Llama de cerámica - Llama ceramic

Llama de cerámica - Llama ceramic

CULTURAL HERITAGE

Botella escultórica representando la cabeza de una llama; tiene gollete cónico, asa cintada que une el gollete y el cuerpo, presenta soporte pedestal troncocónico, se aprecia bruñido como tratamiento de la superficie externa, la pasta es de color gris claro con tonalidades oscuras producto de la cocción en horno de atmosfera reductora. Como elemento decorativo presenta una aplicación que representa una soga sobre el hocico del animal, demarcando los detalles de la soga mediante pequeñas incisiones oblicuas. A clay sculpture in the form of a bottle representing the head of the llama animal. It has a conical neck. The handle is in the form of a belt that joins the neck and the body presenting a support for a pedestal which is in turn in the form of cone trunk. The external surface appears to be burnished. The paste of such surface is of light grey colour with obscure tones produced from oven baking/oven cooking in a reduced atmosphere. On the object, as decorative element, we can see a rope like shape acting as a snout on the face of the animal, in which the details (of such rope) are demarcated as small oblique incisions.

Elaborado en la época Sican (750-1350 AD)

Physical Object

5981

25.9cm x 25.9cm x 25.9cm

current,-6.622841,-79.782768;

TEXT

Botella escultórica representando la cabeza de una llama; tiene gollete cónico, asa cintada que une el gollete y el cuerpo, presenta soporte pedestal troncocónico, se aprecia bruñido como tratamiento de la superficie externa, la pasta es de color gris claro con tonalidades oscuras producto de la cocción en horno de atmosfera reductora. Como elemento decorativo presenta una aplicación que representa una soga sobre el hocico del animal, demarcando los detalles de la soga mediante pequeñas incisiones oblicuas. A clay sculpture in the form of a bottle representing the head of the llama animal. It has a conical neck. The handle is in the form of a belt that joins the neck and the body presenting a support for a pedestal which is in turn in the form of cone trunk. The external surface appears to be burnished. The paste of such surface is of light grey colour with obscure tones produced from oven baking/oven cooking in a reduced atmosphere. On the object, as decorative element, we can see a rope like shape acting as a snout on the face of the animal, in which the details (of such rope) are demarcated as small oblique incisions.

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