Caribbean Carnival of Manchester
source: Carnival
type: Carnival

Carriacou Carnival
description: Carriacou Carnival encompasses wild and wonderfully expressive street dances, soca, fancy mas bands, calypso, the Jab Jab and even the authentic Shakespeare Mas.
source: Carnival
type: Carnival

?, FARMER
type: Person

?, TAYLOR
type: Person

"Margaret's Head" by Karl Broodhagen terracotta bust
subject: CULTURAL HERITAGE
description: Karl Broodhagen (1909-2002) Margaret’s Head 1955 Terracotta bust Karl Broodhagen (1909–2002) was a Guyanese-Barbadian artist, working mostly in sculpture and paint. Originally arriving to the island to become a tailor’s apprentice, he was awarded a British Council scholarship in 1952 and migrated to London during the Windrush era to study at Goldsmith’s College in London. His experience there exposed him not only to European art, but to non-European cultures, particularly African Art. He returned to Barbados after his studies. He is known for the creation of public statues in Barbados: The Emancipation Statue (officially titled “Slave in Revolt”) on the J.T.C Ramsay roundabout, of Grantley Adams at the Prime Minister offices, and of Garfield Sobers, at Kensington Oval. In addition to these public works, Broodhagen created many portrait busts, citing an interest in the people of Barbados and a desire to decolonize Eurocentric beauty standards. This bust is an example of his fascination with the female figure, not only in physical forms but in the expressions of inner qualities of strength, reflective of so many Caribbean women. He once shared his aims with art critic Derek Bickerton, that he wished “to replace the European standards of beauty still slavishly accepted in the West Indies by standards based on the local inhabitants themselves.” As art writer and artist Chris Cozier states: “Busts like those of social worker and philanthropist John Beckles or Dame Nita Barrow….were clearly about the power of the individual voice and the individual presence in the social space.” His works have toured internationally and are included in UNESCO’s collections, and he was awarded the Gold Crown Merit in 1982. Broodhagen was also a passionate arts educator. In 1947 he established the art department at Combemere School, and on his return from the UK worked as a teacher there until 1996. Source: Art in Barbados: What Kind of Mirror Image? Authors: Alissandra Cummins, Allison Tho…
creator: Karl Broodhagen
date: 1955
format: text/plain Alias/WaveFront Object
type: 3D Object

(C) Câmara Municipal de Aljezur
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

(c) Carlos Tiago
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

(c) Casa do Cante
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

(c) Lifecooler
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

(c) Museu de Portimão
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

(c) Natural.pt
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

(c) Rota da Terra Fria
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

(c) Rota da Terra Fria
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

"Barbara" by Karl Broodhagen Terracotta bust
subject: CULTURAL HERITAGE
description: A 3D model digitised during the EU-LAC Museums Digital Workshops.
source: workshops
format: text/plain Alias/WaveFront Object
type: 3D Object

"Barbara" by Karl Broodhagen Terracotta bust
subject: CULTURAL HERITAGE
description: Karl Broodhagen (1909-2002) Barbara 1955 Terracotta bust Karl Broodhagen (1909–2002) was a Guyanese-Barbadian artist, working mostly in sculpture and paint. Originally arriving to the island to become a tailor’s apprentice, he was awarded a British Council scholarship in 1952 and migrated to London during the Windrush era to study at Goldsmith’s College in London. His experience there exposed him not only to European art, but to non-European cultures, particularly African Art. He returned to Barbados after his studies. He is known for the creation of public statues in Barbados: The Emancipation Statue (officially titled “Slave in Revolt”) on the J.T.C Ramsay roundabout, of Grantley Adams at the Prime Minister offices, and of Garfield Sobers, at Kensington Oval. In addition to these public works, Broodhagen created many portrait busts, citing an interest in the people of Barbados and a desire to decolonize Eurocentric beauty standards. This bust is an example of his fascination with the female figure, not only in physical forms but in the expressions of inner qualities of strength, reflective of so many Caribbean women. He once shared his aims with art critic Derek Bickerton, that he wished “to replace the European standards of beauty still slavishly accepted in the West Indies by standards based on the local inhabitants themselves.” As art writer and artist Chris Cozier states: “Busts like those of social worker and philanthropist John Beckles or Dame Nita Barrow….were clearly about the power of the individual voice and the individual presence in the social space.” His works have toured internationally and are included in UNESCO’s collections, and he was awarded the Gold Crown Merit in 1982 Broodhagen was also a passionate arts educator. In 1947 he established the art department at Combemere School, and on his return from the UK worked as a teacher there until 1996. Source: Art in Barbados: What Kind of Mirror Image? Authors: Alissandra Cummins, Allison Thompson, Ni…
creator: Karl Broodhagen
date: 1955
language: English
type: Physical Object

"Margaret's Head" by Karl Broodhagen terracotta bust
subject: CULTURAL HERITAGE
description: Karl Broodhagen (1909-2002) Margaret’s Head 1955 Terracotta bust Karl Broodhagen (1909–2002) was a Guyanese-Barbadian artist, working mostly in sculpture and paint. Originally arriving to the island to become a tailor’s apprentice, he was awarded a British Council scholarship in 1952 and migrated to London during the Windrush era to study at Goldsmith’s College in London. His experience there exposed him not only to European art, but to non-European cultures, particularly African Art. He returned to Barbados after his studies. He is known for the creation of public statues in Barbados: The Emancipation Statue (officially titled “Slave in Revolt”) on the J.T.C Ramsay roundabout, of Grantley Adams at the Prime Minister offices, and of Garfield Sobers, at Kensington Oval. In addition to these public works, Broodhagen created many portrait busts, citing an interest in the people of Barbados and a desire to decolonize Eurocentric beauty standards. This bust is an example of his fascination with the female figure, not only in physical forms but in the expressions of inner qualities of strength, reflective of so many Caribbean women. He once shared his aims with art critic Derek Bickerton, that he wished “to replace the European standards of beauty still slavishly accepted in the West Indies by standards based on the local inhabitants themselves.” As art writer and artist Chris Cozier states: “Busts like those of social worker and philanthropist John Beckles or Dame Nita Barrow….were clearly about the power of the individual voice and the individual presence in the social space.” His works have toured internationally and are included in UNESCO’s collections, and he was awarded the Gold Crown Merit in 1982. Broodhagen was also a passionate arts educator. In 1947 he established the art department at Combemere School, and on his return from the UK worked as a teacher there until 1996. Source: Art in Barbados: What Kind of Mirror Image? Authors: Alissandra Cummins, Allison Tho…
creator: Karl Broodhagen
date: 1955
type: Physical Object

2019 Lecture Series Lecture 2 – Join the Club: Migrants at Play – Prof Alan Cobley
source: migration
contributor: eulac3d
format: video/mp4
type: Moving Image

2019 Lecture Series Lecture 3 – Stan Firm Inna Inglan: Art and Migration in the Anglophone Caribbean World – Dr Allison Thompson
source: migration
contributor: eulac3d
format: video/mp4
type: Moving Image

2019 Lecture Series lecture by Dr. Marcia Burrowes on "When I Ask Someone Where They are From, Nowadays I Expect A Very Long Answer:The Culutre of Diaspora"
source: migration
contributor: eulac3d
format: image/jpeg
type: Moving Image

2019 Lecture Series Panel Discussion on "Betrayal! Changing British Immigration Policy in the Age of Brexit."
description: 2019 Lecture Series Panel Discussion on "Betrayal! Changing British Immigration Policy in the Age of Brexit."
source: Museums,barbadosmigration
contributor: eulac3d
type: Moving Image

2019 Lecture Series Panel Discussion on "From Notting hill to Albert Hall: Music and Literature."
description: 2019 Lecture Series Panel Discussion on "From Notting hill to Albert Hall: Music and Literature."
source: Museums,barbadosmigration
contributor: eulac3d
type: Moving Image

2020 Lecture Series: Frederick Allyene on "Barbadian Migration to Brazil in the Early 20th Century"
description: 2020 Lecture Series, under the theme : "Buhbadus ta de World': Origins and Legacy of Barbadian Migration."
source: community
contributor: eulac3d
type: Moving Image

3D Digitisation Workshop Malalhue Chile
subject: INTANGABLE HERITAGE,PEOPLE,PLACES
description: 3D digitisation workshop in Museo Despierta Hermano in Malalhue, Chile.
format: image/png
language: English
type: Still Image

A cure for jaundice: Bone Bowl
description: Jaundice is a symptom, rather than a disease. Shetlanders used folk-remedies to try to cure the condition. One way was to drink water from a stream where three landlords’ estates met. The water was scooped with the big bowl, called a kapp, and the patient sipped it with the little dish. This dish is made from whalebone. Customs & Folklore gallery FPL 2012.480
publisher: EULAC
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

A cure for jaundice: Bone Bowl
description: Jaundice is a symptom, rather than a disease. Shetlanders used folk-remedies to try to cure the condition. One way was to drink water from a stream where three landlords’ estates met. The water was scooped with the big bowl, called a kapp, and the patient sipped it with the little dish. This dish is made from whalebone. Customs & Folklore gallery FPL 2012.480
language: English
type: Physical Object

ABRAMS, JOSEPH
type: Person

ADAMS, ARCHIE
type: Person

ADAMS, CHARLES
type: Person

ADAMS, HERMAN
type: Person

ADAMS, HOLMAN
type: Person

ADAMS, JOHN
type: Person

ADAMS, JOSEPH
type: Person

ADAMS, LAWRENCE
type: Person

ADAMSON, SAMUEL
type: Person

Adrián Silva
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

AGARD, AUGUSTUS
type: Person

AGARD, CHARLES
type: Person

AGARD, CLIFTON
type: Person

AGARD, DECOURCY
type: Person

AGARD, EDWARD
type: Person

AGARD, FOSTER
type: Person

AGARD, G
type: Person

AGARD, HUBERT
type: Person

AGARD, JAMES
type: Person

AGARD, JAMES
type: Person

AGARD, JAMES
type: Person

AGARD, JEROME
type: Person

AGARD, JONATHAN
type: Person

AGARD, JOSEPH
type: Person

AGARD, JOSEPH
type: Person

AGARD, ROBERT
type: Person

AGARD, SAMUEL
type: Person

AGARD, WILLIAM
type: Person

Ahhh...Ras natango Gallery and garden
source: Museums
publisher: CINE
type: Museum

ALDER, JAMES
type: Person

ALDER, JOSEPH
type: Person

Aldwyn Roberts (Lord Kitchener)
subject: arrival
description: Lord Kitchener, (Aldwyn Roberts), Trinidadian singer and songwriter (born April 18, 1922, Arima, Trinidad, British West Indies — died Feb. 11, 2000, Port of Spain, Trinidad and Tobago), was called the “grandmaster of calypso” and was instrumental in popularizing that music internationally. He was especially admired for his melodious style and his witty, often bawdy, lyrics. In 1947, Kitch was proclaimed the best calypsonian of the year. His big tunes for that year were "Scandal in St. Ann's," "Mount Olga," and "Tie Tongue Mopsy." Soon after the success of 1947, Kitch left T&T; for Aruba, then on to Jamaica, where he lived for six months, teaching calypso and playing to packed audiences. After Jamaica, the next stop was London. Kitch arrived on a boat, the M.V. Windrush, at the port city of Tilbury on June 21, 1948. One of the other passengers on that M.V. Windrush was Egbert Moore (Lord Beginner). Kitch got an immediate booking at the only West Indian club in London, following his debut on the BBC. Six months later, Kitch was appearing in three clubs nightly, and his popularity extended beyond the West Indian and African night club audiences, to include music hall and variety show audiences. The days in London were very good days for Kitch. He had everything he wanted. Lots of money, fan mail from all over the world, clothes, fancy hats and shoes, and lots of lady friends. But the night life was getting the better of Kitch. Therefore, he decided to slow down, leave London, and move to Manchester in the north of England. There, he met, and in 1953, married his English wife, Marjorie. Kitch also started writing calypsoes again in 1953, and in that year he wrote "Africa My Home," "Beware Tokyo," and "If You Not White, You Considered Black." Soon, Kitch opened his own club in Manchester, and also received a six month contract to tour the U.S. where he appeared in New York, Washington D.C., and other cities on the East Coast. Kitch later returned to England, and in 1958 …
source: stories,arrival
type: Story

Aldwyn Roberts (Lord Kitchener)
description: Lord Kitchener, (Aldwyn Roberts), Trinidadian singer and songwriter (born April 18, 1922, Arima, Trinidad, British West Indies — died Feb. 11, 2000, Port of Spain, Trinidad and Tobago), was called the “grandmaster of calypso” and was instrumental in popularizing that music internationally. He was especially admired for his melodious style and his witty, often bawdy, lyrics. In 1947, Kitch was proclaimed the best calypsonian of the year. His big tunes for that year were "Scandal in St. Ann's," "Mount Olga," and "Tie Tongue Mopsy." Soon after the success of 1947, Kitch left T&T; for Aruba, then on to Jamaica, where he lived for six months, teaching calypso and playing to packed audiences. After Jamaica, the next stop was London. Kitch arrived on a boat, the M.V. Windrush, at the port city of Tilbury on June 21, 1948. One of the other passengers on that M.V. Windrush was Egbert Moore (Lord Beginner). Kitch got an immediate booking at the only West Indian club in London, following his debut on the BBC. Six months later, Kitch was appearing in three clubs nightly, and his popularity extended beyond the West Indian and African night club audiences, to include music hall and variety show audiences. The days in London were very good days for Kitch. He had everything he wanted. Lots of money, fan mail from all over the world, clothes, fancy hats and shoes, and lots of lady friends. But the night life was getting the better of Kitch. Therefore, he decided to slow down, leave London, and move to Manchester in the north of England. There, he met, and in 1953, married his English wife, Marjorie. Kitch also started writing calypsoes again in 1953, and in that year he wrote "Africa My Home," "Beware Tokyo," and "If You Not White, You Considered Black." Soon, Kitch opened his own club in Manchester, and also received a six month contract to tour the U.S. where he appeared in New York, Washington D.C., and other cities on the East Coast. Kitch later returned to England, and in 1958 …
source: stories,westindians
date: 1922-04-18
type: Person

ALFRED, JAMES
type: Person

ALIS, SAMUEL
type: Person

ALKINS, BENJAMIN
type: Person

ALKINS, EDWARD
type: Person

ALKINS, JOSEPH
type: Person

ALKINS, ST CLAIR
type: Person

ALKINSON, CLIFFORD
type: Person

ALLAN, ASHBY
type: Person

ALLDER, ADOLPHUS
type: Person

ALLDER, BENJAMIN
type: Person

ALLEYNE, A
type: Person

ALLEYNE, ADDISON
type: Person

ALLEYNE, ADOLPHUS
type: Person

ALLEYNE, ADOLPHUS
type: Person

ALLEYNE, AHIJAH
type: Person

ALLEYNE, ALAN
type: Person

ALLEYNE, ALBERT
type: Person

ALLEYNE, ALBERT
type: Person

ALLEYNE, ALEXANDER
type: Person

ALLEYNE, ALFONSO
type: Person

ALLEYNE, ALFRED
type: Person

ALLEYNE, ANDREW
type: Person

ALLEYNE, ARNOLD
type: Person

ALLEYNE, ARNOLD
type: Person

ALLEYNE, ASHTON
type: Person

ALLEYNE, AUBRY
type: Person

ALLEYNE, AUGUSTUS
type: Person

ALLEYNE, BENJAMIN
type: Person

ALLEYNE, BENJAMIN
type: Person

ALLEYNE, BENJAMIN
type: Person

ALLEYNE, BRUCE
type: Person

ALLEYNE, CHARLES
type: Person

ALLEYNE, CHARLES
type: Person

ALLEYNE, CHRISTOPHER
type: Person

ALLEYNE, CHRISTOPHER
type: Person

ALLEYNE, DICOURCY
type: Person

ALLEYNE, EDMUND
type: Person

ALLEYNE, EDWARD
type: Person

ALLEYNE, EDWARD
type: Person

ALLEYNE, ELTON
type: Person

ALLEYNE, ERNEST
type: Person

ALLEYNE, ERNEST
type: Person

ALLEYNE, EVANS
type: Person

ALLEYNE, FITZ
type: Person

ALLEYNE, FITZ
type: Person

ALLEYNE, FITZ
type: Person

ALLEYNE, FITZ
type: Person

ALLEYNE, FRED
type: Person

ALLEYNE, G
type: Person

ALLEYNE, G
type: Person

ALLEYNE, GABRIEL
type: Person

ALLEYNE, GARREY
type: Person

ALLEYNE, GEORGE
type: Person

ALLEYNE, GERALD
type: Person

ALLEYNE, GLASTONE
type: Person

ALLEYNE, HERBERT
type: Person

ALLEYNE, HILTON
type: Person

ALLEYNE, HUBERT
type: Person

ALLEYNE, HUBERT
type: Person

ALLEYNE, HUBERT
type: Person

ALLEYNE, INO
type: Person

ALLEYNE, ISAIAH
type: Person

ALLEYNE, ISIAH
type: Person

ALLEYNE, JAMES
type: Person

ALLEYNE, JAMES
type: Person

ALLEYNE, JAMES
type: Person

ALLEYNE, JAMES
type: Person

ALLEYNE, JAMES
type: Person

ALLEYNE, JAMES
type: Person

ALLEYNE, JAMES
type: Person

ALLEYNE, JOHN
type: Person

ALLEYNE, JOHNATHAN
type: Person

ALLEYNE, JONATHAN
type: Person

ALLEYNE, JOSEPH
type: Person

ALLEYNE, JOSEPH
type: Person

ALLEYNE, JOSEPH
type: Person

ALLEYNE, JOSEPH
type: Person

ALLEYNE, JOSEPH
type: Person

ALLEYNE, JOSEPH
type: Person

ALLEYNE, JOSEPH
type: Person

ALLEYNE, JOSEPH
type: Person

ALLEYNE, JOSEPH
type: Person

ALLEYNE, JOSEPH
type: Person

ALLEYNE, JOSEPH
type: Person

ALLEYNE, LAMONT
type: Person

ALLEYNE, LAWRENCE
type: Person

ALLEYNE, MILTON
type: Person

ALLEYNE, NEWTON
type: Person

ALLEYNE, NOEL
type: Person

ALLEYNE, PAUL
type: Person

ALLEYNE, PRESTON
type: Person

ALLEYNE, PRESTON
type: Person

ALLEYNE, PRINCE
type: Person

ALLEYNE, PRINCE
type: Person

ALLEYNE, REGINALD
type: Person

ALLEYNE, REYNOLD
type: Person

ALLEYNE, RICHARD
type: Person

ALLEYNE, ROBERT
type: Person

ALLEYNE, ROBERT
type: Person

ALLEYNE, RUFUS
type: Person

ALLEYNE, RUPERT
type: Person

ALLEYNE, SAMUEL
type: Person

ALLEYNE, SAMUEL
type: Person

ALLEYNE, SAMUEL
type: Person

ALLEYNE, SAMUEL
type: Person

ALLEYNE, SAMUEL
type: Person

ALLEYNE, SIMEON
type: Person

ALLEYNE, SYDNEY
type: Person

ALLEYNE, THORNE
type: Person

ALLEYNE, THORNE
type: Person

ALLEYNE, TIMOTHY
type: Person

ALLEYNE, WALLACE
type: Person

ALLEYNE, WALTER
type: Person

ALLEYNE, WILLIAM
type: Person

ALLEYNE, WILLIAM
type: Person

ALLEYNE, WILLIAM
type: Person

ALLEYNE, WILLIAM
type: Person

ALLEYNE, WILLIAMS
type: Person

ALLMAN, JOSEPH
type: Person

ALLMAN, NEWTON
type: Person

ALLSOP, CHARLES
type: Person

ALLSOP, GERALD
type: Person

ALLSOP, JAMES
type: Person

ALS, JOSEPH
type: Person

ALS, LEONARD
type: Person

ALS, SAMUEL
type: Person

Althea McNish FCSD
subject: arrival
description: Althea McNish FCSD (born c. 1933) is a British textile designer of Trinidadian origin who has been called the first British designer of African descent to earn an international reputation. Althea Marjorie McNish was born in Port of Spain, Trinidad, around 1933. Her father, the writer Joseph Claude McNish, was descended from the Merikin settlers in Trinidad. She painted as a child, was a junior member of the Trinidad Arts Society and had her first exhibition at the age of 16. Her influences included local artists Sybil Atteck, Amy Leong Pang and Boscoe Holder, and European modernists such as Vincent Van Gogh. In the early 1950s McNish moved with her mother to London, England, to join her father there. She already had a place to study at the Architectural Association School of Architecture in Bedford Square but instead took courses at the London School of Printing and Graphic Arts, the Central School of Arts and Crafts and the Royal College of Art. In her final year at the London School of Printing and Graphic Arts, she became interested in textiles with the encouragement of Eduardo Paolozzi, and chose printed textiles as her subject of study on progressing to the Royal College of Art, where her talent was recognised by Hugh Casson. On graduating, she immediately won a commission from Arthur Stewart-Liberty, head of the Liberty Department Store, sending her the same day to Zika Ascher, who commissioned her to design a collection for Dior. Successfully designing for such prestigious clients, McNish was the first Caribbean woman to achieve prominence in this field. She was associated with the Caribbean Artists Movement (CAM) in the 1960s, participating in CAM's exhibitions and seminars and helping to promote Caribbean arts to a British public. She took part in the art exhibitions of the Caribbean Artists Movement (CAM) held in 1967, May 1968 and January 1971, exhibiting textiles as well as "plastic panels in laminate". For the Caribbean edition of the BBC TV magazine pr…
source: stories,arrival
type: Story

Althea McNish FCSD
description: Althea McNish FCSD (born c. 1933) is a British textile designer of Trinidadian origin who has been called the first British designer of African descent to earn an international reputation. Althea Marjorie McNish was born in Port of Spain, Trinidad, around 1933. Her father, the writer Joseph Claude McNish, was descended from the Merikin settlers in Trinidad. She painted as a child, was a junior member of the Trinidad Arts Society and had her first exhibition at the age of 16. Her influences included local artists Sybil Atteck, Amy Leong Pang and Boscoe Holder, and European modernists such as Vincent Van Gogh. In the early 1950s McNish moved with her mother to London, England, to join her father there. She already had a place to study at the Architectural Association School of Architecture in Bedford Square but instead took courses at the London School of Printing and Graphic Arts, the Central School of Arts and Crafts and the Royal College of Art. In her final year at the London School of Printing and Graphic Arts, she became interested in textiles with the encouragement of Eduardo Paolozzi, and chose printed textiles as her subject of study on progressing to the Royal College of Art, where her talent was recognised by Hugh Casson. On graduating, she immediately won a commission from Arthur Stewart-Liberty, head of the Liberty Department Store, sending her the same day to Zika Ascher, who commissioned her to design a collection for Dior. Successfully designing for such prestigious clients, McNish was the first Caribbean woman to achieve prominence in this field. She was associated with the Caribbean Artists Movement (CAM) in the 1960s, participating in CAM's exhibitions and seminars and helping to promote Caribbean arts to a British public. She took part in the art exhibitions of the Caribbean Artists Movement (CAM) held in 1967, May 1968 and January 1971, exhibiting textiles as well as "plastic panels in laminate". For the Caribbean edition of the BBC TV magazine pr…
source: stories,westindians
date: 1924-05-15
type: Person

Amber World Museum
source: Museums
publisher: CINE
type: Museum

Amerindian Cassava Grater
subject: CULTURAL HERITAGE
description: The Cassava grater was part of the preparation process for Cassava by Amerindian communities. Jerome Handler, in his article “Aspects of Amerindian Ethnography in 17th Century Barbados” stated that: “ in processing the cassava, traditional Amerindian techniques generally involved first the scraping off of the skin and then the grating of the root with a grater made of thorny branches, coral, or wood and stone splinters set in a board. In squeezing the juice out of the grated cassava, a cylindrical basketry strainer or press (commonly known as a matapi or tipiti in the ethnographic literature) was employed.” (63) This particular grater also has a motif of a lizard. Animals such as lizards, frogs or turtles were frequent in Taíno art. Source: “Aspects of Amerindian Ethnography in 17th Century Barbados”. Author: Jerome S. Handler. Caribbean Studies, Vol. 9, No. 4 (Jan., 1970), pp. 50-72. Digitized by Toni-Q Harris during the 2018 BMHS 3D Photogrammetry Summer Intensive
format: text/plain Alias/WaveFront Object
type: 3D Object

Amerindian Cassava Grater
subject: CULTURAL HERITAGE
description: The Cassava grater was part of the preparation process for Cassava by Amerindian communities. Jerome Handler, in his article “Aspects of Amerindian Ethnography in 17th Century Barbados” stated that: “ in processing the cassava, traditional Amerindian techniques generally involved first the scraping off of the skin and then the grating of the root with a grater made of thorny branches, coral, or wood and stone splinters set in a board. In squeezing the juice out of the grated cassava, a cylindrical basketry strainer or press (commonly known as a matapi or tipiti in the ethnographic literature) was employed.” (63) This particular grater also has a motif of a lizard. Animals such as lizards, frogs or turtles were frequent in Taíno art. Source: “Aspects of Amerindian Ethnography in 17th Century Barbados”. Author: Jerome S. Handler. Caribbean Studies, Vol. 9, No. 4 (Jan., 1970), pp. 50-72. Digitized by Toni-Q Harris during the 2018 BMHS 3D Photogrammetry Summer Intensive
type: Physical Object

Amerindian Shell
subject: CULTURAL HERITAGE,ARCHAEOLOGY AND BUILT HERITAGE
description: A shell found by Peter L Drewett that might have been a tool used to consume food with by the Amerindian community.
creator: Amerindian Community
date: Prehistoric Barbados
format: text/plain Alias/WaveFront Object
type: 3D Object

Amerindian Shell
subject: CULTURAL HERITAGE,ARCHAEOLOGY AND BUILT HERITAGE
description: A shell found by Peter L Drewett that might have been a tool used to consume food with by the Amerindian community.
creator: Amerindian Community
date: Prehistoric Barbados
type: Physical Object

AMES, SAMUEL
type: Person

AMEY, JOSEPH
type: Person

Ammunition box top
subject: CULTURAL HERITAGE,HISTORY,SOCIAL HISTORY
description: For a Spandau machine gun, sent from Walter Tull to his brother Edward Tull-Warnock in a letter from the Front 10th August, 1917.
source: waltertull
contributor: eulac3d
type: Still Image

Ammunition box top
source: waltertull
contributor: eulac3d
language: English
type: Physical Object

Andrea Levy FRSL
description: Andrea Levy was born in London, England in 1956 to Jamaican parents. She is the author of five novels, each of which explore - from different perspectives - the problems faced by black British-born children of Jamaican emigrants. Her first novel, the semi-autobiographical Every Light in the House Burnin' (1994), is the story of a Jamaican family living in London in the 1960s. Her second, Never Far from Nowhere (1996), is set during the 1970s and tells the story of two very different sisters living on a London council estate. In Fruit of the Lemon (1999), Faith Jackson, a young black Londoner, visits Jamaica after suffering a nervous breakdown and discovers a previously unknown personal history. Small Island (2004), set in 1948, explores the interaction between a black couple, Gilbert, a former RAF recruit, who has returned to Britain on the SS Windrush, and his Jamaican wife Hortense, and a white couple: Queenie, their landlady, and her recently demobbed husband, Bernard. It won the 2004 Orange Prize for Fiction, the 2004 Whitbread Book of the Year, and the 2005 Commonwealth Writers Prize. Small Island was adapted for BBC television and broadcast in 2009. Born in London in 1956, Levy drew on the postwar period more broadly within her fictional work. Andrea Levy's parents travelled from Jamaica to England on the now famous SS Empire Windrush in 1948. It is a journey Levy fictionalises in her first novel, Every light in the House Burnin'. Described by the Times Literary Supplement as 'An extremely powerful novel, a striking and promising debut', the book opens, not with the expected transatlantic journey from the West Indies, but with a family trip from London to Pontin's Holiday Camp. While the scene may be anecdotal in terms of the novel as a whole, it is by 'provincialising' the trope of travel, that Levy begins to draw attention to some of the discrepancies and differences (in term Questions of English-ness and of Diaspora are also central to Levy’s novel, Small I…
source: stories,westindians
date: 1956-06-07
type: Person

Andrea McLeod
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Andrea Stuart FRSL
description: Andrea Stuart was born and raised in the Caribbean. .She studied English at the University of East Anglia and French at the Sorbonne. Her first book, Showgirls, was published by Jonathan Cape in 1996. It was adapted into a two-part documentary for the Discovery Channel in 1998 and has since inspired a theatrical show, a contemporary dance piece and a number of burlesque performances. Her second book, The Rose of Martinique: A Biography of Napoleon’s Josephine, was published by Macmillan in 2003. It has subsequently been published in the US by Grove Press (2004), in Germany by Karl Blessing Verlag (2004), in France by Perrin (2006} and in Sweden by Prisma (2006). The Rose of Martinique won the Enid McLeod Literary Prize in 2004. Her third book Sugar in the Blood: One Family’s Story of Slavery and Empire was published in England (2012) by Portobello Books and in the US by Knopf in January (2013). It was shortlisted for the BOCAS Literary Prize, the Spears Book Award and was the Boston Globe’s non-fiction pick of 2013. Her most recent piece “Tourist”, a meditation on female sexuality, was published in Granta Magazine’s autumn 2014 issue. She has been published in numerous anthologies, her articles have been published in a range of newspapers and magazines and she regularly reviews books for the Independent. She is currently a visiting lecturer at both the Royal College of Art and the University of Reading. She also commissions for an academic publishing list. In the past she has worked as an editor, a TV producer and a researcher.
source: westindians
contributor: eulac3d
type: Person

ANDREW, JAMES
type: Person

Angie Greaves
description: Angie Greaves, ‘Daytime’ and ‘Soul Town’ presenter on Magic Radio, has one of the most soulful and distinctive female voices in UK radio today. Born in London and enjoying being ‘fabulous in her 50’s’, Angie grew up within a traditional Afro-Caribbean family setting. Even from a young age, she loved her soulful roots and she knew she had a ‘voice’ in the world – one that needed to be shared – and one that she continues to share today. Angie’s media career started off in 1982 at BBC Television Centre and by 1986 she had moved to London’s Capital Radio where she was discovered by DJ: David ‘Kid’ Jensen. In 1990, Angie was announced as the first DJ at the launch of Spectrum Radio before joining Choice FM in 1992 for five soulful years, trebling listener figures on her Angie Greaves Breakfast Show. After this time, Angie joined the BBC, where she presented shows on BBC London, BBC Three, Counties Radio and the Drive Time show on BBC 2002 in Manchester. The latter was an RSL station launched to air coverage on Wimbledon, The World Cup and The Commonwealth Games. Whilst bringing up a young family, Angie freelanced across Jazz/Smooth FM, Radio Jackie and LBC 97.3FM until 2006. She started working with Magic in late 2006 and was the first woman to join the Magic presenter line-up. In addition to her extensive and prolific radio career, Angie has created her own Angie Greaves multi-platform brand, including a well-established book club. Voiceover work includes the MOBO awards, numerous terrestrial and satellite television documentaries and television commercials. As a special soothing treat, if you travel long-haul on a British Airways flight, you can listen to Angie’s two-hour ‘Soul Selection’ on British Airways Radio. Angie has interviewed some of the world’s best- known musical artists and is proud to call some of them personal friends. Her recent event, called ‘The Essence of Crop Over’, an official visit to Crop Over in Barbados with The BTMI, has further extended Angie…
source: westindians
contributor: eulac3d
type: Person

Angostura Museum
source: Museums,museumvisits
type: Museum

Anguilla Summer Festival
description: Summer Festival on Anguilla is a typical Caribbean emancipation celebration, it has been occurring on the island for over a quarter century. It’s roots however, are found in the decades of old traditional August Monday fairs, Bazaars and the old time Christmas festivities, which features many African influenced cultural expressions of island life. These activities were organized by the churches and featured wirewalkers, May pole dancers, Mock-a-Jumbies and games among other things.
source: Carnival
type: Carnival

Ann Alexander
subject: settlingin
description: She died in Barbados
source: stories,settlingin
date: 1690
type: Story

Ann Alexander
subject: settlingin
description: She died in Barbados
source: stories,settlingin
date: 1690
type: Story

Anthropomorphic statue
subject: CULTURAL HERITAGE
description: Anthropomorphic statue, part of the collection of the Moruga Museum. The Moruga Museum was established in November 2013 by founder of the St Vincent Ferrer Society, Eric Lewis. Based in the rural, seaside community of Gran Chemin in south Trinidad, the Moruga Museum's collections include natural and man-made artefacts that span the prehistoric to post-colonial periods. Although the Museum is focused on exploring the history and people of Moruga, artefacts have been gathered from multiple sites throughout Trinidad and Tobago.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Anthropomorphic statue
subject: CULTURAL HERITAGE
description: Anthropomorphic statue, part of the collection of the Moruga Museum. The Moruga Museum was established in November 2013 by founder of the St Vincent Ferrer Society, Eric Lewis. Based in the rural, seaside community of Gran Chemin in south Trinidad, the Moruga Museum's collections include natural and man-made artefacts that span the prehistoric to post-colonial periods. Although the Museum is focused on exploring the history and people of Moruga, artefacts have been gathered from multiple sites throughout Trinidad and Tobago.
language: English
type: Physical Object

Antigua Carnival
source: Carnival
type: Carnival

ANTROBUS, JOSEPH
type: Person

APPLEWHAITE, CHARLES
type: Person

APPLEWHAITE, JAMES
type: Person

APPLEWHAITE, NATHAN
type: Person

APPLEWHITE, ARNOLD
type: Person

APPLEWHITE, DAVID
type: Person

APPLEWHITE, GEORGE
type: Person

APPLEWHITE, J
type: Person

APPLEWHITE, JAMES
type: Person

APPLEWHITE, JOHN
type: Person

APPLEWHITE, SAMUEL
type: Person

ARCHER, ALEXANDER
type: Person

ARCHER, ALFRED
type: Person

ARCHER, B
type: Person

ARCHER, BENJAMIN
type: Person

ARCHER, EARL
type: Person

ARCHER, EDMUND
type: Person

ARCHER, EDWARD
type: Person

ARCHER, EDWARD
type: Person

ARCHER, EDWARD
type: Person

ARCHER, FITZ
type: Person

ARCHER, FITZGERALD
type: Person

ARCHER, GEORGE
type: Person

ARCHER, HENRY
type: Person

ARCHER, HUBERT
type: Person

ARCHER, JAMES
type: Person

ARCHER, JAMES
type: Person

ARCHER, PERCIVAL
type: Person

ARCHER, SAMUEL
type: Person

ARCHER, WILLIAM
type: Person

ARCHIBALD, EDWARD
type: Person

Argamassa comum romana - Roman commonware mortar
subject: CULTURAL HERITAGE
description: Argamassa quase completa encontrada na vila romana da Quinta de S. João / Quinta da Laranjeira (Arrentela, Seixal), utilizada na preparação de alimentos, especificamente para moagem. A parte restante possui mais da metade da borda, sobre ela desenvolve o vertedouro. Nearly complete mortar found in the Roman villa at Quinta de S. João / Quinta da Laranjeira (Arrentela, Seixal), used for food preparation, specifically for grinding. The remaining part has more than half of the rim, over it develops the spillway.
format: text/plain Alias/WaveFront Object
type: 3D Object

Argamassa comum romana - Roman commonware mortar
subject: CULTURAL HERITAGE
description: Argamassa quase completa encontrada na vila romana da Quinta de S. João / Quinta da Laranjeira (Arrentela, Seixal), utilizada na preparação de alimentos, especificamente para moagem. A parte restante possui mais da metade da borda, sobre ela desenvolve o vertedouro. Nearly complete mortar found in the Roman villa at Quinta de S. João / Quinta da Laranjeira (Arrentela, Seixal), used for food preparation, specifically for grinding. The remaining part has more than half of the rim, over it develops the spillway.
type: Physical Object

Arima, Trinidad
source: places
contributor: eulac3d
type: Site

Arlington House Museum
source: Museums
publisher: CINE
type: Museum

Armadillo
type: Physical Object

ARMSTRONG, ARTHUR
type: Person

ARMSTRONG, JAMES
type: Person

ARMSTRONG, JAMES
type: Person

ARMSTRONG, JAMES
type: Person

ARMSTRONG, JOHN
type: Person

ARMSTRONG, WILLIAM
type: Person

ARTHUR, EDWARD
type: Person

ARTHUR, ELTON
type: Person

ARTHUR, ETHELBERT
type: Person

ARTHUR, ETHELBERT
type: Person

ARTHUR, GEORGE
type: Person

ARTHUR, JAMES
type: Person

ARTHUR, JAMES
type: Person

ARTHUR, JOHN
type: Person

ARTHUR, JOHN
type: Person

ARTHUR, JONATHAN
type: Person

ARTHUR, JOSIAH
type: Person

ARTHUR, NATH
type: Person

ARTHUR, ROBERT
type: Person

ARTHUR, WILLIAM
type: Person

ARTHUR, WILLIAM
type: Person

Artillery Shell
subject: SOCIAL HISTORY
description: WW1 decorated artillery shell
date: 1914-18
type: 3D Object

Artillery Shell
subject: SOCIAL HISTORY
description: WW1 decorated artillery shell
date: 1914-18
type: Physical Object

Artillery Shell 2
subject: SOCIAL HISTORY
description: WW1 decorated artillery shell
date: 1914-18
type: 3D Object

Artillery Shell 2
subject: SOCIAL HISTORY
description: WW1 decorated artillery shell
date: 1914-18
type: Physical Object

Aruba Carnival
source: Carnival
type: Carnival

asdasd
source: stories
language: asd
type: Museum

ASHBY, EVERTON
type: Person

ASHBY, FITZ
type: Person

ASHBY, HENRY
type: Person

ASHBY, JOSEPH
type: Person

ASHBY, JOSEPH
type: Person

ASHBY, REYNOLD
type: Person

Asquith Xavier
subject: arrival
description: Asquith Camile Xavier was a West Indian-born Briton who ended a colour bar at British Railways in London by fighting to become the first non-white train guard at Euston railway station in 1966. Trevor Phillips, when chairman of the Commission for Racial Equality, said in 2006: "Asquith's stand against discrimination brought to light the inadequacy of early race discrimination laws and persistent widespread discrimination faced by ethnic minorities." A plaque at the station commemorates his achievement. Xavier was born on 18 July 1920 in Dominica, which was then a British colony. He was a member of the Windrush generation of British African-Caribbean people who migrated to the United Kingdom after the second world war to fill vacancies in service industries. Xavier joined British Railways. In 1966 he was working as a guard at Marylebone station in central London. He applied for a promotion and transfer to work at Euston, but was rejected. A letter from a staff committee at Euston—which was dominated by members of the National Union of Railwaymen—explained it was because of his colour. Unions and management had informally agreed in the 1950s to ban non-white people from jobs at Euston that involved contact with the public; they could be cleaners and labourers, but not guards or ticket collectors.
source: stories,arrival
type: Story

Asquith Xavier
description: Asquith Camile Xavier was a West Indian-born Briton who ended a colour bar at British Railways in London by fighting to become the first non-white train guard at Euston railway station in 1966. Trevor Phillips, when chairman of the Commission for Racial Equality, said in 2006: "Asquith's stand against discrimination brought to light the inadequacy of early race discrimination laws and persistent widespread discrimination faced by ethnic minorities." A plaque at the station commemorates his achievement. Xavier was born on 18 July 1920 in Dominica, which was then a British colony. He was a member of the Windrush generation of British African-Caribbean people who migrated to the United Kingdom after the second world war to fill vacancies in service industries. Xavier joined British Railways. In 1966 he was working as a guard at Marylebone station in central London. He applied for a promotion and transfer to work at Euston, but was rejected. A letter from a staff committee at Euston—which was dominated by members of the National Union of Railwaymen—explained it was because of his colour. Unions and management had informally agreed in the 1950s to ban non-white people from jobs at Euston that involved contact with the public; they could be cleaners and labourers, but not guards or ticket collectors.
source: westindians
date: 1920-07-18
type: Person

ATHERLEY, CHARLES
type: Person

ATHERLEY, CLARENCE
type: Person

ATHERLEY, JOHN
type: Person

ATHERLEY, JOSEPH
type: Person

ATHERLEY, WILLIAM
type: Person

ATHUIS, EGBERT
type: Person

ATHUIS, JAMES
type: Person

ATKINSON, BENJAMIN
type: Person

ATKINSON, CLIFFORD
type: Person

Atlanta Carnival
source: Carnival
type: Carnival

ATWELL, ERNEST
type: Person

ATWELL, SAMUEL
type: Person

ATWELL, WILLIAM
type: Person

Aubrey Williams
subject: arrival
description: Aubrey Williams (8 May 1926 – 17 April 1990) was a Guyanese artist. He was best known for his large, oil-on-canvas paintings, which combine elements of abstract expressionism with forms, images and symbols inspired by the pre-Columbian art of indigenous peoples of the Americas. Born in Georgetown in British Guiana (now Guyana), Williams began drawing and painting at an early age. He received informal art tutoring from the age of three, and joined the Working Peoples' Art Class at the age of 12. After training as an agronomist he worked as an Agricultural Field Officer for eight years, initially on the sugar plantations of the East Coast and later in the North-West region of the country — an area inhabited primarily by the indigenous Warao people. His time among the Warao had a dramatic impact on his artistic approach, and initiated the complex obsession with pre-Columbian arts and cultures that ran throughout his artistic career. Williams left Guyana at the height of the Independence Movement in 1952, and moved to the United Kingdom. Following his first exhibition in London in 1954, he became an increasingly significant figure in the post-war British avant-garde art scene, particularly through his association with Denis Bowen's New Vision Centre Gallery. In 1966, he came together with a group of London-based Caribbean artists and intellectuals to found the Caribbean Artists Movement, which served as a dynamic hub of cultural events and activity until its dissolution in 1972.
source: stories,arrival
date: 1952
type: Story

Aubrey Williams
description: Aubrey Williams (8 May 1926 – 17 April 1990) was a Guyanese artist. He was best known for his large, oil-on-canvas paintings, which combine elements of abstract expressionism with forms, images and symbols inspired by the pre-Columbian art of indigenous peoples of the Americas. Born in Georgetown in British Guiana (now Guyana), Williams began drawing and painting at an early age. He received informal art tutoring from the age of three, and joined the Working Peoples' Art Class at the age of 12. After training as an agronomist he worked as an Agricultural Field Officer for eight years, initially on the sugar plantations of the East Coast and later in the North-West region of the country — an area inhabited primarily by the indigenous Warao people. His time among the Warao had a dramatic impact on his artistic approach, and initiated the complex obsession with pre-Columbian arts and cultures that ran throughout his artistic career. Williams left Guyana at the height of the Independence Movement in 1952, and moved to the United Kingdom. Following his first exhibition in London in 1954, he became an increasingly significant figure in the post-war British avant-garde art scene, particularly through his association with Denis Bowen's New Vision Centre Gallery. In 1966, he came together with a group of London-based Caribbean artists and intellectuals to found the Caribbean Artists Movement, which served as a dynamic hub of cultural events and activity until its dissolution in 1972.
source: westindians
date: 1926-05-08
type: Person

AUSTIN, AUGUSTUS
type: Person

AUSTIN, B
type: Person

AUSTIN, EDWARD
type: Person

AUSTIN, F.
type: Person

AUSTIN, HARRIGAN
type: Person

AUSTIN, HOWARD
type: Person

AUSTIN, JAMES
type: Person

AUSTIN, JOSEPH
type: Person

AUSTIN, JOSEPH
type: Person

AUSTIN, JOSEPH
type: Person

AUSTIN, JOSEPH
type: Person

AUSTIN, MOSES
type: Person

AUSTIN, NATHANIEL
type: Person

AUSTIN, SAMUEL
type: Person

AUSTIN, WILLIAM
type: Person

Avião de mão - Hand plane
subject: CULTURAL HERITAGE
description: A hand plane used for shaping wood by hand. To reduce thickness and smooth the surface of the wood. Used by pushing the plane away from the user with both hands. Hand planes have been used since the Romans and continued through Medieval Europe and Asia. Tool used in boat building.
format: text/plain Alias/WaveFront Object
type: 3D Object

Avião de mão - Hand plane
subject: CULTURAL HERITAGE
description: A hand plane used for shaping wood by hand. To reduce thickness and smooth the surface of the wood. Used by pushing the plane away from the user with both hands. Hand planes have been used since the Romans and continued through Medieval Europe and Asia. Tool used in boat building.
type: Physical Object

Aylesbury, England
source: places
contributor: eulac3d
type: Site

Ayuntamiento de Sinarcas
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

BABB, A.
type: Person

BABB, AJMES
type: Person

BABB, DONALD
type: Person

BABB, GARNETT
type: Person

BABB, GILBERT
type: Person

BABB, HEZEKIAH
type: Person

BABB, JAMES
type: Person

BABB, JAMES
type: Person

BABB, JAMES
type: Person

BABB, JAMES
type: Person

BABB, JAMES
type: Person

BABB, JOSEPH
type: Person

BABB, JOSEPH
type: Person

BABB, JOSEPH
type: Person

BABB, THEODORE
type: Person

BABB, THOMAS
type: Person

Bacchanal Jamaica Mas Camp
source: Carnival
type: Carnival

BADNOCK, STANLEY
type: Person

BAILEY, ADOLPHUS
type: Person

BAILEY, ARNOLD
type: Person

BAILEY, CECIL
type: Person

BAILEY, CHARLES
type: Person

BAILEY, CHARLES
type: Person

BAILEY, CLARENCE
type: Person

BAILEY, COLERIDGE
type: Person

BAILEY, FITZ
type: Person

BAILEY, FRANK
type: Person

BAILEY, GILBERT
type: Person

BAILEY, HAYNES
type: Person

BAILEY, HENRY
type: Person

BAILEY, JAMES
type: Person

BAILEY, JAMES
type: Person

BAILEY, JOSEPH
type: Person

BAILEY, JOSEPH
type: Person

BAILEY, JOSEPH
type: Person

BAILEY, MORTIMER
type: Person

BAILEY, REYNOLD
type: Person

BAILEY, SAMUEL
type: Person

BAILEY, SAMUEL
type: Person

BAILEY, THOMAS
type: Person

BAILEY, WALTER
type: Person

BAILEY, WILLIAM
type: Person

BAIRD, ALLAN
type: Person

BAIRD, CHRISTOPHER
type: Person

BAIRD, EDWARD
type: Person

BAIRD, LESLIE
type: Person

BAIRD, NATHANIEL
type: Person

BAIRD, OSBOURNE
type: Person

BAKER, EDWARD
type: Person

BAKER, ERNEST
type: Person

BAKER, JAMES
type: Person

BAKER, JOSEPH
type: Person

BAKER, WILLIAM
type: Person

BALSOM, ERNEST
type: Person

Baltimore Caribbean-American Festival
source: Carnival
type: Carnival

BALTRAM, SAMUEL
type: Person

BANFIELD, AYRE
type: Person

BANFIELD, FRDERICK
type: Person

BANFIELD, GORDON
type: Person

BANFIELD, OSCAR
type: Person

Bangor Ridge, Portland, Jamaica
source: places
contributor: eulac3d
type: Site

BANNISTER, BERESFORD
type: Person

BANNISTER, EDWARD
type: Person

BANNISTER, EDWIN
type: Person

Barbados
source: places
contributor: eulac3d
type: Site

Barbados Bullfinch/Sparrow
subject: CULTURAL HERITAGE,NATURAL HERITAGE
description: The Barbados bullfinch is a small bird, 14–15 cm (5.5–6 in). The upperparts are a dark olive-grey, the wings are mostly brown, underparts are greyish, while the under tail-coverts are tawny. The species is not sexually dimorphic, with females and males having similar plumage. The birds' calls include simple twittering, an occasional harsh petulant note, and a sharp trill
type: 3D Object

Barbados Bullfinch/Sparrow
subject: CULTURAL HERITAGE,NATURAL HERITAGE
description: The Barbados bullfinch is a small bird, 14–15 cm (5.5–6 in). The upperparts are a dark olive-grey, the wings are mostly brown, underparts are greyish, while the under tail-coverts are tawny. The species is not sexually dimorphic, with females and males having similar plumage. The birds' calls include simple twittering, an occasional harsh petulant note, and a sharp trill
type: Physical Object

Barbados Community College
subject: CULTURAL HERITAGE,PEOPLE
description: Barbados Community College 2018 Michelle Hinkson-Cox Co-ordinator for the Theatre Arts Programme at BCC Students Brianna Gibbs Danielle Sanson Dylan Collymore Malaika Croney Melissa Hunte Rayna Garnes Romario Cottoy Richenda Harewood Selena Williamson Tamina White
creator: Barbados Community College
source: Contributers
date: 2018:11:14 16:34:06
format: image/jpeg
language: English
type: Still Image

Barbados Community College Class
subject: CULTURAL HERITAGE,PEOPLE
description: Barbados Community College 2018 Michelle Hinkson-Cox Co-ordinator for the Theatre Arts Programme at BCC Students Brianna Gibbs Danielle Sanson Dylan Collymore Malaika Croney Melissa Hunte Rayna Garnes Romario Cottoy Richenda Harewood Selena Williamson Tamina White
creator: Barbados Community College
source: Contributers
date: 2018
format: image/jpeg
language: English
type: Still Image

Barbados Concorde Experience
source: Museums
publisher: CINE
type: Museum

Barbados Drone Footage
subject: Barbados Drone Footage
description: Drone footage of the Barbados Museum and Historical Society
creator: Smart History
publisher: EULAC
type: Moving Image

Barbados Iron 2
type: Photogrammetry

Barbados Island Tour
source: workshops,caribworkshops
type: Tour

Barbados Museum & Historical Society garrison view from above
subject: CULTURAL HERITAGE,ARCHAEOLOGY AND BUILT HERITAGE,HISTORY,RECREATION AND TOURISM,SOCIAL HISTORY
description: Barbados Museum & Historical Society view from above, showing the lay out of the original garrison.
source: workshops,caribworkshops
contributor: eulac3d
format: image/png
type: Still Image

Barbados Museum and Historical Society
description: The Barbados Museum and Historical Society (BMHS) is a non-profit, non-governmental organization with a membership of over 1,000 individuals and companies. A fourteen-member Council and the Director are responsible for its policies and operation. Nine council members are elected annually from the membership of the BMHS; the remaining five are appointed by Government.
source: workshops,caribworkshops,Museums,museumvisits,community
type: Museum

Barbados Museum and Historical Society
description: The Barbados Museum and Historical Society (BMHS) is a non-profit, non-governmental organization with a membership of over 1,000 individuals and companies. A fourteen-member Council and the Director are responsible for its policies and operation. Nine council members are elected annually from the membership of the BMHS; the remaining five are appointed by Government.
source: workshops,caribworkshops,Museums
type: Collection

Barbados Museum and Historical Society
source: workshops,caribworkshops
type: Tour

Barbados Museum and Historical Society
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Barbados Penny Whistle
publisher: EULAC
format: image/jpeg JPEG Image
type: Photogrammetry

Barbaos Iron Ball
type: Photogrammetry

BARKER, AUBREY
type: Person

BARKER, DALESTON
type: Person

BARKER, FITZ
type: Person

BARKER, HILTON
type: Person

BARKER, JONATHAN
type: Person

BARKER, JOSEPH
type: Person

BARKER, MARCUS
type: Person

BARKER, PERCY
type: Person

BARKER, PERCY
type: Person

BARKER, RICHARD
type: Person

BARNETT, BENJAMIN
type: Person

BARNETT, DUDLEY
type: Person

BARNETT, HAROLD
type: Person

BARNWELL, JOSEPH
type: Person

Baroness Patricia Scotland
subject: arrival
description: Queens Council and joint first black woman peer, Patricia Scotland was born in Dominica in 1956, and arrived in Britain at the age of 2 along with 10 other siblings. As she grew she took a liking for dance and wanted to be a modern expressionist ballet dancer at 16. She later attended university and distinguished herself as a lawyer before entering the political arena in 1977, where she was called to the bar and served two terms of government for Labour firstly in the Foreign and Commonwealth Office as Foreign Office Minister working for the home department at the Lord Chancellor's Office. There she is effectively number two to Lord Irvine of Largs and the lead minister on immigration and asylum matters, legal aid, legal services and the development of Civil Law in the UK In 1991 she made legal history becoming the first black female QC (Queens Counsel) at the age of 35. She was made a bencher of the Middle Temple in 1997, becoming a judge in 1999, and raised to the Privy Council in 2001. She is also a member of the bar in Antigua and Dominica. In 1997 she was created a peer as Baroness Scotland of Asthal, in the County of Oxfordshire. Baroness Scotland has received numerous awards and commendations including an honorary degree from the University of Westminster for services to law, government, social justice and International affairs. Among her other accomplishments is or has been Chair of HMG Caribbean Advisory Group; Dominican Representative of the Council of British Commonwealth Ex-Services League; Member of the Lawyers' Christian Fellowship; Member of the BBC World Service Consultative Group Lifeline (Trinidad & Tobago); Honorary Fellow of Wolfson College, Cambridge, Member of The Millennium Commission; Patron of the Women and Children's Welfare Fund. She has specialized in family and public law and has chaired and represented parties in a number of major inquiries relating to Child Abuse, Mental Health and Housing.
source: stories,arrival
date: 1958
type: Story

Baroness Patricia Scotland
description: Queens Council and joint first black woman peer, Patricia Scotland was born in Dominica in 1956, and arrived in Britain at the age of 2 along with 10 other siblings. As she grew she took a liking for dance and wanted to be a modern expressionist ballet dancer at 16. She later attended university and distinguished herself as a lawyer before entering the political arena in 1977, where she was called to the bar and served two terms of government for Labour firstly in the Foreign and Commonwealth Office as Foreign Office Minister working for the home department at the Lord Chancellor's Office. There she is effectively number two to Lord Irvine of Largs and the lead minister on immigration and asylum matters, legal aid, legal services and the development of Civil Law in the UK In 1991 she made legal history becoming the first black female QC (Queens Counsel) at the age of 35. She was made a bencher of the Middle Temple in 1997, becoming a judge in 1999, and raised to the Privy Council in 2001. She is also a member of the bar in Antigua and Dominica. In 1997 she was created a peer as Baroness Scotland of Asthal, in the County of Oxfordshire. Baroness Scotland has received numerous awards and commendations including an honorary degree from the University of Westminster for services to law, government, social justice and International affairs. Among her other accomplishments is or has been Chair of HMG Caribbean Advisory Group; Dominican Representative of the Council of British Commonwealth Ex-Services League; Member of the Lawyers' Christian Fellowship; Member of the BBC World Service Consultative Group Lifeline (Trinidad & Tobago); Honorary Fellow of Wolfson College, Cambridge, Member of The Millennium Commission; Patron of the Women and Children's Welfare Fund. She has specialized in family and public law and has chaired and represented parties in a number of major inquiries relating to Child Abuse, Mental Health and Housing.
date: 1955-08-19
type: Person

Baroness Valerie Amos
description: Baroness Valerie Amos was the first black woman cabinet minister and joint first black woman peer and recently appointed Leader of the House of Lords, the third woman in history to lead the upper house of Parliament. Baroness Amos is one of three black peers that sit in the House of Lords. She was created a life peer in 1997. She is what is referred as 'a working peer', and is currently the Secretary of State for International Development. Born in March 1954 in Guyana, Valerie Ann Amos began her career in local government, working in various London boroughs from 1981 to 1989. She was educated at Townley Grammar School for Girls before completing a degree in sociology at Warwick University in 1976, a master's degree in cultural studies from Birmingham University in 1977 and doctoral research at University of East Anglia. Prior to her appointment as Secretary of State for International Development, Baroness Amos was appointed Parliamentary Under-Secretary for Foreign & Commonwealth Affairs in June 2001 with responsibility for Africa, the Commonwealth, the Caribbean, Overseas Territories, Consular Issues and FCO Personnel. Previously she was the Government Whip from 1998 to 2001 and a co-opted member, European Union Sub-committee F (Social Affairs, Education and Home Affairs) from 1997-98. She was spokesperson for social security 1998-2001, international development since 1998, women's issues 1998-2001, and foreign and commonwealth office 2001. She was chief executive of the Equal Opportunities Commission from 1989 to 1994, and then director of Amos Fraser Bernard from 1995 to 1998. She was deputy chair of the Runnymede Trust, a trustee of Institute of Public Policy Research and involved in Project Hope, an NGO which promotes healthcare. Her charity works involved being the chair of the board of governors at Royal College of Nursing Institute from 1994 to 1998 and one of the directors of Hampstead Theatre.
source: stories,westindians
date: 1954-03-13
type: Person

Baroness Valerie Amos
subject: arrival,settlingin
description: Baroness Valerie Amos was the first black woman cabinet minister and joint first black woman peer and recently appointed Leader of the House of Lords, the third woman in history to lead the upper house of Parliament. Baroness Amos is one of three black peers that sit in the House of Lords. She was created a life peer in 1997. She is what is referred as 'a working peer', and is currently the Secretary of State for International Development. Born in March 1954 in Guyana, Valerie Ann Amos began her career in local government, working in various London boroughs from 1981 to 1989. She was educated at Townley Grammar School for Girls before completing a degree in sociology at Warwick University in 1976, a master's degree in cultural studies from Birmingham University in 1977 and doctoral research at University of East Anglia. Prior to her appointment as Secretary of State for International Development, Baroness Amos was appointed Parliamentary Under-Secretary for Foreign & Commonwealth Affairs in June 2001 with responsibility for Africa, the Commonwealth, the Caribbean, Overseas Territories, Consular Issues and FCO Personnel. Previously she was the Government Whip from 1998 to 2001 and a co-opted member, European Union Sub-committee F (Social Affairs, Education and Home Affairs) from 1997-98. She was spokesperson for social security 1998-2001, international development since 1998, women's issues 1998-2001, and foreign and commonwealth office 2001. She was chief executive of the Equal Opportunities Commission from 1989 to 1994, and then director of Amos Fraser Bernard from 1995 to 1998. She was deputy chair of the Runnymede Trust, a trustee of Institute of Public Policy Research and involved in Project Hope, an NGO which promotes healthcare. Her charity works involved being the chair of the board of governors at Royal College of Nursing Institute from 1994 to 1998 and one of the directors of Hampstead Theatre
source: stories,arrival,settlingin
type: Story

Baroness Valerie Amos Photo
source: westindians
contributor: eulac3d
format: image/jpeg
type: Still Image

Barrel
description: Part of the collection of the Unst Community Museum. For many hundreds of years Unst has been in the midst of one of the richest fishing grounds in the world. The small wooden boats fished for cod and ling which were cleaned, split, salted and dried on the stony beaches. The dried fish were then shipped abroad in massive quantities. Boats like the sixereen ‘FAR HAAF’ were capable of fishing thirty miles off shore., while sturdy fourereens fished nearer the coast. With the onset of sudden storms there were disastrous results.
publisher: EULAC
format: text/plain Alias/WaveFront Object
type: 3D Object

Barrel
description: Part of the collection of the Unst Community Museum. For many hundreds of years Unst has been in the midst of one of the richest fishing grounds in the world. The small wooden boats fished for cod and ling which were cleaned, split, salted and dried on the stony beaches. The dried fish were then shipped abroad in massive quantities. Boats like the sixereen ‘FAR HAAF’ were capable of fishing thirty miles off shore., while sturdy fourereens fished nearer the coast. With the onset of sudden storms there were disastrous results.
type: Physical Object

Barril de madera - Wooden barrel
subject: CULTURAL HERITAGE
description: Barril en proceso de fabricación formado por 12 tiras de madera unidas por tres anillos de hierro. Barrel in process of manufacture formed by 12 strips of wood joined by three rings of iron
creator: unknown
format: text/plain Alias/WaveFront Object
language: Catalan (valencian)
type: 3D Object

Barril de madera - Wooden barrel
subject: CULTURAL HERITAGE
description: Barril en proceso de fabricación formado por 12 tiras de madera unidas por tres anillos de hierro. Barrel in process of manufacture formed by 12 strips of wood joined by three rings of iron
creator: unknown
language: Catalan (valencian)
type: Physical Object

BARROW, ARTHUR
type: Person

BARROW, CLARENCE
type: Person

BARROW, CLEMENT
type: Person

BARROW, DANIEL
type: Person

BARROW, DANIEL
type: Person

BARROW, GEORGE
type: Person

BARROW, J
type: Person

BARROW, JAMES
type: Person

BARROW, JOSEPH
type: Person

BARROW, JOSEPH
type: Person

BARROW, JOSEPH
type: Person

BARROW, JOSEPH
type: Person

BARROW, JOSEPH
type: Person

BARROW, SAMUEL
type: Person

BARROW, SAMUEL
type: Person

BARROW, WALTER
type: Person

BARROW, WILLIAM
type: Person

BARROW, WILLIAM
type: Person

BARROW, WILLIAM
type: Person

BARTER, JOHN
type: Person

BARTLETT, CHAS
type: Person

BARTLETT, JAMES
type: Person

BARTON , EMERSON
type: Person

BARTON, HENRY
type: Person

BARTON, MCDONALD
type: Person

BASCOM, EDMUND
type: Person

BASCOM, PHILIP
type: Person

BASCOM, WILLIAM
type: Person

BASCOMB, CHARLES
type: Person

BASCOMB, CHRISTOPHER
type: Person

BASCOMB, GEORGE
type: Person

BASCOMB, HERBERT
type: Person

BASCOMB, JAMES
type: Person

BASCOMB, JAMES
type: Person

BASCOMB, JOSEPH
type: Person

BASCOMB, REUBEN
type: Person

BASCOMBE, HRBERT
type: Person

BASCOMBE, JOSEPH
type: Person

BASCOMBE, SIMEON
type: Person

Batabano Cayman
source: Carnival
type: Carnival

BATES, WILLIAM
type: Person

BATSON, ALEXANDER
type: Person

BATSON, ARNOLD
type: Person

BATSON, CHARLES
type: Person

BATSON, CHARLES
type: Person

BATSON, EDWARD
type: Person

BATSON, GEORGE
type: Person

BATSON, JAMES
type: Person

BATSON, JAMES
type: Person

BATSON, JOHN
type: Person

BATSON, JOSEPH
type: Person

BATSON, JOSEPH
type: Person

BATSON, JOSHUA
type: Person

BATSON, REGINALD
type: Person

BATSON, RICHARD
type: Person

BATSON, SINCLAIR
type: Person

Battle of the Somme Football
subject: CULTURAL HERITAGE,HISTORY,SOCIAL HISTORY
description: Billie (Wilfred) Nevill was educated at Dover College. He left university on 5th August 1914 and applied for a commission as soon as Lord Kitchener asked for volunteers to fight in the Great War. In May 1916, Captain Nevill went home to England on leave. To provide his men with a familiar symbol from home he purchased two footballs - some say four - to take back to France. He hoped that his “team” would kick and dribble their way to the German trenches and so on to victory. On the first of July 1916, the first day on the Battle of the Somme, Captain Nevill, commanding B Company in the 8th (Service) Battalion, the East Surrey Regiment, issued each of his platoons with a football. He had offered a prize for the first man to score a goal into the German trenches. At 7.27 am, he climbed out of the trench, kicked off one of the footballs and advanced. The attack lasted over nine hours, and only about 250 men reached Breslau Trench unwounded. Nevill was shot in the head and killed just outside the German wire, in the first five minutes of the battle. He was 21. Two of the footballs were found the next day and returned to England. In Britain Nevill became a national hero standing for courage and strength of character, whilst in Germany his act was regarded as British madness. The second football perished in a fire in 2015.
source: waltertull
contributor: eulac3d
format: text/plain Alias/WaveFront Object
type: 3D Object

Battle of the Somme Football
subject: CULTURAL HERITAGE,HISTORY,SOCIAL HISTORY
description: Billie (Wilfred) Nevill was educated at Dover College. He left university on 5th August 1914 and applied for a commission as soon as Lord Kitchener asked for volunteers to fight in the Great War. In May 1916, Captain Nevill went home to England on leave. To provide his men with a familiar symbol from home he purchased two footballs - some say four - to take back to France. He hoped that his “team” would kick and dribble their way to the German trenches and so on to victory. On the first of July 1916, the first day on the Battle of the Somme, Captain Nevill, commanding B Company in the 8th (Service) Battalion, the East Surrey Regiment, issued each of his platoons with a football. He had offered a prize for the first man to score a goal into the German trenches. At 7.27 am, he climbed out of the trench, kicked off one of the footballs and advanced. The attack lasted over nine hours, and only about 250 men reached Breslau Trench unwounded. Nevill was shot in the head and killed just outside the German wire, in the first five minutes of the battle. He was 21. Two of the footballs were found the next day and returned to England. In Britain Nevill became a national hero standing for courage and strength of character, whilst in Germany his act was regarded as British madness. The second football perished in a fire in 2015.
source: waltertull
contributor: eulac3d
language: English
type: Physical Object

Battle of the Somme Football
description: Billie (Wilfred) Nevill was educated at Dover College. He left university on 5th August 1914 and applied for a commission as soon as Lord Kitchener asked for volunteers to fight in the Great War. In May 1916, Captain Nevill went home to England on leave. To provide his men with a familiar symbol from home he purchased two footballs - some say four - to take back to France. He hoped that his “team” would kick and dribble their way to the German trenches and so on to victory. On the first of July 1916, the first day on the Battle of the Somme, Captain Nevill, commanding B Company in the 8th (Service) Battalion, the East Surrey Regiment, issued each of his platoons with a football. He had offered a prize for the first man to score a goal into the German trenches. At 7.27 am, he climbed out of the trench, kicked off one of the footballs and advanced. The attack lasted over nine hours, and only about 250 men reached Breslau Trench unwounded. Nevill was shot in the head and killed just outside the German wire, in the first five minutes of the battle. He was 21. Two of the footballs were found the next day and returned to England. In Britain Nevill became a national hero standing for courage and strength of character, whilst in Germany his act was regarded as British madness. The second football perished in a fire in 2015.
source: waltertull
contributor: eulac3d
format: image/png
type: Still Image

BAYLEY, EVANS
type: Person

BAYNE, ARTHUR
type: Person

BAYNE, HERBERT
type: Person

BAYNE, HUBERT
type: Person

BECKLES, ALBERT
type: Person

BECKLES, ALFRED
type: Person

BECKLES, ALONZO
type: Person

BECKLES, BENJAMIN
type: Person

BECKLES, BROWNE
type: Person

BECKLES, CHARLES
type: Person

BECKLES, CHARLES
type: Person

BECKLES, CHAS
type: Person

BECKLES, CHESTERFIELD
type: Person

BECKLES, CYRIL
type: Person

BECKLES, EBENEZER
type: Person

BECKLES, EDWARD
type: Person

BECKLES, ERNEST
type: Person

BECKLES, ERNEST
type: Person

BECKLES, FITZ
type: Person

BECKLES, FRANCIS
type: Person

BECKLES, HOWARD
type: Person

BECKLES, HUBERT
type: Person

BECKLES, JAMES
type: Person

BECKLES, JAMES
type: Person

BECKLES, JAMES
type: Person

BECKLES, JOHN
type: Person

BECKLES, JOSEPH
type: Person

BECKLES, JOSEPH
type: Person

BECKLES, JOSEPH
type: Person

BECKLES, JOSEPH
type: Person

BECKLES, JOSEPH
type: Person

BECKLES, JOSEPH
type: Person

BECKLES, JOSHUA
type: Person

BECKLES, LEON
type: Person

BECKLES, REID
type: Person

BECKLES, SAMUEL
type: Person

BECKLES, SAMUEL
type: Person

BECKLES, STEPHEN
type: Person

BECKLES, THOMAS
type: Person

BECKLES, WILLIAM
type: Person

BECKLES, WILLIAM
type: Person

BEDFORD, CHARLES
type: Person

BEDFORD, JAMES
type: Person

BEDFORD, JAMES
type: Person

BEDFORD, SAMUEL
type: Person

Belfast
source: places
contributor: eulac3d
type: Site

BELGRAVE, A GEORGE
type: Person

BELGRAVE, ALLAN
type: Person

BELGRAVE, ARNOLD
type: Person

BELGRAVE, AUBREY
type: Person

BELGRAVE, CHRISTOPHER
type: Person

BELGRAVE, CLEMENT
type: Person

BELGRAVE, FREDERICK
type: Person

BELGRAVE, GEORGE
type: Person

BELGRAVE, HENRY
type: Person

BELGRAVE, HILARY
type: Person

BELGRAVE, HUBERT
type: Person

BELGRAVE, JAMES
type: Person

BELGRAVE, JAMES
type: Person

BELGRAVE, JOHN
type: Person

BELGRAVE, JOSEPH
type: Person

BELGRAVE, LEVI
type: Person

BELGRAVE, LOVELL
type: Person

BELGRAVE, MANEY
type: Person

BELGRAVE, MILTON
type: Person

BELGRAVE, NATHANIEL
type: Person

BELGRAVE, PERCY
type: Person

BELGRAVE, PRESTON
type: Person

BELGRAVE, PRINCE
type: Person

BELGRAVE, SAM
type: Person

BELGRAVE, SAMUEL
type: Person

BELGRAVE, SOLOMOM
type: Person

BELGRAVE, WILLIAM
type: Person

Belize
source: Map
type: Migration

Belize
source: places
contributor: eulac3d
type: Site

Belize Carnival
source: Carnival
type: Carnival

Bell
subject: CULTURAL HERITAGE
description: This is a typical school bell, and is in the collection of the Barbados Museum & Historical Society as one of the visual indicators of the history of education on the island. The foundations of education in Barbados were laid by the philanthropic efforts of private individuals and by the humanitarian interest of the Churches. Most of the existing older public secondary schools were founded by endowments originally intended for the education of white children, during colonization and the period of enslavement. The elementary schools grew out of the modest attempts by the Anglican, Moravian and Methodist Churches to give a Christian education to the enslaved in the period preceding emancipation. These efforts were intensified in the postemancipation period, that is, after 1834, and the setting up of small schools near the church became a common feature of the work of the church in those days. Although the legislature gradually took into its own hands the financing and administration of education, there has remained a close association with the Anglican, Moravian and Methodist Churches as far as education is concerned. The present system developed largely from the 1890 Education Act, which established rigid distinctions between and even within levels of education. In 1932, the Marriot-Mayhew Commission carried out a comprehensive investigation of the Barbados’ educational service. It recommended additional educational programs to cater to specific groups, especially teachers, and to the wider community. As a result, a new Teachers' Training College was opened, new secondary schools were established, and a loan fund was created to assist individuals in obtaining higher education abroad. Technical and vocational training was also introduced. A new Education Act emerged in 1981 that sought to provide greater equality of opportunity. Once universal access to basic education was achieved, the country turned its attention toward reform of the education system to stay current…
format: text/plain Alias/WaveFront Object
type: 3D Object

Bell
subject: CULTURAL HERITAGE
description: This is a typical school bell, and is in the collection of the Barbados Museum & Historical Society as one of the visual indicators of the history of education on the island. The foundations of education in Barbados were laid by the philanthropic efforts of private individuals and by the humanitarian interest of the Churches. Most of the existing older public secondary schools were founded by endowments originally intended for the education of white children, during colonization and the period of enslavement. The elementary schools grew out of the modest attempts by the Anglican, Moravian and Methodist Churches to give a Christian education to the enslaved in the period preceding emancipation. These efforts were intensified in the postemancipation period, that is, after 1834, and the setting up of small schools near the church became a common feature of the work of the church in those days. Although the legislature gradually took into its own hands the financing and administration of education, there has remained a close association with the Anglican, Moravian and Methodist Churches as far as education is concerned. The present system developed largely from the 1890 Education Act, which established rigid distinctions between and even within levels of education. In 1932, the Marriot-Mayhew Commission carried out a comprehensive investigation of the Barbados’ educational service. It recommended additional educational programs to cater to specific groups, especially teachers, and to the wider community. As a result, a new Teachers' Training College was opened, new secondary schools were established, and a loan fund was created to assist individuals in obtaining higher education abroad. Technical and vocational training was also introduced. A new Education Act emerged in 1981 that sought to provide greater equality of opportunity. Once universal access to basic education was achieved, the country turned its attention toward reform of the education system to stay current…
type: Physical Object

Bell Pettigrew Museum
description: The Bell Pettigrew Museum is the University of St Andrews zoology museum. It is a rare survival of a Victorian teaching museum, and wonderfully atmospheric. The displays, which include examples of several extinct species, are arranged to allow the evolutionary and taxonomic relationships between animals to be clearly understood.
publisher: EU-LAC
language: English
type: Tour

BELL, BENJAMIN
type: Person

BELLAMY, CHARLES
type: Person

BELLAMY, FRANK
type: Person

BELLAMY, JAMES
type: Person

BELLAMY, JAMES
type: Person

BELLAMY, JOHN
type: Person

BELLAMY, RICHARD
type: Person

BELLAMY, ST CLAIR
type: Person

BELLE, ADELBERT
type: Person

BELLE, AUBREY
type: Person

BELLE, CLARENCE
type: Person

BELLE, EDWARD
type: Person

BELLE, EDWARD
type: Person

BELLE, GEORGE
type: Person

BELLE, GEORGE
type: Person

BELLE, GERALD
type: Person

BELLE, HENRY
type: Person

BELLE, JAMES
type: Person

BELLE, JOHN
type: Person

BELLE, JOSEPH
type: Person

BELLE, JOSEPHUS
type: Person

BELLE, PERLEY
type: Person

BELLE, REGINALD
type: Person

BELLE, SAMUEL
type: Person

BELLE, SAMUEL
type: Person

BELLE, WILLIAM
type: Person

Belmont, Port-of-Spain, Trinidad
source: places
contributor: eulac3d
type: Site

BEND, ALVO
type: Person

BEND, JAMES
type: Person

BEND, JOSEPH
type: Person

BEND, MANASSA
type: Person

BEND, WILLIAM
type: Person

BEND, WILLIAM
type: Person

BENJAMIN, BROWN
type: Person

BENJAMIN, JOSEPH
type: Person

BENN, JAMES
type: Person

BENN, JAMES
type: Person

BENN, JAMES
type: Person

BENNETT, ALBERT
type: Person

BENNETT, BENJAMIN
type: Person

BENNETT, BENJAMIN
type: Person

BENNETT, CHARLES
type: Person

BENNETT, JAMES
type: Person

BENNETT, JOSEPH
type: Person

BENSKIN, BERNEST
type: Person

BENSKIN, CHARLES
type: Person

BENTHAM, FREDERICK
type: Person

BENTHAM, JOSEPH
type: Person

BENTHAN, WILLIAM
type: Person

Berbice, Guyana
source: places
contributor: eulac3d
type: Site

BERKELEY, JORDAN
type: Person

BERKLEY, ALONZO
type: Person

BERKLEY, NATHANIEL
type: Person

Bermuda Heroes Weekend
source: Carnival
type: Carnival

BEST , ADOLFUS
type: Person

BEST , HARRY
type: Person

BEST, ??
type: Person

BEST, ALBERT
type: Person

BEST, ALFRED
type: Person

BEST, CHARLES
type: Person

BEST, CHARLES
type: Person

BEST, CLEIGHTON
type: Person

BEST, D
type: Person

BEST, ERNEST
type: Person

BEST, GABRIEL
type: Person

BEST, GEORGE
type: Person

BEST, JAMES
type: Person

BEST, JAMES
type: Person

BEST, JAMES
type: Person

BEST, JAMES
type: Person

BEST, JOHN
type: Person

BEST, JOSEPH
type: Person

BEST, JOSEPH
type: Person

BEST, JULIEN
type: Person

BEST, LEWIS
type: Person

BEST, NATHAN
type: Person

BEST, OSCAR
type: Person

BEST, REGINALD
type: Person

BEST, REGINALD
type: Person

BEST, REUBEN
type: Person

BEST, ROBERT
type: Person

BEST, SAMUEL
type: Person

BEST, SIMEON
type: Person

BEST, THOMAS
type: Person

BEST, TIMOTHY
type: Person

BEST, WILLIAM
type: Person

BETHEL, RICHARD
type: Person

BI1
type: Panorama

BI2
type: Panorama

BI3
type: Panorama

BI4
type: Panorama

BI5
type: Panorama

BI6
type: Panorama

BIBBY, WILLIAM
type: Person

BIBBY, WILLIAM
type: Person

Bica romana - Roman fountain spout
subject: CULTURAL HERITAGE
description: Bico romano de fonte de jardim com rosto humano e corimbus no topo da cabeça, feito de bronze. A boca é a abertura para a passagem da água. A parte de trás é plana com restos de chumbo que se conectariam a um duto de água. Roman garden fountain spout with human face and corymbus on top of its head, made out of bronze. The mouth is the opening for the water to pass through. The back side is flat with remains of lead that would have connected to a water duct.
format: text/plain Alias/WaveFront Object
type: 3D Object

Bica romana - Roman fountain spout
subject: CULTURAL HERITAGE
description: Bico romano de fonte de jardim com rosto humano e corimbus no topo da cabeça, feito de bronze. A boca é a abertura para a passagem da água. A parte de trás é plana com restos de chumbo que se conectariam a um duto de água. Roman garden fountain spout with human face and corymbus on top of its head, made out of bronze. The mouth is the opening for the water to pass through. The back side is flat with remains of lead that would have connected to a water duct.
type: Physical Object

Big Metal Mask
language: English
type: 3D Object

Big Metal Mask
language: English
type: Physical Object

BINDON, JAMES
type: Person

BIRCH, DONALD
type: Person

BIRCH, DONALD
type: Person

BIRLTELL, ?
type: Person

Birmingham
source: places
contributor: eulac3d
type: Site

Birmingham International Carnival
source: Carnival
type: Carnival

Bishop Wilfred Wood KA
subject: arrival
description: Wilfred Denniston Wood KA (born 15 June 1936) was Bishop of Croydon from 1985 to 2003, the first black bishop in the Church of England Born in Barbados to Wilfred Coward and Elsie Elmira Wood, in Proute, St Thomas, Wood [later Sir Wilfred] attended Southborough Boys’ Primary School and Combermere School. Having being ordained Deacon on the island after completion of studies in 1962, Bishop Wood’s journey had just begun as he was sent to the Diocese of London, first serving in a parish called St. Stephen’s Shepherd’s Bush, where he served as a curate, then honorary curate, of St Thomas with St Stephen, Shepherd’s Bush, until 1974. He soon came to wider attention in Britain for speaking out on racial injustice. In 1974 he joined the Diocese of Southwark, where he stayed until his retirement. In 1977 he was appointed Rural Dean of East Lewisham and Honorary Canon of Southwark Cathedral. He was Archdeacon of Southwark from 1982 until his consecration as Bishop of Croydon in 1985, where he oversaw the Croydon Episcopal Area and assisted the Bishop of Southwark. Throughout his Ministry, Bishop Wood had a strong interest in race relations and social justice in London, as it was for this interest that he was appointed the Bishop of London Officer in race relations, also serving on a number of other important boards, from 1978 to 1981.
source: stories,arrival
date: 1962
type: Story

Bishop Wilfred Wood KA
description: Wilfred Denniston Wood KA (born 15 June 1936) was Bishop of Croydon from 1985 to 2003, the first black bishop in the Church of England Born in Barbados to Wilfred Coward and Elsie Elmira Wood, in Proute, St Thomas, Wood [later Sir Wilfred] attended Southborough Boys’ Primary School and Combermere School. Having being ordained Deacon on the island after completion of studies in 1962, Bishop Wood’s journey had just begun as he was sent to the Diocese of London, first serving in a parish called St. Stephen’s Shepherd’s Bush, where he served as a curate, then honorary curate, of St Thomas with St Stephen, Shepherd’s Bush, until 1974. He soon came to wider attention in Britain for speaking out on racial injustice. In 1974 he joined the Diocese of Southwark, where he stayed until his retirement. In 1977 he was appointed Rural Dean of East Lewisham and Honorary Canon of Southwark Cathedral. He was Archdeacon of Southwark from 1982 until his consecration as Bishop of Croydon in 1985, where he oversaw the Croydon Episcopal Area and assisted the Bishop of Southwark. Throughout his Ministry, Bishop Wood had a strong interest in race relations and social justice in London, as it was for this interest that he was appointed the Bishop of London Officer in race relations, also serving on a number of other important boards, from 1978 to 1981.
source: westindians
date: 1936-06-15
type: Person

BISHOP, ADOLPHUS
type: Person

BISHOP, ARNOLD
type: Person

BISHOP, CHARLES
type: Person

BISHOP, CHAS
type: Person

BISHOP, CHRISTOPHER
type: Person

BISHOP, EDGAR
type: Person

BISHOP, EDMUND
type: Person

BISHOP, EDWARD
type: Person

BISHOP, FITZ
type: Person

BISHOP, FITZ
type: Person

BISHOP, HEZEKIAH
type: Person

BISHOP, JAMES
type: Person

BISHOP, JOSEPH
type: Person

BISHOP, JULIAN
type: Person

BISHOP, NATHANIEL
type: Person

BISHOP, NATHANIEL
type: Person

BISHOP, SAMUEL
type: Person

BISHOP, THEOPHILUS
type: Person

BISHOP, THOMAS
type: Person

BISHOP, WALTER
type: Person

BISHOP, WILLIAM
type: Person

Bishops Stortford
source: places
contributor: eulac3d
type: Site

BISPHAM, JOSEPHUS
type: Person

Black Bear Skull
description: Black Bear Skull from the collections in the Bell Pettigrew Natural History, part of the Museums of the University of St Andrews.
source: workshops
format: text/plain Alias/WaveFront Object
type: 3D Object

Black Bear Skull
description: Black Bear Skull - The Bell Pettigrew Museum Teaching Collection
type: Physical Object

Black Ceramic Jug
description: Museums of the University of St Andrews
source: workshops
format: text/plain Alias/WaveFront Object
type: 3D Object

Black Ceramic Jug - Bridges Collection
description: The Bridges Collection
type: Physical Object

BLACKETT, ALBERT
type: Person

BLACKETT, CLEMENT
type: Person

BLACKETT, CONRAD
type: Person

BLACKETT, CYRIL
type: Person

BLACKETT, DAVID
type: Person

BLACKETT, EDMUND
type: Person

BLACKETT, EDWIN
type: Person

BLACKETT, ENRICO
type: Person

BLACKETT, ERNEST
type: Person

BLACKETT, ISAIAH
type: Person

BLACKETT, JOSEPH
type: Person

BLACKETT, LUTHER
type: Person

BLACKETT, NATHANIEL
type: Person

BLACKETT, SAMUEL
type: Person

BLACKETT, SAMUEL
type: Person

BLACKETTT, EDWARD
type: Person

BLACKMAN, ARTHUR
type: Person

BLACKMAN, AUGUSTUS
type: Person

BLACKMAN, AUGUSTUS
type: Person

BLACKMAN, CHAS
type: Person

BLACKMAN, FITZ
type: Person

BLACKMAN, FITZ
type: Person

BLACKMAN, FREDERICK
type: Person

BLACKMAN, FREDERICK
type: Person

BLACKMAN, GEORGE
type: Person

BLACKMAN, J
type: Person

BLACKMAN, JAMES
type: Person

BLACKMAN, JAMES
type: Person

BLACKMAN, JAMES
type: Person

BLACKMAN, JAMES
type: Person

BLACKMAN, JAMES
type: Person

BLACKMAN, JOSEPH
type: Person

BLACKMAN, JOSEPH
type: Person

BLACKMAN, JOSEPH
type: Person

BLACKMAN, PERCY
type: Person

BLACKMAN, PRINCE
type: Person

BLACKMAN, RICHARD
type: Person

BLACKMAN, ROBERT
type: Person

BLACKMAN, SAMUEL
type: Person

BLACKMAN, SAMUEL
type: Person

BLACKMAN, SAMUEL
type: Person

BLACKMAN, SAMUEL
type: Person

BLACKMAN, SYDNEY
type: Person

BLACKMAN, WILFRED
type: Person

BLACKMAN, WILLIAM
type: Person

BLACKMAN, WILLIAM
type: Person

Blackware Paccha
subject: CULTURAL HERITAGE
description: Una vasija Balckware usada para ceremonias con agua. A Blackware vessel used for ceremonies with water.
format: text/plain Alias/WaveFront Object
type: 3D Object

Blackware Paccha
subject: CULTURAL HERITAGE
description: Una vasija Balckware usada para ceremonias con agua. A Blackware vessel used for ceremonies with water.
type: Physical Object

BLACKWOOD, GEORGE
type: Person

BLADES, EDWIN
type: Person

BLADES, HUBERT
type: Person

BLADES, JAMES
type: Person

BLADES, JAMES
type: Person

BLADES, JOSEPH
type: Person

BLADES, JOSHUA
type: Person

BLADES, WALTER
type: Person

BLAKE, MORTIMER
type: Person

BLANCHETT, ?
type: Person

BLANCHETT, JAMES
type: Person

BLEDMAN, AARON
type: Person

BLEDMAN, ARTHUR
type: Person

BLEDMAN, CHAS
type: Person

BLEDMAN, GEORGE
type: Person

BLEDMAN, JAMES
type: Person

BLEDMAN, JOHN
type: Person

BLEDMAN, JOSEPH
type: Person

BLEDMAN, SINCLAIR
type: Person

BLENMAN, ALFRED
type: Person

BLENMAN, AUGUSTUS
type: Person

BLENMAN, CHESTERFIELD
type: Person

BLENMAN, DAVID
type: Person

BLENMAN, EDWIN
type: Person

BLENMAN, FITZ
type: Person

BLENMAN, JAMES
type: Person

BLENMAN, JOSEPH
type: Person

BLUNT, ADOLPHUS
type: Person

BLUNT, ALBERT
type: Person

BLUNT, ALONZO
type: Person

BLUNT, EDWARD
type: Person

BLUNT, JAMES
type: Person

BM1
type: Panorama

BM2
type: Panorama

BM3
type: Panorama

BM4
type: Panorama

BM5
type: Panorama

BM6
type: Panorama

BMHS 2019 Lecture Series: Dr Henderson Carter "Britain Needs Your Help"
source: Museums,barbadosmigration
contributor: eulac3d
type: Moving Image

BMHS 2019 Lecture: "Coming Home to Mother- Documenting the Migrant Experience" by Claude Graham
description: This lecture was a part of the 2019 Barbados Museum & Historical Society 2019 Lecture under the theme: "From Invitation to Deportation: 70 Years of Windrush Generation."
source: Museums,barbadosmigration
contributor: eulac3d
type: Moving Image

BMHS 2019 Migration Lecture Series
source: migration
publisher: EU-LAC
language: English
type: Collection

BMHS 2020 Lecture Series: Dr. Sharon Marshall- To Cuba and Back: Journeys From and To Barbados
source: Museums,barbadosmigration
contributor: eulac3d
type: Moving Image

BMHS 2020 Lecture Series: Prof. Pedro Welch
description: 2020 Lecture Series presented by the Barbados Museum & Historical Society under the theme "Buhbadus ta de World": Origins and Legacy of Barbadian Migration."
source: migration
contributor: eulac3d
type: Moving Image

BMHS 2020 Lecture Series: Sir Hilary Beckles
description: Sir Hilary Beckles on the topic "Barbadians in the UK after 1945" 2020 Lecture Series presented by the Barbados Museum & Historical Society, under the theme- "Buhbadus ta de World": Origins and Legacy of Barbadian Migration."
source: migration
contributor: eulac3d
type: Moving Image

BMHS 2020 Migration Lecture Series
source: migration
publisher: EU-LAC
language: English
type: Collection

BMHS Lecture '19: Have We Been Here Before: B'dos Windrush Generation from a Historical Perspective
source: Museums,barbadosmigration
contributor: eulac3d
type: Moving Image

Bob Marley Museum
description: The Bob Marley Museum is a museum in Kingston, Jamaica, dedicated to the reggae musician Bob Marley. The museum is located at 56 Hope Road, Kingston 6, and is Bob Marley's former place of residence.
source: Museums
type: Museum

Bodden Town Mission House, Grand Cayman
source: Museums
publisher: CINE
type: Museum

Bola de peidra - Stone ball / Petrosphere
description: Las bolas de piedra parecen detener el tiempo para que veamos la habilidad, ingenio y sabiduría de nuestros ancestros, quienes dominaron este territorio en los tiempos precolombinos. Principalmente por su cantidad, significado y casi perfección las esferas de piedra son únicas del Sur de Costa Rica, testimonio de las sociedades pasadas y por ende poseedoras de relevancia mundial. The Stone balls have held up the test time for us to see the ability, ingenuity and wisdom of our ancestors that dominated this territory in pre-Columbian times. Mostly for their quantity, significance and being almost perfect in shape, the stone spheres are unique to the south of Costa Rica, acting as a testimony for past societies and therefore possess global relevance. Estos objetos representan la identidad grupal y el poder. Según las historias de nuestros antepasados las esferas eran sagradas y usadas como símbolos de rango y marcadores territoriales. También, las esferas encontradas en sitios de la zona sugieren un significado astronómico y ritual. La manufactura de las esferas se dio entre los años 400 y 1500 d.C desarrollándose la mayor producción entre 800 y 1500 d.C. En cuanto a su tamaño, se han encontrado esferas desde los pocos centímetros hasta los 2,5 metros, con un peso de 16 toneladas. Los materiales utilizados para elaborarlas son gabro, granodiorita y algunas en piedra caliza. These objects represent group identity and power. According to the stories of our ancestors the spheres were sacred and used as rank symbols and territorial markers. Also, the spheres found in sites in the area suggest astronomical and ritual significance. The manufacture of the spheres occurred between 400 and 1500 A.D., with the greatest production being developed between 800 and 1500 A.D. As for its size, spheres from a few centimeters to 2.5 meters have been found, weighing 16 tons. The materials used to make them are gabbro, granodiorite and some in limestone.
creator: Ancestral 800 to 1500 BC
type: 3D Object

Bola de peidra - Stone ball / Petrosphere
description: Las bolas de piedra parecen detener el tiempo para que veamos la habilidad, ingenio y sabiduría de nuestros ancestros, quienes dominaron este territorio en los tiempos precolombinos. Principalmente por su cantidad, significado y casi perfección las esferas de piedra son únicas del Sur de Costa Rica, testimonio de las sociedades pasadas y por ende poseedoras de relevancia mundial. The Stone balls have held up the test time for us to see the ability, ingenuity and wisdom of our ancestors that dominated this territory in pre-Columbian times. Mostly for their quantity, significance and being almost perfect in shape, the stone spheres are unique to the south of Costa Rica, acting as a testimony for past societies and therefore possess global relevance. Estos objetos representan la identidad grupal y el poder. Según las historias de nuestros antepasados las esferas eran sagradas y usadas como símbolos de rango y marcadores territoriales. También, las esferas encontradas en sitios de la zona sugieren un significado astronómico y ritual. La manufactura de las esferas se dio entre los años 400 y 1500 d.C desarrollándose la mayor producción entre 800 y 1500 d.C. En cuanto a su tamaño, se han encontrado esferas desde los pocos centímetros hasta los 2,5 metros, con un peso de 16 toneladas. Los materiales utilizados para elaborarlas son gabro, granodiorita y algunas en piedra caliza. These objects represent group identity and power. According to the stories of our ancestors the spheres were sacred and used as rank symbols and territorial markers. Also, the spheres found in sites in the area suggest astronomical and ritual significance. The manufacture of the spheres occurred between 400 and 1500 A.D., with the greatest production being developed between 800 and 1500 A.D. As for its size, spheres from a few centimeters to 2.5 meters have been found, weighing 16 tons. The materials used to make them are gabbro, granodiorite and some in limestone.
creator: Ancestral 800 to 1500 BC
type: Physical Object

BOLDEN, SEIFERT
type: Person

Bolsa de Corporales - Chalice Cover
subject: CULTURAL HERITAGE
description: Artefacto textil en hilo de oro sobre fondo de raso color crema y bordes de tela roja, es utilizado como objeto litúrgico del rito tradicional católico, disponiéndolo sobre el cubre-cáliz y cáliz respectivamente. Su color depende del día litúrgico en que se utiliza. A partir del Concilio Vaticano (Papa Juan XXIII, 25 enero 1959), su uso fue disminuyendo. Textile device in gold thread on a cream satin background and red cloth edges, it is used as a liturgical object of the traditional Catholic rite, placing it on the chalice and chalice cover respectively. Its color depends on the liturgical day in which it is used. From the Vatican Council (Pope John XXIII, January 25, 1959), its use decreased.
date: Siglo XIX (ca. 1850)
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

Bolsa de Corporales - Chalice Cover
subject: CULTURAL HERITAGE
description: Artefacto textil en hilo de oro sobre fondo de raso color crema y bordes de tela roja, es utilizado como objeto litúrgico del rito tradicional católico, disponiéndolo sobre el cubre-cáliz y cáliz respectivamente. Su color depende del día litúrgico en que se utiliza. A partir del Concilio Vaticano (Papa Juan XXIII, 25 enero 1959), su uso fue disminuyendo. Textile device in gold thread on a cream satin background and red cloth edges, it is used as a liturgical object of the traditional Catholic rite, placing it on the chalice and chalice cover respectively. Its color depends on the liturgical day in which it is used. From the Vatican Council (Pope John XXIII, January 25, 1959), its use decreased.
date: Siglo XIX (ca. 1850)
language: Español
type: Physical Object

Bolsa de ubre / Trong-trong Nillawaca
subject: CULTURAL HERITAGE
description: Artefacto empleado como recipiente de almacenamiento, confeccionado con una ubre de vaca, vacía y seca. Le falta una de las tetillas, y en la parte superior hay indicios de una posible amarra que en algún momento se usó para cerrar el conjunto. Artifact used as a storage container, made with a cow's udder, empty and dry. One of the nipples is missing, and at the top there are indications of a possible tie that at some point was used to close the set.
creator: Mapuche
date: Siglo XIX-XX
language: Español
type: 3D Object

Bolsa de ubre / Trong-trong Nillawaca
subject: CULTURAL HERITAGE
description: Artefacto empleado como recipiente de almacenamiento, confeccionado con una ubre de vaca, vacía y seca. Le falta una de las tetillas, y en la parte superior hay indicios de una posible amarra que en algún momento se usó para cerrar el conjunto. Artifact used as a storage container, made with a cow's udder, empty and dry. One of the nipples is missing, and at the top there are indications of a possible tie that at some point was used to close the set.
creator: Mapuche
date: Siglo XIX-XX
language: Español
type: Physical Object

Bonaire Carnival
source: Carnival
type: Carnival

Bone shard
publisher: EULAC
type: Photogrammetry

BOSTICK, ARCHIBALD
type: Person

BOSTICK, CHAS
type: Person

BOSTICK, DAVID
type: Person

BOSTICK, EDWARD
type: Person

BOSTICK, ERNEST
type: Person

BOSTICK, JAMES
type: Person

BOSTICK, JAMES
type: Person

BOSTICK, SAMUEL
type: Person

BOSTICK, THOMAS
type: Person

BOSTICK, WILLIAM
type: Person

Boston, Massachusetts Carnival
source: Carnival
type: Carnival

BOUCHER, HENRY
type: Person

BOUCHER, JOHN
type: Person

BOUCHER, JOHN
type: Person

BOUCHER, SAMUEL
type: Person

BOURNE, ARNOLD
type: Person

BOURNE, CAMBRIDGE
type: Person

BOURNE, CHARLES
type: Person

BOURNE, ELISHA
type: Person

BOURNE, GEORGE
type: Person

BOURNE, RUFUS
type: Person

BOURNE, SAMUEL
type: Person

BOURNE, SAMUEL
type: Person

BOURNE, THOMAS
type: Person

BOURNE, WILLIAM
type: Person

BOVELL, ALBERT
type: Person

BOVELL, CHRISTOPHER
type: Person

BOVELL, GEORGE
type: Person

BOVELL, JAMES
type: Person

BOVELL, JAMES
type: Person

BOVELL, OTHO
type: Person

BOVELLE, CHRISTOPHER
type: Person

BOVELLE, HARRY
type: Person

BOWEN, ALBERT
type: Person

BOWEN, CHARLES
type: Person

BOWEN, CLARENCE
type: Person

BOWEN, CLARENCE
type: Person

BOWEN, CYRIL
type: Person

BOWEN, FITZ
type: Person

BOWEN, ISLEY
type: Person

BOWEN, JAMES
type: Person

BOWEN, JAMES
type: Person

BOWEN, JAMES
type: Person

BOWEN, JAMES
type: Person

BOWEN, JOHN
type: Person

BOWEN, JOHN
type: Person

BOWEN, JOHN
type: Person

BOWEN, JOSEPH
type: Person

BOWEN, LEONARD
type: Person

BOWEN, LEVI
type: Person

BOWEN, SAMUEL
type: Person

BOWEN, SAMUEL
type: Person

BOWEN, STANFORD
type: Person

BOWEN, WILLIAM
type: Person

BOWEN, WILLIAM
type: Person

BOWEN, WILLIAM
type: Person

BOWNE, MORTIMER
type: Person

Box for a voyage
description: When off on a boat trip, people used this kind of box, known in Shetland as a bøst, to carry food or fishing flies. These boxes were made around Hordaland province, and imported in the 18th century as part of the islands’ trading links with coastal Norway. Boats gallery CON 8153
publisher: EULAC
format: text/plain Alias/WaveFront Object
type: 3D Object

Box for a voyage
description: When off on a boat trip, people used this kind of box, known in Shetland as a bøst, to carry food or fishing flies. These boxes were made around Hordaland province, and imported in the 18th century as part of the islands’ trading links with coastal Norway. Boats gallery CON 8153
type: Physical Object

BOXILL, C
type: Person

BOXILL, CLIFFORD
type: Person

BOXILL, EDWARD
type: Person

BOXILL, JOSEPH
type: Person

BOXILL, JULIAN
type: Person

BOXILL, STANLEY
type: Person

BOYCE, A
type: Person

BOYCE, ALEX
type: Person

BOYCE, ALFRED
type: Person

BOYCE, ALONSO
type: Person

BOYCE, ARCHIE
type: Person

BOYCE, CAMERON
type: Person

BOYCE, CHARLES
type: Person

BOYCE, CHARLES
type: Person

BOYCE, CHARLES
type: Person

BOYCE, CHAS
type: Person

BOYCE, CYRIL
type: Person

BOYCE, CYRIL
type: Person

BOYCE, DANIEL
type: Person

BOYCE, DONALD
type: Person

BOYCE, EDER
type: Person

BOYCE, EDWARD
type: Person

BOYCE, EDWIN
type: Person

BOYCE, ERNEST
type: Person

BOYCE, EZRA
type: Person

BOYCE, FELIX
type: Person

BOYCE, FITZ
type: Person

BOYCE, GEORGE
type: Person

BOYCE, GEORGE
type: Person

BOYCE, H
type: Person

BOYCE, HOWARD
type: Person

BOYCE, J
type: Person

BOYCE, JAMES
type: Person

BOYCE, JAMES
type: Person

BOYCE, JAMES
type: Person

BOYCE, JOHN
type: Person

BOYCE, JOHN
type: Person

BOYCE, JOHN
type: Person

BOYCE, JOHN
type: Person

BOYCE, JONATHAN
type: Person

BOYCE, JONATHAN
type: Person

BOYCE, JOSEPH
type: Person

BOYCE, JOSEPH
type: Person

BOYCE, JOSEPH
type: Person

BOYCE, JOSEPH
type: Person

BOYCE, JOSEPH
type: Person

BOYCE, JOSEPH
type: Person

BOYCE, JOSEPH
type: Person

BOYCE, JOSEPH
type: Person

BOYCE, JOSEPH
type: Person

BOYCE, L
type: Person

BOYCE, LEMUEL
type: Person

BOYCE, LEONARD
type: Person

BOYCE, LICHFIELD
type: Person

BOYCE, LOVELL
type: Person

BOYCE, LYNCH
type: Person

BOYCE, MONLEY
type: Person

BOYCE, NEWTON
type: Person

BOYCE, OSBOURNE
type: Person

BOYCE, OSCAR
type: Person

BOYCE, REGINALD
type: Person

BOYCE, ROBERT
type: Person

BOYCE, SAMUEL
type: Person

BOYCE, SAMUEL
type: Person

BOYCE, SYDNEY
type: Person

BOYCE, W
type: Person

BOYCE, WALTER
type: Person

BOYCE, WALTER
type: Person

BOYCE, WILFRED
type: Person

BOYCE, WILLIAM
type: Person

BOYCE, WILLIAM
type: Person

BRACEY, CYRIL
type: Person

BRACEY, SAMUEL
type: Person

BRACEY, SAMUEL
type: Person

BRADOHAN, EUSTACE
type: Person

BRADSHAW, JAMES
type: Person

BRADSHAW, SAMUEL
type: Person

BRANCH, BENJAMIN
type: Person

BRANCH, FITZ
type: Person

BRANCH, FITZ
type: Person

BRANCH, GERALD
type: Person

BRANCH, JOHN
type: Person

BRANCH, MARCUS
type: Person

BRANCH, NICHOLAS
type: Person

BRANCH, OLIVER
type: Person

BRANCH, TIMOTHY
type: Person

BRANCH, ZACCHIUS
type: Person

BRANDFORD, THOMAS
type: Person

BRANKER, DONLEY
type: Person

BRANKER, EGBERT
type: Person

BRANKER, JOHN
type: Person

BRANKR, NATHANIEL
type: Person

BRATHWAITE, ?
type: Person

BRATHWAITE, ?
type: Person

BRATHWAITE, ADOLPHUS
type: Person

BRATHWAITE, ALEX
type: Person

BRATHWAITE, ALONZO
type: Person

BRATHWAITE, AUBRYE
type: Person

BRATHWAITE, BENJAMIN
type: Person

BRATHWAITE, BERESFORD
type: Person

BRATHWAITE, BRANFORD
type: Person

BRATHWAITE, CHARLES
type: Person

BRATHWAITE, CLIFFORD
type: Person

BRATHWAITE, DACOSTA
type: Person

BRATHWAITE, DAVID
type: Person

BRATHWAITE, DONALD
type: Person

BRATHWAITE, E.
type: Person

BRATHWAITE, EDWARD
type: Person

BRATHWAITE, EDWARD
type: Person

BRATHWAITE, EDWARD
type: Person

BRATHWAITE, EUGENE
type: Person

BRATHWAITE, FITZ
type: Person

BRATHWAITE, FRED
type: Person

BRATHWAITE, FREDEICK
type: Person

BRATHWAITE, FREDERICK
type: Person

BRATHWAITE, FREDERICK
type: Person

BRATHWAITE, HERMAN
type: Person

BRATHWAITE, HILTON
type: Person

BRATHWAITE, HOWELL
type: Person

BRATHWAITE, HRBERT
type: Person

BRATHWAITE, HUBERT
type: Person

BRATHWAITE, JAMES
type: Person

BRATHWAITE, JAMES
type: Person

BRATHWAITE, JAMES
type: Person

BRATHWAITE, JAMES
type: Person

BRATHWAITE, JAMES
type: Person

BRATHWAITE, JAMES
type: Person

BRATHWAITE, JAMES
type: Person

BRATHWAITE, JAMES
type: Person

BRATHWAITE, JOHN
type: Person

BRATHWAITE, JOHN
type: Person

BRATHWAITE, JOHN
type: Person

BRATHWAITE, JONAS
type: Person

BRATHWAITE, JOSEPH
type: Person

BRATHWAITE, JOSEPH
type: Person

BRATHWAITE, JOSEPH
type: Person

BRATHWAITE, JOSEPH
type: Person

BRATHWAITE, JOSEPH
type: Person

BRATHWAITE, JOSEPH
type: Person

BRATHWAITE, JOSHUA
type: Person

BRATHWAITE, LEE
type: Person

BRATHWAITE, LEVI
type: Person

BRATHWAITE, M
type: Person

BRATHWAITE, MARCUS
type: Person

BRATHWAITE, NATH
type: Person

BRATHWAITE, RICHARD
type: Person

BRATHWAITE, RICHARD
type: Person

BRATHWAITE, ROBERT
type: Person

BRATHWAITE, SAMUEL
type: Person