Zona Arqueológica de Caral
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Zapato femenino - Women's Shoe
subject: CULTURAL HERITAGE
description: Ornamento parte del vestuario, zapatos de taco talla 76, confeccionados con raso blanco. Presenta inscripciones "34 cm, Tb, 48, L5." Ornament part of the wardrobe, heels size 76, made of white satin. It has inscriptions "34 cm, Tb, 48, L5."
creator: Europeo
date: Siglo XX
language: Español
type: Physical Object

Zapato femenino - Women's Shoe
subject: CULTURAL HERITAGE
description: Ornamento parte del vestuario, zapatos de taco talla 76, confeccionados con raso blanco. Presenta inscripciones "34 cm, Tb, 48, L5." Ornament part of the wardrobe, heels size 76, made of white satin. It has inscriptions "34 cm, Tb, 48, L5."
creator: Europeo
date: Siglo XX
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

Zadie Smith
description: Zadie Smith, originally Sadie Smith, (born October 27, 1975, London, England), is a British author known for her treatment of race, religion, and cultural identity and for her novels’ eccentric characters, savvy humour, and snappy dialogue. She became a sensation in the literary world with the publication of her first novel, White Teeth, in 2000. Smith, the daughter of a Jamaican mother and an English father, changed the spelling of her first name to Zadie at age 14. She began writing poems and stories as a child and later studied English literature at the University of Cambridge (B.A., 1998). While there, she began writing White Teeth, and at age 21 she submitted some 80 pages to an agent. A frenzied bidding war ensued, and the book was eventually sold to Hamish Hamilton. Smith took several more years to complete the novel, and in 2000 it was published to rave reviews. Set in the working-class suburb of Willesden in northwest London, White Teeth chronicled the lives of best friends Archie Jones, a down-on-his-luck Englishman whose failed suicide attempt opens the novel, and Samad Iqbal, a Bengali Muslim who struggles to fit into British society. Spanning some 50 years, the novel also detailed the trials and tribulations of their families, which prompted some critics to hail Smith as a modern-day Charles Dickens. The ambitious work won numerous awards, including the Whitbread First Novel Award (2000), and was a finalist for the National Book Critics Circle Award and the Orange Prize for Fiction.
source: westindians
date: 1975-10-27
type: Person

YOUNG, WILLIAM
type: Person

YOUNG, PHILIP
type: Person

YEARWOOD, WILLIAM
type: Person

YEARWOOD, WILLIAM
type: Person

YEARWOOD, WILLIAM
type: Person

YEARWOOD, WALTER
type: Person

YEARWOOD, SYDNEY
type: Person

YEARWOOD, SINCLAIR
type: Person

YEARWOOD, RICHARD
type: Person

YEARWOOD, PATRICK
type: Person

YEARWOOD, OBADIAH
type: Person

YEARWOOD, NATHANIEL
type: Person

YEARWOOD, JOSEPH
type: Person

YEARWOOD, JOSEPH
type: Person

YEARWOOD, JOSEPH
type: Person

YEARWOOD, JOHN
type: Person

YEARWOOD, JOHN
type: Person

YEARWOOD, JAMES
type: Person

YEARWOOD, JAMES
type: Person

YEARWOOD, JAMES
type: Person

YEARWOOD, JAMES
type: Person

YEARWOOD, HOFFORD
type: Person

YEARWOOD, HILLIARD
type: Person

YEARWOOD, GEORGE
type: Person

YEARWOOD, FRED
type: Person

YEARWOOD, FRED
type: Person

YEARWOOD, FRANCIS
type: Person

YEARWOOD, FITZ
type: Person

YEARWOOD, FITZ
type: Person

YEARWOOD, EVANS
type: Person

YEARWOOD, DONALD
type: Person

YEARWOOD, D.
type: Person

YEARWOOD, CLIFFORD
type: Person

YEARWOOD, CLEMENT
type: Person

YEARWOOD, CLARKESTONE
type: Person

YEARWOOD, CHARLES
type: Person

YEARWOOD, AUBREY
type: Person

YEARWOOD, ARNOLD
type: Person

YEARWOOD, ALAN
type: Person

YAREWOOD, STOKES
type: Person

YAREWOOD, GEORGE
type: Person

YAREWOOD, ALONZO
type: Person

YARDE, SAMUEL
type: Person

YARD, THOMAS
type: Person

YARD, JOSEPH
type: Person

YARD, JERSEY
type: Person

YARD, JAMES
type: Person

YARD, JAMES
type: Person

YARD, JAMES
type: Person

YARD, JAMES
type: Person

YARD, HUTSON
type: Person

YARD, HAROLD
type: Person

YARD, ERNEST
type: Person

YARD, DAVID
type: Person

YARD, CLAUDIUS
type: Person

YARD, CHARLES
type: Person

YARD, CHARLES
type: Person

YARD, CHARLES
type: Person

YARD, CARLTON
type: Person

YARD, ALFRED
type: Person

YARD, ALFRED
type: Person

www.museu-sbras.com
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

WRIGHT, DONALD
type: Person

WRIGHT, BEAUFORT
type: Person

Woven Basket
subject: CULTURAL HERITAGE
description: Woven Basket made from natural fibers.
format: image/png
language: English
type: Object Image

WORRELL, SIEBERT
type: Person

WORRELL, SAMUEL
type: Person

WORRELL, SAMUEL
type: Person

WORRELL, PRESTON
type: Person

WORRELL, PRESTON
type: Person

WORRELL, MILTON
type: Person

WORRELL, JOSEPH
type: Person

WORRELL, JOSEPH
type: Person

WORRELL, JOSEPH
type: Person

WORRELL, JOHN
type: Person

WORRELL, JOHN
type: Person

WORRELL, JAMES
type: Person

WORRELL, ISAAC
type: Person

WORRELL, HUBERT
type: Person

WORRELL, HUBERT
type: Person

WORRELL, FITZ
type: Person

WORRELL, ETHELSTONE
type: Person

WORRELL, ERNEST
type: Person

WORRELL, CHARLES
type: Person

WORRELL, ALONZO
type: Person

WORRELL, ADOLPHUS
type: Person

WORREL, JAMES
type: Person

WORREL, CLIFFORD
type: Person

WORKMAN, FREDERICK
type: Person

WOODROFFE, SAMUEL
type: Person

WOODROFFE, CONRAD
type: Person

WOODRIFFE, JAMES
type: Person

Wooden Dan Mask
subject: CULTURAL HERITAGE
description: The Dan live mostly in the western part of the Côte d’Ivoire and into Liberia. All Dan masks are sacred; they do not represent spirits of the wilderness, they are these spirits. Dan masks are characterized by a concave face, a protruding mouth, high-domed forehead and are often covered in a rich brown patina. There are a variety of Dan face masks, each of which has a different function. They may be the intermediaries, who acts between the village and the forest initiation camp, may act against bush fires during the dry season, used in pre-war ceremonies, for peace-making ceremonies, for entertainment. Over time, many among them have lost their original function and have been recycled into contexts related to entertainment, emerging only for festivals or events organized for visitors. Sources: Zyama Tribal African Art
type: Physical Object

Wooden Dan Mask
subject: CULTURAL HERITAGE
description: The Dan live mostly in the western part of the Côte d’Ivoire and into Liberia. All Dan masks are sacred; they do not represent spirits of the wilderness, they are these spirits. Dan masks are characterized by a concave face, a protruding mouth, high-domed forehead and are often covered in a rich brown patina. There are a variety of Dan face masks, each of which has a different function. They may be the intermediaries, who acts between the village and the forest initiation camp, may act against bush fires during the dry season, used in pre-war ceremonies, for peace-making ceremonies, for entertainment. Over time, many among them have lost their original function and have been recycled into contexts related to entertainment, emerging only for festivals or events organized for visitors. Sources: Zyama Tribal African Art
format: text/plain Alias/WaveFront Object
type: 3D Object

Wooden bird figure
subject: CULTURAL HERITAGE
description: The Charles Town Maroons occupied Crawford Town high in the Blue Mountains before signing the Peace Treaty with the British when they moved down to Charles Town on the Buff Bay River, where they remain today. The leader of the Charles Town Maroons was Nanny’s captain, Quao. Maroon communities are lead by an elected leader – the Colonel.
language: English
type: Physical Object

Wooden bird figure
subject: CULTURAL HERITAGE
description: The Charles Town Maroons occupied Crawford Town high in the Blue Mountains before signing the Peace Treaty with the British when they moved down to Charles Town on the Buff Bay River, where they remain today. The leader of the Charles Town Maroons was Nanny’s captain, Quao. Maroon communities are lead by an elected leader – the Colonel.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

WOOD, WILLIAM
type: Person

WOOD, T. SAMUEL
type: Person

WOOD, RICHARD
type: Person

WOOD, NATHANIEL
type: Person

WOOD, JOHN
type: Person

WOOD, JAMES
type: Person

WOOD, JAMES
type: Person

WOOD, JAMES
type: Person

WOOD, JAMES
type: Person

WOOD, HENRY
type: Person

WOOD, HAMILTON
type: Person

WOOD, DAVID
type: Person

WOOD, DARCY
type: Person

WOOD, CLIFFORD
type: Person

WOOD, ALLAN
type: Person

Wood figurine
subject: CULTURAL HERITAGE
description: Wood figurine, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
language: English
type: Physical Object

Wood figurine
subject: CULTURAL HERITAGE
description: Wood figurine, part of the collection of the National Museum and Art Gallery of Trinidad and Tobago. The National Museum and Art Gallery was established originally as the Royal Victoria Institute (RVI) in 1892 in commemoration of the Jubilee of Queen Victoria and as part of a general British Colonial policy to build cultural institutes throughout the Commonwealth. This is a general museum that has a permanent collection of over 10,000 items. Many of these are displayed in seven major galleries- Art, Social History, Natural History, Economic History, Petroleum and Geology.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Wireless battery
description: Communication sped up throughout the twentieth century, but news wasn’t that new by the time it got to Shetland by sea. The wireless meant islanders were up-to-the minute by the 1930s. Radios ran on batteries that were periodically re-charged. Most people went to a firm with a generator, although some homes had a wind-generator. On the Move gallery IMP 1997.16
language: English
type: Physical Object

Wireless battery
description: Communication sped up throughout the twentieth century, but news wasn’t that new by the time it got to Shetland by sea. The wireless meant islanders were up-to-the minute by the 1930s. Radios ran on batteries that were periodically re-charged. Most people went to a firm with a generator, although some homes had a wind-generator. On the Move gallery IMP 1997.16
publisher: EULAC
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Winston Best
description: Winston Best, the eldest child of Lillian and Luther Best from Sugar Hill St Joseph, was born on 15 Aug 1930. He came to England in 1961 and after working for British Rail, went to teacher training college at the Sydney Webb College of Higher Education. He started his career as a teacher in 1966 and continued in education throughout his working life. Starting as a primary school teacher, Winston’s goal was always to improve teaching standards, and the educational achievements of black and Afro-Caribbean children as they struggled against low expectations. He campaigned against bussing, banding and streaming in Haringey in the 1960s, a policy born of the fear that black students would depress overall educational performance. He was also a founding member of the Caribbean Education and Community Workers Association (CECWA) and the Caribbean Teachers Association (CTA). In the 1980s, Winston worked for the Inner London Education Authority (ILEA) as an education officer, developing links with the Ministry of Education in Barbados and developing an exchange program that allowed Barbadian teachers to bring their expertise and experience to London schools whilst providing positive role models. Winston was also appointed Chair of Westphi Academy, an education and training consultancy that broke new ground as one of the first black national consultancy groups in the UK. In 1989, he co-founded the National Association of Supplementary Schools (NASS) and was appointed a primary schools inspector. In the 1990s, as Inspector of Primary Schools for the London Borough of Hackney, he strove for improvements in outcomes for children in the borough. After retirement he continued his vocation, working as a consultant for Southwark Education Authority. Winston co-founded the Caribbean Volunteers Readers & Performers Project (CVRPP) in 1999, an initiative that grew out of the work of Herbie Yearwood, former Deputy High Commissioner in the Barbados High Commission, London, who was eager t…
source: stories,westindians
date: 1930-08-15
type: Person

Winston Best
subject: arrival
description: Winston Best, the eldest child of Lillian and Luther Best from Sugar Hill St Joseph, was born on 15 Aug 1930. He came to England in 1961 and after working for British Rail, went to teacher training college at the Sydney Webb College of Higher Education. He started his career as a teacher in 1966 and continued in education throughout his working life. Starting as a primary school teacher, Winston’s goal was always to improve teaching standards, and the educational achievements of black and Afro-Caribbean children as they struggled against low expectations. He campaigned against bussing, banding and streaming in Haringey in the 1960s, a policy born of the fear that black students would depress overall educational performance. He was also a founding member of the Caribbean Education and Community Workers Association (CECWA) and the Caribbean Teachers Association (CTA). In the 1980s, Winston worked for the Inner London Education Authority (ILEA) as an education officer, developing links with the Ministry of Education in Barbados and developing an exchange program that allowed Barbadian teachers to bring their expertise and experience to London schools whilst providing positive role models. Winston was also appointed Chair of Westphi Academy, an education and training consultancy that broke new ground as one of the first black national consultancy groups in the UK. In 1989, he co-founded the National Association of Supplementary Schools (NASS) and was appointed a primary schools inspector. In the 1990s, as Inspector of Primary Schools for the London Borough of Hackney, he strove for improvements in outcomes for children in the borough. After retirement he continued his vocation, working as a consultant for Southwark Education Authority. Winston co-founded the Caribbean Volunteers Readers & Performers Project (CVRPP) in 1999, an initiative that grew out of the work of Herbie Yearwood, former Deputy High Commissioner in the Barbados High Commission, London, who was eager t…
source: stories,arrival
date: 1961
type: Story

WINDRUSH PIONEERS 22 JUNE 2008
source: migration
contributor: eulac3d
format: video/mp4
type: Moving Image

Windrush
source: migration
publisher: EU-LAC
language: English
type: Collection

Windrush
subject: CULTURAL HERITAGE,PEOPLE
description: Barbados Community College 2018 Michelle Hinkson-Cox Co-ordinator for the Theatre Arts Programme at BCC Students Brianna Gibbs Danielle Sanson Dylan Collymore Malaika Croney Melissa Hunte Rayna Garnes Romario Cottoy Richenda Harewood Selena Williamson Tamina White Research and written source material Kaye Hall Barbados Museum & Historical Society
creator: Barbados Community college
source: migration,barbadosmigration
date: 2018
format: video/mp4
language: English
type: Moving Image

WILTSHIRE, MATHIAS
type: Person

WILTSHIRE, LUTHER
type: Person

WILTSHIRE, JULIAN
type: Person

WILTSHIRE, JOSEPH
type: Person

WILTSHIRE, JEREMIAH
type: Person

WILTSHIRE, COLERIDGE
type: Person

WILTSHIRE, BERTRAM
type: Person

WILSON, RICHARD
type: Person

WILSON, OLIVER
type: Person

WILSON, NATHANIEL
type: Person

WILSON, MARK
type: Person

WILSON, JOSEPH
type: Person

WILSON, JAMES
type: Person

WILSON, EDWARD
type: Person

WILSON, DULEY
type: Person

WILSON, DENNIS
type: Person

WILSON, CHRISTOPHER
type: Person

WILSON, CHARLES
type: Person

WILSON, ABRAHAM
type: Person

WILLS, A
type: Person

WILLOUGHBY, JOHN
type: Person

WILLOUGHBY, JAMES
type: Person

WILLOUGHBY, CHARLES
type: Person

Willis Wilkie
description: The London Borough of Ealing and the black education movement in London bear the imprint of Willis Darnley Wilkie’s tireless struggle for children’s education rights and social justice. Born on the 3rd of October 1926, Willis was one of that early group of post-War migrants recruited from Barbados to come and work on London Transport. Arriving in 1955,he was to spend the following fifty-eight years of his life in public service; initially as a transport worker, then local government officer, social worker, teacher, community organiser, political activist and independent consultant. Like so many others of his generation, his life was spent within the crucible of British racism, an experience that defined the trajectory of his life and his achievements against all the odds. Willis became a social worker with Kensington & Chelsea and then in Ealing, and was highly respected among his colleagues and the entire community. Despite the demands of the job, he made time, with his late wife Edna Wilkie, to act as a one-man citizens advice bureau, law centre, housing and welfare rights service and education advocacy service. He firmly believed in collective action in pursuit of change in society and so pooled his skills and expertise with others. In 1975 he and others founded the Caribbean Parents Group which became a powerful voice and advocate for parents and students. That led in 1980 to the establishment of a Supplementary school. Willis and Edna played a major part in its creation and running over many years. He went on to run small support groups for young people, encouraging them to get training and pursue their careers. He was not only concerned with the social and educational wellbeing of the community, but also its economic disadvantage. Thus, he led the CPG in setting up a credit union in 1990 which operated successfully until 2012. WiIlis was twice nominated for a gong from the Queen and each time he refused, in part because he always felt his achievements were the…
date: 1926-10-03
type: Person

Willis Wilkie
subject: arrival
description: The London Borough of Ealing and the black education movement in London bear the imprint of Willis Darnley Wilkie’s tireless struggle for children’s education rights and social justice. Born on the 3rd of October 1926, Willis was one of that early group of post-War migrants recruited from Barbados to come and work on London Transport. Arriving in 1955,he was to spend the following fifty-eight years of his life in public service; initially as a transport worker, then local government officer, social worker, teacher, community organiser, political activist and independent consultant. Like so many others of his generation, his life was spent within the crucible of British racism, an experience that defined the trajectory of his life and his achievements against all the odds. Willis became a social worker with Kensington & Chelsea and then in Ealing, and was highly respected among his colleagues and the entire community. Despite the demands of the job, he made time, with his late wife Edna Wilkie, to act as a one-man citizens advice bureau, law centre, housing and welfare rights service and education advocacy service. He firmly believed in collective action in pursuit of change in society and so pooled his skills and expertise with others. In 1975 he and others founded the Caribbean Parents Group which became a powerful voice and advocate for parents and students. That led in 1980 to the establishment of a Supplementary school. Willis and Edna played a major part in its creation and running over many years. He went on to run small support groups for young people, encouraging them to get training and pursue their careers. He was not only concerned with the social and educational wellbeing of the community, but also its economic disadvantage. Thus, he led the CPG in setting up a credit union in 1990 which operated successfully until 2012. WiIlis was twice nominated for a gong from the Queen and each time he refused, in part because he always felt his achievements were the…
source: stories,arrival
date: 1955
type: Story

WILLINS, FRANCIS
type: Person

WILLIAMS, SYDNEY
type: Person

WILLIAMS, ST CLAIR
type: Person

WILLIAMS, SIMEON
type: Person

WILLIAMS, SIDNEY
type: Person

WILLIAMS, SAMUEL
type: Person

WILLIAMS, RUFUS
type: Person

WILLIAMS, PHILIP
type: Person

WILLIAMS, PHILIP
type: Person

WILLIAMS, NORMAN
type: Person

WILLIAMS, NATHANIEL
type: Person

WILLIAMS, LIONEL
type: Person

WILLIAMS, JOSEPH
type: Person

WILLIAMS, JOSEPH
type: Person

WILLIAMS, JOSEPH
type: Person

WILLIAMS, JOSEPH
type: Person

WILLIAMS, JOSEPH
type: Person

WILLIAMS, JAMES
type: Person

WILLIAMS, JAMES
type: Person

WILLIAMS, JAMES
type: Person

WILLIAMS, JAMES
type: Person

WILLIAMS, JAMES
type: Person

WILLIAMS, JAMES
type: Person

WILLIAMS, ISAAC
type: Person

WILLIAMS, HILARY
type: Person

WILLIAMS, HENRY
type: Person

WILLIAMS, HAMILTON
type: Person

WILLIAMS, H
type: Person

WILLIAMS, GRAHAM
type: Person

WILLIAMS, FRANCIS
type: Person

WILLIAMS, FITZ
type: Person

WILLIAMS, EVERTON
type: Person

WILLIAMS, EVAN
type: Person

WILLIAMS, EDWARD
type: Person

WILLIAMS, EDWARD
type: Person

WILLIAMS, EDWARD
type: Person

WILLIAMS, DONALD
type: Person

WILLIAMS, DAVID
type: Person

WILLIAMS, CONRAD
type: Person

WILLIAMS, CHRISTOPHER
type: Person

WILLIAMS, CHARLES
type: Person

WILLIAMS, CHARLES
type: Person

WILLIAMS, CHARLES
type: Person

WILLIAMS, CECIL
type: Person

WILLIAMS, BIRT
type: Person

WILLIAMS, AUGUSTUS
type: Person

WILLIAMS, ADOLPHUS
type: Person

WILLIAM, SAMUEL
type: Person

WILLIAM, GEORGE
type: Person

WILLIAM, A
type: Person

WILLETT, MIZRAUE
type: Person

WILKINSON, WILLIAM
type: Person

WILKINSON, THOMAS
type: Person

WILKINSON, THOMAS
type: Person

WILKINSON, SAMUEL
type: Person

WILKINSON, NATHANIEL
type: Person

WILKINSON, NATHANIEL
type: Person

WILKINSON, NATHANIEL
type: Person

WILKINSON, ELTON
type: Person

WILKINSON, BENJAMIN
type: Person

WILKINSON, BENJAMIN
type: Person

WILKINSON, AUBREY
type: Person

WILKINSON, ARTHUR
type: Person

WILKINSON, ALONZO
type: Person

WILKINSON, ALFRED
type: Person

WILKINSON, ALBERT
type: Person

WILKINSON, ALBERT
type: Person

WILKINGSON, HERMAN
type: Person

WILKEY, NATHANIEL
type: Person

WILKEY, JOHN
type: Person

WILES, WILLIAM
type: Person

WILES, REGINALD
type: Person

wikipedia commons
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Wikipédia
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Wikimedia Commons
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

WIGGINS, JEREMIAH
type: Person

WIGGINS, JAMES
type: Person

WIGGINS, JAMES
type: Person

WICKHAM, GEORGE
type: Person

Why is Telling the Windrush Story Important to You?
subject: CULTURAL HERITAGE,PEOPLE
description: Barbados Community College Students Brianna Gibbs Danielle Sanson Dylan Collymore Malaika Croney Melissa Hunte Rayna Garnes Romario Cottoy Richenda Harewood Selena Williamson Tamina White
creator: Barbados Community College
source: barbadosmigration
date: 2018
format: video/mp4
language: English
type: Moving Image

WHITTINGTON, NORMAN
type: Person

WHITTINGTON, HY
type: Person

WHITTAKER, SAMUEL
type: Person

WHITTAKER, ROBERT
type: Person

WHITTAKER, JOSEPH
type: Person

WHITTAKER, JAMES
type: Person

WHITTAKER, EVANS
type: Person

WHITTAKER, CHARLES
type: Person

WHITNEY, THOMAS
type: Person

WHITLEY, JAMES
type: Person

WHITEHEAD, IVAN
type: Person

WHITEHEAD, BARNETT
type: Person

WHITEHALL, REUBEN
type: Person

WHITE, WILLIAM
type: Person

WHITE, WILLIAM
type: Person

WHITE, WALTER
type: Person

WHITE, RICHARD
type: Person

WHITE, MATTHEW
type: Person

WHITE, MATTHEW
type: Person

WHITE, JOHN
type: Person

WHITE, JAMES
type: Person

WHITE, JAMES
type: Person

WHITE, GILBERT
type: Person

WHITE, EDWARD
type: Person

WHITE, DONALD
type: Person

WHITE, CONRAD
type: Person

WHITE, CHRISTOPHER
type: Person

WHITE, BENJAMIN
type: Person

WHITE, ALBERT
type: Person

WHITE, ALBERT
type: Person

WHEELER, ELISHA
type: Person

WHARTON, SIMEON
type: Person

WHARTON, NATHAN
type: Person

WHARTON, JOSEPH
type: Person

WHARTON, GERALD
type: Person

WHARTON, CLAUDE
type: Person

WHARTON, ARCHIBALD
type: Person

WHARTON, ALEX
type: Person

Whale Vertebrae plate
subject: CULTURAL HERITAGE
description: Humpback Whale vertebral plate. The shore whaling in Barbados started in 1867, primarily hunting humpback whales, which were known to frequent Barbados’ waters in the early part of each year as they migrate from the colder Northern waters of the Atlantic to warmer, Southern climates to mate and calve. The vertebral plate here is from a humpback whale captured in the early 1900s.
date: 1912
type: Physical Object

Whale Vertebrae plate
subject: CULTURAL HERITAGE
description: Humpback Whale vertebral plate. The shore whaling in Barbados started in 1867, primarily hunting humpback whales, which were known to frequent Barbados’ waters in the early part of each year as they migrate from the colder Northern waters of the Atlantic to warmer, Southern climates to mate and calve. The vertebral plate here is from a humpback whale captured in the early 1900s.
date: 1912
format: text/plain Alias/WaveFront Object
type: 3D Object

WESTERMAN, GEORGE
type: Person

WEST, NORMAN
type: Person

WEST, JOSIAH
type: Person

WEST, DUDLEY
type: Person

WEST, CHARLES
type: Person

WEST, ALBERT
type: Person

West India Regiment Compass
subject: SOCIAL HISTORY
description: Used by Capt. Peter H. Delmare of the 3rd West India Regiment during an expedition between 1866-1867 in the British Honduras against indigenous Indian chiefs.
language: English
type: Still Image

West India Regiment Compass
subject: SOCIAL HISTORY
description: Used by Capt. Peter H. Delmare of the 3rd West India Regiment during an expedition between 1866-1867 in the British Honduras against indigenous Indian chiefs.
format: image/jpeg
language: English
type: Still Image

West African heddle pulley
subject: CULTURAL HERITAGE
description: It was common for men to do weaving in West African countries. By means of heddle pulleys the weavers separate the warp threads into ‘fans’ by means of foot pedals. Then the weft threads are ‘shot through’ these ‘fans’. Thus, fabric is created. These heddle pulleys were often carved, and with this one, a face can be made out on one of the sides. Often the faces were of goddesses, so the weavers could look at beauty while they work. Sources: Smithsonian National Museum of African Art
type: Physical Object

West African heddle pulley
subject: CULTURAL HERITAGE
description: It was common for men to do weaving in West African countries. By means of heddle pulleys the weavers separate the warp threads into ‘fans’ by means of foot pedals. Then the weft threads are ‘shot through’ these ‘fans’. Thus, fabric is created. These heddle pulleys were often carved, and with this one, a face can be made out on one of the sides. Often the faces were of goddesses, so the weavers could look at beauty while they work. Sources: Smithsonian National Museum of African Art
format: text/plain Alias/WaveFront Object
type: 3D Object

WENT, HENRY
type: Person

WENT, GEORGE
type: Person

WENT, CONRADE
type: Person

WENT, BELFIELD
type: Person

WELCH, WILLIAM
type: Person

WELCH, VICTOR
type: Person

WELCH, SIMEON
type: Person

WELCH, JOHN
type: Person

WELCH, HENRY
type: Person

WELCH, FITZ
type: Person

WELCH, CHARLES
type: Person

WELCH, BENJAMIN
type: Person

WELCH, BENJAMIN
type: Person

WELCH, BELFIELD
type: Person

WELCH, ARCHIBALD
type: Person

WELCH, ALBERT
type: Person

WEEKS, WILLIAM
type: Person

WEEKS, WILLIAM
type: Person

WEEKS, WILLIAM
type: Person

WEEKS, WILBERT
type: Person

WEEKS, JOSEPH
type: Person

WEEKS, JAMES
type: Person

WEEKS, HUBERT
type: Person

WEEKS, GERALD
type: Person

WEEKS, CLEMENT
type: Person

WEEKS, ALBERT
type: Person

WEEKS, ADOLPHUS
type: Person

WEEKES, ZACCHACUS
type: Person

WEEKES, SAMUEL
type: Person

WEEKES, PRINCE
type: Person

WEEKES, NORMAN
type: Person

WEEKES, LUTHER
type: Person

WEEKES, JOSEPH
type: Person

WEEKES, JOSEPH
type: Person

WEEKES, JOHN
type: Person

WEEKES, JOHN
type: Person

WEEKES, JOHN
type: Person

WEEKES, JOHN
type: Person

WEEKES, JAMES
type: Person

WEEKES, JAMES
type: Person

WEEKES, JAMES
type: Person

WEEKES, JAMES
type: Person

WEEKES, JAMES
type: Person

WEEKES, IRVIN
type: Person

WEEKES, HUBERT
type: Person

WEEKES, EVANS
type: Person

WEEKES, DONALD
type: Person

WEEKES, DONALD
type: Person

WEEKES, CONRADE
type: Person

WEEKES, CHARLES
type: Person

WEEKES, CHARLES
type: Person

WEEKES, BENJAMIN
type: Person

WEEKES, AUSTIN
type: Person

WEEKES, ARNOLD
type: Person

WEEKES, ARCHIBALD
type: Person

WEBSTER, WILLIAM
type: Person

WEBSTER, THOMAS
type: Person

WEBSTER, FREDERICK
type: Person

WEBSTER, EDWARD
type: Person

WEATHERHEAD, WALTER
type: Person

WEATHERHEAD, HILTON
type: Person

WATTS, JOSEPH
type: Person

WATTS, JACOB
type: Person

WATTS, GRANVILLE
type: Person

WATTS, CHARLES
type: Person

WATTS, AUBREY
type: Person

WATTS, ALBERT
type: Person

WATSON, WILLIAM
type: Person

WATSON, JOSEPH
type: Person

WATSON, JOSEPH
type: Person

WATSON, JAMES
type: Person

WATSON, JAMES
type: Person

WATSON, FITZ
type: Person

WATSON, FITZ
type: Person

WATSON, EDWARD
type: Person

WATSON, EDWARD
type: Person

WATSON, CHRISTOPHER
type: Person

WATSON, CHARLES
type: Person

WATSON, ARTHUR
type: Person

WATSON, ARCHIBALD
type: Person

WATSON, ALEX
type: Person

WATSON, ALEX
type: Person

WATSON, ALBERT
type: Person

WATSON, ALAN
type: Person

WATKINS, JOSEPH
type: Person

WATERMAN, JOHN
type: Person

WATERMAN, ISAAC
type: Person

WATERMAN, EDWARD
type: Person

WATERMAN, BERYL
type: Person

WATERMAN, AUSTIN
type: Person

WASON, EDWARD
type: Person

WASON, A
type: Person

WASHINGTON, LESLEY
type: Person

WARREN, HERMAN
type: Person

WARREN, BERT
type: Person

WARNER, WILLIAM
type: Person

WARNER, JAMES
type: Person

WARNER, HOWARD
type: Person

WARNER, GILBERT
type: Person

WARNER, GILBERT
type: Person

WARNER, BERESFORD
type: Person

WARNER, ADOLPHUS
type: Person

WARER, JOSEPH
type: Person

WARE, ALBERT
type: Person

WARDE, LUTHER
type: Person

WARD, LONDON
type: Person

WARD, JOSIAH
type: Person

WARD, JOSEPH
type: Person

WARD, JAMES
type: Person

WARD, GORDON
type: Person

WARD, ERNEST
type: Person

WARD, ARNOLD
type: Person

WARD, ALFRED
type: Person

WALTRESS, JOHN
type: Person

WALTRESS, CHARLES
type: Person

WALTON, WILLIAM
type: Person

WALTON, WESTLEY
type: Person

WALTON, JOSEPH
type: Person

WALTON, GEORGE
type: Person

WALTON, ARCHIBALD
type: Person

WALTERS, TIMOTHY
type: Person

WALTERS, EDWARD
type: Person

WALTERS, CONRAD
type: Person

WALTER, LESLIE
type: Person

WALTER, JOHN
type: Person

WALTER, CLIFTON
type: Person

Walter Tull Archive
description: Our collections and displays tell stories of the Princess of Wales’s Royal Regiment and Queen’s Regiment from their beginnings right up to today. Find us in The Keep Yard of Dover Castle.
source: waltertull
type: Museum

Walter Tull
source: westindians
contributor: eulac3d
format: image/jpeg
type: Still Image

Walter Tull
description: Walter Daniel John Tull (28 April 1888 – 25 March 1918) was an English professional footballer and British Army officer of Afro-Caribbean descent. He played as an inside forward and half back for Clapton, Tottenham Hotspur and Northampton Town and was the third person of mixed heritage to play in the top division of the Football League after Arthur Wharton and Willie Clarke. He was also the first black player to be signed for Rangers F.C. in 1917 while stationed in Scotland. During the First World War, Tull served in the Middlesex Regiment, including in the two Footballers' Battalions. He was commissioned as a second lieutenant on 30 May 1917 and killed in action on 25 March 1918.
source: stories
date: 1888-04-28
type: Person

WALROND, LEVI
type: Person

WALROND, JAMES
type: Person

WALROND, FRED
type: Person

WALROND, DAVID
type: Person

WALROND, ALLEN
type: Person

WALLIN, ALBERT
type: Person

WALLACE, JOHN
type: Person

WALL, WILLIAM
type: Person

WALL, EVANS
type: Person

WALKs, BOSSIE
type: Person

WALKER, THOMAS
type: Person

WALKER, THOMAS
type: Person

WALKER, REGINALD
type: Person

WALKER, LUTHER
type: Person

WALKER, JOSEPH
type: Person

WALKER, JOSEPH
type: Person

WALKER, JOSEPH
type: Person

WALKER, JOSEPH
type: Person

WALKER, JOSEPH
type: Person

WALKER, JOHN
type: Person

WALKER, JAMES
type: Person

WALKER, JAMES
type: Person

WALKER, JAMES
type: Person

WALKER, JAMES
type: Person

WALKER, JAMES
type: Person

WALKER, HERBERT
type: Person

WALKER, ERNEST
type: Person

WALKER, EDWIN
type: Person

WALKER, EDWARD
type: Person

WALKER, CYRIL
type: Person

WALKER, CHARLES
type: Person

WALKER, ALEX
type: Person

WALKER, ALEX
type: Person

WALK, JAMES
type: Person

WALK, DAVID
type: Person

WALDRON, JOSEPH
type: Person

WALDRON, FRED
type: Person

WALDRON, ELEAZOR
type: Person

WALCOTT, WILLIAM
type: Person

WALCOTT, WILBERT
type: Person

WALCOTT, SAMUEL
type: Person

WALCOTT, SAMUEL
type: Person

WALCOTT, RUFUS
type: Person

WALCOTT, REUBEN
type: Person

WALCOTT, R
type: Person

WALCOTT, PRINCE
type: Person

WALCOTT, NATHANIEL
type: Person

WALCOTT, MILTON
type: Person

WALCOTT, JOSHUA
type: Person

WALCOTT, JOSHUA
type: Person

WALCOTT, JOSEPH
type: Person

WALCOTT, JOSEPH
type: Person

WALCOTT, JONATHAN
type: Person

WALCOTT, JOHN
type: Person

WALCOTT, JAMES
type: Person

WALCOTT, JAMES
type: Person

WALCOTT, JAMES
type: Person

WALCOTT, JAMES
type: Person

WALCOTT, HUBERT
type: Person

WALCOTT, HAYNES
type: Person

WALCOTT, FITZ
type: Person

WALCOTT, ERNEST
type: Person

WALCOTT, EGBERT
type: Person

WALCOTT, EDWIN
type: Person

WALCOTT, EDWARD
type: Person

WALCOTT, EDWARD
type: Person

WALCOTT, DAVID
type: Person

WALCOTT, CHARLES
type: Person

WALCOTT, BERESFORD
type: Person

WALCOTT, ALFRED
type: Person

WALCOTT, ALBERT
type: Person

WAITT, GEORGE
type: Person

WAITHE, NATHANIEL
type: Person

WAITHE, NATHANIEL
type: Person

WAITHE, JOSEPH
type: Person

WAITHE, JOSEPH
type: Person

WAITHE, ERNEST
type: Person

WAITHE, DAVID
type: Person

WAITH, WILLIAM
type: Person

WAITH, THOMAS
type: Person

WAITH, SIMEON
type: Person

WAITH, SAMUEL
type: Person

WAITH, RICHARD
type: Person

WAITH, EDWIN
type: Person

WAITH, EDWARD
type: Person

WAITH, AARON
type: Person

WADES, GEORGE
type: Person

WADE, EDWARD
type: Person

WAASTON, GEORGE
type: Person

Virtual Helmsdale
publisher: EULAC
type: Moving Image

Virgin Gorda Easter Festival Celebrations
source: Carnival
type: Carnival

Video: Unst Heritage Centre
type: Moving Image

Video: Unst Boat Haven
type: Moving Image

Video: Timespan Museum and Art Gallery
type: Moving Image

Video: The National Museum and Art Gallery of Trinidad and Tobago
type: Moving Image

Video: Sicán Museum
type: Moving Image

Video: Shetland Museum and Archive
type: Moving Image

Video: Seixal Eco Museu
type: Moving Image

Video: National Museum of Jamaica
type: Moving Image

Video: National Archaeology Museum Lisbon
type: Moving Image

Video: Museum of the Universidad Austral de Chile
type: Moving Image

Video: Museu Comarcal D L'Horta Sud
type: Moving Image

Video: Museo de Sitio de Tucume
type: Moving Image

Video: Ecomuseo de la Cerámica Chorotega, San Vicente de Nicoya
type: Moving Image

Video: Curre
type: Moving Image

Video: Community Museum of Malalhue
type: Moving Image

Video: Barbados Museum and Historical Society
type: Moving Image

Video of wicker rug beater
description: Video of wicker rug beater with commentary by museum staff
type: Moving Image

Video of tamarind tree seeds and legend
description: Video of museum staff telling legend of the tamarind tree seed
type: Moving Image

Video of tamarind tree seeds and describing Barbadian African and European roots
description: Video of museum staff describing how Barbados has roots to Africa and Europe
type: Moving Image

Video of jail cell
description: Video of inside jail cell located at the museum
type: Moving Image

Video of introduction of jail cells
description: Video of volunteer giving an introduction to the jail cells at the museum
type: Moving Image

Video of description of prisoners in jail cell
description: Video of volunteer giving a description of prisoner conditions in jail cell
type: Moving Image

Video of description of jail cell construction
description: Video of volunteer describing jail cell construction
type: Moving Image

Video of Brucan community members playing the Cuerno de toro, a Bull horn and Concha, a Seashell
description: Video of Brucan community members playing the Cuerno de toro (Bull horn) and Concha (a Seashell)
type: Moving Image

VICKERS, ZACARIAH
type: Person

VICKERS, JAMES
type: Person

VICKERS, ARTHUR
type: Person

viagra for hypertension
subject: caribbeanresettlement
description: viagra side effects vision How to Take Care of Baby Teeth
source: stories,caribbeanresettlement
date: 1980-10-12
type: Story

VAUGHN, HENRY
type: Person

VAUGHN, BENJAMIN
type: Person

VAUGHAN, THOMAS
type: Person

VAUGHAN, SAMUEL
type: Person

VAUGHAN, JAMES
type: Person

VAUGHAN, ISAAC
type: Person

VAUGHAN, FITZ
type: Person

VAUGHAN, EDWARD
type: Person

VAUGHAN, CHARLES
type: Person

Vaso réplica con escena mitológica - Replica beaker with mythological scene
subject: CULTURAL HERITAGE
description: Réplica de un vaso de plata de doble pared con escena mitológica. Original se encuentra en el Museo de Arte de Denver. Las imágenes, que cubren las paredes y el fondo de la copa, incluyen una serpiente gigante llena de peces que pueden representar un río. Compuestos arquitectónicos, jardines, botes, cazadores de venados y seres sobrenaturales están incluidos en lo que pueden ser los episodios de una historia mitológica. Replica of a silver double-walled beaker with mythological scene. Original is located at the Denver Art Museum. The imagery, which covers the cup’s walls and bottom, includes a giant serpent filled with fish that may represent a river. Architectural compounds, gardens, boats, deer hunters, and supernatural beings are all included in what may be the episodes of a mythological story.
type: Physical Object

Vaso réplica con escena mitológica - Replica beaker with mythological scene
subject: CULTURAL HERITAGE
description: Réplica de un vaso de plata de doble pared con escena mitológica. Original se encuentra en el Museo de Arte de Denver. Las imágenes, que cubren las paredes y el fondo de la copa, incluyen una serpiente gigante llena de peces que pueden representar un río. Compuestos arquitectónicos, jardines, botes, cazadores de venados y seres sobrenaturales están incluidos en lo que pueden ser los episodios de una historia mitológica. Replica of a silver double-walled beaker with mythological scene. Original is located at the Denver Art Museum. The imagery, which covers the cup’s walls and bottom, includes a giant serpent filled with fish that may represent a river. Architectural compounds, gardens, boats, deer hunters, and supernatural beings are all included in what may be the episodes of a mythological story.
format: text/plain Alias/WaveFront Object
type: 3D Object

Vasija trípode precolombino - Pre-Columbian tripod vessel
subject: CULTURAL HERITAGE
description: El trípode precolombino no tiene patas. Pre-columbian tripod vessel missing its legs.
type: 3D Object

Vasija trípode jaguar - Jaguar tripod vessel
subject: CULTURAL HERITAGE
description: Figura zoomorfa tripada, representa el poder y la fuerza. Réplica del jaguar precolombino. A zoomorphic tripod figure that represents power and strength. Pre-Colombian jaguar replica.
creator: Maribel Sanchez
date: 2016
language: Spanish
type: 3D Object

Vasija trípode precolombino - Pre-Columbian tripod vessel
subject: CULTURAL HERITAGE
description: El trípode precolombino no tiene patas. Pre-columbian tripod vessel missing its legs.
type: Physical Object

Vasija trípode jaguar - Jaguar tripod vessel
subject: CULTURAL HERITAGE
description: Figura zoomorfa tripada, representa el poder y la fuerza. Réplica del jaguar precolombino. A zoomorphic tripod figure that represents power and strength. Pre-Colombian jaguar replica.
creator: Maribel Sanchez
date: 2016
language: Spanish
type: Physical Object

Vasija pintada para perros - Painted dog vessel
subject: CULTURAL HERITAGE
description: Gran recipiente de cerámica pintada para perro. El perro es gordo, lo que indica que los perros fueron comidos. Large painted dog ceramic vessel. The dog is fat indicating dogs were eaten.
type: Physical Object

Vasija pintada para perros - Painted dog vessel
subject: CULTURAL HERITAGE
description: Gran recipiente de cerámica pintada para perro. El perro es gordo, lo que indica que los perros fueron comidos. Large painted dog ceramic vessel. The dog is fat indicating dogs were eaten.
format: text/plain Alias/WaveFront Object
type: 3D Object

Vasija perfilado de dos cabezas - Two-headed profile vessel
subject: CULTURAL HERITAGE
description: Vasija de cerámica de perfil de dos cabezas, rota en trozos y conservada. Two-headed profile ceramic vessel, broken in pieces and conserved.
type: Physical Object

Vasija perfilado de dos cabezas - Two-headed profile vessel
subject: CULTURAL HERITAGE
description: Vasija de cerámica de perfil de dos cabezas, rota en trozos y conservada. Two-headed profile ceramic vessel, broken in pieces and conserved.
format: text/plain Alias/WaveFront Object
type: 3D Object

Vasija de perro gruñendo - Snarling dog vessel
subject: CULTURAL HERITAGE
description: La mitad superior del cuerpo tiene una representación escultórica de un personaje zoomorfo (probablemente un perro). En la cara anterior del cuerpo del cántaro presenta la cabeza escultórica de forma ovalada con los ojos circulares moldeados e incisos, hocico prominente, nariz trapezoidal con 02 orificios nasales incisos, boca horizontal rectangular mostrando los dientes triangulares moldeados, y orejas redondeadas con una depresión excisa en el centro. El rostro está cubierto con líneas curvadas moldeadas, a manera de arrugas. Alrededor del cuello presenta un collar moldeado decorado con una serie de semicírculos moldeados. El extremo superior de la mitad superior del cuerpo del cántaro, tiene un elemento circular moldeado que representa el cuerpo del personaje zoomorfo. De este elemento se desprende 04 patas flexionadas moldeadas. Los extremos de las patas están decorados con 02 líneas horizontales incisas, complementadas con una serie de líneas verticales incisas, a manera de dedos. Presenta una cola de forma triangular. The upper half of the body has a sculptural representation of a zoomorphic character (probably a dog). On the anterior or frontal face of the body of this Cántaro (pitcher), there is a sculpted head which has an oval shape with circular and incised eyes and prominent and trapezoidal snout with 2 incised nostrils. The mouth is of rectangular and horizontal shape and showing triangular shaped teeth. The ears are rounded with a depression in the middle. The face is covered with molded curved lines, like wrinkles. Around the neck features a molded necklace decorated with a series of semi-circles which are also molded. The upper end of the upper half of the body of the Cantaro or pitcher has a circular shaped element that represents the body of the zoomorphic character. From this element, 4 molded flexed legs comes off. The ends of the legs are decorated with two incised horizontal lines, complemented by a series of incised vertical lines, the shape o…
creator: Elaborado en la época Sican (750-1350 AD)
format: text/plain Alias/WaveFront Object
type: 3D Object

Vasija de perro gruñendo - Snarling dog vessel
subject: CULTURAL HERITAGE
description: La mitad superior del cuerpo tiene una representación escultórica de un personaje zoomorfo (probablemente un perro). En la cara anterior del cuerpo del cántaro presenta la cabeza escultórica de forma ovalada con los ojos circulares moldeados e incisos, hocico prominente, nariz trapezoidal con 02 orificios nasales incisos, boca horizontal rectangular mostrando los dientes triangulares moldeados, y orejas redondeadas con una depresión excisa en el centro. El rostro está cubierto con líneas curvadas moldeadas, a manera de arrugas. Alrededor del cuello presenta un collar moldeado decorado con una serie de semicírculos moldeados. El extremo superior de la mitad superior del cuerpo del cántaro, tiene un elemento circular moldeado que representa el cuerpo del personaje zoomorfo. De este elemento se desprende 04 patas flexionadas moldeadas. Los extremos de las patas están decorados con 02 líneas horizontales incisas, complementadas con una serie de líneas verticales incisas, a manera de dedos. Presenta una cola de forma triangular. The upper half of the body has a sculptural representation of a zoomorphic character (probably a dog). On the anterior or frontal face of the body of this Cántaro (pitcher), there is a sculpted head which has an oval shape with circular and incised eyes and prominent and trapezoidal snout with 2 incised nostrils. The mouth is of rectangular and horizontal shape and showing triangular shaped teeth. The ears are rounded with a depression in the middle. The face is covered with molded curved lines, like wrinkles. Around the neck features a molded necklace decorated with a series of semi-circles which are also molded. The upper end of the upper half of the body of the Cantaro or pitcher has a circular shaped element that represents the body of the zoomorphic character. From this element, 4 molded flexed legs comes off. The ends of the legs are decorated with two incised horizontal lines, complemented by a series of incised vertical lines, the shape o…
creator: Elaborado en la época Sican (750-1350 AD)
type: Physical Object

Vasija de cerámica conectada - Connected ceramic vessel
subject: CULTURAL HERITAGE,ARCHAEOLOGY AND BUILT HERITAGE
description: Vasija de cerámica conectada utilizada para ceremonias. Connected ceramic vessel used for ceremonies.
source: workshops
contributor: eulac3d
type: Physical Object

Vasija de cerámica conectada - Connected ceramic vessel
subject: CULTURAL HERITAGE
description: Vasija de cerámica conectada utilizada para ceremonias. Connected ceramic vessel used for ceremonies.
format: text/plain Alias/WaveFront Object
type: 3D Object

Vasija de cangrejo - Crab vessel
subject: CULTURAL HERITAGE
description: Vasija de cerámica de cangrejo negro en forma de estribo. Blackware crab ceramic vessel in stirrup shape.
type: Physical Object

Vasija de cangrejo - Crab vessel
subject: CULTURAL HERITAGE
description: Vasija de cerámica de cangrejo negro en forma de estribo. Blackware crab ceramic vessel in stirrup shape.
format: text/plain Alias/WaveFront Object
type: 3D Object

Val McCalla
description: Val McCalla arrived in England in May 1959, aged 15, with dreams of being a pilot. He joined the RAF, but his plans were soon grounded by a perforated eardrum. He spent five years in the supplies section, where he picked up book-keeping skills. After leaving the RAF in the mid-1960s, he worked in a variety of accounts and book-keeping positions, before volunteering to go part-time on a radical community newspaper, East End News, based near his flat in Bethnal Green. The newspaper bug took a grip, and, within a few years, the Voice had risen from idea into reality McCalla saw that Britain's national press gave scant coverage to black issues - and that when it did, it was usually negative. There were a couple of black-orientated publications which appealed to an older generation of Caribbean immigrants, whose notion of "home" lay thousands of miles away. But for a younger generation of British-born blacks, there was nothing. McCalla identified the emerging culture of the black British identity and honed it into tabloid form. Helped with start-up money from the Greater London Council, his paper quickly established itself as an important campaigner against all forms of racism. For local authorities, and voluntary sector organisations concerned about the lack of ethnic minorities in their ranks, it became a valuable recruitment tool. This led to pages of job advertising From a small, east London council flat in 1982, Val McCalla started the weekly newspaper, the Voice, which went on to become the mouthpiece of Britain's black community and made him a multi-millionaire. Launched at the Notting Hill carnival that August, it grew into the most popular and important black newspaper in this country. From initial sales of only 4,000, within eight years the Voice was selling more than 53,000 copies a week - and turning over a small fortune in job recruitment advertising.
source: stories,westindians
date: 1943-10-03
type: Person

Val McCalla
subject: arrival
description: Val McCalla arrived in England in May 1959, aged 15, with dreams of being a pilot. He joined the RAF, but his plans were soon grounded by a perforated eardrum. He spent five years in the supplies section, where he picked up book-keeping skills. After leaving the RAF in the mid-1960s, he worked in a variety of accounts and book-keeping positions, before volunteering to go part-time on a radical community newspaper, East End News, based near his flat in Bethnal Green. The newspaper bug took a grip, and, within a few years, the Voice had risen from idea into reality. McCalla saw that Britain's national press gave scant coverage to black issues - and that when it did, it was usually negative. There were a couple of black-orientated publications which appealed to an older generation of Caribbean immigrants, whose notion of "home" lay thousands of miles away. But for a younger generation of British-born blacks, there was nothing. McCalla identified the emerging culture of the black British identity and honed it into tabloid form. Helped with start-up money from the Greater London Council, his paper quickly established itself as an important campaigner against all forms of racism. For local authorities, and voluntary sector organisations concerned about the lack of ethnic minorities in their ranks, it became a valuable recruitment tool. This led to pages of job advertising. From a small, east London council flat in 1982, Val McCalla started the weekly newspaper, the Voice, which went on to become the mouthpiece of Britain's black community and made him a multi-millionaire. Launched at the Notting Hill carnival that August, it grew into the most popular and important black newspaper in this country. From initial sales of only 4,000, within eight years the Voice was selling more than 53,000 copies a week - and turning over a small fortune in job recruitment advertising.
source: stories,arrival
date: 1959
type: Story

UWI residence lamp
subject: CULTURAL HERITAGE
description: A lamp used in the rooms of the first students (it belonged to an alumna who matriculated in 1949, the second year of the university). Part of the collection of the University of the West Indies Museum. The University of the West Indies Museum, commonly called the UWI Museum, was established in 2012. Its focus is the history and development of the University of the West Indies, and its relationship to the West Indies – now more commonly known as the Caribbean – region, which it serves.
language: English
type: Physical Object

UWI residence lamp
subject: CULTURAL HERITAGE
description: A lamp used in the rooms of the first students (it belonged to an alumna who matriculated in 1949, the second year of the university). Part of the collection of the University of the West Indies Museum. The University of the West Indies Museum, commonly called the UWI Museum, was established in 2012. Its focus is the history and development of the University of the West Indies, and its relationship to the West Indies – now more commonly known as the Caribbean – region, which it serves.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Unst Heritage Trust
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Unst Heritage Trust
description: Unst Heritage Trust and Unst Boat Haven are dedicated to the cultural heritage and history of this most northerly island in Scotland. The collection includes fine original wooden boats of various types that have been in use over the past 140 years. El Unst Heritage Trust y el Unst Boat Haven están dedicados al patrimonio cultural y a la historia de esta isla más septentrional de Escocia. La colección incluye los barcos de madera originales de varios tipos que han estado en uso durante los últimos 140 años.
source: community
type: Museum

Unst Heritage Centre, Shetland Islands, Scotland
description: Unst Heritage Centre, Shetland Islands, Scotland This collaboration between Europe, Latin America and the Caribbean is designed to facilitate the bringing together of rural communities, to enable the sharing of knowledge and experiences to protect their Cultural Heritage, increase social cohesion and enhance community memory. Esta colaboración entre Europa, América Latina y el Caribe está diseñada para facilitar la reunión de las comunidades rurales para permitir el intercambio de conocimientos y experiencias para proteger su Patrimonio Cultural, aumentar la cohesión social y mejorar la memoria de la comunidad. Cette collaboration entre l'Europe, l'Amérique latine et les Caraïbes vise à faciliter le rapprochement des communautés rurales, à permettre le partage des connaissances et des expériences pour protéger leur Patrimoine Culturel, accroître la cohésion sociale et renforcer la mémoire communautaire.
contributor: eulac3d
type: Moving Image

Unst Heritage Centre
description: Unst Heritage Trust and Unst Boat Haven are dedicated to the cultural heritage and history of this most northerly island in Scotland. The collection includes fine original wooden boats of various types that have been in use over the past 140 years.
source: workshops
type: Tour

Unst Heritage Centre
description: Unst Heritage Trust and Unst Boat Haven are dedicated to the cultural heritage and history of this most northerly island in Scotland. The collection includes fine original wooden boats of various types that have been in use over the past 140 years.
source: workshops
type: Collection

Unst Heritage Centre
description: [EN]Unst Heritage Trust and Unst Boat Haven are dedicated to the cultural heritage and history of this most northerly island in Scotland. The collection includes fine original wooden boats of various types that have been in use over the past 140 years. [ES]El Unst Heritage Trust y el Unst Boat Haven están dedicados al patrimonio cultural y a la historia de esta isla más septentrional de Escocia. La colección incluye los barcos de madera originales de varios tipos que han estado en uso durante los últimos 140 años.
source: workshops
type: Museum

Unst Boat Haven
description: For many hundreds of years Unst has lain in the midst of one of the richest fishing grounds in the world. The small wooden boats fished for cod and ling which were cleaned, split, salted and dried on the stony beaches. The dried fish were then shipped abroad in massive quantities. Boats like the sixereen ‘FAR HAAF’ were capable of fishing thirty miles off shore., while sturdy fourereens fished nearer the coast. With the onset of sudden storms there were disastrous results.
source: workshops
type: Collection

Unst Boat Haven
description: For many hundreds of years Unst has lain in the midst of one of the richest fishing grounds in the world. The small wooden boats fished for cod and ling which were cleaned, split, salted and dried on the stony beaches. The dried fish were then shipped abroad in massive quantities. Boats like the sixereen ‘FAR HAAF’ were capable of fishing thirty miles off shore., while sturdy fourereens fished nearer the coast. With the onset of sudden storms there were disastrous results.
source: workshops
type: Tour

Unst Boat Haven
description: For many hundreds of years Unst has lain in the midst of one of the richest fishing grounds in the world. The small wooden boats fished for cod and ling which were cleaned, split, salted and dried on the stony beaches. The dried fish were then shipped abroad in massive quantities. Boats like the sixereen ‘FAR HAAF’ were capable of fishing thirty miles off shore., while sturdy fourereens fished nearer the coast. With the onset of sudden storms there were disastrous results.
source: workshops
type: Museum

University of West Indies
publisher: EULAC
date: 2017:01:16 21:56:01
type: Tour

University of West Indies
description: In its more than 60 years of existence, UWI has evolved from a fledgling college in the Caribbean island of Jamaica with 33 students to a full-fledged University with over 45,000 students, approximately 9000 graduates annually and more than 120,000 alumni. This impressive network of UWI Alumni includes one Nobel Laureate, dozens of Rhodes Scholars and more than 18 current and former Caribbean Prime Ministers and Heads of State.
type: Collection

University of West Indies
description: In its more than 60 years of existence, UWI has evolved from a fledgling college in the Caribbean island of Jamaica with 33 students to a full-fledged University with over 45,000 students, approximately 9000 graduates annually and more than 120,000 alumni. This impressive network of UWI Alumni includes one Nobel Laureate, dozens of Rhodes Scholars and more than 18 current and former Caribbean Prime Ministers and Heads of State.
source: workshops,caribworkshops
type: Museum

University of St Andrews
source: Contributers
type: Museum

University of London medical medal
subject: CULTURAL HERITAGE
description: University of London medical medal won by UCWI graduate Owen Barrow in 1964. Owen Barrow was a consultant physician who graduated from the UCWI in 1964 – one of the last couple of batches of UCWI/UWI medical students to earn a University of London degree. A reluctant med student, he swept most of the distinction medals awarded in 1964, including the University of London medal – a significant mark of distinction even beyond the confines of the UCWI.
language: English
type: Physical Object

University of London medical medal
subject: CULTURAL HERITAGE
description: University of London medical medal won by UCWI graduate Owen Barrow in 1964. Owen Barrow was a consultant physician who graduated from the UCWI in 1964 – one of the last couple of batches of UCWI/UWI medical students to earn a University of London degree. A reluctant med student, he swept most of the distinction medals awarded in 1964, including the University of London medal – a significant mark of distinction even beyond the confines of the UCWI.
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Universidad Austral de Chile
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Universidad Austral de Chile
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Universidad Austral de Chile
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Universidad Austral de Chile
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Universidad Austral de Chile
description: The Museological Department is the dependent unit of the Universidad Austral de Chile dedicated to the enhancement, conservation and study of regional cultural, historical and archaeological heritage. It is made up of the Maurice van de Maele de Valdivia Historical and Anthropological museums, the Rudolph Amandus Philippi Exploration, and the German Colonial Frutillar. The laboratories of Conservation, Archeology and Audiovisual Anthropology are also part of this Directorate. La Dirección Museológica es la unidad dependiente de la Universidad Austral de Chile dedicada a la puesta en valor, conservación y estudio del patrimonio cultural, histórico y arqueológico regional. Está integrada por los museos Histórico y Antropológico Maurice van de Maele de Valdivia, de la Exploración Rudolph Amandus Philippi, y Colonial Alemán de Frutillar. Los laboratorios de Conservación, Arqueología y Antropología Audiovisual forman parte también de esta Dirección.
type: Collection

Universidad Austral de Chile
description: The Museological Department is the dependent unit of the Universidad Austral de Chile dedicated to the enhancement, conservation and study of regional cultural, historical and archaeological heritage. It is made up of the Maurice van de Maele de Valdivia Historical and Anthropological museums, the Rudolph Amandus Philippi Exploration, and the German Colonial Frutillar. The laboratories of Conservation, Archeology and Audiovisual Anthropology are also part of this Directorate. La Dirección Museológica es la unidad dependiente de la Universidad Austral de Chile dedicada a la puesta en valor, conservación y estudio del patrimonio cultural, histórico y arqueológico regional. Está integrada por los museos Histórico y Antropológico Maurice van de Maele de Valdivia, de la Exploración Rudolph Amandus Philippi, y Colonial Alemán de Frutillar. Los laboratorios de Conservación, Arqueología y Antropología Audiovisual forman parte también de esta Dirección.
source: workshops
type: Museum

United Kingdom
source: places
contributor: eulac3d
type: Site

Uniform
subject: CULTURAL HERITAGE
source: workshops
contributor: eulac3d
format: text/plain Alias/WaveFront Object
type: 3D Object

União das Freguesias de Monte Redondo http://monteredondocarreira.pt/home.php?t=td3&c=&mostra_c=sim&sc=&cc=59
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

TYRELL, WILLIAM
type: Person

TYRELL, JAMES
type: Person

TYRELL, ALBERT
type: Person

TURTON, JOSEPH
type: Person

TURTON, JOHN
type: Person

TURTON, JAMES
type: Person

TURTON, JACOB
type: Person

TURPIN, JAMES
type: Person

TURNEY, DONALD
type: Person

Turks and Caicos National Museum
description: The Turks and Caicos National Museum is the national museum of the Turks and Caicos Islands. It is located in Guinep House on Front Street to the north of Cockburn Town on Grand Turk Island, which is also the capital of the archipelago.
source: Museums
publisher: CINE
type: Museum

Tunapuna, Trinidad
source: places
contributor: eulac3d
type: Site

TULL, WILLIAM
type: Person

TULL, RUPERT
type: Person

TULL, MCDONALD
type: Person

TULL, JAMES
type: Person

TULL, CLARKSON
type: Person

Tuk Band Penny Whistle
subject: CULTURAL HERITAGE
description: The pennywhistle or tin whistle is a musical instrument of the woodwind family. The modern pennywhistle originates in the British Isles, particularly England and Ireland. It is used in all manner of musical genre from Celtic to Jazz music. The pennywhistle found its way to Barbados through British colonialism and is featured prominently in the Barbados Landship and Tuk Band.
creator: Kristin Watkins
date: 20th century
language: English
type: Physical Object

Tuk Band Penny Whistle
subject: CULTURAL HERITAGE
description: The pennywhistle or tin whistle is a musical instrument of the woodwind family. The modern pennywhistle originates in the British Isles, particularly England and Ireland. It is used in all manner of musical genre from Celtic to Jazz music. The pennywhistle found its way to Barbados through British colonialism and is featured prominently in the Barbados Landship and Tuk Band.
creator: Kristin Watkins
date: 20th century
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

TUDOR, SAMUEL
type: Person

TUDOR, DUDLEY
type: Person

TUDOR, DUDLEY
type: Person

TROTMAN, WILLIAM
type: Person

TROTMAN, WILLIAM
type: Person

TROTMAN, WILLIAM
type: Person

TROTMAN, WALTER
type: Person

TROTMAN, THEODORE
type: Person

TROTMAN, STANLEY
type: Person

TROTMAN, SAMUEL
type: Person

TROTMAN, SAMUEL
type: Person

TROTMAN, SAM
type: Person

TROTMAN, RICHARD
type: Person

TROTMAN, PERCY
type: Person

TROTMAN, PACKER
type: Person

TROTMAN, LAURIE
type: Person

TROTMAN, JULIAN
type: Person

TROTMAN, JOSEPH
type: Person

TROTMAN, JOSEPH
type: Person

TROTMAN, JOHNATHAN
type: Person

TROTMAN, JAMES
type: Person

TROTMAN, JAMES
type: Person

TROTMAN, JAMES
type: Person

TROTMAN, JAMES
type: Person

TROTMAN, JAMES
type: Person

TROTMAN, HENRY
type: Person

TROTMAN, GEORGE
type: Person

TROTMAN, GEORGE
type: Person

TROTMAN, GEORGE
type: Person

TROTMAN, GEORGE
type: Person

TROTMAN, FRANCIS
type: Person

TROTMAN, FOSTER
type: Person

TROTMAN, EVAN
type: Person

TROTMAN, EDWARD
type: Person

TROTMAN, DAVID
type: Person

TROTMAN, DAVID
type: Person

TROTMAN, DAVID
type: Person

TROTMAN, CONRAD
type: Person

TROTMAN, CHARLES
type: Person

TROTMAN, CHARLES
type: Person

TROTMAN, ASHTON
type: Person

TROTMAN, ARNOLD
type: Person

TROTMAN, ALBERT
type: Person

TRONSKA, EDWARD
type: Person

Trong-trong
subject: CULTURAL HERITAGE
description: Piel de ubre de vaca con forma de olla. Función de almacenamiento de alimentos (guardaba harina y todo tipo de semillas). Donado por José Manuel Lienlaf. Pot-shaped cow's udder skin. Food storage function (stored flour and all kinds of seeds). Donated by José Manuel Lienlaf.
creator: Comunidad Huillomallin
date: Siglo XIX-XX
language: Español
type: Physical Object

Trong-trong
subject: CULTURAL HERITAGE
description: Piel de ubre de vaca con forma de olla. Función de almacenamiento de alimentos (guardaba harina y todo tipo de semillas). Donado por José Manuel Lienlaf. Pot-shaped cow's udder skin. Food storage function (stored flour and all kinds of seeds). Donated by José Manuel Lienlaf.
creator: Comunidad Huillomallin
date: Siglo XIX-XX
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

Trinidad
source: places
contributor: eulac3d
type: Site

Trevor Phillips
description: Former broadcaster and chair of the Greater London Assembly, Trevor Phillips was born in London in 1953. His parents, wanting him to have the best education, enrolled him at the Queen's College Boys School in Guyana, resulting in him spending the ages between 2 and 17 in either Guyana or London. Despite offers of a scholarship to MIT, he picked Imperial College, London to study chemistry. In 1978, he became the first black president of the National Union of Students. After university, he applied for a job as a researcher in Current Affairs at London Weekend Television. He then presented and produced 'The London Programme' for thirteen years, and later became head of Current Affairs at LWT, one of a small number of black senior executives of major British broadcasting organisations. In 1998, his independent production company, Pepper Productions produced the Windrush series, chronicling the history of black people in Britain over the last 50 years. He has been chairman of the Runnymede Trust, an independent race relations think-tank and campaigning body, and in 2000, he ran for the position of Mayor of London. He didn't win, but became a member of the GLA, and in 2003, was appointed by the Home Secretary to be the chairman of the CRE. He has been awarded an OBE.
source: stories,westindians
date: 1953-12-31
type: Person

TRENT, EDWARD
type: Person

TRENT, CHARLES
type: Person

Tray Straw Basket
description: [ES] [EN]For carrying out different articles
type: Physical Object

Tray Straw Basket
description: [ES] [EN]For carrying out different articles
source: workshops
publisher: EULAC
type: 3D Object

Trailer Voces de Barrio | Museo Comunitario Barrio Yungay
source: community
contributor: eulac3d
type: Moving Image

Toy Truck
contributor: eulac3d
format: text/plain Alias/WaveFront Object
type: 3D Object

Toy Plane
contributor: eulac3d
format: text/plain Alias/WaveFront Object
type: 3D Object

Tortero / Pichoy / Pichoi
description: Objeto esférico con una perforación diametral que sirve de plomada para el huso o fuso para hilar. Donado por Claudio Paillalef. Spherical object with a diametrical perforation that serves as a plumb line for the spindle or spindle for spinning. Donated by Claudio Paillalef.
creator: Mapuche - Huilliche
date: Siglo XIII-XVIII
language: Spanish
type: Physical Object

Tortero / Pichoy / Pichoi
description: Objeto esférico con una perforación diametral que sirve de plomada para el huso o fuso para hilar. Donado por Claudio Paillalef. Spherical object with a diametrical perforation that serves as a plumb line for the spindle or spindle for spinning. Donated by Claudio Paillalef.
creator: Mapuche - Huilliche
date: Siglo XIII-XVIII
format: text/plain Alias/WaveFront Object
language: Spanish
type: 3D Object

TOPPIN, WILLIAM
type: Person

TOPPIN, WALTER
type: Person

TOPPIN, NORMAN
type: Person

TOPPIN, JOSEPH
type: Person

TOPPIN, JOHN
type: Person

TOPPIN, JAMES
type: Person

TOPPIN, JAMES
type: Person

TOPPIN, JAMES
type: Person

TOPPIN, FRANCIS
type: Person

TOPPIN, CLIFFORD
type: Person

TOPPIN, CHARLES
type: Person

TOPPIN, AUBREY
type: Person

TOPPIN, ALLAN
type: Person

TopGuimarães
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

Toothkey / Turnkey
subject: CULTURAL HERITAGE
description: A Dentist tool from the 1800s, used to extract teeth. The claw would be fixed between the tooth and gum, and ideally then it would take one turn to remove the tooth.
type: Physical Object

Toothkey / Turnkey
subject: CULTURAL HERITAGE
description: A Dentist tool from the 1800s, used to extract teeth. The claw would be fixed between the tooth and gum, and ideally then it would take one turn to remove the tooth.
format: text/plain Alias/WaveFront Object
type: 3D Object

TOMLINSON, JOHN
type: Person

TODD, RUFUS
type: Person

TODD, REYNOLD
type: Person

TODD, NEWTON
type: Person

TODD, JOSHUA
type: Person

TODD, JOSEPH
type: Person

TODD, GEORGE
type: Person

Toco Folk Museum
source: Museums,museumvisits
type: Museum

Tobago Museum
source: Museums,museumvisits
type: Museum

To Santiago
source: Map
type: Migration

To Panama
source: Map
type: Migration

To Marac
source: Map
type: Migration

To Jamica
source: Map
type: Migration

To Jamaica
source: Map
type: Migration

Tinaja pequeña - Small jar
description: Se usa para mantener agua fria en el hogar. It is used to keep cold water in the home.
type: Physical Object

Tinaja pequeña - Small jar
description: Se usa para mantener agua fria en el hogar. It is used to keep cold water in the home.
type: 3D Object

Timespan Objects
description: Timespan is a meeting place between our past, our present and our future. Located in the Far North of Scotland in one of the remotest areas of Europe, Timespan provides a unique experience and resource for visitors, artists, researchers and locals. timespan.org.uk/
publisher: EULAC
type: Collection

Timespan Museum and Arts Center
publisher: EULAC
type: Tour

Timespan Museum and Art Gallery
source: workshops
type: Tour

Timespan Museum and Art Gallery
source: workshops
type: Museum

Timespan Museum & Arts Centre
description: Timespan is a meeting place between our past, our present and our future. Located in the Far North of Scotland in one of the remotest areas of Europe, Timespan provides a unique experience and resource for visitors, artists, researchers and locals. timespan.org.uk/
source: workshops
type: Collection

Tigela romana - Roman bowl
subject: CULTURAL HERITAGE
description: Tigela de louça comum com excesso de queima, produzida na oficina de cerâmica romana da Quinta do Rouxinol (Seixal) (finais do século II e III) para consumo de alimentos à mesa. O fragmento restante corresponde a aproximadamente metade do objeto. Exibe um aro virado para dentro, a parede é vertical com uma carinação baixa e pouco pronunciada, a superfície externa é finalizada na forma de polimento. Complete over-fired common ware bowl, produced in the roman pottery workshop of Quinta do Rouxinol (Seixal) (late 2nd century and 3rd century) for food consumption at the table. The remaining fragment corresponds to approximately half of the object. Displays a rim turned inwards, the wall is vertical with a low and little pronounced carination, external surface is finished in the form of burnishing.
type: Physical Object

Tigela romana - Roman bowl
subject: CULTURAL HERITAGE
description: Tigela de louça comum com excesso de queima, produzida na oficina de cerâmica romana da Quinta do Rouxinol (Seixal) (finais do século II e III) para consumo de alimentos à mesa. O fragmento restante corresponde a aproximadamente metade do objeto. Exibe um aro virado para dentro, a parede é vertical com uma carinação baixa e pouco pronunciada, a superfície externa é finalizada na forma de polimento. Complete over-fired common ware bowl, produced in the roman pottery workshop of Quinta do Rouxinol (Seixal) (late 2nd century and 3rd century) for food consumption at the table. The remaining fragment corresponds to approximately half of the object. Displays a rim turned inwards, the wall is vertical with a low and little pronounced carination, external surface is finished in the form of burnishing.
format: text/plain Alias/WaveFront Object
type: 3D Object

THORRINGTON, ARTHUR
type: Person

THORPE, WILLIAM
type: Person

THORPE, ROBERT
type: Person

THORPE, JOSEPH
type: Person

THORPE, JOSEPH
type: Person

THORPE, JAMES
type: Person

THORPE, JAMES
type: Person

THORPE, GERALD
type: Person

THORPE, GEORGE
type: Person

THORPE, GEORGE
type: Person

THORPE, AUBREY
type: Person

THORNTON, NEWTON
type: Person

THORNTON, ISAAC
type: Person

THORNTON, EUSTACE
type: Person

THORNHILL, STANLEY
type: Person

THORNHILL, PROVIDENCE
type: Person

THORNHILL, MORTIMER
type: Person

THORNHILL, JOSEPH
type: Person

THORNHILL, JAMES
type: Person

THORNHILL, JAMES
type: Person

THORNHILL, JAMES
type: Person

THORNHILL, JAMES
type: Person

THORNHILL, FITZ
type: Person

THORNHILL, CLIFFORD
type: Person

THORNHILL, CHRISTOPHER
type: Person

THORNHILL, CHARLES
type: Person

THORNHILL, AUGUSTUS
type: Person

THORNHILL, ALEX
type: Person

THORNE, WILLIAM
type: Person

THORNE, WILLIAM
type: Person

THORNE, JULIAN
type: Person

THORNE, JOSEPH
type: Person

THORNE, JOSEPH
type: Person

THORNE, ERMAN
type: Person

THORNE, COLERIDGE
type: Person

THORNE, ALEX
type: Person

THORNDIKE, GARDENER
type: Person

THORN, JOSEPH
type: Person

THOMPSON, WILLIAM
type: Person

THOMPSON, WILLIAM
type: Person

THOMPSON, WALTER
type: Person

THOMPSON, SELWYN
type: Person

THOMPSON, SAMUEL
type: Person

THOMPSON, ROBERT
type: Person

THOMPSON, RICHARD
type: Person

THOMPSON, PERCIVAL
type: Person

THOMPSON, NORMAN
type: Person

THOMPSON, NATHANIEL
type: Person

THOMPSON, LEVI
type: Person

THOMPSON, LEON
type: Person

THOMPSON, JULIAN
type: Person

THOMPSON, JOHN
type: Person

THOMPSON, JAMES
type: Person

THOMPSON, GORDON
type: Person

THOMPSON, GLADSTONE
type: Person

THOMPSON, GERALD
type: Person

THOMPSON, FITZ
type: Person

THOMPSON, FITZ
type: Person

THOMPSON, EDWIN
type: Person

THOMPSON, EDWARD
type: Person

THOMPSON, DUDLEY
type: Person

THOMPSON, DENNIS
type: Person

THOMPSON, DAVID
type: Person

THOMPSON, CLAUDIUS
type: Person

THOMPSON, ARRINDELL
type: Person

THOMPSON, ARNOLD
type: Person

THOMPSON, ARNOLD
type: Person

THOMPSON, ALFRED
type: Person

THOMPSON, ALBERT
type: Person

THOMPSOM, WILLIAM
type: Person

THOMAS, WILLIAM
type: Person

THOMAS, WILLIAM
type: Person

THOMAS, TILBERT
type: Person

THOMAS, SAMUEL
type: Person

THOMAS, PRINCE
type: Person

THOMAS, PHILIP
type: Person

THOMAS, NATHANIEL
type: Person

THOMAS, MOSES
type: Person

THOMAS, MOSES
type: Person

THOMAS, MOSES
type: Person

THOMAS, JOSEPH
type: Person

THOMAS, JAMES
type: Person

THOMAS, JAMES
type: Person

THOMAS, GEORGE
type: Person

THOMAS, GARFIELD
type: Person

THOMAS, EUSTACE
type: Person

THOMAS, DONALD
type: Person

THOMAS, DAVID
type: Person

THOMAS, BURTON
type: Person

THOMAS, BENJAMIN
type: Person

THOMAS, ARON
type: Person

THOMAS, ARCHIE
type: Person

THOMAS, ALFRED
type: Person

The Wardlaw Museum - Prerenovation Photosphere 2
date: 2017:04:25 09:28:11
format: image/jpeg
language: English
type: Panorama

The Wardlaw Museum - Prerenovation Photosphere 1
date: 2017:04:25 09:25:33
format: image/jpeg
language: English
type: Panorama

The Wardlaw Museum - Prerenovation
publisher: EU-LAC
language: English
type: Tour

The University of the West Indies Zoology Museum
source: Museums,museumvisits
publisher: CINE
type: Museum

The University of the West Indies
source: Contributers
type: Museum

The Ultimate Photosphere Challenge
publisher: EULAC
type: Tour

The National Museum and Art Gallery of Trinidad and Tobago
source: workshops,caribworkshops
type: Tour

The National Museum and Art Gallery of Trinidad and Tobago
description: The National Museum and Art Gallery is the national museum of Trinidad and Tobago, in Port of Spain on Trinidad island. It is located at the top of Frederick Street, opposite the Memorial Park, and just south of the Queen's Park Savannah. The museum was established in 1892, as the Royal Victoria Institute.
source: workshops,caribworkshops
type: Collection

The National Museum and Art Gallery of Trinidad and Tobago
source: workshops,caribworkshops,museumvisits
type: Museum

The Museum of Islay Life / El Museo de la Comunidad de la Isla de Islay
description: The Museum of Islay Life is managed by the Islay Museums Trust and has as its principal aim the conservation and display of items illustrative of life in Islay, from prehistoric to recent times. Since then, the Museum, with the generous help of islanders donating material of all kinds, has built up a main collection of over 2700 objects. El Museo de la Comunidad de la Isla de Islay está gestionado por el Trust de los Museos de la Isla de Islay, y tiene como su objeto principal la conservación y la visualización de artículos que son ilustrativos de la vida de la isla, desde la prehistoria hasta los últimos tiempos. Desde entonces, el Museo, con la ayuda generosa de los isleños que han donado varios artículos, ha creado una colección principal de más de 2700 objetos.
source: community
type: Museum

That Time in Foreign
source: stories
contributor: eulac3d
format: video/mp4
type: Moving Image

TEMPRO, JOSEPH
type: Person

TEMPRO, GEORGE
type: Person

TEMPRO, GEORGE
type: Person

Teja - Roof Tile
description: Se utilizaba para hacer los techos de las casas It is used for tiling the roofs of houses.
creator: Group of Roof Tiles
date: 2010
language: Spanish
type: Physical Object

Teja - Roof Tile
description: Se utilizaba para hacer los techos de las casas It is used for tiling the roofs of houses.
creator: Group of Roof Tiles
date: 2010
format: text/plain Alias/WaveFront Object
language: Spanish
type: 3D Object

Taza/ Lliwi - Cup
subject: CULTURAL HERITAGE
description: Artefacto de madera empleado como utensilio doméstico en la contención de líquidos, pre-senta asa sin orificio. Donado por Bladimir Zúñiga. Wooden appliance used as a household utensil for liquid containment, it has a handle without a hole. Donated by Bladimir Zúñiga.
creator: Comunidad Quemchué
date: Histórico
language: Español
type: Physical Object

Taza/ Lliwi - Cup
subject: CULTURAL HERITAGE
description: Artefacto de madera empleado como utensilio doméstico en la contención de líquidos, pre-senta asa sin orificio. Donado por Bladimir Zúñiga. Wooden appliance used as a household utensil for liquid containment, it has a handle without a hole. Donated by Bladimir Zúñiga.
creator: Comunidad Quemchué
date: Histórico
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

Taza de madera - Wooden cup
description: Taza de madera de Boruca. Wooden cup from Boruca.
type: Physical Object

Taza de madera - Wooden cup
subject: CULTURAL HERITAGE
description: Artefacto de uso doméstico, usado como recipiente de base plana, cuerpo cónico y un asa lateral de forma romboidal. De color café oscuro. *Llicampi: Tazas pequeñas sin asa usados en Lanalhue localidad del sur de Chile dentro del área de la cultura mapuche (tesauroregional.cl). Household appliance, used as a flat-bottomed container with a conical body and a rhomboidal side handle. Dark brown in color. *Llicampi: Small cups without handles used in Lanalhue, a southern Chilean town within the Mapuche culture area (tesauroregional.cl).
creator: Mapuche
date: Siglo XIX-XX
language: Español
type: Physical Object

Taza de madera - Wooden cup
description: Taza de madera de Boruca. Wooden cup from Boruca.
type: 3D Object

Taza de madera - Wooden cup
subject: CULTURAL HERITAGE
description: Artefacto de uso doméstico, usado como recipiente de base plana, cuerpo cónico y un asa lateral de forma romboidal. De color café oscuro. *Llicampi: Tazas pequeñas sin asa usados en Lanalhue localidad del sur de Chile dentro del área de la cultura mapuche (tesauroregional.cl). Household appliance, used as a flat-bottomed container with a conical body and a rhomboidal side handle. Dark brown in color. *Llicampi: Small cups without handles used in Lanalhue, a southern Chilean town within the Mapuche culture area (tesauroregional.cl).
creator: Mapuche
date: Siglo XIX-XX
format: text/plain Alias/WaveFront Object
language: Español
type: 3D Object

TAYLOR, WOODROFFE
type: Person

TAYLOR, WALTER
type: Person

TAYLOR, TIMOTHY
type: Person

TAYLOR, THOMAS
type: Person

TAYLOR, SIMEON
type: Person

TAYLOR, SAMUEL
type: Person

TAYLOR, RICHARD
type: Person

TAYLOR, NATHAN
type: Person

TAYLOR, LAURIE
type: Person

TAYLOR, KENDRICK
type: Person

TAYLOR, JOSHUA
type: Person

TAYLOR, JOSEPH
type: Person

TAYLOR, JOSEPH
type: Person

TAYLOR, JAMES
type: Person

TAYLOR, JAMES
type: Person

TAYLOR, JAMES
type: Person

TAYLOR, HENRY
type: Person

TAYLOR, GEORGE
type: Person

TAYLOR, GEORGE
type: Person

TAYLOR, FREDERICK
type: Person

TAYLOR, FRANCIS
type: Person

TAYLOR, FRANCIS
type: Person

TAYLOR, DAVID
type: Person

TAYLOR, BENJAMIN
type: Person

TAYLOR, ALLAN
type: Person

TAYLOR, ALFRED
type: Person

Taylor Hall Demi-tasse Cup
subject: CULTURAL HERITAGE
description: The tale is told that Taylor Hall was first occupied by 101 students, including 8 freshmen who moved from the old building of Gibraltar Hall on Gibraltar Camp Road to Blocks A and B, formally called Hall 111. These two blocks, the only two on Taylor Hall at the time, were soon joined by Block C in 1952, the same year the hall was officially opened. In this year, The Empire was granted the honour of being named after Sir Thomas Weston Johns Taylor, the first principal of the University College of the West Indies. The late Sir Sydney Martin would be named as the first warden of this great empire. By 1954, Block D had been constructed and fully occupied. From their chapel, the vanguards from Gibraltar had brought the bell – a continuous source of contention between the Empire of Tayloria and Chancellor Hall. In rivalry, Taylor Hall lost the bell, but this was soon replaced by another emblem – the cast iron ball. Taylor Hall since then has made the transition from the cast iron ball to the Pelican – still the insignia of The Empire to date. Blocks E, F and G, affectionately called ‘New Block’ were added to the Taylor Hall fraternity in 1962. Initially occupied by male residents, The Empire was graced with feminine elegance as ‘New Block’ became Excellencia , Falconia and Galaxia in 1965 as females, for the first time, lived on Taylor Hall . Erected were also the television room and the sub warden’s flat in 1963. The new university was completely residential for several years, and students developed strong connections within their halls of residence. Each hall, during the 1950s and 1960s, was fully stocked to cater for students’ room and board; including having their own marked crockery, cutlery etc which was used for meals which students took together.
language: English
type: Physical Object

Taylor Hall Demi-tasse Cup
subject: CULTURAL HERITAGE
description: The tale is told that Taylor Hall was first occupied by 101 students, including 8 freshmen who moved from the old building of Gibraltar Hall on Gibraltar Camp Road to Blocks A and B, formally called Hall 111. These two blocks, the only two on Taylor Hall at the time, were soon joined by Block C in 1952, the same year the hall was officially opened. In this year, The Empire was granted the honour of being named after Sir Thomas Weston Johns Taylor, the first principal of the University College of the West Indies. The late Sir Sydney Martin would be named as the first warden of this great empire. By 1954, Block D had been constructed and fully occupied. From their chapel, the vanguards from Gibraltar had brought the bell – a continuous source of contention between the Empire of Tayloria and Chancellor Hall. In rivalry, Taylor Hall lost the bell, but this was soon replaced by another emblem – the cast iron ball. Taylor Hall since then has made the transition from the cast iron ball to the Pelican – still the insignia of The Empire to date. Blocks E, F and G, affectionately called ‘New Block’ were added to the Taylor Hall fraternity in 1962. Initially occupied by male residents, The Empire was graced with feminine elegance as ‘New Block’ became Excellencia , Falconia and Galaxia in 1965 as females, for the first time, lived on Taylor Hall . Erected were also the television room and the sub warden’s flat in 1963. The new university was completely residential for several years, and students developed strong connections within their halls of residence. Each hall, during the 1950s and 1960s, was fully stocked to cater for students’ room and board; including having their own marked crockery, cutlery etc which was used for meals which students took together.
language: English
type: 3D Object

Tamiz de harina / Flour sieve
subject: CULTURAL HERITAGE
description: Tamiz de madera y tela perforada, utilizado para tamizar harina. Sieve made of wood and perforate fabric, used to sift flour.
creator: Unknown
language: Catalan (valencian)
type: Physical Object

Tamiz de harina / Flour sieve
subject: CULTURAL HERITAGE
description: Tamiz de madera y tela perforada, utilizado para tamizar harina. Sieve made of wood and perforate fabric, used to sift flour.
creator: Unknown
format: text/plain Alias/WaveFront Object
language: Catalan (valencian)
type: 3D Object

Tamina White
subject: CULTURAL HERITAGE,PLACES
creator: Tamina White
source: stories,Contributers,barbadosmigration
date: 2018
format: video/mp4
language: English
type: Moving Image

TAITT, WILLIAM
type: Person

TAITT, WILLIAM
type: Person

TAITT, THOMAS
type: Person

TAITT, ST CLAIR
type: Person

TAITT, PRINCE
type: Person

TAITT, NORMAN
type: Person

TAITT, NATHANIEL
type: Person

TAITT, MARTIN
type: Person

TAITT, JAMES
type: Person

TAITT, ISAIAH
type: Person

TAITT, ISAAC
type: Person

TAITT, HENRY
type: Person

TAITT, G
type: Person

TAITT, FRANCIS
type: Person

TAITT, EVAN
type: Person

TAITT, ETHELBERT
type: Person

TAITT, E. CHARLES
type: Person

TAITT, CHARLES
type: Person

TAITT, CHARLES
type: Person

TAITT, ALONZO
type: Person

TAITT, ALONZO
type: Person

TAITT, ALBERT
type: Person

Taíno Zemi
subject: CULTURAL HERITAGE
description: This small figurine is a Taíno Zemi. A Pre-Columbian artefact from the Taíno people who inhabited the Caribbean centuries before the arrival of the Europeans around 1492. They were wiped out by European colonialism. This figurine was an important aspect of their culture, representing their religious beliefs. The zemis were modelled after Taíno deities and the Taíno would communicate with them through the inhalation of a hallucinogenic substance called cohoba, which they placed on top of the figurine's small bowl above its head. This figurine is a replica. The original zemi was excavated in Jamaica, and now resides in the British Museum, though not on display.
creator: Kristin Watkins
date: Pre-Columbian
format: text/plain Alias/WaveFront Object
language: English
type: 3D Object

Tailor's goose iron
subject: CULTURAL HERITAGE
description: The tailor's goose iron was a long and thin iron, compared to its household counterpart, with handles that resemble that of a goose's neck. It was traditionally used by tailors for smoothing fabric and pressing seams. There were usually multiple irons in rotation: one in use and at least one other being heated over coals or stove. Early flat irons needed to be gripped with some sort of rag to avoid burns to the user's hand. Later designs incorporated methods of having cooler handles for example: a wooden handle.
language: Barbados
type: Physical Object

Tailor's goose iron
subject: CULTURAL HERITAGE
description: The tailor's goose iron was a long and thin iron, compared to its household counterpart, with handles that resemble that of a goose's neck. It was traditionally used by tailors for smoothing fabric and pressing seams. There were usually multiple irons in rotation: one in use and at least one other being heated over coals or stove. Early flat irons needed to be gripped with some sort of rag to avoid burns to the user's hand. Later designs incorporated methods of having cooler handles for example: a wooden handle.
format: text/plain Alias/WaveFront Object
language: Barbados
type: 3D Object

Taigh Chearsabhagh Museum and Art Gallery
description: Taigh Chearsabhagh Museum & Arts Centre is the arts and heritage centre for the Uists. Throughout the year they have visual art exhibitions, poetry and literary events, traditional music events and small festivals. They host world class contemporary art exhibitions, they have an award winning museum, they work with local and international artists, academics and writers. We also have a strong and growing specialism in film. They partner with both the University of the Highlands and Islands (hosting fine art courses to degree level) and with Sabhal Mor Ostaig offering a number of courses including Gaelic. They are a unique organisation in an incredible location. They provide a hub for the arts, heritage and economic development of North Uist, and the Centre’s work reflects the Gaelic community, language and culture that makes the ‘place’. Taigh Chearsabhagh sits on the solid rock overlooking the tidal bay that is Lochmaddy (Loch nam Madadh – the Loch of the Dogs). There organisation is community focused, offering a stimulating and dynamic cultural programme of activities all year round for the people of Uist and visitors. Lochmaddy is the main port of entry to North Uist, and the Centre is situated on the shoreline of a marine Special Area of Conservation. The sea and sky dominate our environment and directly influence the artistic and cultural life here. Inspired by the island location there is a vibrant and stimulating exhibition and events programme throughout the year.
source: workshops
type: Museum

tadalafil increase size
subject: caribbeanresettlement
description: tap, mineral, and river water cialis 5mg online
source: stories,caribbeanresettlement
date: 1979-10-10
type: Story

Taburete de armadillo - Armadillo stool
description: Sirve para sentar a los niños para que las ágüelas se sienten a tejer. Serves as a place where children can sit; as a place where grandmothers can sit down for knitting.
creator: Raphael Bouzales
type: Physical Object

Taburete de armadillo - Armadillo stool
description: Sirve para sentar a los niños para que las ágüelas se sienten a tejer. Serves as a place where children can sit; as a place where grandmothers can sit down for knitting.
creator: Raphael Bouzales
format: text/plain Alias/WaveFront Object
type: 3D Object

Taíno Zemi
subject: CULTURAL HERITAGE
description: This small figurine is a Taíno Zemi. A Pre-Columbian artefact from the Taíno people who inhabited the Caribbean centuries before the arrival of the Europeans around 1492. They were wiped out by European colonialism. This figurine was an important aspect of their culture, representing their religious beliefs. The zemis were modelled after Taíno deities and the Taíno would communicate with them through the inhalation of a hallucinogenic substance called cohoba, which they placed on top of the figurine's small bowl above its head. This figurine is a replica. The original zemi was excavated in Jamaica, and now resides in the British Museum, though not on display.
creator: Kristin Watkins
date: Pre-Columbian
language: English
type: Physical Object

SWAN, JEREMIAH
type: Person

SWAIN, CHARLES
type: Person

SUTTLE, WILLIAM
type: Person

SUTTLE, ORMOND
type: Person

SUTTLE, GEORGE
type: Person

SUTTLE, CLIFFORD
type: Person

Superlative St George
contributor: eulac3d
type: Site

SULLIVAN, RICHARD
type: Person

Suitcase
subject: SOCIAL HISTORY
description: A brown suitcase used for travel by a Barbadian. On one side of the item is a sticker with the acronym B.O.A.C, which stands for British Overseas Airways Corporation. This was the British state-owned airline created in 1939 by the merger of Imperial Airways and British Airways Ltd. It continued operating overseas services throughout World War II. It would eventually merge with the British European Airways (B.E.A) to become in 1971 the British Airways, which has been active to this day.
creator: Kristin Watkins
date: 6/12/2019
language: English
type: Physical Object

Suitcase
subject: SOCIAL HISTORY
description: A brown suitcase used for travel by a Barbadian. On one side of the item is a sticker with the acronym B.O.A.C, which stands for British Overseas Airways Corporation. This was the British state-owned airline created in 1939 by the merger of Imperial Airways and British Airways Ltd. It continued operating overseas services throughout World War II. It would eventually merge with the British European Airways (B.E.A) to become in 1971 the British Airways, which has been active to this day.
creator: Kristin Watkins
date: 6/12/2019
format: image/jpeg
language: English
type: 3D Object

Sugar Hill St Joseph
source: places
contributor: eulac3d
type: Site

SUE, GRANT
type: Person

SUE, ALFRED
type: Person

Suão - Associação para o Desenvolvimento comunitário de S. Miguel Machede
source: community
contributor: eulac3d
format: image/jpeg
type: Still Image

STRICKLAND, PRESTON
type: Person

STREEK, DONALD
type: Person

STRAUGHN, ALBERT
type: Person

STRAUGHAN, ELLIOTT
type: Person

Stratford, London
source: places
contributor: eulac3d
type: Site

STRAKER, NORMAN
type: Person

STRAKER, JOSHUA
type: Person

STRAKER, JAMES
type: Person

STRAKER, FREDERICK
type: Person

STRAKER, EDWARD
type: Person

STRAKER, ARCHIBALD
type: Person

STOUTE, SAMUEL
type: Person

STOUTE, RGINALD
type: Person

STOUTE, PERCY
type: Person

STOUTE, JOSEPH
type: Person

STOUTE, JOSEPH
type: Person

STOUTE, EDWARD
type: Person

STOUTE, AUGUSTUS
type: Person

STOUTE, ALEXANDER
type: Person

STOUT, WILLIAM
type: Person

STOUT, PRINCE
type: Person

STOUT, JOSEPH
type: Person

STOUT, EVAN
type: Person

STOUT, AUSTIN
type: Person

STOUT, ARTHUR
type: Person

stone_pipe-2.zip
contributor: eulac3d
type: Sound

Stone Scraper
subject: CULTURAL HERITAGE
description: Scrapers made from a variety of materials were popular tools for Amerindian communities. Scrapers are typically formed by chipping the end of a flake of stone in order to create one sharp side and to keep the rest of the sides dull to facilitate grasping it. Most scrapers are either circle or blade-like in shape. The working edges of scrapers tend to be convex, and many have trimmed and dulled lateral edges to facilitate hafting. In Barbados, as the island is made of limestone and not volcanic rock, scrapers were usually made of conch shell. So it is likely that this stone scraper originated from another Caribbean country. Digitized by Toni-Q Harris during the 2018 BMHS 3D Photogrammetry Summer Intensive
type: Physical Object

Stone Scraper
subject: CULTURAL HERITAGE
description: Scrapers made from a variety of materials were popular tools for Amerindian communities. Scrapers are typically formed by chipping the end of a flake of stone in order to create one sharp side and to keep the rest of the sides dull to facilitate grasping it. Most scrapers are either circle or blade-like in shape. The working edges of scrapers tend to be convex, and many have trimmed and dulled lateral edges to facilitate hafting. In Barbados, as the island is made of limestone and not volcanic rock, scrapers were usually made of conch shell. So it is likely that this stone scraper originated from another Caribbean country. Digitized by Toni-Q Harris during the 2018 BMHS 3D Photogrammetry Summer Intensive
format: text/plain Alias/WaveFront Object
type: 3D Object

Stone pipe
contributor: eulac3d
type: 3D Object

Stone pipe
subject: CULTURAL HERITAGE,SOCIAL HISTORY
description: Stone pipe, part of the collection at Museo Despierta Hermano de Malalhue
contributor: eulac3d
language: English
type: Physical Object

Stone pipe
source: workshops
contributor: eulac3d
format: text/plain Alias/WaveFront Object
type: 3D Object

STEWART, SIDNEY
type: Person

STEWART, NATHANIEL
type: Person

STEWART, JULIAN
type: Person

STEWART, JOSEPH
type: Person

STEWART, JOHN
type: Person

STEWART, GORDON
type: Person

STEWART, G
type: Person

STEWART, CLIFFORD
type: Person

STEWART, CHARLES
type: Person

STEWART, BENJAMIN
type: Person

STEWART, BENJAMIN
type: Person

STEWART, ALLAN
type: Person

STEWART, ALEX
type: Person

STEWARD, GEORGE
type: Person

STEWARD, ANDREW
type: Person

STEVENSON, EDWARD
type: Person

Sterling Betancourt MBE FRSA
description: Sterling Betancourt was born 1 March 1930 in Laventille, Trinidad. In his early years, he was a member of one of the local Laventille Tamboo Bamboo bands until he became a tenor pan player in Tripoli steel band. He later progressed to become a band member and the tuner for Crossfire, a steel band he was more notably associated to during the 1940s. His skills on the pans earned him selection for TASPO (The Trinidad All-Steel Pan Percussion Orchestra) which was formed to participate in the Festival of Britain in 1951. This tour became a defining point in his career as he decided to remain in England with his pan and promote this new found musical art form. In 1952, Sterling Betancourt joined forces with a fellow Trinidadian musician, pianist Russell Henderson, to record some of Henderson’s piano music. Later the Russ Henderson Steel Band was formed along with Mervyn Constantine. A defining point for the band came in 1964 when the band was invited to play at the opening of a Children’s Carnival in Notting Hill. The invite came from Rhaune Laslette, a Notting Hill resident and local social worker, who was organising the event. In keeping up with the tradition of the Trinidad carnival at that time, the steel band began an impromptu march through the streets, enticing some of the onlookers to take part in the procession. This led to the start of the Notting Hill Carnival in 1965 with steel band music as the music of choice. Betancourt has taken Pan to many countries throughout Europe and Asia and as recognition for his contribution he was awarded Trinidad and Tobago’s Scarlet Ibis award, a University of East London Fellowship, an MBE (Member of the Most Excellent Order of the British Empire) and made a member of FRSA for his commitment in promoting steelpan culture throughout the United Kingdom, and pioneering steelpan projects in English schools
source: stories,westindians
date: 1930-03-01
type: Person

Sterling Betancourt MBE FRSA
subject: arrival
description: Sterling Betancourt was born 1 March 1930 in Laventille, Trinidad. In his early years, he was a member of one of the local Laventille Tamboo Bamboo bands until he became a tenor pan player in Tripoli steel band. He later progressed to become a band member and the tuner for Crossfire, a steel band he was more notably associated to during the 1940s. His skills on the pans earned him selection for TASPO (The Trinidad All-Steel Pan Percussion Orchestra) which was formed to participate in the Festival of Britain in 1951. This tour became a defining point in his career as he decided to remain in England with his pan and promote this new found musical art form. In 1952, Sterling Betancourt joined forces with a fellow Trinidadian musician, pianist Russell Henderson, to record some of Henderson’s piano music. Later the Russ Henderson Steel Band was formed along with Mervyn Constantine. A defining point for the band came in 1964 when the band was invited to play at the opening of a Children’s Carnival in Notting Hill. The invite came from Rhaune Laslette, a Notting Hill resident and local social worker, who was organising the event. In keeping up with the tradition of the Trinidad carnival at that time, the steel band began an impromptu march through the streets, enticing some of the onlookers to take part in the procession. This led to the start of the Notting Hill Carnival in 1965 with steel band music as the music of choice. Betancourt has taken Pan to many countries throughout Europe and Asia and as recognition for his contribution he was awarded Trinidad and Tobago’s Scarlet Ibis award, a University of East London Fellowship, an MBE (Member of the Most Excellent Order of the British Empire) and made a member of FRSA for his commitment in promoting steelpan culture throughout the United Kingdom, and pioneering steelpan projects in English schools
source: stories,arrival
date: 1951
type: Story

STEPHENSON, HEADLEY
type: Person

STEPHENSON, HEADLEY
type: Person

STEPHENSON, DANIEL
type: Person

STEPHEN, SAMUEL
type: Person

Stephen Wiltshire MBE HON FSAI HON FSSAA
description: For over 30 years, the name Stephen Wiltshire has been synonymous with finely-detailed, vigorous pen and ink drawings of the world’s great cities. These drawings – often drawn from memory and at a great speed -are sketched on the spot at street level ,drawn from the top of skyscrapers or sometimes made after whistle-stop helicopter rides over the city. Stephen regularly travels all over the world on private and public commissions, the most famous of which are his ten city panoramas drawn from memory. His talent is even more incredible considering that he was diagnosed with autism when he was three years old. Born in London in 1974, Stephen was mute as a small child, and found it hard to relate to other people. At the age of five, he was sent to Queensmill School, London, where it soon became apparent that he communicated through the language of drawing. His teachers encouraged him to speak by temporarily taking away his art materials; eventually he uttered his first words – “paper” and “pencil” Oust like Picasso) – but didn’t learn to speak fully until the age of nine. As soon as Stephen’s school started to enter his art into competitions, news of his talent began to spread. Early fans included the late Prime Minister Edward Heath, who bought his drawing of Salisbury Cathedral, made when Stephen was eight. Stephen came to wider public attention when the BBC featured him in the programme, ‘The Foolish Wise Ones’ in 1987, when he was introduced by Sir Hugh as “the best child artist in Britain”. In 2005, he was commissioned to undertake vast panoramic drawings of ten world cities and in 2006 Stephen was recognised for his services to the art world, when he was made a Member of the Order of the British Empire. That year Stephen and his family opened a permanent art gallery in London’s historic Royal Opera Arcade.
source: westindians
date: 1974-04-24
type: Person

STEELE, JOSEPH
type: Person

STEELE, JAMES
type: Person

STEELE, ARTHUR
type: Person

STEED, CHARLES
type: Person

STEED, CHARLES
type: Person

Statue
type: Physical Object

Statue
source: workshops,caribworkshops
publisher: EULAC
type: 3D Object

STANFORD, JOSEPH
type: Person

STANFORD, IRVINE
type: Person

STANFORD, ETHELBERT
type: Person

STANFORD, EDWARD
type: Person

STANFORD, BERESFORD
type: Person

STANFORD, ARCHIBALD
type: Person

STANDARD, DUDLEY
type: Person

STANDARD, DONALD
type: Person

STANDARD, DEIGHTON
type: Person

ST. THOMAS
source: barbadosmigration
type: Parish

ST. PHILIP
source: barbadosmigration
type: Parish

ST. PETER
source: barbadosmigration
type: Parish

ST. MICHAEL
source: barbadosmigration
type: Parish

ST. LUCY
source: barbadosmigration
type: Parish

ST. JOSEPH
source: barbadosmigration
type: Parish

ST. JOHN
source: barbadosmigration
type: Parish

ST. JAMES
source: barbadosmigration
type: Parish

ST. GEORGE, RUPERT
type: Person

ST. GEORGE
source: barbadosmigration
type: Parish

St. Augustine Campus
source: Contributers
type: Museum

ST. ANDREW
source: barbadosmigration
type: Parish

ST THOMAS
source: barbadosmigration
type: Parish

ST PHILIP
source: barbadosmigration
type: Parish

ST PETER
source: barbadosmigration
type: Parish

St Pauls Carnival
description: St Pauls Carnival is an annual African Caribbean carnival held, usually on the first Saturday of July, in St Pauls, Bristol. The celebration began life in 1968 as the St Pauls Festival, when the idea was "to create an event to help improve relationships between the European, African, Caribbean and Asian inhabitants of the area."
source: Carnival
type: Carnival

ST MICHAEL
source: barbadosmigration
type: Parish

ST LUCY
source: barbadosmigration
type: Parish

St Kitts
contributor: eulac3d
type: Site

ST JOSEPH
source: barbadosmigration
type: Parish

ST JOHN, FITZ
type: Person

ST JOHN, AUGUSTUS
type: Person

ST JOHN, ALFRED
type: Person

ST JOHN
source: barbadosmigration
type: Parish

ST JAMES
source: barbadosmigration
type: Parish

ST HILL, WILLIAM
type: Person

ST HILL, L
type: Person

ST HILL, JOSEPH
type: Person

ST HILL, JOSEPH
type: Person

ST HILL, JAMES
type: Person

ST HILL, HENRY
type: Person

ST HILL, FREDERICK
type: Person

ST HILL, CHARLES
type: Person

ST HILL, CHARLES
type: Person

ST HILL, CHARLES
type: Person

ST HILL, AUBREY
type: Person

St George, Barbados
source: places
contributor: eulac3d
type: Site

ST GEORGE
source: barbadosmigration
type: Parish

St Andrews Collections
description: The University of St Andrews is Scotland's first university, founded in 1413. Like the University, its Museums are rooted in and draw inspiration from this 600-year history of research and teaching, and the pursuit of knowledge for the common good. The Museums' collections are of national and international interest and importance and consist of around 115,000 artefacts and specimens. Museum collections are featured at the Wardlaw Museum and the Bell Pettigrew Museum, stored and studied in a dedicated Collections Centre, displayed across the University campus, and lent for exhibition nationally and internationally.
source: workshops
publisher: EULAC
type: Collection

ST ANDREW
source: barbadosmigration
type: Parish

SQUIRES, MELVIN
type: Person

SQUIRES, MALACHI
type: Person

SQUIRES, JOSEPH
type: Person

SQUIRES, JOSEPH
type: Person

SQUIRES, JAMES
type: Person

SQUIRES, GEORGE
type: Person