de madeira flutuem. O martelo para calafetagem de madeira tem a forma de um martelo com uma cabeça cilíndrica grande com bordas de metal e uma alça. Tool used by naval carpenters to draw down the caulking chisel during the caulking operation which fill up and caulk the joints or block up cracks in wood vessels. Caulking allows wood boats and vessels to float. Wood caulking-mallet has the shape of a hammer with a large cylindrical shape head with metal edges and a handle.
format: text/plain Alias/WaveFront Object
type: 3D Object

Macete de calafetagem - Caulking mallet
subject: CULTURAL HERITAGE
description: Ferramenta usada por carpinteiros navais para puxar o cinzel de calafetagem durante a operação de calafetagem, que enche e calafeta as articulações ou bloqueia rachaduras em vasos de madeira. A calafetagem permite que barcos e embarcações de madeira flutuem. O martelo para calafetagem de madeira tem a forma de um martelo com uma cabeça cilíndrica grande com bordas de metal e uma alça. Tool used by naval carpenters to draw down the caulking chisel during the caulking operation which fill up and caulk the joints or block up cracks in wood vessels. Caulking allows wood boats and vessels to float. Wood caulking-mallet has the shape of a hammer with a large cylindrical shape head with metal edges and a handle.
type: Physical Object

MAHEW, SIMEON
type: Person

MAHON, JOSEPH
type: Person

Malaika Croney
subject: CULTURAL HERITAGE,PEOPLE
creator: Malaika Croney
source: stories,Contributers,barbadosmigration
date: 2018
format: video/mp4
language: English
type: Moving Image

Malalhue
publisher: EULAC
type: Tour

Malalhue 1
type: Panorama

Malalhue 2
type: Panorama

Malalhue 3
type: Panorama

Malalhue 4
type: Panorama

MALONEY, AARON
type: Person

MALONEY, HUBERT
type: Person

MALONEY, JAMES
type: Person

MALONEY, REGINALD
type: Person

MALONEY, WILLIAM
type: Person

MALONY, FRANCIS
type: Person

Manchester
source: places
contributor: eulac3d
type: Site

MANN, ARTHUR
type: Person

MANN, SEAFIELD
type: Person

MANNING, BENJAMIN
type: Person

MANNING, JOSEPH
type: Person

MANNING, W
type: Person

MANSFIELD, GARNET
type: Person

MAPP, ADRINAH
type: Person

MAPP, ALAN
type: Person

MAPP, CHARLES
type: Person

MAPP, CHARLES
type: Person

MAPP, EGBERT
type: Person

MAPP, GEORGE
type: Person

MAPP, GEORGE
type: Person

MAPP, JOHN
type: Person

MAPP, JOSEPH
type: Person

MAPP, JOSEPH
type: Person

MAPP, JULIAN
type: Person

Marble Heads
description: Part of the collection of the National Archaeology Museum of Lisbon. The National Archaeology Museum of Lisbon, founded in 1893 by notable archaeologist José Leite de Vasconcelos, is one of the most important Portuguese museums dedicated to Archaeology.
publisher: EULAC
format: text/plain Alias/WaveFront Object
type: 3D Object

Marble Heads
description: Part of the collection of the National Archaeology Museum of Lisbon. The National Archaeology Museum of Lisbon, founded in 1893 by notable archaeologist José Leite de Vasconcelos, is one of the most important Portuguese museums dedicated to Archaeology.
type: Physical Object

Maripasoula, French Guiana
source: places
contributor: eulac3d
type: Site

MARSHALL, ADOLPHUS
type: Person

MARSHALL, ALBERT
type: Person

MARSHALL, ALFRED
type: Person

MARSHALL, ARCHIBALD
type: Person

MARSHALL, ARNOLD
type: Person

MARSHALL, ARTHUR
type: Person

MARSHALL, ARTHUR
type: Person

MARSHALL, CEPHUS
type: Person

MARSHALL, CLIFFORD
type: Person

MARSHALL, DUDLEY
type: Person

MARSHALL, DUDLEY
type: Person

MARSHALL, EDMUND
type: Person

MARSHALL, ELISHA
type: Person

MARSHALL, ELTON
type: Person

MARSHALL, ETHELBERT
type: Person

MARSHALL, EVANS
type: Person

MARSHALL, FELIX
type: Person

MARSHALL, HERBERT
type: Person

MARSHALL, ISAAC
type: Person

MARSHALL, JAMES
type: Person

MARSHALL, JAMES
type: Person

MARSHALL, JAMES
type: Person

MARSHALL, JAMES
type: Person

MARSHALL, JOSEPH
type: Person

MARSHALL, JOSEPH
type: Person

MARSHALL, JOSEPH
type: Person

MARSHALL, JOSEPH
type: Person

MARSHALL, JOSEPH
type: Person

MARSHALL, LAURENCE
type: Person

MARSHALL, MOSES
type: Person

MARSHALL, NAPOLEON
type: Person

MARSHALL, NORMAN
type: Person

MARSHALL, PERCIVAL
type: Person

MARSHALL, PERCIVAL
type: Person

MARSHALL, SAMUEL
type: Person

MARSHALL, SAMUEL
type: Person

MARTIN, GEORGE
type: Person

MARTIN, MORTIMER
type: Person

MARTIN, SAMUEL
type: Person

MARTINDALE, C.
type: Person

MARTINDALE, CLIFFORD
type: Person

MARTINDALE, JOHN
type: Person

MARTINDALE, JOHN
type: Person

MARTINDALE, LEWIS
type: Person

MARTINDALE, REG
type: Person

Martinique Carnival
description: Martinique's version of Carnival, is a four-day event beginning just before Lent and ending on its first day, with the burning of Vaval, a papier-mâché figure symbolizing Carnival. Businesses close during Carnival.
source: Carnival
type: Carnival

MARVILLE, CLIFFORD
type: Person

MARVILLE, JOSEPH
type: Person

MASCOLL, ALEXANDER
type: Person

MASCOLL, GEORGE
type: Person

MASCOLL, GEORGE
type: Person

MASCOLL, HAMILTON
type: Person

MASCOLL, JACOB
type: Person

MASCOLL, JOSEPH
type: Person

MASCOLL, JOSEPH
type: Person

MASCOLL, SAMUEL
type: Person

MASCOLL, STEPHEN
type: Person

MASCOLLE, ?
type: Person

Mashramani
description: Mashramani, often abbreviated to "Mash", is an annual festival that celebrates Guyana becoming a Republic in 1970. The festival, usually held on 23 February (except for the 2016 event, this was held on Guyana's Independence Day, 26 May, to celebrate Guyana's 50th Independence Anniversary)– Guyanese Republic Day – includes a parade, music, games and cooking and is intended to commemorate the "Birth of the Republic".The word "Mashramani" is derived from an Amerindian language and in translation means "the celebration after hard work". It is one of the most colourful of all the country's festivals. There are spectacular costume competitions, float parades, masquerade bands, and dancing in the streets to the accompaniment of steel band music and calypsos. Masquerades frequent the streets performing acrobatic dance routines, a vivid reminder of Guyana's African heritage. Calypso competitions with their witty social commentaries are another integral part of "Mash", and this culminates in the coronation of a King or Queen for the particular year.
source: Carnival
type: Carnival

MASON, JAMES
type: Person

MASON, PRINCE
type: Person

MASSIAH, ARTHUR
type: Person

MASSIAH, H
type: Person

MASSIAH, JOSEPH
type: Person

MASSIAH, WILLIAM
type: Person

MAUGHAN, GEORGE
type: Person

MAUGHAN, MORTIMER
type: Person

MAUGHN, WALTER
type: Person

MAXWELL, BENJAMIN
type: Person

MAXWELL, BERESFORD
type: Person

MAXWELL, CLARENCE
type: Person

MAXWELL, CLEMENT
type: Person

MAXWELL, GEORGE
type: Person

MAXWELL, JOHN
type: Person

MAXWELL, JOHN
type: Person

MAXWELL, JOSEPH
type: Person

MAXWELL, JOSEPH
type: Person

Mayaro, Trinidad
source: places
contributor: eulac3d
type: Site

MAYER, CEPHAS
type: Person

MAYER, CHARLES
type: Person

MAYER, CHARLES
type: Person

MAYERS, ALBERT
type: Person

MAYERS, ALBERT
type: Person

MAYERS, ALFRED
type: Person

MAYERS, CHARLES
type: Person

MAYERS, CHARLES
type: Person

MAYERS, CLEMENT
type: Person

MAYERS, DAVID
type: Person

MAYERS, DAVID
type: Person

MAYERS, EDWARD
type: Person

MAYERS, EMANUEL
type: Person

MAYERS, FITZ
type: Person

MAYERS, FITZ
type: Person

MAYERS, GERALD
type: Person

MAYERS, GERALD
type: Person

MAYERS, GERALD
type: Person

MAYERS, GERALD
type: Person

MAYERS, HERBERT
type: Person

MAYERS, JAMES
type: Person

MAYERS, JAMES
type: Person

MAYERS, JAMES
type: Person

MAYERS, JOHN
type: Person

MAYERS, JOHN
type: Person

MAYERS, JOSEPH
type: Person

MAYERS, JOSEPH
type: Person

MAYERS, JOSEPH
type: Person

MAYERS, LAWRENCE
type: Person

MAYERS, LAWRENCE
type: Person

MAYERS, REYNOLD
type: Person

MAYERS, SAMPSON
type: Person

MAYERS, WILLIAM
type: Person

MAYES, WILLIAM
type: Person

MAYNARD, ALEX
type: Person

MAYNARD, ARNOLD
type: Person

MAYNARD, FRED
type: Person

MAYNARD, GEORGE
type: Person

MAYNARD, JAMES
type: Person

MAYNARD, JAMES
type: Person

MAYNARD, JAMES
type: Person

MAYNARD, JAMES
type: Person

MAYNARD, JAMES
type: Person

MAYNARD, JOSEPH
type: Person

MAYNARD, JOSEPH
type: Person

MAYNARD, MCDONALD
type: Person

MAYNARD, POPY
type: Person

MAYNARD, WILLIAM
type: Person

MAYNARD, WILLIAM
type: Person

MAYNARD, WILLIAM
type: Person

MCALISTER, EDWARD
type: Person

MCALISTER, JOSEPH
type: Person

MCCARTHEY, ?
type: Person

MCCARTHY, GEORGE
type: Person

MCCARTHY, HERBERT
type: Person

MCCLEAN, ARTHUR
type: Person

MCCLEAN, BERESFORD
type: Person

MCCLEAN, E
type: Person

MCCLEAN, EDMUND
type: Person

MCCLEAN, EDWARD
type: Person

MCCLEAN, EDWARD
type: Person

MCCLEAN, EDWARD
type: Person

MCCLEAN, EDWARD
type: Person

MCCLEAN, FITZ
type: Person

MCCLEAN, FITZ
type: Person

MCCLEAN, ISAAC
type: Person

MCCLEAN, JOSEPH
type: Person

MCCLEAN, LEONARD
type: Person

MCCLEAN, RICHARD
type: Person

MCCLEAN, SAMUEL
type: Person

MCCLEAN, SAMUEL
type: Person

MCCLEAN, WALTER
type: Person

MCCLEARE, ANG
type: Person

MCCLEOD, HENRY
type: Person

MCCLEOD, HENRY
type: Person

MCCLURE, FRED
type: Person

MCCLUSS, FREDERICK
type: Person

MCCOLLIN, ALBERT
type: Person

MCCOLLIN, CYRIL
type: Person

MCCOLLIN, HENRY
type: Person

MCCOLLIN, JOSEPH
type: Person

MCCONNEY, ADOLPHUS
type: Person

MCCONNEY, CHARLES
type: Person

MCCONNEY, CHRISTOPHER
type: Person

MCCONNEY, HAMPDEN
type: Person

MCCONNEY, JOSEPH
type: Person

McCONNY, EDWIN
type: Person

MCCOTY, JOSEPH
type: Person

MCDONALD, CLEMENT
type: Person

MCDONALD, JOSEPH
type: Person

MCGEARY, WARRINGTON
type: Person

MCINTOSH, FRANCIS
type: Person

MCINTOSH, JOHN
type: Person

McINTOSH, JOHN
type: Person

MCINTOSH, JOSEPH
type: Person

MCINTOSH, SAMUEL
type: Person

MCINTOSH, SAMUEL
type: Person

MCKECKNEY, CHRISTOPHER
type: Person

MCKENERY, CHRISTOPHER
type: Person

MEDFORD, CLARENCE
type: Person

MEDFORD, FITZ
type: Person

MEDFORD, JAMES
type: Person

MEDFORD, JOHN
type: Person

MEDFORD, JOSEPH
type: Person

MEDFORD, SAMUEL
type: Person

Melissa Hunte
subject: CULTURAL HERITAGE,PEOPLE
description: Melissa Hunte
creator: Melissa Hunte
source: stories,Contributers,barbadosmigration
date: 2018
format: video/mp4
language: English
type: Moving Image

Memoria Imaterial CRL
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Memorial ACTe
description: Contemporary museum offering historical exhibits on the Caribbean's slave trade & indigenous people.
source: Museums
publisher: CINE
type: Museum

Memorial Museum of Dominican Resistance
source: Museums
publisher: CINE
type: Museum

MEMORIAMEDIA e-Museu do Património Cultural Imaterial
description: O projeto MEMORIAMEDIA tem como objetivos o estudo, a inventariação e divulgação de manifestações do património cultural imaterial: expressões orais; práticas performativas; celebrações; o saber-fazer de artes e ofícios e as práticas e conhecimentos relacionados com a natureza e o universo. O projecto tem como instituição de acolhimento o Instituto de Estudos de Literatura e Tradição - patrimónios, artes e culturas - da Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa. A autoria e gestão do projeto é da responsabilidade da Memória Imaterial, entidade acreditada como Organização Não-Governamental (ONG) consultora do Comité Intergovernamental para a Salvaguarda do Património Cultural Imaterial da UNESCO. MEMORIAMEDIA aims to study, inventory and disseminate manifestations of intangible cultural heritage. These include oral expressions, performative practices, celebrations, traditional craftsmanship and knowledge concerning nature and the universe. The project is hosted by IELT- Institute for Studies of Literature and Tradition - heritage, arts and cultures, from the Faculty of Social Sciences and Humanities of Universidade Nova de Lisboa. The organisation Memória Imaterial (Intangible Memory), a Non-Governmental Organization (NGO) accredited to provide advisory services to the UNESCO Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, is responsible for the project’s authorship and management.
source: community
type: Museum

MENVILLE, JOSIAH
type: Person

MERRITT, ALBERT
type: Person

MERRITT, EDWARD
type: Person

Metal Hook
subject: CULTURAL HERITAGE
description: Metal hook with a chain.
format: image/png
language: English
type: Object Image

Metal Scale
subject: CULTURAL HERITAGE
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Metal Scale
subject: CULTURAL HERITAGE
language: English
type: Physical Object

Miami Broward Caribbean Carnival
source: Carnival
type: Carnival

MILE, OSCAR
type: Person

MILES, ORMOND
type: Person

MILES, WILLIAM
type: Person

Military Helmet
description: Metal military helmet, part of the collection of the University of the West Indies Museum. The University of the West Indies Museum, commonly called the UWI Museum, was established in 2012. Its focus is the history and development of the University of the West Indies, and its relationship to the West Indies – now more commonly known as the Caribbean – region, which it serves.
source: workshops,caribworkshops
format: text/plain Alias/WaveFront Object
type: 3D Object

Military Helmet
description: Metal military helmet, part of the collection of the University of the West Indies Museum. The University of the West Indies Museum, commonly called the UWI Museum, was established in 2012. Its focus is the history and development of the University of the West Indies, and its relationship to the West Indies – now more commonly known as the Caribbean – region, which it serves.
source: workshops
contributor: eulac3d
language: English
type: Physical Object

Militia Badge
subject: CULTURAL HERITAGE,SOCIAL HISTORY
description: The Barbados Militia was raised in 1640 “for the defence and protection of Barbados.” and is probably one of the oldest in the British commonwealth, serving until British troops arrived in 1780. The main objective of the militias formation (as well as the strength and state of the island's fortifications) derived from a concern over external attack by foreign forces, particularly the French. The suppression of slave revolts was also a great concern of the planter class and, in the earlier periods, revolts by white indentured servants, notably the Irish.
creator: Barbados Milita
date: 1800
type: 3D Object

Militia Badge
subject: CULTURAL HERITAGE,SOCIAL HISTORY
description: The Barbados Militia was raised in 1640 “for the defence and protection of Barbados.” and is probably one of the oldest in the British commonwealth, serving until British troops arrived in 1780. The main objective of the militias formation (as well as the strength and state of the island's fortifications) derived from a concern over external attack by foreign forces, particularly the French. The suppression of slave revolts was also a great concern of the planter class and, in the earlier periods, revolts by white indentured servants, notably the Irish.
creator: Barbados Milita
date: 1800
type: Physical Object

MILLARD, ALBERT
type: Person

MILLER, ADOLPHUS
type: Person

MILLER, ALBERT
type: Person

MILLER, CHARLES
type: Person

MILLER, CLEMENT
type: Person

MILLER, CONRAD
type: Person

MILLER, DUDLEY
type: Person

MILLER, EDWARD
type: Person

MILLER, EDWIN
type: Person

MILLER, EVAN
type: Person

MILLER, FITZ
type: Person

MILLER, FREDERICK
type: Person

MILLER, H
type: Person

MILLER, HAMILTON
type: Person

MILLER, HERBERT
type: Person

MILLER, HOWARD
type: Person

MILLER, JAMES
type: Person

MILLER, JAMES
type: Person

MILLER, JAMES
type: Person

MILLER, JAMES
type: Person

MILLER, JOSEPH
type: Person

MILLER, JOSEPH
type: Person

MILLER, JOSEPH
type: Person

MILLER, JOSEPH
type: Person

MILLER, MILTON
type: Person

MILLER, MORTIMER
type: Person

MILLER, NORMAN
type: Person

MILLER, PRINCE
type: Person

MILLER, WALTER
type: Person

MILLIARD, WILLIAM
type: Person

MILLINGTON, EDMUND
type: Person

MILLINGTON, OSWALD
type: Person

MILLINGTON, WILLIAM
type: Person

MITCHELL, REGINALD
type: Person

MNA/DGPC
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

MOE, CHARLES
type: Person

MOE, GEORGE
type: Person

MOE, ROBERT
type: Person

Molde de queso - Mould of cheese
subject: CULTURAL HERITAGE
description: Molde de madera para hacer queso. El molde en forma de cazuela tiene una protuberancia en el centro que le da la forma característica al queso. En la parte inferior tiene cuatro agujeros para que drene el suero. Mould of wood for making cheese. The mould in shape of casserole has ones protuberance in the centre that gives the characteristic shape to the cheese. At bottom it has four holes in order that it drains the whey.
creator: unknown
format: text/plain Alias/WaveFront Object
language: Catalan (valencian)
type: 3D Object

Molde de queso - Mould of cheese
subject: CULTURAL HERITAGE
description: Molde de madera para hacer queso. El molde en forma de cazuela tiene una protuberancia en el centro que le da la forma característica al queso. En la parte inferior tiene cuatro agujeros para que drene el suero. Mould of wood for making cheese. The mould in shape of casserole has ones protuberance in the centre that gives the characteristic shape to the cheese. At bottom it has four holes in order that it drains the whey.
creator: unknown
source: workshops
contributor: eulac3d
language: Catalan (valencian)
type: Physical Object

Monkey Jar
subject: CULTURAL HERITAGE
description: The monkey jar is a pottery jug used for holding drinking water and keeping it cool. This is because clay is a poor conductor of heat and since the jar is unglazed, water is able to evaporate from its surface to cool the jar. It is known for keeping the water cool. The Monkey jar shows similarity with similar vessels from Africa in its shape and function, giving evidence to support that the design and skill of making this vessel was passed down from enslaved people.
format: text/plain Alias/WaveFront Object
type: 3D Object

Monkey Jar
subject: CULTURAL HERITAGE
description: The monkey jar is a pottery jug used for holding drinking water and keeping it cool. This is because clay is a poor conductor of heat and since the jar is unglazed, water is able to evaporate from its surface to cool the jar. It is known for keeping the water cool. The Monkey jar shows similarity with similar vessels from Africa in its shape and function, giving evidence to support that the design and skill of making this vessel was passed down from enslaved people.
type: Physical Object

MONNTER, ARNOLD
type: Person

MONROE, JOHN
type: Person

Montgomery Moravian Church
source: Museums,museumvisits
type: Museum

Montserrat Festival
source: Carnival
type: Carnival

MOON, CECIL
type: Person

MOOR, PRINCE
type: Person

MOOR, WILLIAM
type: Person

MOORE, ALBERT
type: Person

MOORE, ALEXANDER
type: Person

MOORE, ARTHUR
type: Person

MOORE, BELFIELD
type: Person

MOORE, BENJAMIN
type: Person

MOORE, CLIFFORD
type: Person

MOORE, DACOSTA
type: Person

MOORE, DONALD
type: Person

MOORE, DOUGLAS
type: Person

MOORE, E
type: Person

MOORE, EDWARD
type: Person

MOORE, EDWARD
type: Person

MOORE, EDWIN
type: Person

MOORE, ELLIOTT
type: Person

MOORE, ERNEST
type: Person

MOORE, FRANCIS
type: Person

MOORE, FRANK
type: Person

MOORE, FREDERICK
type: Person

MOORE, GEORGE
type: Person

MOORE, GEORGE
type: Person

MOORE, H.
type: Person

MOORE, HARRY
type: Person

MOORE, HENRY
type: Person

MOORE, HERBERT
type: Person

MOORE, HORATIO
type: Person

MOORE, IVAN
type: Person

MOORE, JAMES
type: Person

MOORE, JAMES
type: Person

MOORE, JAMES
type: Person

MOORE, JAMES
type: Person

MOORE, JOHN
type: Person

MOORE, JOHN
type: Person

MOORE, JOHN
type: Person

MOORE, JOHN
type: Person

MOORE, JOSEPH
type: Person

MOORE, JOSEPH
type: Person

MOORE, JOSEPH
type: Person

MOORE, JOSEPH
type: Person

MOORE, JOSEPH
type: Person

MOORE, JOSEPH
type: Person

MOORE, JOSEPH
type: Person

MOORE, REGINALD
type: Person

MOORE, WILLIAM
type: Person

MOORE, WILLIAM
type: Person

MOORE, WILLIAM
type: Person

MOORE, WILLIAM
type: Person

MOORE, WILLIAM
type: Person

MORGAN, ALLAN
type: Person

MORGAN, EVANS
type: Person

MORGAN, FREDERICK
type: Person

MORGAN, JAMES
type: Person

MORGAN, PHILIP
type: Person

MORGAN, STANLEY
type: Person

MORGAN, WALTER
type: Person

MORISS, ISSAAC
type: Person

MORRE, EDWARD
type: Person

MORRIS, BERESFORD
type: Person

MORRIS, DAVID
type: Person

MORRIS, EDWIN
type: Person

MORRIS, ERNEST
type: Person

MORRIS, FRANCIS
type: Person

MORRIS, IRWIN
type: Person

MORRIS, JAMES
type: Person

MORRIS, JOHN
type: Person

MORRIS, JOSEPH
type: Person

MORRIS, SINDERBY
type: Person

MORRIS, WILLIAM
type: Person

MORRIS, WILLIAM
type: Person

Mortar
subject: CULTURAL HERITAGE
description: Mortar, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Mortar
subject: CULTURAL HERITAGE
description: Mortar, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
language: English
type: Physical Object

Mortar
contributor: eulac3d
format: text/plain Alias/WaveFront Object
type: 3D Object

Mortar
contributor: eulac3d
language: English
type: Physical Object

Mortero cónico / Cudi - Stone Mortar
subject: CULTURAL HERITAGE
description: Mortero de piedra de uso doméstico, con orificio contenedor usado para la molienda de semillas y granos. Donado por Luis Silva. Stone mortar for domestic use, with container hole used for grinding seeds and grains. Donated by Luis Silva.
creator: Mapuche - Huilliche
date: Siglo XIII-XIX
language: Español
type: Physical Object

Mortero cónico / Cudi - Stone Mortar
subject: CULTURAL HERITAGE
description: Mortero de piedra de uso doméstico, con orificio contenedor usado para la molienda de semillas y granos. Donado por Luis Silva. Stone mortar for domestic use, with container hole used for grinding seeds and grains. Donated by Luis Silva.
creator: Mapuche - Huilliche
date: Siglo XIII-XIX
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

Moruga
source: places
contributor: eulac3d
type: Site

Moruga Museum
description: The Moruga Museum is dedicated to the prservation of the Sociohistoric culture of the People of Moruga, Trinidad and Tobago by extension the World. The collection is diverse and is not limited to items or from a region only, however, is open to collections from all cultures and eras.
source: workshops,caribworkshops,museumvisits
type: Museum

Moruga Museum
description: The Moruga Museum is dedicated to the prservation of the Sociohistoric culture of the People of Moruga, Trinidad and Tobago by extension the World. The collection is diverse and is not limited to items or from a region only, however, is open to collections from all cultures and eras.
type: Collection

Moruga Museum
source: workshops,caribworkshops
type: Tour

MOSE, LEANDREW
type: Person

MOSELEY, BERESFORD
type: Person

MOSELEY, JAMES
type: Person

MOSELEY, JOSEPH
type: Person

MOSELEY, SAMUEL
type: Person

MOTLEY, DANIEL
type: Person

MOTLEY, EDWARD
type: Person

MOTLEY, JAMES
type: Person

MOTLEY, JAMES
type: Person

MOTLEY, PERCY
type: Person

MOTLEY, RUSSELL
type: Person

MOTTEY, DANIEL
type: Person

MOTTEY, EDWARD
type: Person

Mounted human cranium
subject: CULTURAL HERITAGE,NATURAL HERITAGE
description: Mounted human cranium, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
language: English
type: 3D Object

Mounted human cranium
subject: CULTURAL HERITAGE,NATURAL HERITAGE
description: Mounted human cranium, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
language: English
type: Physical Object

Mr. Kenneth Walters on the topic: "Only Five Years- The Challenges of Return and Reintegration of Barbadians who Migrated to the United Kingdom " for the 2019 Lecture Series
source: Museums,barbadosmigration
contributor: eulac3d
type: Moving Image

Mujer con niño ceramica - Woman with child ceramic
subject: CULTURAL HERITAGE
description: Blackware de cerámica que representa a la mujer que detiene a un niño. Blackware ceramic depicting woman holding a child.
format: text/plain Alias/WaveFront Object
type: 3D Object

Mujer con niño ceramica - Woman with child ceramic
subject: CULTURAL HERITAGE
description: Blackware de cerámica que representa a la mujer que detiene a un niño. Blackware ceramic depicting woman holding a child.
type: Physical Object

Mujer con tambor ceramico - Woman with drum ceramic
subject: CULTURAL HERITAGE
description: Vasija labio recto y gollete ligeramente evertido, en la cara posterior se puede observar a un personaje femenino que observa hacia unos de sus lados sujetando un instrumento de percusión entre sus manos y sus rodillas, los pies están juntos, en la cara posterior se observa un asa tubular semicircular que parte de uno de los costados de la cabeza de este personaje y que se adhiere a la espalda de este personaje. A clay sculpture in the form of a bottle with a straight lip vessel and a slightly pointed neck. On the back face of this vessel, you can see a female character which gazes in the direction of one of its sides holding between her hands and her knees a percussion instrument with her feet being together. We can observe also on the back face, a semi-circular tube-shaped handle that exits one of the sides of the head toward the back of this person’s figurine.
creator: Elaborado en la época Sican (750-1350 AD)
format: text/plain Alias/WaveFront Object
type: 3D Object

Mujer con tambor ceramico - Woman with drum ceramic
subject: CULTURAL HERITAGE
description: Vasija labio recto y gollete ligeramente evertido, en la cara posterior se puede observar a un personaje femenino que observa hacia unos de sus lados sujetando un instrumento de percusión entre sus manos y sus rodillas, los pies están juntos, en la cara posterior se observa un asa tubular semicircular que parte de uno de los costados de la cabeza de este personaje y que se adhiere a la espalda de este personaje. A clay sculpture in the form of a bottle with a straight lip vessel and a slightly pointed neck. On the back face of this vessel, you can see a female character which gazes in the direction of one of its sides holding between her hands and her knees a percussion instrument with her feet being together. We can observe also on the back face, a semi-circular tube-shaped handle that exits one of the sides of the head toward the back of this person’s figurine.
creator: Elaborado en la época Sican (750-1350 AD)
type: Physical Object

MULLEN, JAMES
type: Person

MULLEN, THEOPHILUS
type: Person

MULLIN, JONATHAN
type: Person

MULLIN, ROBERT
type: Person

MULLIN, THEOPHILUS
type: Person

MULLINS, JOSEPH
type: Person

Município da Batalha (c)
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

MURPHY, AUGUSTUS
type: Person

MURPHY, ROBERT
type: Person

MURRAY, ADOLPHUS
type: Person

MURRAY, ALFRED
type: Person

MURRAY, AUGUSTUS
type: Person

MURRAY, CHARLES
type: Person

MURRAY, EDGAR
type: Person

MURRAY, FRED
type: Person

MURRAY, GEORGE
type: Person

MURRAY, HARO
type: Person

MURRAY, JAMES
type: Person

MURRAY, JOHN
type: Person

MURRAY, JOSEPH
type: Person

MURRAY, LEE
type: Person

MURRAY, OTIS
type: Person

MURRAY, PERCIVAL
type: Person

MURRAY, PHILIP
type: Person

MURRAY, RICHARD
type: Person

MURREL, SAMUEL
type: Person

MURRELL, EDWIN
type: Person

MURRELL, FITZ
type: Person

MURRELL, JOHN
type: Person

MURRELL, MILTON
type: Person

MURRELL, WILLIAM
type: Person

Musee d'Histoire et d'Ethnographie
source: Museums
publisher: CINE
type: Museum

Musée de la banane
source: Museums
publisher: CINE
type: Museum

Musee Departemental Edgar Clerc
description: The museum is dedicated to Edgar Clerc, Guadeloupe's first archaeologist. In 1972 he donated his collection for the creation of an archaeological museum. Recently, archaeologists from Leiden University opened an exhibition here, which functions as a new narrative of text panels to accompany the existing objects and displays. It begins with some contextual panels, setting the island within the archipelago and its other Amerindian cultures. The first wing has an example excavation as its center piece. Panels here focus on archaeology as a profession. Display cases show lithics, tools, pottery and burials. The route leads through an activity room to the other wing with materials from later periods and the contact period. The center piece here is a model village. The display cases include burials, facial reconstructions and ornaments. Finally, there is information on indigenous peoples today, including the Kalinago and Garifuna.
source: Museums
date: 1984
language: French, English
type: Museum

Musée du Panthéon National Haïtien
description: The Musée du Panthéon National Haïtien is a museum featuring the heroes of the independence of Haiti and the Haitian history and culture.
source: Museums
publisher: CINE
type: Museum

Musee du Rhum: Musee Universel
description: This is a museum on the grounds of a working distillery (which cannot be visited). The first part, opened in 1990, focuses on the production of sugar and rum. There are photographs, but also a wooden sugar cane mill, a model ox cart and other objects. A second room, from 1992, contains a number of reconstructions, such as a traditional distillery, a sugar refinery and a cooper’s workshop. A wall panel shows machetes from around the world. In a small auditorium they show a 15 minute film. The museum continues upstairs. One room, opened in 1994, has a collection of insects and butterflies, donated by natural scientist Fortuné Chalumeau. Outside this room is an exhibit on trades and crafts, which was set up in 1997. Intermingled with these displays are large plastic creatures, from camels to polar bears. The last exhibit, also from 1997, shows models of the grand sailing vessels of the world.
source: Museums
date: 1990
language: French, English, German
type: Museum

Musee Municipal Saint-John Perse
description: The museum is housed in a late 19th century building and is dedicated to diplomat and Nobel-prize-winning poet Alex Leger (pseud. Saint-John Perse). The ground floor is one main room which is a period room. This shows the style in which Leger grew up as a boy in the plantation houses of his parents. Besides the furniture a large collection of 19th and 20th century women’s dresses (from slave clothing to upper class gowns) is on display. The second floor contains 20th and 21st century artworks, mainly by local or French-Caribbean artists. The top floor, an attic room, tells the story of the life and works of Alex Leger. Panels with photographs discuss his youth, his diplomatic life and his poetry (of course, crowned by the Nobel Prize). There are objects here from his personal life.
source: Museums
language: French
type: Museum

Musee Schoelcher
description: In 1883 Victor Schoelcher made a donation to Guadeloupe: his collection of statues and reliefs plus objects from his many voyages (wood work from Benin, pre-Columbian Caribbean axes and slave shackles). The museum was opened in 1887. The ground floor is dedicated to Schoelcher's idea for the museum, his donation of objects and his family life. The second floor is divided into his different voyages with objects from each place. It also contains many items related to slavery. The eclectic collection is tied to the reason for his voyages: his political struggle to end slavery in the French colonies. The objects are incredibly diverse. There are plaster casts of famous statues that were made at the Louvre on Schoelcher’s request, porcelain from his father’s factory and the travel collections.
creator: Victor Schoelcher
source: Museums
date: 1887
language: French
type: Museum

Museo a Cielo Abierto de San Miguel
description: El interés de los residentes y la necesidad de detener y eliminar el deterioro que los edificios de la población San Miguel, producido por décadas de contaminación que generaban los rayados y afiches que se habían apoderado del sector, fueron el motor de esta iniciativa ciudadana que el Centro Cultural Mixart hizo suya y en la cuál hemos trabajado pacientemente durante 8 años para transformar el vecindario en un verdadera galería de Arte Público de acceso gratuito, sin restricciones de días y horarios para el disfrute de la comunidad en pleno. Hoy en día el proyecto Museo a Cielo Abierto en San Miguel se ha convertido en la mayor expresión colectiva de arte callejero en Chile, donde comparten escenario y se entremezclan las técnicas del muralismo y graffiti con obras originales desarrolladas por los principales exponentes nacionales e internacionales, consagrados y emergentes, quienes aceptaron además que sus creaciones fueran previamente validadas por los vecinos residentes de cada muro lo que le agrega un plus de participación único y que además permite generar un sentido de pertenencia con el mural y su entorno.
source: community
type: Museum

MUSEO A CIELO ABIERTO EN SAN MIGUEL - VIDEO OFICIAL 2014
source: community
contributor: eulac3d
type: Moving Image

Museo Arqueológico de Los Andes
description: La misión del museo es divulgar el conocimiento de la Prehistoria Chilena y colaborar con la educación y la cultura nacional, y preservar el Patrimonio Arqueológico e Histórico de Chile.
source: community
type: Museum

Museo Arqueológico de Los Andes
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo Chan Chan
description: The Chan Chan Site Museum was created and put into social use in 1990. Since then, the role of managing, conserving, displaying and disseminating the cultural heritage that it has been in custody has been fulfilled, contributing to the interpretation of this Archaeological Site that is part of World Heritage. In its development and links with the community the museum carries out a series of activities: lectures, workshops and exhibitions, aimed at informing, sensitizing and training, with schoolchildren, artisans and collectives in general being the central objective of these dynamics. El Museo de Sitio Chan Chan fue creado y puesto en uso social en 1990. Desde entonces se cumple con el rol de gestionar, conservar, exhibir y divulgar el patrimonio cultural que custodia, contribuyendo a la interpretación de este Sitio Arqueológico que forma parte del Patrimonio Mundial. En su desarrollo y vinculación con la comunidad el museo realiza una serie de actividades: charlas, talleres y exposiciones, orientados a informar, sensibilizar y capacitar, siendo los escolares, artesanos y colectividad en general el objetivo central de estas dinámicas.
source: community
type: Museum

Museo Comunitário de Supe
description: El Museu incluye una colección arqueológica de 320 objetos acompañada de novedosos recursos museográficos que ilustran los diversos aspectos de la sociedad de Caral. Entre los obejetos destacan los objetos de diferenciación social, como los collares de cuentas cuadrangulares elaboradas con arcilla de origen volcánico, dijes de choro zapato, y cuentas elaboradas con material procedente de largas distancias, como las cuentas de mullu (procedente del Ecuador), y la cuenta de sodalita (mineral procedente del Altiplano). También se expondrá un ejemplar de vértebra de ballena que es símbolo de autoridad en la civilización Caral. Además se exhibirá el quipu de Caral e instrumentos de construcción, los cuales evidencian el elevado desarrollo en la producción científica y tecnológica logrado por la civilización Caral, sumado a algunas muestras de plantas medicinales recuperadas en el registro arqueológico.
source: community
type: Museum

Museo Comunitário del Barrio Yungay
description: El recinto situado en la calle Herrera 650 en la comuna de Santiago Centro, busca contar la vida del barrio y de sus residentes con fotografías, cartas, muebles y otras pertenencias que han sido donadas por los mismos vecinos. Yungay es considerado como el primer barrio republicano de la capital y hace pocas semanas cumplió 176 años. Rosario Carvajal, representante de la Asociación Chilena de Barrios y Zonas Patrimoniales, aseguró que el objetivo es recuperar la memoria del territorio, y que las personas conozcan la vida e historia que existe en la zona. Los primeros objetos del museo fueron donados por María Sancifrian, una mujer de origen español que llegó a los ocho años al país junto a su familia en el "Orbita", barco que antecedió al Winnipeg después de haber detonado la Guerra Civil en España. El museo conserva intactos sus elementos más queridos y personas, entre ellos destaca sus cartas, cuadernos escolares, ropa, fotografías, lentes e incluso un álbum de fotos dedicado a Raphael. En el lugar también se pueden apreciar otras objetos de vecinos que decidieron dejar plasmados sus viviencias y recuerdo del Barrio Yungay, entregando pertenencias de incalculable valor sentimental.
source: community
type: Museum

Museo Comunitario Casa Uno de Coya
description: Nuestra misión es crear un espacio de resguardo, exhibición y puesta en valor de objetos y documentos con valor patrimonial para la comunidad local, que refleje el modo de vida local y que sea esencialmente un espacio abierto que permita el encuentro comunitario y el reconocimiento de las raíces locales. Our mission is to create a space to protect, display, and enhance objects and documents with heritage value for the local community, which reflects the local way of life and which is essentially an open space that allows community meetings and the recognition of local roots.
source: community
type: Museum

Museo Comunitario Casa Uno de Coya
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo Comunitario de Boruca
description: El museo busca resaltar las técnicas ancestrales de fabricación y tejido natural de artesanía, concretamente los tejidos con hilos, bejucos y el labrado de máscaras. Además pretende revitalizar la cultura tradicional de Boruca. El inmueble mismo del museo es un ejemplo del tipo de rancho que se utilizó en la antigüedad como vivienda tradicional de los indígenas. The museum seeks to highlight the ancestral techniques of manufacturing and natural weaving of craftwork, specifically weavings with threads, vines and the carving of masks. It also aims to revitalise the traditional culture of Boruca. The museum's building itself is an example of the type of ranch that was used in ancient times as a traditional housing of indigenous people.
source: workshops,community
date: 1986-04-05
type: Museum

Museo Comunitario de Boruca
description: El museo busca resaltar las técnicas ancestrales de fabricación y tejido natural de artesanía, concretamente los tejidos con hilos, bejucos y el labrado de máscaras. Además pretende revitalizar la cultura tradicional de Boruca. El inmueble mismo del museo es un ejemplo del tipo de rancho que se utilizó en la antigüedad como vivienda tradicional de los indígenas. The museum seeks to highlight the ancestral techniques of manufacturing and natural weaving of craftwork, specifically weavings with threads, vines and the carving of masks. It also aims to revitalise the traditional culture of Boruca. The museum's building itself is an example of the type of ranch that was used in ancient times as a traditional housing of indigenous people..
type: Collection

Museo comunitario de Végueta
description: El museo comunitario de Végueta fue inaugurado en el año 2008. Exhibe valiosas piezas arqueológicas que fueron encontradas en el complejo arqueológico de Vichama. El museo muestra novedosos recursos museográficos que ilustran los diversos aspectos de la sociedad de Vichama y su vinculación con la civilización Caral y módulos interactivos que brindan información de manera didáctica.
source: community
type: Museum

Museo Comunitario Indígena de Térraba
description: El Museo Comunitario Indígena de Térraba es un instrumento de recuperación de los legados históricos, artesanales, ecológicos para conscientizar a las nuevas generaciones. El museo forma parte del complejo de la Cultura Térraba, integrada por la Casa de la Salud Indígena, el Rancho Cultural y el cultivo de plantas medicinales. El Museo Comunitario Indígena de Térraba muestra testimonios de la Cultura Indígena Térraba enfatizando su forma de vida, su arquitectura vernácula y artesanía. The Terraba’s Indian Community Museum was created as instrument to recover historical, handmade, and ecological legacies, to raise awareness for the new generations. The museum is part of the complex of the Terraba Culture, comprising the House of Indigenous Health, Cultural Rancho and cultivation of medicinal plants. The Terraba’s Indian Community Museum shows evidence of the Térraba Indigenous Culture, emphasizing their way of life, vernacular architecture and craftsmanship.
source: community
type: Museum

Museo Comunitario Leymebamba | Leymebamba Community Museum
description: El Museo Comunitario Leymebamba se ubica en la región Amazonas, se inauguró en el año 2000 y alberga más de 200 momias provenientes de la Laguna de los Cóndores y material arqueológico y etnográfico de la zona. La arquitectura del museo es un reflejo de las tradiciones constructivas locales, y de la población que contribuyó a la edificación del mismo. El museo contribuye y apoya a la Comunidad de Leymebamba en la difusión de su patrimonio cultural, así como en la creación de emprendimientos que fomentan el desarrollo educativo y económico de sus pobladores. The Museo Comunitario Leymebamba is located in the Amazon region, it opened in 2000 and holds more than 200 mummies from the Cóndores Lagoon as well as archaeological and ethnographic material from the area. The museum’s architecture reflects the local construction traditions and those of the population which contributed to its construction. The museum contributes to and supports the Leymebamba community in the dissemination of its cultural heritage and by creating ventures that promote the educational end economic development of its inhabitants.
source: community
type: Museum

Museo Comunitario Yimba Cajc - Rey Curré
description: El museo está hecho por la comunidad y para la comunidad, donde se cuenta la memoria del pueblo con la voz y el trabajo de sus propios pobladores. En su arquitectura representa los diferentes momentos históricos de la vivienda en la comunidad y al igual que la museografía, es producto del trabajo talentoso de artesanos y constructores de Curré. Representa además una ventana al pasado precolombino, el cual se complementa con las esferas de piedra que resguardan la entrada del museo. También tiene en exposición, los orígenes de la comunidad, la vida de sus primeros pobladores y las luchas por la autonomía del territorio indígena. The museum is made by the community and for the community, where the memory of the people is told with the voice and work of its own inhabitants. Its architecture represents the different historical moments of housing in the community and, like the museography, it is the product of the talented work of artisans and builders of Curré. It also represents a window to the pre-Columbian past, which is complemented by the stone spheres that protect the entrance to the museum. It also displays the origins of the community, the life of its first settlers and the struggles for the autonomy of the indigenous territory.
type: Collection

Museo Comunitario Yimba Cajc Rey Curré
description: El museo está hecho por la comunidad y para la comunidad, donde se cuenta la memoria del pueblo con la voz y el trabajo de sus propios pobladores. En su arquitectura representa los diferentes momentos históricos de la vivienda en la comunidad y al igual que la museografía, es producto del trabajo talentoso de artesanos y constructores de Curré. Representa además una ventana al pasado precolombino, el cual se complementa con las esferas de piedra que resguardan la entrada del museo. También tiene en exposición, los orígenes de la comunidad, la vida de sus primeros pobladores y las luchas por la autonomía del territorio indígena. The museum is made by the community and for the community, where the memory of the people is told with the voice and work of its own inhabitants. Its architecture represents the different historical moments of housing in the community and, like the museography, it is the product of the talented work of artisans and builders of Curré. It also represents a window to the pre-Columbian past, which is complemented by the stone spheres that protect the entrance to the museum. It also displays the origins of the community, the life of its first settlers and the struggles for the autonomy of the indigenous territory.
source: workshops
type: Museum

Museo de Alhué
description: El Museo de Alhué busca proteger y atesorar el patrimonio cultural material e inmaterial de la localidad, así como constituirse en un lugar de encuentro entre las personas y la cultural local, especialmente escolares, habitantes de la comuna y turistas de otras áreas del país o internacionales.
source: community
type: Museum

Museo de Alhué
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo de Art Contemporaneo
publisher: EULAC
date: 2017:03:07 20:25:10
type: Museum

Museo de Art Contemporaneo
publisher: EULAC
type: Tour

Museo de Art Contemporaneo 1
type: Panorama

Museo de Art Contemporaneo 2
type: Panorama

Museo de Arte de Ponce
description: Museo de Arte de Ponce is an art museum located on Avenida Las Americas in Ponce, Puerto Rico. It houses a collection of European art, as well as work by Puerto Rican artists.
source: Museums
publisher: CINE
type: Museum

Museo de Arte Moderno
source: Museums
publisher: CINE
type: Museum

Museo de Artes Decorativas Villa Lucía
description: El Museo de Artes Decorativas Villa Lucía nace del esfuerzo y visión del Dr. Daniel Fernández Dodds, quien hoy dirige este espacio cultural de la provincia de San Antonio. El 2001 adquirió la propiedad e inició un minucioso y continuo proceso de restauración circunscrito a la realidad histórico-social de Cartagena de los años 1930-40.
source: community
type: Museum

Museo de Artes Decorativas Villa Lucía
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo de Cerámica de Manises
description: El museo presenta, en sus diversas salas, colecciones de arte y cerámica legados por los anteriores dueños del edificio así como procedentes de excavaciones del entorno y otras donaciones. Situado en una antigua casa señorial del siglo XVIII, cuyos propietarios cedieron al ayuntamiento junto con una importante colección de objetos, el museo tiene como finalidad la integración de la comunidad mediante distintas actividades así como cesiones temporales por parte de la población local. The museum presents, in its various rooms, collections of art and ceramics bequeathed by the previous owners of the building as well as from excavations of the environment and other donations. Located in an old manor house of the eighteenth century, whose owners yielded to the town hall along with an important collection of objects, the museum aims to integrate the community through various activities as well as temporary assignments by the local population.
source: community
type: Museum

Museo de Cultura Popular
description: The Museum of Popular Culture is located in the district of Santa Lucia.
source: workshops
type: Museum

Museo de Cultura Popular
source: workshops
type: Collection

Museo de Cultura Popular
source: workshops
type: Tour

Museo de La Altagracia
source: Museums
type: Museum

Museo de la Catedral
description: El museo recibe el nombre de Museo de la Catedral, no sólo por su temática sino también por su emplazamiento. Se encuentra ubicado en el subsuelo de la Catedral de Valdivia, en el sitio original donde, desde 1552, se levantaron las 15 iglesias que le precedieron y que fueron destruidas por incendios, terremotos, trombas. Su creación fue posible gracias a un convenio firmado entre el Obispado de Valdivia y la Dirección Museológica de la Universidad Austral de Chile y la asesoría del Padre Gabriel Guarda, el aporte de la Fundación Andes para el montaje de las colecciones. Se inauguró el año y en la actualidad administrado por el Obispado de Valdivia. El museo muestra los fundamentos materiales y espirituales de la Iglesia en Valdivia: materiales por que esta instalado en los cimientos de la catedral, junto a su primera piedra; espirituales, porque expone una síntesis de la evangelización de estas tierras, desde el siglo XVI al XIX, con referencia a la fundación de la Iglesia, las familias religiosas comprometidas en la misión, manifestaciones artísticas y culturales, la celebración litúrgica y la propuesta de santidad de vida según el evangelio. La colección es muy variada y en su recorrido se destacan piezas como por ejemplo un tabernáculo de madera dorada con espejos, c.1750; cuadros como La Sagrada Familia, óleo sobre tela de la escuela italiana, c.1650; y telares como un Pluvial bordado con rocalla, pájaros y flores, S.XVIII.
source: community
type: Museum

Museo de la Exploracion Rudolph Amandus Phillippi
publisher: EULAC
date: 2017:03:06 16:02:56
type: Museum

Museo de la Exploracion Rudolph Amandus Phillippi
publisher: EULAC
type: Tour

Museo de la Exploracion Rudolph Amandus Phillippi 1
type: Panorama

Museo de la Exploracion Rudolph Amandus Phillippi 2
type: Panorama

Museo de la Exploracion Rudolph Amandus Phillippi 3
type: Panorama

Museo de la Exploracion Rudolph Amandus Phillippi 4
type: Panorama

Museo de la Vivencia Religiosa del Norte Grande
description: El Museo de la Vivencia Religiosa del Norte Grande busca contribuir a fortalecer la identidad religiosa del hombre y de la mujer del norte grande de Chile, actuando como un foco que permita la generación en la comunidad de la autoconciencia de su identidad, con el fin de valorar, conservar, proteger, desarrollar y transmitir su patrimonio en vinculación armónica a la tradición. Es un museo territorial comunitario, hecho por la comunidad para la comunidad, el cual inicia su creación el año 2013 con la presentación del proyecto y el financiamiento a través de donaciones culturales, realizado por Minera Doña Inés de Collahuasi. Cuenta con diversas piezas donadas por la comunidad que muestran la identidad religiosa del norte grande y las diferentes expresiones de fe y cultura que se entrelazan en estas deserticas tierras del norte de Chile. Abre sus puertas el 3 de septiembre del año 2015.
source: community
type: Museum

Museo de la vivencia religiosa del Norte Grande
description: Este museo busca contribuir a fortalecer la identidad religiosa del hombre y de la mujer del norte grande de Chile, actuando como un foco que permita la generación en la comunidad de la autoconciencia de su identidad, con el fin de valorar, conservar, proteger, desarrollar y transmitir su patrimonio en vinculación armónica a la tradición. This museum seeks to contribute to strengthening the religious identity of the man and woman of the great north of Chile, acting as a focus that allows the generation in the community of self-awareness of their identity, in order to value, conserve, protect, develop and transmit their heritage in harmony with tradition.
source: community
type: Museum

Museo de la Vivencia Religiosa del Norte Grande
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo de la Viviencia Religiosa
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo de las Américas
description: Exhibits in an 1800s army barracks showing pre-Columbian to modern art from the Americas.
source: Museums
publisher: CINE
type: Museum

Museo de las Casas Reales
description: The Museo de las Casas Reales is one of the important cultural monuments built during the colonial era in Hispaniola, now the Dominican Republic. It is located in the Colonial district of Santo Domingo.
source: Museums
publisher: CINE
type: Museum

Museo de Pisac
description: El museo de Pisac ofrece una exposición sobre el proceso de producción de los tejidos típicos de las comunidades quechuas llamados away. El visitante podrá conocer la materia prima utilizada, el proceso de teñido de fibras con plantas nativas, el hilado y el armado. También, se exhiben diferentes telares y herramientas de trabajo. Antes de finalizar el recorrido se observa el proceso de aprendizaje textil en el que participa toda la familia, donde prima la intervención de la mujer, ya que es responsable de transmitir los conocimientos, habilidades y destrezas a sus hijos de generación en generación. A su vez, el museo presenta una exposición sobre la producción de cerámica que desarrollan los pobladores de Pisac.
source: community
type: Museum

Museo de Sitio Castillo de Nibbla 1
type: Panorama

Museo de Sitio Castillo de Nibbla 2
type: Panorama

Museo de Sitio Castillo de Nibbla 3
type: Panorama

Museo de Sitio Castillo de Nibbla 4
type: Panorama

Museo de Sitio Castillo de Niebla
source: workshops
date: 2017:03:07 22:12:54
type: Museum

Museo de Sitio Castillo de Niebla
source: workshops
type: Tour

Museo de Sitio de Tucume
type: Tour

Museo del Niño Rural
description: La misión del museo es contribuir a la formación de los niños del mundo rural, y además conservar y preservar todos los elementos patrimoniales que se relacionan con el hombre y su entorno.
source: community
type: Museum

Museo del Niño Rural
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo del palmito de Aldaia
description: El Museu del Palmito de Aldaia (MUPA) es el centro de difusión de la artesanía y el arte del abanico de Aldaia y la Comunidad Valenciana. Está situado en la Casa de la Llotgeta, un edificio señorial de estilo renacentista de finales del siglo XVI y principios del XVII. En su interior encontramos una extensa representación de abanicos antiguos y actuales, con cronologías que van desde el siglo XVIII hasta nuestros días, así como un amplio repertorio de maquinaria tradicional, piezas y utensilios típicos del proceso de elaboración del abanico. Una colección extraordinaria en la cual se puede apreciar los diferentes estilos, modas y materiales utilizados a lo largo de su historia. The Museu del Palmito of Aldaia (MUPA) is the centre of dissemination of craftsmanship and the art of fan making of Aldaia and the Valencian Community. It is located in the Casa de la Llotgeta, a Renaissance-style mansion from the late 16th and early 17th centuries. In its interior, we find an extensive collection of fans, both past and present, dating from the eighteenth century up to our times, and also a wide range of traditional machinery, with typical pieces and tools for the production of fans. An extraordinary collection in which you can appreciate the different styles, fashions and materials used throughout its history.
source: community
date: 2015-05-05
type: Museum

Museo del Profesor Lucila Godoy Alcayaga
description: El Museo del Profesor Lucila Godoy Alcayaga tiene como misión contribuir al fortalecimiento y desarrollo de la identidad docente , a través del rescate y valoración de las prácticas pedagógicas , éticas y políticas de profesoras y profesores , mediante la investigación , conservación difusión y exhibición de su patrimonio cultural, bajo las proyecciones y propuestas del pensamiento mistraliano.
source: community
type: Museum

Museo del Profesor Lucila Godoy Alcayaga
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo Despierta Hermano
description: The museum was born in 1996 from a community-school proposal with the purpose of rescuing the mapuche culture’s memory and remember and make present the belonging of these people to the community. Currently, the museum has become a great family chest, holding objects that have been preserved and passed down for generations to be donated and shared with the new generations and thus strengthen and share the identity of all who are apart of the Malalhue community. El museo nace el año 1996, de una propuesta comunitaria-escolar, con el propósito de rescatar la memoria de la cultura mapuche, y de recordar y hacer presente la pertenencia de este pueblo a la comunidad. Actualmente el Museo se ha convertido en un gran baúl familiar, albergando objetos que se han conservado y traspasado por generaciones, para luego ser donados y compartidos con las nuevas generaciones y de esta forma fortalecer y compartir la identidad de todos quienes forman parte de la Comunidad malalhüina.
source: workshops,community
date: 1996-12-02
type: Museum

Museo Despierta Hermano
description: The museum was born in 1996 from a community-school proposal with the purpose of rescuing the mapuche culture’s memory and remember and make present the belonging of these people to the community. Currently, the museum has become a great family chest, holding objects that have been preserved and passed down for generations to be donated and shared with the new generations and thus strengthen and share the identity of all who are apart of the Malalhue community. El museo nace el año 1996, de una propuesta comunitaria-escolar, con el propósito de rescatar la memoria de la cultura mapuche, y de recordar y hacer presente la pertenencia de este pueblo a la comunidad. Actualmente el Museo se ha convertido en un gran baúl familiar, albergando objetos que se han conservado y traspasado por generaciones, para luego ser donados y compartidos con las nuevas generaciones y de esta forma fortalecer y compartir la identidad de todos quienes forman parte de la Comunidad malalhüina.
publisher: EULAC
type: Collection

Museo Despierta Hermano
publisher: EULAC
type: Tour

Museo Escolar Hugo Gunckel
description: El Museo forma parte de la Red de Museos Escolares "Aprendiendo con nuestros sentidos para conservar nuestra biodiversidad". Es una iniciativa que surgió en el Instituto de Zoología de la Facultad de Ciencias de la Universidad Austral de Chile, bajo la Dirección del Dr. Roberto Schlatter, subvencionada por el Fondo de Innovación y Capacitación (FIC-R 2009) del Gobierno Regional de la Región de Los Ríos. Pertenece y se encuentra Inserto en la Escuela Rural La Aguada, ubicada al sureste de la comuna de Corral. Para iniciar el trabajo museal, se realizaron visitas a las escuelas para constatar la situación en que se encontraban los diversos objetos y elementos que se conservaban en colecciones de vertebrados, invertebrados, flora y objetos culturales. Para el trabajo con las colecciones se establecieron en conjunto con los profesores y estudiantes del colegio, metodologías de investigación para documentar, registrar y archivar cada uno de los objetos. The museum is part of the School Museums Network “Learning with our Senses to Preserve our Biodiversity”. It is an initiative that emerged at the Zoology Institute of the Science Faculty of Chile’s Austral University under the direction of Dr Roberto Schlatter, subsidised by the Innovation and Training Fund (FIC-R 2009) of the Región de los Ríos regional government. It belongs and is part of the La Aguada rural school, located southeast of the Corral commune. To start the museum work, school visits took place to verify the situation of diverse objects and elements that were preserved in vertebrates, invertebrates, flora and cultural objects collections. To work with the collections, school professors and students established research methodologies to document, register, and archive each of the objects.
source: community
type: Museum

Museo Fallero
description: El museo acoge en su interior los Ninots Indultats de la fiesta de las Fallas de Valencia desde 1934. Estas figuras son las únicas que no ardieron en la “Nit de la Cremà” del 19 de marzo. La Fiesta tiene un reconocimiento de Interés Turístico Internacional desde 1965 y recientemente, 2016, ha sido declarada Patrimonio Inmaterial de la Humanidad por la UNESCO. La sociedad civil valenciana es quien decide mediante votación que Ninot es indultado cada año. Cada una de estas figuras se encuentra acompañada del cartel oficial de la fiesta fallera de ese año, así como de la falla ganadora de la máxima categoría y la falla municipal.
source: community
type: Museum

Museo Histórico Cultural Antuhuenu
description: La misión del Museo Histórico Cultural Antuhuenu (sol alto o sol del medio día, figura étinica muy sobresaliente de la época precolombina) es salvaguardar el patrimonio comunal en vías de extinción.
source: community
type: Museum

Museo Histórico Cultural Antuhuenu
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo Histórico de Mellipeuco
description: El Museo Historico de Melipeuco busca preservar y poner en valor el patrimonio cultural de la comuna y sus alrededores. Esto a traves de muestras comunitarias que se realizan en un trabajo entre la Municplaidad de Melipeuco y los vecinos de la comuna.
source: community
type: Museum

Museo Histórico Don Paulino
description: Contribuir en la creación de una cultura de nuestro pueblo Mechuque, destacando los grandes navegantes y las culturas tradicionales de Chiloé.
source: community
type: Museum

Museo Histórico Don Paulino
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo Histórico y Arqueológico Arturo Möller Sandrock
description: El Museo recibe el nombre de Museo Histórico y Arqueológico Arturo Möller Sandrock, en homenaje a su gestor y principal donante de las piezas que se exponen en el museo. Este riobuenino reunió durante su vida un conjunto de colecciones que su familia posteriormente donó a la Ilustre Municipalidad de Río Bueno. El Museo fue inaugurado en 1971 con una importante vocación educativa y actualmente es administrado por el Departamento de Educación de la Municipalidad. El Museo exhibe la historia de Río Bueno y su entorno con énfasis en las tradiciones alfareras indígenas desde la Cultura Pitrén (300 -1.200 DC). En sus vitrinas es posible observar el ejemplar estilo alfarero Tringlo o Ranco, de origen indígena con influencia hispana, como vasijas hispanas asociadas a la ocupación de la zona hacia fines del período colonial con la fundación del Fuerte de Río Bueno y la apertura del Camino Real. La muestra se complementa con objetos históricos de la colonización alemana, armas de fuego y armas blancas. En sus depósito se resguarda la famosa colección Sandoval creada por el fotógrafo y cineasta Armando Sandoval que destacó por su interés en divulgar la filmografía de la época, grabaciones de valor histórico y etnográfico como también registros fotográficos.
source: community
type: Museum

Museo Historico y Antropológico Maurice van de Maele
publisher: EULAC
type: Tour

Museo Historico y Antropológico Maurice van de Maele 1
type: Panorama

Museo Historico y Antropológico Maurice van de Maele 2
type: Panorama

Museo Historico y Antropológico Maurice van de Maele 3
type: Panorama

Museo Historico y Antropológico Maurice van de Maele 4
type: Panorama

MUSEO HUACAS DE MOCHE
description: La campiña de Moche en los alrededores de Trujillo, conserva con orgullo las huacas del Sol y de la Luna (s. I-VIII d.C.) y su moderno museo de sitio, convertidos en un polo turístico y recurso para el desarrollo comunitario. Los programas de capacitación de pobladores locales van a generar emprendimientos familiares en artesanía, gastronomía y servicios complementarios. Consolidando su identidad con sus valores culturales y el museo como centro de producción y comercialización de sus productos. La población participa en concursos de alfarería, cuentos y leyendas. Moche es una comunidad campesina de ancestrales costumbres y tradiciones aún vigentes. The Moche countryside in the surroundings of Trujillo, proudly preserves the Sun and Moon huacas (from the 1st to the 8th century AD) and its modern site museum, turned into a tourist hub and resource for community development. Training programs for local people will generate family enterprises in crafts, gastronomy and complementary services. Consolidating its identity with its cultural values and the museum as a centre of production and marketing of its products. The population participates in pottery, stories, and legends competitions. Moche is a peasant community of ancestral customs and traditions that persist.
source: community
type: Museum

Museo Huacas de Moche
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo Infantil Trampolín
description: Interactive children's museum offering exhibits on science & the nation's culture & ecosystems.
source: Museums
publisher: CINE
type: Museum

Museo Nacional de Bellas Artes de La Habana
description: The National Museum of Fine Arts of Havana in Havana, Cuba is a museum of Fine Arts that exhibits Cuban art collections from the colonial times up to contemporary generations.
source: Museums
publisher: CINE
type: Museum

Museo Nacional Sicán
description: The Museo Nacional Sicán is a museum situated in the city of Ferreñafe within easy reach, 20 Km north of the city of Chiclayo. It is along the road to the Bosque de Pómac Historical Sanctuary. The museum was inaugurated in November 2001.
source: workshops
type: Museum

Museo Nacional Sicán
description: El Museo Nacional Sicán es un centro de investigación, conservación y difusión de las manifestaciones culturales de la población lambayecana, en particular de las matrices étnico cultural muchik y quechua de las comunidades rurales de la costa y sierra de la provincia de Ferreñafe. Sus colecciones proceden mayormente de contextos arqueológicos ubicados en el Santuario Histórico Bosque de Pómac y la Cuenca Hidrográfica del río La Leche. El museo realiza labores de defensa del bosque seco de Pómac, recurso natural importante para la región y el país a través de la educación, prevención y preservación de la naturaleza. Además lidera el tema del algodón nativo para su recuperación y puesta en valor con grupos organizados de mujeres. The Sicán National Museum is a center for research, conservation and dissemination of the cultural manifestations of the Lambayecan population, particularly the muchik and Quechua ethnic cultural matrices of the rural communities of the coast and mountains of the province of Ferreñafe. Its collections come mostly from archeological contexts located in the Historic Sanctuary of Pomac Forest and the La Leche River Hydrographic Basin. The museum works to defend the dry forest of Pómc, an important natural resource for the region and the country through education, prevention and preservation of nature. He also leads the issue of native cotton for recovery and enhancement with organized groups of women.
type: Collection

Museo Neltulme/Universidad Austral- Dirección Museológica (c)
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo Rajoleria de Paiporta
description: El actual Museo de la Rajoleria fue una fábrica de ladrillos conocida también con el nombre de «Rajolar de Bauset», fundada a principios del siglo XX. Estuvo en funcionamiento hasta la década de 1990, siempre en manos privadas, hasta que fue adquirida por el ayuntamiento y dejó de ser un espacio fabril para convertirse en museo. The current Museo de la Rajoleria was a brick factory also known as «Rajolar de Bauset», founded at the beginning of the 20th century. It was in operation until the 1990s, always in private hands, until it was acquired by the city council and ceased to be a factory space to become a museum.
source: community
type: Museum

Museo Rural Butalevo
description: La misión del museo es rescatar, proteger, promover y colocar en valor la cultura ancestral y campesina local en todas sus manifestaciones y diversidad, mediante la salvaguarda del patrimonio cultural y natural material e inmaterial promoviendo un desarrollo humano desde una perspectiva multiétnica y multicultural.
source: community
type: Museum

Museo Rural Butalevo
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo Semana Santa marinera
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo Túcume
description: El Museo Túcume se ubica en la costa norte del Perú, en la provincia de Lambayeque, depende del Sistema Nacional de Museos del Ministerio de Cultura del Perú. Desarrolla un trabajo de investigación científica y social al incorporar a las comunidades locales en un proceso permanente de acercamiento, buscando no sólo la conservación del patrimonio cultural, sino su adecuado manejo. Esta labor se desarrolla en diversos campos como la educación escolar, la exploración y aprendizaje de tecnologías ancestrales, la recuperación de las tradiciones orales, la gastronomía, saberes productivos y la revaloración de la música y danzas locales tradicionales. The Túcume Museum is located on the north coast of Peru, in the province of Lambayeque, it depends on the National System of Museums of the Ministry of Culture of Peru. It develops scientific and social research by incorporating local communities in a permanent approach process, seeking not only the conservation of cultural heritage but its proper management. This work is carried out in various fields such as school education, the exploration and learning of ancestral technologies, the recovery of oral traditions, gastronomy, productive knowledge and the revaluation of traditional local music and dances.
source: workshops,community
type: Museum

Museo Túcume
description: El Museo Túcume se ubica en la costa norte del Perú, en la provincia de Lambayeque, depende del Sistema Nacional de Museos del Ministerio de Cultura del Perú. Desarrolla un trabajo de investigación científica y social al incorporar a las comunidades locales en un proceso permanente de acercamiento, buscando no sólo la conservación del patrimonio cultural, sino su adecuado manejo. Esta labor se desarrolla en diversos campos como la educación escolar, la exploración y aprendizaje de tecnologías ancestrales, la recuperación de las tradiciones orales, la gastronomía, saberes productivos y la revaloración de la música y danzas locales tradicionales. The Túcume Museum is located on the north coast of Peru, in the province of Lambayeque, it depends on the National System of Museums of the Ministry of Culture of Peru. It develops scientific and social research by incorporating local communities in a permanent approach process, seeking not only the conservation of cultural heritage but its proper management. This work is carried out in various fields such as school education, the exploration and learning of ancestral technologies, the recovery of oral traditions, gastronomy, productive knowledge and the revaluation of traditional local music and dances.
type: Collection

Museo Túcume
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo Tringlo de Lago Ranco
description: El Museo Tringlo de Lago Ranco emplazado a escasos metros de la costanera del lago conserva y expone una valiosa colección de cerámica indígena prehispánica e histórica, con piezas excepcionales recuperadas de Lago Ranco y su entorno. Fue creado en el año 1968 y es administrado por la Oficina de Turismo y Departamento de Cultura de la Ilustre Municipalidad de Lago Ranco. En su exhibición es posible aprender de la historia de la ocupación humana del lago con evidencias desde las primeras culturas alfareras correspondientes al Complejo Pitrén. Las piezas expuestas demuestran la maestría y simbolismo del arte alfarero de las comunidades originarias, como también la vigencia de la cultura mapuche-huilliche que habita y vive su cultura en diferentes comunidades y localidades en torno al lago. El estilo cerámico Tringlo, que le da nombre al museo, fue definido por primera vez en la localidad homónima, vecina a Lago Ranco y, se caracteriza por su decoración pintada blanca sobre rojo en formas cerámicas que indican procesos de interculturalidad vividos por las poblaciones indígenas, hispanas e hispano-criollas. El museo pretende, rescatar y difundir los diferentes procesos y culturas que influyeron en lo que es hoy día la población de la comuna de Lago Ranco, proyectándose a ser un espacio intercultural de reflexión y encuentro para nuestros habitantes, como también relatar a quienes nos visitan un poco de nuestra historia.
source: community
type: Museum

Museo Viviente de las Tradiciones Chonchinas
description: El objetivo es conservar, resguardar y difundir la cultura de Chonchi, contando la historia de nuestros antepasados, através de este espacio cultural que muestra la vida de una familia de clase alta de fines de 1800 y principio de 1900 y a esta casa se anexa un fogón chilote (casa del Huilliche).
source: community
type: Museum

Museo Viviente de las Tradiciones Chonchinas
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museo y Centro Cultural Presidente Pedro Aguirre Cerda
description: El Museo situado en la comuna de Calle Larga, en la casa natal del ex-presidente y está orientado a difundir y promover su memoria y legado, a través de la exhibición de objetos, videos, fotografías y documentos que dan cuenta de su importancia y aporte al desarrollo de la Nación. Por otra parte, el Centro Cultural es un espacio llamado a difundir distintas iniciativas culturales y artísticas en las dependencias restauradas de la antigua Escuela Granja de Pocuro. Ambos Monumentos Nacionales.
source: community
type: Museum

Museo y Centro Cultural Presidente Pedro Aguirre Cerda
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museos Puertas Abiertas : Museo de Leymebamba - Cap 1
source: community
contributor: eulac3d
type: Moving Image

Museu Agrícola de Fermentões
description: O Museu possui diversas salas onde podem ser apreciadas peças ligadas ao trabalho e à vida agrícola da região, bem como um vasto espólio fotográfico e documental.
source: community
type: Tour

Museu Agrícola de Fermentões
description: O Museu da Agricultura de Fermentões, que integra a valência cultural da Casa do Povo de Fermentões, está situado na freguesia de Fermentões, e dista cerca de 4 Km do centro histórico da cidade de Guimarães. O Museu possui diversas salas onde podem ser apreciadas peças ligadas ao trabalho e à vida agrícola da região, bem como um vasto espólio fotográfico e documental, destacando-se as seguintes exposições: o vinho, o trabalho do linho, o pão, a oficina do ferreiro, moinhos de água, a casa do agricultor, interpretada pela cozinha e quarto de dormir. Um vasto e rico espólio representado em algumas centenas de peças que marcam, de forma indelével, o trabalho árduo das gentes da nossa terra. The Fermentões Museum of Agriculture, which integrates the cultural valence of Fermentões' Casa do Povo (House of the People), is situated in the parish of Fermentões, and is about 4 km from the historic center of the city of Guimarães. The Museum has several rooms where you can enjoy pieces related to the work and the agricultural life of the region, as well as a vast photographic and documentary collection, highlighting the following exhibitions: wine, linen work, bread, blacksmith, water mills, the farmer's house, played by the kitchen and bedroom. A vast and rich estate represented in a few hundred pieces that mark, indelibly, the hard work of the people of our land.
source: community
date: 1977
type: Museum

Museu Agrícola de Riachos
description: Museu Agrícola de Riachos reúne um riquíssimo espólio representativo dos vários aspectos da ruralidade que marcou, até há três décadas, o modo de vida tradicional das gentes riachenses. O Projeto Museológico tem como pilares três Serviços: Serviços de Museologia e Museografia, Serviços de Conservação e Restauro e Serviços Educativos. Assume ainda grande importância o Centro de Documentação na dinâmica e articulação dos Serviços referenciados, onde se encontra arquivada e organizada para estudo e consulta a documentação que esses Serviços recolhem e compilam. Procurando ainda ter disponível bibliografia e informação que permita apoiar investigadores e alunos que nos procurem, sobretudo na área da etnografia e património local. Na área expositiva, o espólio está organizado por colecções, as quais passo a referir: O Cingeleiro; O Mulateiro; Gadanheiros e Valadores; A Horta; O Figo; Pesos e Medidas; A Água; A Agrimensura; O Trajo; Sala José Fonseca (Miniaturas Agrícolas); A Cozinha; Sala das Profissões (Barbeiro; Carpinteiro; Oleiro; Sapateiro; Técnicas de Construção Arquitectura Popular); Os Transportes; A Eira. Sendo que representando este Museu a vida de uma comunidade rural (Riachos), procura ser assumidamente um Museu Comunitário, não só pela sua representação, mas também pela dinâmica e interação que procura estabelecer com a comunidade. O museu foi reaberto em 2006 - após um ano de requalificação do espaço interior e da arquitetura.
source: community
type: Museum

Museu Agrícola de Riachos facebook
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museu Comarcal D L'Horta Sud
source: workshops
type: Tour

Museu Comarcal de l'Horta Sud
description: The museum is a center where the cultural heritage of the region of l'Horta Sud is exposed. It performs the functions of exhibition, conservation and diffusion of the ethnographic heritage of the municipalities of the south of Valencia. Among its objectives is the social and cultural dynamization of its territory based on the elements and signs of identity that have shaped the personality of the region, where the rural heritage and its landscape are fundamental. El museo expone el patrimonio cultural de la comarca de l’Horta Sud. Desempeña las funciones de exposición, conservación y difusión del patrimonio etnográfico de los municipios del sur de Valencia. Entre sus objetivos se halla la dinamización social y cultural de su territorio en base a los elementos y señas de identidad que han configurado la personalidad de la comarca, donde el patrimonio rural y su paisaje son fundamentales. l Museu Comarcal de l'Horta Sud Josep Ferrís March nace por iniciativa de la Fundación para el Desarrollo de l’Horta Sud dentro de sus programas de actuación con la finalidad de dar a conocer la cultura tradicional de la comarca que durante siglos ha constituido, sin duda, la señal de identidad que ha otorgado una personalidad propia a este territorio. En noviembre de 1995 la Fundación adquiere la propiedad de un inmueble situado en la antigua calle del Pi para instalar el museo. A partir de ese momento empieza la tarea de recogida de piezas que han aportado los vecinos de la comarca para poder configurar las colecciones. El museo, de acuerdo con la legislación autonómica vigente, fue reconocido como tal mediante orden del Concejal de Cultura, Educación y Ciencia de la Generalitat Valenciana el 28 de febrero de 1996. Para gestionar el museo se ha adoptado la forma jurídica de un consorcio, que actualmente está formado por cuatro instituciones: la Mancomunitat Intermunicipal de l’Horta Sud, el Ayuntamiento de Torrent, la Fundación para el Desarrollo de l’Horta Sud y Caixa Rural Torrent…
source: workshops,community
date: 2000-06-28
type: Museum

Museu Comarcal de l'Horta Sud
description: The museum is a center where the cultural heritage of the region of l'Horta Sud is exposed. It performs the functions of exhibition, conservation and diffusion of the ethnographic heritage of the municipalities of the south of Valencia. Among its objectives is the social and cultural dynamization of its territory based on the elements and signs of identity that have shaped the personality of the region, where the rural heritage and its landscape are fundamental. El museo expone el patrimonio cultural de la comarca de l’Horta Sud. Desempeña las funciones de exposición, conservación y difusión del patrimonio etnográfico de los municipios del sur de Valencia. Entre sus objetivos se halla la dinamización social y cultural de su territorio en base a los elementos y señas de identidad que han configurado la personalidad de la comarca, donde el patrimonio rural y su paisaje son fundamentales. l Museu Comarcal de l'Horta Sud Josep Ferrís March nace por iniciativa de la Fundación para el Desarrollo de l’Horta Sud dentro de sus programas de actuación con la finalidad de dar a conocer la cultura tradicional de la comarca que durante siglos ha constituido, sin duda, la señal de identidad que ha otorgado una personalidad propia a este territorio. En noviembre de 1995 la Fundación adquiere la propiedad de un inmueble situado en la antigua calle del Pi para instalar el museo. A partir de ese momento empieza la tarea de recogida de piezas que han aportado los vecinos de la comarca para poder configurar las colecciones. El museo, de acuerdo con la legislación autonómica vigente, fue reconocido como tal mediante orden del Concejal de Cultura, Educación y Ciencia de la Generalitat Valenciana el 28 de febrero de 1996. Para gestionar el museo se ha adoptado la forma jurídica de un consorcio, que actualmente está formado por cuatro instituciones: la Mancomunitat Intermunicipal de l’Horta Sud, el Ayuntamiento de Torrent, la Fundación para el Desarrollo de l’Horta Sud y Caixa Rural Torrent…
type: Collection

Museu Comarcal de l'Horta Sud
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museu Comunitário de São Miguel de Machede
description: O Museu Comunitário assume-se como um espaço e um tempo consagrados à comunicação entre micaelenses. Entre os que vivem em S. Miguel de Machede e aqueles que se encontram fora da sua terra; entre os vivos e aqueles que já desapareceram; entre os mais idosos e os mais jovens. O Museu é uma realidade episódica e ocorre quando existe uma ocasião propícia para tal, como é o caso de uma comemoração ou de uma data simbólica. Pretendem que cultura da comunidade seja preservada e seja conhecida pelas novas gerações de micaelenses, para que ela comece a fazer parte da nossa memória colectiva. The Community Museum assumes itself as a space and time dedicated to the communication between Micaelenses. Among those who live in S. Miguel de Machede and those who are out of their land; between the living and those who have disappeared; between the oldest and the youngest. The Museum is an episodic reality and occurs when there is a propitious occasion for such, as is the case of a celebration or a symbolic date. They want that culture of the community be preserved and be known by the new generations of Micaelenses, so that it begins to be part of our collective memory.
source: community
type: Museum

Museu da Comunidade Concelhia da Batalha
source: community
type: Tour

Museu da Comunidade Concelhia da Batalha
description: O Museu da Comunidade Concelhia da Batelha tem como missão o estudo, a preservação, a valorização e a divulgação do Património, promovendo a Cultura desta região. Para tal, apresenta um programa expositivo dinâmico, de cariz pedagógico, que envolve toda a comunidade. Um novo espaço cultural junto ao Mosteiro de Santa Maria da Vitória que revela um percurso com mais de 250 milhões de anos percorrido atravésdos vestígios fósseis e geológicos do Território. Os primeiros registos humanos; a Cidade Romana de Collippo; a Batalha de Aljubarrota e a progressiva construção do Mosteiro; a vida e a cultura das gentes, a Natureza e a Biodiversidade... Um valioso espólio, complementado com recursos multimédia interativos. Um Museu acessível a todos.
date: 2011-01-29
type: Museum

Museu da Comunidade Concelhia da Batalha
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museu da Luz
source: community
type: Tour

Museu da Luz
description: O Museu da Luz (Luz, Mourão, Alentejo) afirma-se como singular espaço de cultura e de identidade. Erigido entre a aldeia da Luz e a margem do lago de Alqueva, é o espaço interpretativo das profundas alterações ocorridas neste território, decorrentes do aparecimento da barragem e da submersão de uma aldeia. O próprio edifício em xisto, diversas vezes premiado, é de uma arquitetura marcante e perfeitamente integrada na paisagem. As suas exposições - temporárias e de natureza diversa - têm como eixo de abordagem as temáticas de fundo do museu: a identidade, a história, a paisagem deste lugar. Leituras múltiplas e diversas que reativam memórias e significados para a reconstrução do lugar.
source: community
contributor: eulac3d
type: Moving Image

Museu da Luz
description: O Museu da Luz (Luz, Mourão, Alentejo) afirma-se como singular espaço de cultura e de identidade. Erigido entre a aldeia da Luz e a margem do lago de Alqueva, é o espaço interpretativo das profundas alterações ocorridas neste território, decorrentes do aparecimento da barragem e da submersão de uma aldeia. O próprio edifício em xisto, diversas vezes premiado, é de uma arquitetura marcante e perfeitamente integrada na paisagem. As suas exposições - temporárias e de natureza diversa - têm como eixo de abordagem as temáticas de fundo do museu: a identidade, a história, a paisagem deste lugar. Leituras múltiplas e diversas que reativam memórias e significados para a reconstrução do lugar. O acervo do Museu da Luz é constituído por coleções representativas da história e património cultural da região. A coleção de natureza etnográfica foi doada pelos habitantes da Aldeia da Luz, no âmbito do processo de constituição do Museu conduzido por Benjamim Pereira. As coleções arqueológicas são provenientes das escavações efetuadas pela EDIA, S.A., no âmbito do Plano de Minimização de Impactes Patrimoniais, prévio ao enchimento da Barragem de Alqueva. O acervo audiovisual tem a sua génese no processo de constituição do Museu e da mudança da comunidade para a nova aldeia da Luz, sendo continuamente fomentado. O Museu preconiza exposições de cariz artístico partindo dos temas que o caracterizam.
source: community
type: Museum

Museu da Memória Rural
description: Um projeto de museologia rural centrado num edifício sede com núcleos polarizados pelo restante território concelhio, composto por cinco núcleos musealizados. O Museu da Memória Rural, concelho de Carrazeda de Ansiães, é uma unidade museológica destinada a trabalhar temáticas relativas à cultura rural e ao património imaterial da região duriense e transmontana.Um projeto de museologia social e coesiva, participado pela comunidade, onde é valorizada uma abordagem participacionista do património, uma visão dinâmica do passado e uma intervenção científico cultural que opera com “metodologias de intervenção comunitária democráticas e participativas”.
source: community
type: Museum

Museu da Memória Rural
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museu da Ruralidade
source: community
type: Tour

Museu da Ruralidade
description: Localizado na Rua de Santa Madalena, em Entradas (Castro Verde), o Museu da Ruralidade assume um importante papel na salvaguarda do património imaterial do Campo Branco e, em particular, na criação de um espaço de diálogo entre o património material e imaterial, perspectivando a salvaguarda e o estudo da especificidade cultural e social deste território situado entre as faldas das serras algarvias e os barros de Beja. Numa área de aproximadamente 500 m2, este espaço divide-se em três áreas expositivas: a zona de exposições temporárias onde estão patentes algumas alfaias agrícolas e objetos representativos da ruralidade campaniça; a zona de exposições semi-permanentes onde se poderá visitar uma oficina do ferreiro, o espólio do último abegão de Castro Verde e algumas miniaturas de alfaias agrícolas e uma área particularmente vocacionada à oralidade [Núcleo da Oralidade], tendo como pano de fundo a Feira de Castro e a viola campaniça enquanto manifestações singulares do património imaterial desta região.
type: Museum

Museu da Ruralidade, Entradas, Castro Verde
description: Localizado na Rua de Santa Madalena, em Entradas (Castro Verde), o Museu da Ruralidade assume um importante papel na salvaguarda do património imaterial do Campo Branco e, em particular, na criação de um espaço de diálogo entre o património material e imaterial, perspectivando a salvaguarda e o estudo da especificidade cultural e social deste território situado entre as faldas das serras algarvias e os barros de Beja. Numa área de aproximadamente 500 m2, este espaço divide-se em três áreas expositivas: a zona de exposições temporárias onde estão patentes algumas alfaias agrícolas e objetos representativos da ruralidade campaniça; a zona de exposições semi-permanentes onde se poderá visitar uma oficina do ferreiro, o espólio do último abegão de Castro Verde e algumas miniaturas de alfaias agrícolas e uma área particularmente vocacionada à oralidade [Núcleo da Oralidade], tendo como pano de fundo a Feira de Castro e a viola campaniça enquanto manifestações singulares do património imaterial desta região. EU-LAC-MUSEUMS pretende levar a cabo uma análise histórica e teórica comparativa dos museus rurais de pequena e média dimensão, e ainda das comunidades a eles associados na União Europeia, América Latina Caraíbas. A base deste projeto relaciona-se com o facto de os museus comunitários permitirem às suas comunidades sub-representadas terem o seu lugar na história, contribuindo para a sustentabilidade ambiental e empoderamento comunitário.
source: community
contributor: eulac3d
type: Moving Image

Museu da Terra de Miranda
description: O Museu da Terra de Miranda evoca o tempo longo do planalto mirandês. A visita permite descobrir traços característicos da vida social e cultural de uma região com uma forte identidade.
source: community
type: Tour

Museu da Terra de Miranda
description: O Museu da Terra de Miranda evoca o tempo longo do planalto mirandês. A visita permite descobrir traços característicos da vida social e cultural de uma região com uma forte identidade. O Museu expõe coleções de carácter cultural, etnográfico e artístico desta região; recolhe uma amostra da vida dos povos da Terra de Miranda, mas toda a região é um Museu vivo, de características únicas e cultura própria, bem expressas na língua mirandesa (segunda língua oficial da República Portuguesa desde 1998), nas danças e na música, no teatro e na religiosidade popular, na gastronomia, nas formas de economia e na maneira de ser deste povo que vive do campo e da pecuária
source: community
type: Museum

Museu da Terra, Miranda do Douro
description: No Museu da Terra de Miranda temos colecções de etnologia, testemunhos da ancestralidade e tradições do povo mirandês, destacando-se o seu vestuário tradicional, os tituais, a dança dos paliteiros e recriação de espaços tradicionais.
source: community
contributor: eulac3d
type: Moving Image

Museu da Vida Rural da Ilha Graciosa
description: Esta infraestrutura museológica vem dar corpo e complementar algumas das valências que já funcionam no seio da Associação Cultural, Desportiva e Recreativa da Graciosa (ACDRG), nomeadamente as ligadas à educação ambiental, à educação em geral e à cultura. Além da casa de um antigo proprietário rural – edifício onde está instalada a sede e onde funciona uma biblioteca fixa, um clube informático e são tratados os assuntos da gestão desportiva e do bibliomóvel -, dos terrenos anexos, onde se inclui a quinta e do espaço multiusos, o complexo que se passa a designar de Museu da Vida Rural da Ilha Graciosa, integra também a recriação da casa de morada de um camponês remediado. O edifício é constituído por uma casa de morada baixa, pelo alpendre de carro de bois, pelo alpendre de animais que foi modernizado, e pelo tanque de água, tendo em anexo os currais de porcos e de galinhas, o terreno de cultivo e o pomar, estando estes dois últimos a ser cuidados e cultivados.
source: community
type: Museum

Museu da Vida Rural da Ilha Graciosa
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museu das Minas de São Domingos
source: community
type: Tour

Museu das Minas de São Domingos
description: O Museu das Minas de São Domingos está composto por dos pólos museológicos. O primeiro, a Casa do Mineiro, surgiu em colaboração como Museu de Mértola e mostra a realidade física do espaço de vivência de uma família mineira. Os objetos, as memórias, os símbolos e as carências estão nela representados. Acima de tudo, pretende provocar a imaginação e a sensibilidade do visitante para que ele próprio, num exercício simples, possa procurar conceber a vivência diária duma família dentro de um espaço de 16 m2. O segundo corresponde ao núcleo do Cine Teatro da Mina de São Domingos, espaço que acolhe regularmente exposições e iniciativas de debate relacionadas com a história e património mineiro. EU-LAC-MUSEUMS pretende levar a cabo uma análise histórica e teórica comparativa dos museus rurais de pequena e média dimensão, e ainda das comunidades a eles associados na União Europeia, América Latina Caraíbas. A base deste projeto relaciona-se com o facto de os museus comunitários permitirem às suas comunidades sub-representadas terem o seu lugar na história, contribuindo para a sustentabilidade ambiental e empoderamento comunitário.
source: community
contributor: eulac3d
type: Moving Image

Museu das Minas de São Domingos
description: O Museu das Minas de São Domingos está composto por doIs pólos museológicos. O primeiro, a Casa do Mineiro, surgiu em colaboração como Museu de Mértola e mostra a realidade física do espaço de vivência de uma família mineira. Os objetos, as memórias, os símbolos e as carências estão nela representados. Acima de tudo, pretende provocar a imaginação e a sensibilidade do visitante para que ele próprio, num exercício simples, possa procurar conceber a vivência diária duma família dentro de um espaço de 16 m2. O segundo corresponde ao núcleo do Cine Teatro da Mina de São Domingos, espaço que acolhe regularmente exposições e iniciativas de debate relacionadas com a história e património mineiro. The Mines Museum of São Domingos is composed by two museological poles. The first one, Casa do Mineiro, came from the colaboration between the Museum of Mértola and shows the physical reality of the living space of a family from the mines. The objects, the memories, the symbols and the needs are represented in it. Above all, it aims to cause the imagination and sensibility of the visitor so that the museum, in a simple exercise, can try to conceive the daily experience of a family within a space of 16 m2. The second corresponds to the nucleus of the Cine Teatro da Mina de São Domingos, a space that regularly hosts exhibitions and discussion initiatives related to history and mining heritage.
source: community
type: Museum

Museu das Terras de Basto
description: O Museu das Terras de Basto é um museu da Câmara Municipal de Cabeceiras de Basto, possuindo três núcleos: o Núcleo Ferroviário de Arco de Baúlhe, o Núcleo Museológico do Baixo Tâmega e a Casa da Lã. É sobretudo este último núcleo que se aproxima ao conceito de museu comunitário. A Casa da Lã localiza-se na freguesia de Bucos. Aí existem teares, lã e espaço para o convívio de dez mulheres, que, por gosto, se reúnem todas as 5.as feiras à tarde para pôr a conversa em dia e para se dedicarem à lã – lavar, secar, esguedelhar, cardar, emanelar, fiar, ensarilhar, dobar, encher canelas, tecer e tricotar. The Museu de Terras de Basto is a museum of the Municipal Council of Cabeceiras de Basto, with three cores: the Arco de Baúlhe Railway Center, the Baixo Tâmega Museum Center and the Casa da Lã. It is especially this last nucleus that approaches the concept of community museum. A Casa da Lã is located in Bucos parish. There are looms, wool and space for ten women, who, for pleasure, meet every afternoon in the afternoon to catch up and to devote themselves to wool - washing, drying, spreading, carding, emanating, spinning, tinkering, folding, stuffing, weaving and knitting.
source: community
type: Museum

Museu de les Ciències Príncipe Felipe
type: Tour

Museu de Mértola
source: community
type: Tour

Museu de Mértola
description: O Museu é composto por vários núcleos dispersos geograficamente, na sua maioria localizados no Centro Histórico de Mértola. Tem sido a sua função estudar, inventariar, tratar, conservar e divulgar todo o espólio que, ao longo dos últimos 30 anos, foi sendo descoberto nas inúmeras intervenções patrimoniais e arqueológicas. Em finais dos anos setenta do século passado foi iniciado o projeto que hoje é conhecido como Mértola Vila Museu, os seus objetivos eram: o envolvimento da população, numa tentativa de consolidar a sua identidade e contribuir para o desenvolvimento local. A grande opção de fundo do projeto integrado foi a aposta na divulgação local que passa necessariamente pela musealização. Este projeto realizado por Cláudio Torres e Santiago Macias começou com um estudo arqueológico da vila, realizando várias escavações, das quais resultaria grande parte do espólio a estar presente no museu.
source: community
contributor: eulac3d
type: Moving Image

Museu de Mértola
description: Foi criado pela Câmara Municipal de Mértola em 2004, é composto por vários núcleos dispersos geograficamente, na sua maioria localizados no Centro Histórico de Mértola. Tem sido a sua função estudar, inventariar, tratar, conservar e divulgar todo o espólio que, ao longo dos últimos 30 anos, foi sendo descoberto nas inúmeras intervenções patrimoniais e arqueológicas. O património é assim um dos vectores fundamentais para o desenvolvimento do concelho de Mértola, pois é aquilo que nos diferencia de todos os outros concelhos do país, é a nossa mais valia. Núcleos: Núcleo da Basílica Paleocristã ; Núcleo da Achada de São Sebastião; Núcleo Romano; Núcleo Islâmico; Núcleo de Arte Sacra; Forja do Ferreiro; Núcleo de Tecelagem; Núcleo do Castelo; Alcaçova; Casa do Mineiro; Casa de Mértola; Alcaria dos Javazes e Mosteiro.
type: Museum

Museu de Palmela
description: O museu privilegia a preservação in situ de coleções e edifícios, a incorporação de espólios etnográficos e oficinais que espelhem a cultura local, e a integração no Museu, a título de depósito, dação ou doação, de outras coleções ou objetos significativos para a memória local.A partir de 2003 o museu criou o Arquivo de Fontes Orais (AFO), que tem como objectivo a valorização das memórias das pessoas do concelho como fontes para a construção da História Local, através de entrevistas realizadas a determinados grupos sócio-profissionais e a pessoas anónimas. A nossa finalidade é constituir um Centro de Documentação que promova uma abertura do Museu à comunidade de forma a melhorar o conhecimento sobre o território e a contribuir para o maior reforço da identidade local. The museum privileges the preservation in situ of collections and buildings, the incorporation of ethnographic and workshop spools that reflect the local culture, and the integration in the Museum, as a deposit, donation or donation, of other collections or objects significant to the local memory Since 2003, the museum has created the Archives of Oral Sources (AFO), which aims to highlight the memories of the people of the county as sources for the construction of Local History, through interviews with certain socio-professional groups and the anonymous people. Our purpose is to set up a Documentation Center to promote the opening of the Museum to the community in order to improve knowledge about the territory and to contribute to the further strengthening of the local identity.
source: community
type: Museum

Museu de Palmela
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museu de Portimão
description: O Museu de Portimão surge a 17 de Maio de 2008, localizado numa antiga fabrica de conserva do século XIX. Tem sido um pólo de difusão cultural e espaço de descoberta das origens e da evolução da comunidade, do seu território e dos aspetos mais marcantes da sua história industrial e marítima. A sua exposição de referência “Portimão, Território e Identidade”, representa uma síntese histórica do percurso socio-económico e cultural das populações que aqui viveram e marcaram a singularidade da sua identidade e território. O Museu de Portimão tem ainda o projeto "O Museu bate à porta da nossa história" que surge como resposta às necessidades de iniciar um trabalho permanente de recolha etnográfica do património cultural (material e imaterial), a desenvolver prioritariamente junto das comunidades rural e marítima (sobretudo de Mexilhoeira Grande e Alvor), de forma a estabelecer uma maior ligação com estes autênticos "professores não formais", com os seus testemunhos, representações e histórias de vida. The Museum of Portimão appears on May 17, 2008, located in an old preserved factory of the XIX century. It has been a pole of cultural diffusion and space of discovery of the origins and the evolution of the community, its territory and the most outstanding aspects of its industrial and maritime history. The Museum of Portimão also has the project "The Museum knocks at the door of our history" that emerges as a response to the need to start a permanent work ethnographic collection of cultural heritage (material and immaterial), to develop primarily to the rural and maritime communities (especially Mexilhoeira
source: community
type: Museum

Museu del Palmito d'Aldaia
type: Tour

Museu do Casal de Monte Redondo
source: community
type: Tour

Museu do Casal de Monte Redondo
description: A ADPCMR, que tutela o Museu, tem por objectivo contribuir para o desenvolvimento da Comunidade. Respeitando o Ontem, agindo no Hoje e pensando no Amanhã. Tem como objetivos, contribuir para o desenvolvimento da Comunidade; Recolher, preservar e valorizar o Património Cultural; Promover o conhecimento sobre a área de influência. O acervo do museu está composto por 2000 objetos organizados por coleções de atividades económicas, oferecidos na totalidade pela população durante os períodos de recolha âmbito de investigações. Acervo informatizado com a base de dados Museológica InfoMusa. The ADPCMR, which superintends the Museum, aims to contribute to the development of the Community. Respecting Yesterday, acting on Today and thinking about Tomorrow. Its objectives are to contribute to the development of the Community; Collect, preserve and enhance the cultural heritage; Promote knowledge about the area of influence. The collection of the museum consists of 2000 objects organized by collections of economic activities, offered entirely by the population during the collection periods scope of investigations. Computerized collection with the InfoMusa Museological database.
type: Museum

Museu do Casal de Monte Redondo
description: A ADPCMR, que tutela o Museu, tem por objectivo contribuir para o desenvolvimento da Comunidade. Respeitando o Ontem, agindo no Hoje e pensando no Amanhã. Tem como objetivos, contribuir para o desenvolvimento da Comunidade; Recolher, preservar e valorizar o Património Cultural; Promover o conhecimento sobre a área de influência. O acervo do museu está composto por 2000 objetos organizados por coleções de atividades económicas, oferecidos na totalidade pela população durante os períodos de recolha âmbito de investigações. Acervo informatizado com a base de dados Museológica InfoMusa. The ADPCMR, which superintends the Museum, aims to contribute to the development of the Community. Respecting Yesterday, acting on Today and thinking about Tomorrow. Its objectives are to contribute to the development of the Community; Collect, preserve and enhance the cultural heritage; Promote knowledge about the area of influence. The collection of the museum consists of 2000 objects organized by collections of economic activities, offered entirely by the population during the collection periods scope of investigations. Computerized collection with the InfoMusa Museological database.
source: community
type: Museum

Museu do Linho
source: community
type: Tour

Museu do Linho de Várzea de Calde
description: Na aldeia de Várzea de Calde, a cerca de 12 km de Viseu, a arquitetura popular da Beira Alta serve de cenário para o Museu do Linho. Aqui é recriado o quotidiano agrícola da região, em áreas como o pátio de serventia, os currais, o lagar, a adega, a cozinha tradicional, o forno caseiro e até o lugar reinventado do tear. Nesta região, as raparigas aprendiam cedo a fiar e as casas de lavoura integravam quase sempre um tear. No Museu, a salvaguarda e preservação da tradição do linho e da lavoura tradicional estão presentes enquanto cultura identitária da região.
source: community
type: Museum

Museu do Mar e da Terra da Carrapateira
description: Trata-se de um museu construído de raiz, que dissipa com o seu olhar, a Costa Vicentina, na sua parte mais meridional, rica em vestígios do mesolítico ao período árabe, elegendo a aldeia da Carrapateira como o microcosmo dos habitats ribeirinhos desta região. A contribuição excecional da população para a constituição de uma coleção de objetos testemunhas dos usos e costumes locais, cria os alicerces do lema do museu “para todos e por todos”. It is a museum built from scratch, with a magnificent view over the Costa Vicentina, in its southernmost part, rich in traces from the Mesolithic to the Arab period, electing the village of Carrapateira as the microcosm of the habitats bordering this region. The exceptional contribution of the population to the constitution of a collection of objects that testify to local customs and customs creates the foundation of the motto of the museum "from all and for all".
source: community
type: Museum

Museu do Trabalho Michel Giacometti
description: O Museu do Trabalho Michel Giacometti é um museu municipal, criado em Setúbal em 1987. Sediado numa antiga fábrica de conservas de peixe que foi adaptada a museu em 1995. O edifício é constituído por cinco andares e está integrado num antigo bairro de pescadores, salineiros e operárias conserveiras que trabalhavam na ex-fábrica Perienes. O museu dedica-se dominantemente ao património industrial e ofícios urbanos ligados ao comércio, serviços e às antigas fábricas de conserva e litografias sediadas no concelho de Setúbal, possuindo ainda uma coleção de alfaias agrícolas (Michel Giacometti) e de ofícios tradicionais. EU-LAC-MUSEUMS pretende levar a cabo uma análise histórica e teórica comparativa dos museus rurais de pequena e média dimensão, e ainda das comunidades a eles associados na União Europeia, América Latina Caraíbas. A base deste projeto relaciona-se com o facto de os museus comunitários permitirem às suas comunidades sub-representadas terem o seu lugar na história, contribuindo para a sustentabilidade ambiental e empoderamento comunitário.
source: community
contributor: eulac3d
type: Moving Image

Museu do Trabalho Michel Giacometti
source: community
type: Tour

Museu do Trabalho Michel Giacometti
description: O Museu do Trabalho Michel Giacometti é um museu municipal, criado em Setúbal em 1987. Sediado numa antiga fábrica de conservas de peixe que foi adaptada a museu em 1995. O edifício é constituído por cinco andares e está integrado num antigo bairro de pescadores, salineiros e operárias conserveiras que trabalhavam na ex-fábrica Perienes. O museu dedica-se dominantemente ao património industrial e ofícios urbanos ligados ao comércio, serviços e às antigas fábricas de conserva e litografias sediadas no concelho de Setúbal, possuindo ainda uma coleção de alfaias agrícolas (Michel Giacometti) e de ofícios tradicionais.
source: community
date: 1995-05-18
type: Museum

Museu do Trabalho Michel Giacometti
description: O Museu do Trabalho Michel Giacometti é um museu municipal, criado em Setúbal em 1987. Sediado numa antiga fábrica de conservas de peixe que foi adaptada a museu em 1995. O edifício é constituído por cinco andares e está integrado num antigo bairro de pescadores, salineiros e operárias conserveiras que trabalhavam na ex-fábrica Perienes. O museu dedica-se dominantemente ao património industrial e ofícios urbanos ligados ao comércio, serviços e às antigas fábricas de conserva e litografias sediadas no concelho de Setúbal, possuindo ainda uma coleção de alfaias agrícolas (Michel Giacometti) e de ofícios tradicionais. EU-LAC-MUSEUMS pretende levar a cabo uma análise histórica e teórica comparativa dos museus rurais de pequena e média dimensão, e ainda das comunidades a eles associados na União Europeia, América Latina Caraíbas. A base deste projeto relaciona-se com o facto de os museus comunitários permitirem às suas comunidades sub-representadas terem o seu lugar na história, contribuindo para a sustentabilidade ambiental e empoderamento comunitário.
source: community
contributor: eulac3d
type: Moving Image

Museu do Trabalho Michel Giacometti
description: O Museu do Trabalho Michel Giacometti é um museu municipal, criado em Setúbal em 1987. Sediado numa antiga fábrica de conservas de peixe que foi adaptada a museu em 1995. O edifício é constituído por cinco andares e está integrado num antigo bairro de pescadores, salineiros e operárias conserveiras que trabalhavam na ex-fábrica Perienes. O museu dedica-se dominantemente ao património industrial e ofícios urbanos ligados ao comércio, serviços e às antigas fábricas de conserva e litografias sediadas no concelho de Setúbal, possuindo ainda uma coleção de alfaias agrícolas (Michel Giacometti) e de ofícios tradicionais.
source: community
type: Museum

Museu do Trabalho Rural
description: Espaço dedicado às tradições e à cultura, identificando as diversas vivências da comunidade, este primeiro Pólo Museológico do Museu Municipal de Santiago do Cacém foi criado, para servir em primeiro lugar a comunidade, tentando levar a sua população a tomar consciência dos seus valores culturais, de modo a compreender que são simultaneamente “produto de uma identidade cultural e utentes do seu património cultural coletivo”. O Museu aborda a memória de uma sociedade que, nas últimas décadas, se transformou profundamente, bem como a relação de pertença de uma população com o seu território, contribuindo para uma nova consciencialização no âmbito da preservação e valorização dos recursos naturais, patrimoniais e ambientais e para a proteção dos bens culturais, materiais e imateriais, bem como a sua fruição por parte dessa mesma população. A space dedicated to traditions and culture, identifying the diverse experiences of the community, this first Museological Pole of the Municipal Museum of Santiago do Cacém was created to serve the community first, trying to get its population to become aware of their cultural values, in order to understand that they are simultaneously "the product of a cultural identity and users of their collective cultural heritage". The Museum focuses on the memory of a society that, in the last decades, has undergone profound transformation, as well as the relation of belonging of a population with its territory, contributing to a new awareness in the scope of preservation and valorization of natural, patrimonial and environmental resources and for the protection of cultural, material and immaterial goods, as well as their enjoyment by the same population.
source: community
type: Museum

Museu do Trabalho Rural de Abela
description: O Museu do Trabalho Rural, da Freguesia de Abela, está instalado no edifício que foi o antigo quartel da Guarda Nacional Republicana. Pretende manter viva a memória da vida e dos costumes da comunidade e da região do Alentejo.
source: community
contributor: eulac3d
type: Moving Image

Museu do Traje (São Brás de Alportel)
description: Museu do Traje de São Brás de Alportel ocupa uma área de 5000 m2. O edifício senhorial que ao longo dos últimos 130 anos foi moradia das famílias Dias, Andrade e Sancho, encontra-se rodeado por infraestruturas que satisfaziam as necessidades de uma família abastada de finais do século XIX: casa de criados, mirante, cavalariças, cocheira, oficinas, casas agrícolas e horta. Aqui e ali os equipamentos indispensáveis à vida: poço e nora, moinho de vento, depósitos de água, cisterna, tanque de lavagens, canais de rega... Embora de nítida influência urbana, o edifício retrata o modo de vida de uma família rural e endinheirada do interior algarvio. Os ventos de um romantismo tardio que soprou pelo Algarve durante as últimas décadas de oitocentos, deixaram em São Brás de Alportel este testemunho: pátios interiores, linhas neo-árabes, recantos, reixas, portas rematadas em forma de ferradura. Hoje, os tempos mudaram e como espaço museológico, este conhece um novo uso e diferentes funcionalidades. Há poucos anos, um novo edifício de traço contemporâneo, veio integrar-se na mescla de visões e influências que já existia. O lugar, esse, ganhou um novo fôlego ao abrir as portas a todos, sendo vivido pelas pessoas da terra como ponto de encontro de pessoas e de ideias.
source: community
type: Museum

Museu do Traje de São Brás de Alportel
source: community
contributor: eulac3d
type: Moving Image

Museu Etnográfico da Alta Estremadura
description: Fundado e administrado pelo Rancho Folclórico Rosas do Lena, o Museu Etnográfico da Alta Estremadura – Casa da Madalena, reconstitui aspectos significativos da etnografia do norte estremenho. Instalado num edifício dos séculos XVIII/XIX, recuperado para o efeito, recria, no primeiro andar, a casa rural estremenha, que ocupa quatro divisões: Casa de Fora, Cozinha, Quarto, Casa do Tear e Sótão e expõe, noutras divisões, instrumentos musicais, brinquedos, quadros de calcário, dos canteiros da Batalha (executados na mesma pedra do Mosteiro de Santa Maria da Vitória), gravuras, fotografias, pinturas e uma coleção de centenas de miniaturas reproduzindo carros de bois, carroças de muares, arados, charruas, barcos da costa de Leiria, alfaias agrícolas, instrumentos de tecelagem, cestaria, louçaria, “ofertas” e andores. Founded and administrated by Rosas do Lena Folk Group, the Ethnographic Museum of Alta Estremadura - Casa Madalena, reconstitutes significant aspects of this region. Housed in a buliding of the 18th and 19th century, restoured for this purpose, recreates on the firt floor a typical country house of the region, with four divisions: living room, kitchen, bedroom, weaving and an attic. In other rooms there is an exhibition of tradicional music instruments, toys, limestone frames from the of the stoneworkers of Batalha (executed on the same stone as the Monastery of Santa Maria da Vitória), engravings, photographs, paintings and a collection of hundreds of miniatures reproducing ox carts, mule carts, plows, plows, Leiria coast boats, agricultural implements, weaving, basketwork, canteen, offers and andores for religious cerimonies.
source: community
type: Museum

Museu Etnográfico de Vila Chã de Sá ou Ecomuseu de Vila Chã de Sá
description: A estrutura, construída pedra a pedra por artesãos e mão de obra locais, fica à entrada de Vila Chã de Sá. No espaço, há representações de uma memória ligada à produção de bens colectivos que geravam riqueza e faziam a economia mexer: o moinho de água, o lagar de azeite e de vinho, o forno comunitário, as plantações de árvores de fruto, o vinhedo, o poço de água com a cegonha, a cozinha beirã ou os instrumentos agrícolas de antanho.
source: community
type: Museum

Museu Etnográfico de Vilarinho da Furna
description: O Museu Etnográfico é uma criação manifestada pelos antigos habitantes da extinta aldeia comunitária de Vilarinho das Furnas, destacando o prezado empenho do Senhor Dr. Manuel Azevedo Antunes. No ano de 1981, a Câmara Municipal de Terras de Bouro deu início à sua construção consubstanciada no aproveitamento de matéria-prima originária da aldeia. A inauguração do Museu deu-se a 14 de Maio de 1989. O povoado, a vida e a organização comunitária agro-silvo-pastoril, o culto religioso, a dia a dia e as lides domésticas, os ofícios tradicionais (o sapateiro, o carpinteiro e o artesão), tudo isto é retratado neste Museu que deve a sua existência ao desejo e esforço dos antigos habitantes da aldeia. The Ethnographic Museum is a creation manifested by the ancient inhabitants of the extinct community village of Vilarinho das Furnas, highlighting the esteemed commitment of Dr. Manuel Azevedo Antunes. In the year 1981, the Town Hall of Terras de Bouro began its construction consubstanciada in the use of raw material originating from the village. The inauguration of the Museum occurred on May 14, 1989. The village, life and community organization agro-silvo-pastoril, religious worship, day-to-day and domestic tasks, traditional crafts (cobbler, carpenter and craftsman), all this is portrayed in this Museum that must its existence to the desire and effort of the ancient inhabitants of the village.
source: community
type: Museum

Museu Nacional de Arqueologia
source: workshops
type: Museum

Museu Nacional de Arqueologia
description: The National Museum of Archaeology is the largest archaeological museum in Portugal and one of the most important museums devoted to ancient art found in the Iberian Peninsula. Located in Lisbon, the museum was founded in 1893 by the archaeologist José Leite de Vasconcelos.
type: Collection

Museu Rural das Salselas
description: Trata-se de um museu cuja ideia foi concebida por emigrantes em França originários de Salselas, ideia que mais tarde foi acolhida pelo município local. O núcleo expositivo encontra-se dividido por duas temáticas: O Universo do Homem e a Sociedade. O primeiro tema reparte-se por 12 secções, enquanto o segundo é composto por seis. O visitante começa por aprender as características da região transmontana e da relação que o Homem estabeleceu com a Terra. Essa relação começa pelas técnicas de aquisição, como a caça e a pesca, seguindo-se para a domesticação. Os avanços da História trazem as técnicas de produção, sendo que na região predominavam a moagem dos cereais, a transformação da uva em vinho e a criação de azeite a partir da azeitona. It is a museum whose idea was conceived by emigrants in France originating from Salselas, idea that later was received by the local council. The exhibition center is divided into two themes: The Universe of Man and Society. The first theme is divided into 12 sections, while the second is composed of 6. The visitor begins by learning the characteristics of the Transmontana region and the relationship that Man established with the Earth. This relationship begins with acquisition techniques, such as hunting and fishing, followed by domestication. The advances of history bring the techniques of production, being that in the region they predominated the grinding of the cereals, the transformation of the grape into wine and the creation of olive oil from the olive.
source: community
type: Museum

Museu Rural de Caravela
description: Espaço museológico localizado no lugar de um antigo lagar comunitário. Este museu da aldeia de Caravela foi criado com base em peças oferecidas pela própria população. Após uma recolha de peças entre os habitantes foi criada esta exposição aberta a todos os visitantes da aldeia. Para ver o museu basta pedir no café situado mesmo ao lado, e será aberta a porta, mostrado e descrito em todo o pormenor. No andar superior pode ver móveis e utensílios de cozinha, um tear e tudo o necessário para a confeção do tecido em linho, alfaias agrícolas e de carpintaria, paramentos litúrgicos. No andar inferior pode ainda ver como era um lagar para produção de vinho. The museum is located in the place of an old community winery. This museum in the village of Caravela was created based on pieces offered by the population itself. After a collection of pieces among the inhabitants was created this exhibition open to all visitors to the village. To see the museum just ask at the cafe located just next door, and the door will be opened, shown and described in every detail. Upstairs you can see furniture and kitchen utensils, a loom and everything needed for the confection of linen cloth, agricultural implements and carpentry, liturgical vestments. Downstairs you can still see what a winery was like for wine production.
source: community
type: Museum

Museu rural de Palácios
description: Museu rural, de iniciativa privada, apoiado pela Junta de Freguesia, esta estabelecido num antigo lagar comunitário, este espaço alberga algum espólio de cariz etnológico, que testemunham as atividades agrossilvopastoris e artesanais tradicionais, assim como o mobiliário e os utensílios da casa popular. This rural museum of private iniciative, later supported by the local governement (Junta de Freguesia), is established in an old community winery, this space houses some estate of ethnological character, which testify the agrosilvopastoris activities and traditional crafts, as well as the furniture and utensils of the popular house.
source: community
type: Museum

Museu Rural do Marão (c)
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museu Rural do Marão/Casa do Oleiro
description: Este museu apresenta-nos um vasto leque de espólio, rural, artístico e popular; nele podemos apreciar saberes populares como a tecelagem, compreender a casa rural, descobrir usos e costumes das gerações que nos precedem. Desta-se o seu núcleo na Casa do Oleiro onde ainda se produz de modo tradicional a conhecida olaria de barro negro de Gondar, cuja cozedura é efetuada em soenga. This museum presents us with a wide range of estates, rural, artistic and popular; in it we can appreciate popular knowledge such as weaving, understand the rural house, discover uses and customs of generations that precede us. Its core is located in the House of the Potter where the traditional clay pottery of Gondar is still produced in a traditional way, whose cooking is carried out in soenga.
source: community
type: Museum

Museu Rural e do Vinho
description: Situado no Complexo Desportivo e Cultural da Quinta das Pratas, este espaço constitui um dos locais de maior interesse do concelho, reunindo elementos que permitem conhecer a história e a tradição da terra, assim como as principais atividades que contribuem para a preservação da identidade deste concelho ribatejano.O museu possui diferentes espaços temáticos, a começar pela exposição permanente “À Descoberta da Cultura Rural”, que apresenta os elementos geográficos, etnográficos e históricos do concelho. A taberna tradicional, reconstituída com todos os elementos característicos deste espaço de convívio, é um dos espaços mais simbólicos do museu. Located in the Sports and Cultural Complex of Quinta das Pratas, this space is one of the most interesting places of the county, bringing together elements that allow to know the history and the tradition of the land, as well as the main activities that contribute to the preservation of the identity of this county The museum has different thematic spaces, starting with the permanent exhibition "To the Discovery of Rural Culture", which presents the geographical, ethnographic and historical elements of the county. The traditional tavern, reconstituted with all the characteristic elements of this convivial space, is one of the most symbolic spaces of the museum.
source: community
type: Museum

Museu Valencià d'Etnologia
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museum of Antigua and Barbuda
description: The Museum of Antigua and Barbuda is a museum in St. John's, Antigua and Barbuda. It is housed in the colonial Court House, constructed in 1747 on the site of the first city market, and is the oldest building still in use in the city.
source: Museums
publisher: CINE
type: Museum

Museum of Art of Puerto Rico
description: The Museum of Art of Puerto Rico is an art museum in San Juan, Puerto Rico.
source: Museums
publisher: CINE
type: Museum

Museum of Islay Life
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Museum of Islay Life, Islay, Scotland
description: Museum of Islay Life, Islay, Scotland This collaboration between Europe, Latin America and the Caribbean is designed to facilitate the bringing together of rural communities, to enable the sharing of knowledge and experiences to protect their Cultural Heritage, increase social cohesion and enhance community memory. Esta colaboración entre Europa, América Latina y el Caribe está diseñada para facilitar la reunión de las comunidades rurales para permitir el intercambio de conocimientos y experiencias para proteger su Patrimonio Cultural, aumentar la cohesión social y mejorar la memoria de la comunidad. Cette collaboration entre l'Europe, l'Amérique latine et les Caraïbes vise à faciliter le rapprochement des communautés rurales, à permettre le partage des connaissances et des expériences pour protéger leur Patrimoine Culturel, accroître la cohésion sociale et renforcer la mémoire communautaire.
source: community
contributor: eulac3d
type: Moving Image

Museum of the Revolution
description: The Museum of the Revolution is a museum located in the Old Havana section of Havana, Cuba. The museum is housed in what was the Presidential Palace of all Cuban presidents from Mario García Menocal to Fulgencio Batista.
source: Museums
publisher: CINE
type: Museum

Museum of the Royal Houses
source: Museums
publisher: CINE
type: Museum

Museums of the University of St Andrews
description: The University of St Andrews is Scotland's first university, founded in 1413. Like the University, its Museums are rooted in and draw inspiration from this 600-year history of research and teaching, and the pursuit of knowledge for the common good. The Museums' collections are of national and international interest and importance and consist of around 115,000 artefacts and specimens. Museum collections are featured at the Wardlaw Museum and the Bell Pettigrew Museum, stored and studied in a dedicated Collections Centre, displayed across the University campus, and lent for exhibition nationally and internationally.
source: workshops
type: Museum

Núcleo de Imagem e Comunicação e Núcleo de Turismo do Município de Viseu
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Núcleo do Moinho de Maré de Corroios - vista aérea do moinho e da área de sapal envolvente. © CMS/EMS – António Silva, 2009.
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Natasha Gordon
description: Natasha is an award-winning writer and actor born in London, of Jamaican descent. Her debut play, Nine Night, enjoyed a stunning sold-out run at the National in April 2018 before transferring to Trafalgar Studios making her the first black British female playwright to be produced in the West End. In recognition of the play’s overwhelming success Natasha won the Charles Wintour Award for most promising playwright at the 2018 Evening Standard Theatre Awards. As a performer, her stage credits include; Nine Night at Trafalgar Studios, Red Velvet at the Tricycle Theatre, The Low Road and Clubland at the Royal Court Theatre, Mules at the Young Vic and As You Like It at the RSC. Film and TV includes; Dough, Line Of Duty, Class, and Danny And The Human Zoo.
source: westindians
contributor: eulac3d
type: Person

National Archaeological Museum Aruba
description: The National Archaeological Museum Aruba is an archaeological museum in the city of Oranjestad in Aruba. The collections covers from 2500 BCE to the 19th century. In 1981, the Archaeological Museum of Aruba was opened.
source: Museums
publisher: CINE
type: Museum

National Archaeology Museum Lisbon
source: workshops
type: Tour

National Archives of Trinidad and Tobago
source: Museums,museumvisits
type: Museum

National Art Gallery of The Bahamas
description: The National Art Gallery of The Bahamas is an art gallery in Nassau, The Bahamas. In September 2011 the gallery announced Amanda Coulson, as the new Director and 4 new staff appointments. John Cox joined the gallery in January 2012 as Chief Curator.
source: Museums
publisher: CINE
type: Museum

National Museum of Fine Arts
source: Museums
publisher: CINE
type: Museum

National Museum of Jamaica
description: The National Museum Jamaica is the national agent for the collection, preservation and documentation of Jamaica’s material culture and aims to stimulate serious research and reflection on Jamaica’s history and contemporary life. As the repository of Jamaica’s National Collection, the National Museum Jamaica houses over 17, 000 historic, ethnographic and archaeological artefacts that are germane to Jamaica’s material culture from the prehistoric era to the contemporary. The work of the museum is focused in three areas: Preservation, Research and Communication through education programmes.
source: workshops,caribworkshops
type: Museum

National Museum of Jamaica
description: The National Museum Jamaica is the national agent for the collection, preservation and documentation of Jamaica’s material culture and aims to stimulate serious research and reflection on Jamaica’s history and contemporary life. As the repository of Jamaica’s National Collection, the National Museum Jamaica houses over 17, 000 historic, ethnographic and archaeological artefacts that are germane to Jamaica’s material culture from the prehistoric era to the contemporary. The work of the museum is focused in three areas: Preservation, Research and Communication through education programmes.
type: Collection

National Museum of Jamaica
source: workshops,caribworkshops
type: Tour

Natural History Museum of Jamaica
source: Museums
publisher: CINE
type: Museum

NEBLETT, AARON
type: Person

NEBLETT, ALBERT
type: Person

NEBLETT, DAVID
type: Person

NEBLETT, EDWARD
type: Person

NEBLETT, EDWARD
type: Person

NEBLETT, GEORGE
type: Person

NEBLETT, ROMEO
type: Person

NEBLETTE, AUBREY
type: Person

NELSON, BENJAMIN
type: Person

NELSON, CHARLES
type: Person

NELSON, CHARLES
type: Person

NELSON, CHARLES
type: Person

NELSON, ELLIS
type: Person

NELSON, FITZ
type: Person

NELSON, FITZ
type: Person

NELSON, NORMAN
type: Person

NELSON, T
type: Person

NESFIELD, JAMES
type: Person

NESFIELD, NORMAN
type: Person

NEWSAM, DONALD
type: Person

NEWTON, EDWARD
type: Person

NEWTON, GEORGE
type: Person

NEWTON, JOHN
type: Person

NEWTON, SAMUEL
type: Person

NIBLETT, GEORGE
type: Person

NICHOLLS, ALBERT
type: Person

NICHOLLS, ALBERT
type: Person

NICHOLLS, ALBERT
type: Person

NICHOLLS, ALFRED
type: Person

NICHOLLS, ALONZO
type: Person

NICHOLLS, ARCHIBALD
type: Person

NICHOLLS, CHARLES
type: Person

NICHOLLS, CHRISTOPHER
type: Person

NICHOLLS, ELLIOTT
type: Person

NICHOLLS, EPHRAIM
type: Person

NICHOLLS, EVANS
type: Person

NICHOLLS, FITZ
type: Person

NICHOLLS, FITZ
type: Person

NICHOLLS, JAMES
type: Person

NICHOLLS, JAMES
type: Person

NICHOLLS, JOSEPH
type: Person

NICHOLLS, JOSEPH
type: Person

NICHOLLS, NATHANIEL
type: Person

NICHOLLS, NATHANIEL
type: Person

NICHOLLS, PERCY
type: Person

NICHOLLS, ZACHARIAH
type: Person

NIGHTENGALE, GEORGE
type: Person

NIGHTENGALE, JAMES
type: Person

NIGHTENGALE, JOHN
type: Person

NIGHTINGALE, JAMES
type: Person

NILES, ALEXANDER
type: Person

NILES, ARCHIE
type: Person

NILES, BENJAMIN
type: Person

NILES, CHARLES
type: Person

NILES, EMANUEL
type: Person

NILES, FITZ
type: Person

NILES, FREDERICK
type: Person

NILES, FREDERICK
type: Person

NILES, FREDERICK
type: Person

NILES, GEORGE
type: Person

NILES, JAMES
type: Person

NILES, JAMES
type: Person

NILES, JONATHAN
type: Person

NILES, JOSEPH
type: Person

NILES, PERCY
type: Person

NILES, RICHARD
type: Person

NORGROVE, EGBERT
type: Person

Norman Beaton
subject: arrival
description: The most familiar of the handful of black actors able to sustain a career in British television from the 1960s to the 1990s, Norman Beaton became particularly associated with spirited patriarch roles, most famously as the eponymous barber of Desmond's (Channel 4, 1989-94), but was a much more versatile actor than his popular image acknowledged. A highly expressive performer who was equally at ease with weighty parts and light comedy, he won great respect on stage and screen but, like many black actors of the time, frequently found consistent television or film roles, particularly ones worthy of his talents, thin on the ground. Born 31 October 1934 in Georgetown, Guyana (then British Guiana), he did some amateur acting while training as a teacher, and developed a parallel career as a Calypso singer, scoring a no. 1 hit in Trinidad and Tobago with 'Come Back Melvina' in 1959. Arriving in Britain in 1960, he became Liverpool's first black teacher, but the experience was not an entirely happy one, and he was soon back making music, hanging out with the likes of Adrian Henri, Roger McGough and the other 'Liverpool poets' and watching from the sidelines as his peers found success. He entered the theatre in 1965 with the musical drama Jack of Spades, for which he wrote both the scenario - inspired by his own experiences as a young West Indian in Liverpool - and the music. With a flurry of successes as a stage composer, narrator and, increasingly, actor, it looked like his career was beginning to take off.
source: stories,arrival
date: 1960
type: Story

Norman Beaton
description: The most familiar of the handful of black actors able to sustain a career in British television from the 1960s to the 1990s, Norman Beaton became particularly associated with spirited patriarch roles, most famously as the eponymous barber of Desmond's (Channel 4, 1989-94), but was a much more versatile actor than his popular image acknowledged. A highly expressive performer who was equally at ease with weighty parts and light comedy, he won great respect on stage and screen but, like many black actors of the time, frequently found consistent television or film roles, particularly ones worthy of his talents, thin on the ground. Born 31 October 1934 in Georgetown, Guyana (then British Guiana), he did some amateur acting while training as a teacher, and developed a parallel career as a Calypso singer, scoring a no. 1 hit in Trinidad and Tobago with 'Come Back Melvina' in 1959. Arriving in Britain in 1960, he became Liverpool's first black teacher, but the experience was not an entirely happy one, and he was soon back making music, hanging out with the likes of Adrian Henri, Roger McGough and the other 'Liverpool poets' and watching from the sidelines as his peers found success. He entered the theatre in 1965 with the musical drama Jack of Spades, for which he wrote both the scenario - inspired by his own experiences as a young West Indian in Liverpool - and the music. With a flurry of successes as a stage composer, narrator and, increasingly, actor, it looked like his career was beginning to take off.
source: stories,westindians
date: 1934-10-31
type: Person

NORMAN, DUGLIN
type: Person

NORRIS, CHARLES
type: Person

NORRIS, DUDLEY
type: Person

NORRIS, GOODRIDGE
type: Person

NORVILLE, AUBREY
type: Person

NORVILLE, CHESTER
type: Person

NORVILLE, JAMES
type: Person

NORVILLE, JOSEPH
type: Person

NORVILLE, REGINALD
type: Person

Notting Hill Carnival
description: The Notting Hill Carnival is an annual event that has taken place in London since 1966 on the streets of Notting Hill, in the Royal Borough of Kensington and Chelsea, each August over two days (the August bank holiday Monday and the preceding Sunday). It is led by members of the British West Indian community, and attracts around one million people annually, making it one of the world's largest street festivals, and a significant event in Black British culture. In 2006, the UK public voted it onto the list of icons of England. Despite its name, it is not part of the global Carnival season preceding Lent.
source: Carnival
rights: S Pakhrin from DC, USA, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons
type: Carnival

Nottingham Caribbean Carnival
description: The Nottingham Carnival Weekend, formerly the Nottingham Caribbean Carnival, is a superb multi-cultural event held every summer. The Carnival has been going from strength to strength, developing local artists and practitioners and improving year on year.
source: Carnival
type: Carnival

NOWELL, EDWARDS
type: Person

NOWELL, WILPERT
type: Person

NUGENT, EDGAR
type: Person

NUNES, SAMUEL
type: Person

NURSE, ANDREW
type: Person

NURSE, BENJAMIN
type: Person

NURSE, CAMERON
type: Person

NURSE, CHARLES
type: Person

NURSE, CHARLES
type: Person

NURSE, CHARLES
type: Person

NURSE, CHRISTOPHER
type: Person

NURSE, CLIFFORD
type: Person

NURSE, FITZ
type: Person

NURSE, GEORGE
type: Person

NURSE, HAROLD
type: Person

NURSE, IRVIN
type: Person

NURSE, JAMES
type: Person

NURSE, JAMES
type: Person

NURSE, JAMES
type: Person

NURSE, JAMES
type: Person

NURSE, JOHN
type: Person

NURSE, JOSEPH
type: Person

NURSE, JOSEPH
type: Person

NURSE, LEWIS
type: Person

NURSE, MARTIN
type: Person

NURSE, NATHANIEL
type: Person

NURSE, PERCY
type: Person

NURSE, PERCY
type: Person

NURSE, PETER
type: Person

NURSE, SAMUEL
type: Person

NURSE, SAMUEL
type: Person

NURSE, SEIBERT
type: Person

NURSE, SINCLAIR
type: Person

NURSE, ST CLAIR
type: Person

NURSE, THOMAS
type: Person

O Cante Alentejano e a Casa do Cante
source: community
contributor: eulac3d
type: Moving Image

O Museu Etnográfico do Grupo Típico de Ançã
description: O Museu Etnográfico do Grupo Típico de Ançã está situado na parte mais antiga desta vila. É uma casa setecentista, que apresenta no seu exterior janelas de guilhotina com aventais de pedra branca. No 1º andar é possível recordar como viviam os nossos antepassados, visitando o quarto e a cozinha/sala. O rés-do-chão está a ser utilizado como sala de exposição permanente de alfaias agrícolas, brinquedos de criança, peças de vestuário, peças de artesanato local, lembranças e recordações dos lugares por onde o grupo já passou. É igualmente utilizado para a realização de exposições temáticas temporárias.
source: community
type: Museum

O Pintar e Cantar dos Reis no Concelho de Alenquer
description: O Pintar e Cantar dos Reis tem em Portugal a sua maior expressão no concelho de Alenquer e em 2016 a celebração realizou-se, com variantes, em 9 povoações: Catém, Casal Monteiro, Mata, Penafirme da Mata, Olhalvo, Paúla, Cabanas de Torres, Ota e Abrigada. Sendo conhecida apenas como “Cantar dos Reis” ou “Cantar dos Reses” a manifestação celebrada no concelho de Alenquer implica a participação quer dos cantores-reiseiros quer dos pintores-reiseiros. O ritual começa pela constituição dos grupos que anualmente, na noite de 5 para 6 de janeiro, se reúnem para Pintar e Cantar os Reis nas suas localidades. Sem ensaios ou combinações elaboradas o grupo junta-se espontaneamente e parte pelas ruas da povoação. Os membros que vão pintar seguem à frente e, em silêncio, munidos das tintas, pincéis e lanternas pintam as fachadas, os muros e as entradas das casas com os tradicionais desenhos dos Reis. Mais atrás seguem, em maior número, os cantores – o coro liderado pelo apontador.
source: community
contributor: eulac3d
type: Moving Image

Objeto antropomorfo - Bronze Anthropomorphic Object
subject: CULTURAL HERITAGE
description: Artefacto de metal con características antropomorfas, hecha en bronce. De la cabeza sobresale un semicírculo con una perforación. La figura se trabajó en volumen sólo por el anverso, el reverso permanece totalmente plano. Presenta un cinturón hecho con círculos. Los Ngenpines, Machis y Caciques, los usaban como un elemento protector representante de un Ngen: si es la imagen de un hombre con los brazos abajo simboliza poder, por el contrario, si es una mujer de brazos abajo es de malas energía. Se dejaba bajo la almohada o se llevaba en la mano como una herramienta de poder. Normalmente era de bronce. Metal artifact with anthropomorphic characteristics, made of bronze. A semicircle with a perforation protrudes from the head. The figure was worked in volume only by the obverse, the reverse remains totally flat. It features a belt made with circles. The Ngenpines, Machis and Caciques, used them as a representative protective element of a Ngen: if it is the image of a man with his arms down, it symbolizes power, on the contrary, if he is a woman with his arms down, it is of bad energy. It was left under the pillow or carried in the hand as a power tool. Usually it was bronze.
creator: Mapuche
date: Siglo XIX-XX
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

Objeto antropomorfo - Bronze Anthropomorphic Object
subject: CULTURAL HERITAGE
description: Artefacto de metal con características antropomorfas, hecha en bronce. De la cabeza sobresale un semicírculo con una perforación. La figura se trabajó en volumen sólo por el anverso, el reverso permanece totalmente plano. Presenta un cinturón hecho con círculos. Los Ngenpines, Machis y Caciques, los usaban como un elemento protector representante de un Ngen: si es la imagen de un hombre con los brazos abajo simboliza poder, por el contrario, si es una mujer de brazos abajo es de malas energía. Se dejaba bajo la almohada o se llevaba en la mano como una herramienta de poder. Normalmente era de bronce. Metal artifact with anthropomorphic characteristics, made of bronze. A semicircle with a perforation protrudes from the head. The figure was worked in volume only by the obverse, the reverse remains totally flat. It features a belt made with circles. The Ngenpines, Machis and Caciques, used them as a representative protective element of a Ngen: if it is the image of a man with his arms down, it symbolizes power, on the contrary, if he is a woman with his arms down, it is of bad energy. It was left under the pillow or carried in the hand as a power tool. Usually it was bronze.
creator: Mapuche
date: Siglo XIX-XX
language: Español
type: Physical Object

Ocarina
subject: CULTURAL HERITAGE
description: Este objeto es de instrumento musical el cual era usado en ceremonias indígenas y también para alegrar las fiestas. This object is a musical instrument that is used in indigenous ceremonies and is also used to rejoice and entertain the crowds in festivals.
creator: Ermelinda Cascante
format: text/plain Alias/WaveFront Object
language: Spanish
type: 3D Object

Ocarina
subject: CULTURAL HERITAGE
description: Este objeto es de instrumento musical el cual era usado en ceremonias indígenas y también para alegrar las fiestas. This object is a musical instrument that is used in indigenous ceremonies and is also used to rejoice and entertain the crowds in festivals.
creator: Ermelinda Cascante
language: Spanish
type: Physical Object

ODLE, ALONZO
type: Person

ODLE, CLARENCE
type: Person

ODLE, CLEMENT
type: Person

ODLE, ERNEST
type: Person

ODLE, JAMES
type: Person

ODLE, JAMES
type: Person

ODLE, JAMES
type: Person

ODLE, JOSEPH
type: Person

ODLE, LUTHER
type: Person

ODLE, WILLIAM
type: Person

ODWIN, ALBERT
type: Person

Oil Lamp
description: Part of the collection of the National Archaeology Museum of Lisbon. The National Archaeology Museum of Lisbon, founded in 1893 by notable archaeologist José Leite de Vasconcelos, is one of the most important Portuguese museums dedicated to Archaeology.
publisher: EULAC
format: text/plain Alias/WaveFront Object
type: 3D Object

Oil Lamp
description: Part of the collection of the National Archaeology Museum of Lisbon. The National Archaeology Museum of Lisbon, founded in 1893 by notable archaeologist José Leite de Vasconcelos, is one of the most important Portuguese museums dedicated to Archaeology.
type: Physical Object

Oil stone
subject: CULTURAL HERITAGE
description: Oil stone, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Oil stone
subject: CULTURAL HERITAGE
description: Oil stone, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
language: English
type: Physical Object

Oldham, Lancashire
source: places
contributor: eulac3d
type: Site

Olla / Ull - Ceremonial pot
subject: CULTURAL HERITAGE
description: Cántaro de cerámico ceremonial, su forma es la representación del vientre de la madre y se crea a partir del nacimiento del bebe, se le da a la madre con semillas en su interior y de-pendiendo de la germinación es como vendrá él bebe (si la semilla crece verde y fuerte, de igual modo nacerá el bebé, o si crece triste y marchita, entonces la madre debe cuidarse). Donado por Jorge Chandía, cuando se estaba haciendo el camino forestal. Ceremonial ceramic pitcher, its shape is the representation of the mother's womb and is created from the birth of the baby, it is given to the mother with seeds inside and, depending on the germination, it is how he will come (if the seed grows green and strong, in the same way the baby will be born, or if it grows sad and withered, then the mother must take care of herself). Donated by Jorge Chandía, when the forest road was being made.
creator: Cultura Pitrén
date: Siglo IV-XII
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

Olla / Ull - Ceremonial pot
subject: CULTURAL HERITAGE
description: Cántaro de cerámico ceremonial, su forma es la representación del vientre de la madre y se crea a partir del nacimiento del bebe, se le da a la madre con semillas en su interior y de-pendiendo de la germinación es como vendrá él bebe (si la semilla crece verde y fuerte, de igual modo nacerá el bebé, o si crece triste y marchita, entonces la madre debe cuidarse). Donado por Jorge Chandía, cuando se estaba haciendo el camino forestal. Ceremonial ceramic pitcher, its shape is the representation of the mother's womb and is created from the birth of the baby, it is given to the mother with seeds inside and, depending on the germination, it is how he will come (if the seed grows green and strong, in the same way the baby will be born, or if it grows sad and withered, then the mother must take care of herself). Donated by Jorge Chandía, when the forest road was being made.
creator: Cultura Pitrén
date: Siglo IV-XII
language: Español
type: Physical Object

OLTON, CHARLES
type: Person

One Mark Note
subject: CULTURAL HERITAGE,HISTORY,SOCIAL HISTORY
description: Sent from the Front by Walter Tull, included in his letter to his brother Edward Tull-Warnock 10th August, 1917.
source: waltertull
contributor: eulac3d
type: Still Image

One Mark Note
description: Sent from the Front by Walter Tull
source: waltertull
contributor: eulac3d
language: English
type: Physical Object

ONEAL, ALFRED
type: Person

ONEAL, CHARLES
type: Person

ONEAL, HUBERT
type: Person

ONEAL, HUBERT
type: Person

ONEAL, JAMES
type: Person

ONEAL, REGINALD
type: Person

ORDERSON, JAMES
type: Person

OREILY, JAMES
type: Person

OSBORNE, DAIRYMPLE
type: Person

OSBORNE, JAMES
type: Person

OSBOURNE, ARCHIBALD
type: Person

OSBOURNE, JOSEPH
type: Person

OSBOURNE, WILLIAM
type: Person

Osprey
subject: CULTURAL HERITAGE,NATURAL HERITAGE
description: Barbados has long been an important stop over site for migrating birds on their southbound migration to South America where they pass the non-breeding (southern summer) season. Ospreys are migratory birds that eat fish. The Osprey (Pandion haliaetus) seen here, is almost as old as the Barbados Museum itself, entering the collection in 1935.
format: text/plain Alias/WaveFront Object
language: 1935
type: 3D Object

Osprey
subject: CULTURAL HERITAGE,NATURAL HERITAGE
description: Barbados has long been an important stop over site for migrating birds on their southbound migration to South America where they pass the non-breeding (southern summer) season. Ospreys are migratory birds that eat fish. The Osprey (Pandion haliaetus) seen here, is almost as old as the Barbados Museum itself, entering the collection in 1935.
language: 1935
type: Physical Object

OUTRAM, HENRY
type: Person

Oxford England
source: places
contributor: eulac3d
type: Site

OXLEY, ALEXANDER
type: Person

OXLEY, ALLAN
type: Person

OXLEY, CHARLES
type: Person

OXLEY, DORRINGTON
type: Person

OXLEY, JOHN
type: Person

OXLEY, JOSEPH
type: Person

OXLEY, PHILIP
type: Person

Pájaro conectado de cerámica - Connected bird ceramic
subject: CULTURAL HERITAGE
description: Vasija de cerámica conectada con figura del aves. Ceramic vessel connected with bird figure.
format: text/plain Alias/WaveFront Object
type: 3D Object

Pájaro conectado de cerámica - Connected bird ceramic
subject: CULTURAL HERITAGE
description: Vasija de cerámica conectada con figura del aves. Ceramic vessel connected with bird figure.
type: Physical Object

Paccha retatro - Portrait Paccha
subject: CULTURAL HERITAGE
description: Vasija con forma de cabeza humana utilizada para ceremonias con agua. Blackware. Human head shaped vessel used for ceremonies with water. Blackware.
format: text/plain Alias/WaveFront Object
type: 3D Object

Paccha retatro - Portrait Paccha
subject: CULTURAL HERITAGE
description: Vasija con forma de cabeza humana utilizada para ceremonias con agua. Blackware. Human head shaped vessel used for ceremonies with water. Blackware.
type: Physical Object

PADMORE, ALEX
type: Person

PADMORE, ALEXANDER
type: Person

PADMORE, AUG
type: Person

PADMORE, JOSEPH
type: Person

PADMORE, JOSEPH
type: Person

PADMORE, SON
type: Person

Panela pequena romana - Roman small pot
subject: CULTURAL HERITAGE
description: Pote pequeno de louça comum produzido na oficina de cerâmica romana da Quinta do Rouxinol (Seixal) (segunda metade do século IV e início do século V) para consumo de líquidos à mesa. O aro é virado para o exterior. O corpo tende a um perfil ovóide, com uma base ligeiramente côncava. Duas alças verticais que começam no aro e terminam no meio do corpo. Common ware small pot produced in the roman pottery workshop of Quinta do Rouxinol (Seixal) (second half 4th century and beginnings of the 5th century) for consumption of liquids at the table. The rim is turned outwards. The body tends to a ovoid profile, with a slightly concave base. Two vertical handles that start on the rim and end in the middle of body.
format: text/plain Alias/WaveFront Object
type: 3D Object

Panela pequena romana - Roman small pot
subject: CULTURAL HERITAGE
description: Pote pequeno de louça comum produzido na oficina de cerâmica romana da Quinta do Rouxinol (Seixal) (segunda metade do século IV e início do século V) para consumo de líquidos à mesa. O aro é virado para o exterior. O corpo tende a um perfil ovóide, com uma base ligeiramente côncava. Duas alças verticais que começam no aro e terminam no meio do corpo. Common ware small pot produced in the roman pottery workshop of Quinta do Rouxinol (Seixal) (second half 4th century and beginnings of the 5th century) for consumption of liquids at the table. The rim is turned outwards. The body tends to a ovoid profile, with a slightly concave base. Two vertical handles that start on the rim and end in the middle of body.
type: Physical Object

PARKS, MILTON
type: Person

PARKS, WILLIAM
type: Person

Parque de Bombas
description: The Parque de Bombas is a historic firehouse building in Ponce, Puerto Rico. It is one of Puerto Rico's most notable buildings, with some considering it "by far the most easily recognized landmark in the Island."
source: Museums
publisher: CINE
type: Museum

PARRIS, ALFRED
type: Person

PARRIS, ARCHIBALD
type: Person

PARRIS, ARCHIBALD
type: Person

PARRIS, AUBREY
type: Person

PARRIS, CARDIE
type: Person

PARRIS, EDMUND
type: Person

PARRIS, EDWARD
type: Person

PARRIS, EDWARD
type: Person

PARRIS, EDWARD
type: Person

PARRIS, GEORGE
type: Person

PARRIS, GERALD
type: Person

PARRIS, HUTSON
type: Person

PARRIS, ISAAC
type: Person

PARRIS, JOHN
type: Person

PARRIS, JOHN
type: Person

PARRIS, JOSEPH
type: Person

PARRIS, JOSEPH
type: Person

PARRIS, JOSEPH
type: Person

PARRIS, JOSHUA
type: Person

PARRIS, LEONARD
type: Person

PARRIS, MANNY
type: Person

PARRIS, NATHANIEL
type: Person

PARRIS, PERCY
type: Person

PARRIS, ROBERT
type: Person

PARRIS, SIMEON
type: Person

PARRIS, WALTER
type: Person

PARRIS, WILLIAM
type: Person

PARRIS, WILLIAM
type: Person

PARRIS, WILLIAM
type: Person

PARRIS, WOODROFFE
type: Person

PARSON, ERNEST
type: Person

PARSON, PERCY
type: Person

PATRICK, JOSEPH
type: Person

PATTERSON, FITZ
type: Person

PATTERSON, SAMUEL
type: Person

Paul Dash
subject: arrival
description: Paul Dash is a Barbados-born artist, educator and writer. Born in Fairfield Cross Road, St Michael in 1946, he migrated to Oxford England in 1957. He pursued studies in art and education culminating with a PhD for Goldsmiths University where he focused on Afro-Caribbean pupils in Art Education. A former art teacher, he moved into tertiary level education and for three years was co-director of Goldsmiths’ MA Artist Teacher course or (MAAT) with special responsibility for programming. He retired in 2011 as a Senior Lecturer at Goldsmiths although he continues in a part-time capacity as a doctoral studies supervisor. He has earned awards such as the Peake Award for Innovation and Excellence in University Teaching, the Windrush Award for Outstanding Achievement in Education and is listed in Jacqui MacDonald’s Portraits of Black Achievement He has authored a number of books and was Sub-Editor for International Journal for Art and Design Education. His autobiography ‘Foreday Morning’ “tells of growing up under the influences of two disparate cultures, a multi-faceted drama that examines the tensions of race and colour in the colonial Caribbean and modern Britain.” A member of the Caribbean Artists Movement (CAM), his artwork has been shown in number of venues including: Guildhall Gallery, The Royal Academy, Whitechapel Gallery, and Mali Galleries. He is also a trustee of the Ronald Moody Trust
source: stories,arrival
date: 1957
type: Story

Paul Dash
description: Paul Dash is a Barbados-born artist, educator and writer. Born in Fairfield Cross Road, St Michael in 1946, he migrated to Oxford England in 1957. He pursued studies in art and education culminating with a PhD for Goldsmiths University where he focused on Afro-Caribbean pupils in Art Education. A former art teacher, he moved into tertiary level education and for three years was co-director of Goldsmiths’ MA Artist Teacher course or (MAAT) with special responsibility for programming. He retired in 2011 as a Senior Lecturer at Goldsmiths although he continues in a part-time capacity as a doctoral studies supervisor. He has earned awards such as the Peake Award for Innovation and Excellence in University Teaching, the Windrush Award for Outstanding Achievement in Education and is listed in Jacqui MacDonald’s Portraits of Black Achievement He has authored a number of books and was Sub-Editor for International Journal for Art and Design Education. His autobiography ‘Foreday Morning’ “tells of growing up under the influences of two disparate cultures, a multi-faceted drama that examines the tensions of race and colour in the colonial Caribbean and modern Britain.” A member of the Caribbean Artists Movement (CAM), his artwork has been shown in number of venues including: Guildhall Gallery, The Royal Academy, Whitechapel Gallery, and Mali Galleries. He is also a trustee of the Ronald Moody Trust
source: stories,migration
type: Person

Paul Ince CE
description: Paul Emerson Carlyle Ince, born on 21 October 1967 in Ilford, London to Barbadian parents, is a former professional footballer who played as a midfielder from 1982 to 2007. He was capped 53 times by England, scoring two goals. Ince spent the majority of his playing career at the highest level; after leaving West Ham United he joined Manchester United where he played in the Premier League. After two years in Serie A with Inter Milan he returned to England to play in the top flight for Liverpool, Middlesbrough and Wolverhampton Wanderers. After a period as a player-coach of Swindon Town, he retired from playing while player-manager of Macclesfield Town in 2007. He went on to manage Milton Keynes Dons (twice), Blackburn Rovers, Notts County and, after an almost-two-year break, Blackpool. As a player he won numerous honours with Manchester United, became the first black player to captain the England team and was also the first black Briton to manage a team in the highest tier of English football.
source: stories,westindians
date: 1967-10-21
type: Person

PAYNE, ALBERT
type: Person

PAYNE, ALLAN
type: Person

PAYNE, ARTHUR
type: Person

PAYNE, CHARLES
type: Person

PAYNE, CLEMENT
type: Person

PAYNE, CYRIL
type: Person

PAYNE, DANNET
type: Person

PAYNE, DUDLEY
type: Person

PAYNE, FITZ
type: Person

PAYNE, FITZ
type: Person

PAYNE, GARNETT
type: Person

PAYNE, GEORGE
type: Person

PAYNE, JAME
type: Person

PAYNE, JAMES
type: Person

PAYNE, JAMES
type: Person

PAYNE, JOHN
type: Person

PAYNE, JONATHAN
type: Person

PAYNE, JOSEPH
type: Person

PAYNE, SAMUEL
type: Person

PAYNE, WALTER
type: Person

PAYNE, WILLIAM
type: Person

PAYNE, WILLIAM
type: Person

PAYNE, WILLIAM
type: Person

PAYNE, WILLIAM
type: Person

PAYNE, WILLIAM
type: Person

PAYNE, WILLIAM
type: Person

PAYNES, CAMPBELL
type: Person

PEARCE, JAMES
type: Person

Peeks Toronto Caribbean Carnival
description: The Toronto Caribbean Carnival is the official Caribbean festival overseen by the Festival Management Committee recognized as a major international event. It’s the largest cultural festival of its kind in North America.
source: Carnival
type: Carnival

PEER, ALONZO
type: Person

PEER, CLIFFORD
type: Person

PEER, JOSEPH
type: Person

PEIR, SYDNEY
type: Person

Pequeña máscara de madera - Small wooden mask
description: Sirve para proteger la identidad del indígena Brunka. Réplica de una máscara indígena más grande Serves for protecting the identity of the indigenous Brunca (i.e from being revealed). Replica of larger indigenous mask.
creator: Rafael (González)
date: May 2016
format: text/plain Alias/WaveFront Object
type: 3D Object

Pequeña máscara de madera - Small wooden mask
description: Sirve para proteger la identidad del indígena Brunka. Réplica de una máscara indígena más grande Serves for protecting the identity of the indigenous Brunca (i.e from being revealed). Replica of larger indigenous mask.
creator: Rafael (González)
date: May 2016
type: Physical Object

PERCH, CHRISTOPHER
type: Person

Peregrine Falcon
subject: CULTURAL HERITAGE,NATURAL HERITAGE
description: The peregrine falcon (Falco peregrinus), also known as the peregrine,[2] and historically as the duck hawk in North America, is a widespread bird of prey (raptor) in the family Falconidae. A large, crow-sized falcon, it has a blue-grey back, barred white underparts, and a black head. The peregrine is renowned for its speed, reaching over 320 km/h (200 mph) during its characteristic hunting stoop (high-speed dive),making it the fastest bird in the world and the fastest member of the animal kingdom. According to a National Geographic TV program, the highest measured speed of a peregrine falcon is 389 km/h (242 mph). As is typical of bird-eating raptors, peregrine falcons are sexually dimorphic, with females being considerably larger than males.
type: 3D Object

Peregrine Falcon
subject: CULTURAL HERITAGE,NATURAL HERITAGE
description: The peregrine falcon (Falco peregrinus), also known as the peregrine,[2] and historically as the duck hawk in North America, is a widespread bird of prey (raptor) in the family Falconidae. A large, crow-sized falcon, it has a blue-grey back, barred white underparts, and a black head. The peregrine is renowned for its speed, reaching over 320 km/h (200 mph) during its characteristic hunting stoop (high-speed dive),making it the fastest bird in the world and the fastest member of the animal kingdom. According to a National Geographic TV program, the highest measured speed of a peregrine falcon is 389 km/h (242 mph). As is typical of bird-eating raptors, peregrine falcons are sexually dimorphic, with females being considerably larger than males.
type: Physical Object

PERKIN, ALONZO
type: Person

PERKINS, CHRISTOPHER
type: Person

PERKINS, GERALD
type: Person

PERKINS, JOHN
type: Person

Perro de cerámica - Dog ceramic
subject: CULTURAL HERITAGE
description: Botella escultórica con representación zoomorfa. Presenta labio ligeramente adelgazado, gollete de paredes verticales rectas, 02 agarraderas semicirculares con una perforación central, cuerpo escultórico, y base convexa. La superficie externa ha sido bruñida. El color no es uniforme debido a manchas de cocción. A sculptural bottle with zoomorphic representation. It has a vertical straight neck with a slightly thin lip. It has 2 semi-circular handles with a central perforation. It has a sculptural body and a convex base. The outer surface has been burnished. The colour is not uniform across the surface and this is due to cooking and baking stains.
source: workshops
format: text/plain Alias/WaveFront Object
type: 3D Object

Perro de cerámica - Dog ceramic
subject: CULTURAL HERITAGE
description: Botella escultórica con representación zoomorfa. Presenta labio ligeramente adelgazado, gollete de paredes verticales rectas, 02 agarraderas semicirculares con una perforación central, cuerpo escultórico, y base convexa. La superficie externa ha sido bruñida. El color no es uniforme debido a manchas de cocción. A sculptural bottle with zoomorphic representation. It has a vertical straight neck with a slightly thin lip. It has 2 semi-circular handles with a central perforation. It has a sculptural body and a convex base. The outer surface has been burnished. The colour is not uniform across the surface and this is due to cooking and baking stains.
creator: Elaborado en la época Sican (750-1350 AD)
type: Physical Object

PERRY, LEWIS
type: Person

PERRY, SAMUEL
type: Person

PERRYMAN, EDWARD
type: Person

PERRYMAN, HERBERT
type: Person

PERRYMAN, ROBERT
type: Person

PERRYMAN, ROBERT
type: Person

Pestle
contributor: eulac3d
format: text/plain Alias/WaveFront Object
type: 3D Object

Pestle
contributor: eulac3d
language: English
type: Physical Object

PETERKIN, LEICESTER
type: Person

PETERKIN, WILLIAM
type: Person

Pez raya de cerámica - Ray fish ceramic
subject: CULTURAL HERITAGE
description: Una cerámica Blackware en forma de pez raya. A Blackware ceramic in the shape of a ray fish.
format: text/plain Alias/WaveFront Object
type: 3D Object

Pez raya de cerámica - Ray fish ceramic
subject: CULTURAL HERITAGE
description: Una cerámica Blackware en forma de pez raya. A Blackware ceramic in the shape of a ray fish.
type: Physical Object

PHILLIPS, ADOLPHUS
type: Person

PHILLIPS, AGUSTUS
type: Person

PHILLIPS, CHARLES
type: Person

PHILLIPS, CHARLES
type: Person

PHILLIPS, CHRISTOPHER
type: Person

PHILLIPS, EDWARD
type: Person